Low-Proficiency Students’ Cognitive and Affective Engagement with Combined Audio and Indirect Written Feedback in an EFL Writing Class
Abstract
1. Introduction
2. Literature Review
2.1. The Construct of Engagement with Feedback
2.2. The Potentials of Teacher-CMF from Previous Studies
2.3. Empirical Studies on Student Feedback Engagement
3. Materials and Methods
3.1. Research Design
3.2. Context
3.3. Participants
3.4. Data Collection Instruments
3.5. Procedure
3.6. Data Analysis
4. Results
4.1. Low-Proficiency L2 Students’ Cognitive Engagement with Their Teacher’s CMF
My lecturer’s comments were about transition words and the reasons why characters did what they did. I also got comments on the use of capital letters and tenses.(S4 in Q1)
[The feedback] was about [how to] improve the narrative text that my group submitted. For example, I made a mistake in capital letters, and [teacher’s name] explained through her audio feedback that this part was incorrect. The grammar was also wrong. Then, she said, “For narrative text, the tense is simple past tense.” …I made a mistake. I still used the present tense. The errors were also highlighted by her. The other problems were related to the content of the narrative text, the structure of the text, the plot of the story, the reason why the characters did this, and the ending that should have moral value.(S7 in I1)
I looked for the location of errors that I needed to correct by seeing highlighted words in orange and yellow. Then, I analyzed the mistakes and corrected them. I also used Grammarly to help me revise grammar mistakes.(S8 in Q4)
We listened to the audio and revised together with my partner. Of course, I listened to it well. Then, I thought, “How can the text be better than the previous one?” Then, we immediately revised it. … We also evaluated the comments and texts about what else needed to be replaced or what else needed to be added. When we first created narrative text, we looked at the examples of narrative texts on Google. However, after we got feedback, we found out that the examples … were wrong. I also looked for other sources, but they were only used as references. All comments and suggestions were followed. We improved [our work] and added the content of our text. Then, we made the plot and ending of the story clearer. There was no total change. Some were deleted, but we did not completely change our text.(S3 in I4)
4.2. Low-Proficiency L2 Students’ Affective Engagement with Their Teacher’s CMF
I felt anxious because I was afraid that there would be too many mistakes in writing.(S14 in Q5)
I felt scared. I was afraid that everything would go wrong, and I was afraid of being heavily criticized. However, when I was praised, my thoughts were like “Oh it turns out it wasn’t that bad”, so I felt relieved. At first, I was really scared, but after listening to the criticism and suggestions from the audio, I felt very relieved.(S6/I5)
The usefulness of [the teacher’s feedback] could help me understand the teacher’s explanation because it [felt like she] spoke to me directly, so that it was easier to understand.(S8 in Q6)
…[the feedback language] was English and Indonesian. … Because our lecturer understood us, she … mixed [her languages], so that the feedback was easier to understand. If it was pure English, maybe I’m still trying to understand the feedback now.(S6 in I6)
[Teacher’s CMF] was quite difficult to access when I did not have an internet data package.(S6 in Q7)
Several explanations used Indonesian, but more explanations were in English. … because I was still studying in semester 1, there were some words that I didn’t know yet. …(S4 in I7)
I was very grateful for receiving feedback from my lecturer. Everything was very stable and easy to access and understand. However, I need it to give me criticism without hesitation or feeling bad because criticism, input, and suggestions are very important in my learning process as a student.(S13 in Q8)
Perhaps the media … should not be Vocaroo. Vocaroo often has technical errors. … The sound was not clear, and suddenly the volume increased by itself…. The sound was like having trouble getting [an internet connection].(S7 in I8)
In my opinion, marking and audio are enough.(S6 in Q9)
I once got verbal feedback. The feedback was addressed to all students because there were a large number of students… [However], if it was the teacher’s feedback [CMF], the text was really scrutinized from the beginning of the text to the end. Therefore, in my opinion, the feedback was better. I prefer the feedback because it was more detailed, and its audio could be listened to repeatedly. So, if I still didn’t understand what it meant, I could replay the file again until I really understood it. The feedback was also quite helpful because there were marks in the text where parts needed to be revised. [They] were highlighted by [teacher’s name], so they [marks] helped me revise the sentences that needed to be corrected. The marks were blue and yellow highlights. The blue color was for punctuation, and the yellow one was for grammar.(S2 in I9)
5. Discussion
6. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
Abbreviations
| CMF | Combined mode of feedback |
| AF | Audio feedback |
| WF | Written feedback |
| CF | Corrective feedback |
| BA | Bachelor of Arts |
| S | Student |
| Q | Questionnaire question item |
| I | Interview question item |
| LP | Low proficiency |
| HP | High proficiency |
| EFL | English as a foreign language |
| L1 | First language |
| L2 | Second language |
Appendix A
- What comments did you receive from your teacher on your first draft?
- What did you do when you received the feedback?
- What did you do when you revised your writing?
- To what extent did you use the feedback?
- What did you feel when you received teacher feedback?
- What do you think of the feedback benefits?
- What do you think of the feedback drawbacks?
- What improvements do you wish for the feedback?
- What mode of feedback (e.g., combined audio and highlight feedback, spoken feedback only, or written feedback only) do you prefer?
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| Week | Activities |
|---|---|
| Weeks 1–3 | Introduction to the Writing I course Paragraph and essay writing fundamentals |
| Weeks 4–5 | Introduction to descriptive writing & evaluation aspects, Brainstorming |
| Week 6 | Writing draft I |
| Week 7 | Draft I returned with teacher CMF |
| Week 8 | Revising & writing draft II |
| Weeks 9–10 | Introduction to narrative writing & evaluation aspects, Brainstorming |
| Week 11 | Writing draft I |
| Week 12 | Draft I returned with teacher CMF |
| Week 13 | Revising & writing draft II |
| Week 14 | Portfolio submission |
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Listiani, L.; Hódi, Á.; Nikolov, M. Low-Proficiency Students’ Cognitive and Affective Engagement with Combined Audio and Indirect Written Feedback in an EFL Writing Class. Educ. Sci. 2026, 16, 1119. https://doi.org/10.3390/educsci16071119
Listiani L, Hódi Á, Nikolov M. Low-Proficiency Students’ Cognitive and Affective Engagement with Combined Audio and Indirect Written Feedback in an EFL Writing Class. Education Sciences. 2026; 16(7):1119. https://doi.org/10.3390/educsci16071119
Chicago/Turabian StyleListiani, Listiani, Ágnes Hódi, and Marianne Nikolov. 2026. "Low-Proficiency Students’ Cognitive and Affective Engagement with Combined Audio and Indirect Written Feedback in an EFL Writing Class" Education Sciences 16, no. 7: 1119. https://doi.org/10.3390/educsci16071119
APA StyleListiani, L., Hódi, Á., & Nikolov, M. (2026). Low-Proficiency Students’ Cognitive and Affective Engagement with Combined Audio and Indirect Written Feedback in an EFL Writing Class. Education Sciences, 16(7), 1119. https://doi.org/10.3390/educsci16071119

