Culture, Volume 1, Issue 1 (June 2026) – 2 articles

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16 pages, 5566 KB  
Article
What Is the Aesthetic Value of Industrial Heritage? A Study Grounded in the Chinese Context
by Sunny Han Han
Culture 2026, 1(1), 2; https://doi.org/10.3390/culture1010002 - 17 Oct 2025
Viewed by 229
Abstract
Industrial heritage has emerged in recent decades as a distinctive category within cultural heritage, though its aesthetic significance remains underexplored. Unlike traditional monuments with long historical resonance, industrial remains are often recent, standardized, and seemingly devoid of unique cultural symbolism. Yet, in China—where [...] Read more.
Industrial heritage has emerged in recent decades as a distinctive category within cultural heritage, though its aesthetic significance remains underexplored. Unlike traditional monuments with long historical resonance, industrial remains are often recent, standardized, and seemingly devoid of unique cultural symbolism. Yet, in China—where industrial production expanded massively under both demographic pressures and the Maoist planned economy—these sites now constitute one of the world’s largest inventories of heritage. This study builds on earlier discussions of heritage aesthetics by systematically analyzing the foundations of aesthetic value in industrial heritage, combining historical, functional, and identity-driven perspectives. Drawing on long-term field research, archival documentation, and policy analysis, it examines how adaptive reuse projects—from Beijing’s 798 Art District to Shougang Park and the reconfigured factories of Shanghai and Wuhan—redefine the visual and social significance of former industrial sites. The methodology integrates heritage aesthetic theory with case-based evidence to assess three key components: technological–historical traces, landscape transformation, and collective memory. Results indicate that aesthetic value rarely arises from static preservation but is constructed through refunctionalization, where industrial ruins acquire renewed meaning as cultural parks, creative hubs, or community spaces. Moreover, large-scale Chinese practices reveal that industrial heritage possesses not only visual appeal but also profound identity-based resonance for generations shaped by the “factory managing community.” By situating industrial heritage within the broader aesthetic system of cultural heritage, this research demonstrates that its value lies in the synthesis of function, memory, and landscape, and that China’s experience provides a compelling framework for rethinking global approaches to industrial heritage aesthetics. Full article
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Editorial
Culture: A New Open Access Journal
by Longxi Zhang, Caiwu Fu, Terry N. Clark and Sunny Han Han
Culture 2026, 1(1), 1; https://doi.org/10.3390/culture1010001 - 20 Aug 2025
Viewed by 721
Abstract
Culture is a peer-reviewed, open-access journal dedicated to the timely dissemination of pioneering research that interrogates and reconfigures the conditions of cultural life [...] Full article
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