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The Dispositif of Holography
Independent Researcher, Montreal, QC H2J 2L3, Canada
Arts 2019, 8(1), 28; https://doi.org/10.3390/arts8010028
Received: 12 November 2018 / Revised: 7 January 2019 / Accepted: 22 February 2019 / Published: 26 February 2019
(This article belongs to the Special Issue Holography—A Critical Debate within Contemporary Visual Culture)
The French word dispositif, applied to visual art, encompasses several components of an artwork, such as the apparatus itself as well as its display conditions and the viewers themselves. In this article, I examine the concept of dispositif in the context of holography and, in particular, synthetic holography (computer-generated holography). This analysis concentrates on the holographic space and its effects on time and colors. A few comparisons with the history of spatial representation allow us to state that the holographic dispositif breaks with the perspective tradition and opens a new field of artistic research and experimentation. View Full-Text
Keywords: dispositif; synthetic holography; analog holography; holographic space; time and colors; multiple perspective; kinetics; chromaticity►▼ Show Figures
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Desbiens, J. The Dispositif of Holography. Arts 2019, 8, 28.
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Desbiens J. The Dispositif of Holography. Arts. 2019; 8(1):28.Chicago/Turabian Style
Desbiens, Jacques. 2019. "The Dispositif of Holography." Arts 8, no. 1: 28.
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