Search Results (99)

Within the Catholic liturgy and devotion, there exists a seemingly paradoxical notion of spirituality through materiality, religious practices that are equally tangible and intangible, concurrently present and absent. This paper explores the concept of ‘absent-presence’ in early modern Catholic devotional practices, with a focus on the Order of St John during the Counter-Reformation. Drawing on case studies from Malta and across the Hospitaller world, it investigates how religious materiality (sacred objects, spaces, and rituals) expresses divine agency. Anchored in the kinetic approach to religious history, the study examines how the movement of relics, the staging of processions, and the construction of sacred spaces fostered emotional and spiritual transformation among devotees. While belief may be elusive for historians, the devotional actions of the Hospitallers demonstrate a faith deeply intertwined with motion, matter, and memory as external forces that sought to move the soul through tangible forms. Full article

Past archaeological practices have resulted in a distorted history of Native American cultures based upon western-biased research. This has been especially apparent in the rock art of the Klamath Basin in southern Oregon and northern California. In response to this, Native and non-Native scholars are striving to develop a counter-discourse that both challenges and replaces western constructs in research on Native American communities. The result of this approach is a growing trend within the discipline that has come to be called “Indigenous Archaeology.” Critical to this approach is that Native voices are transported from the margins of the research to its center, where they are intended to replace the Western colonialist narrative. Unfortunately, Native American tribal communities have been the targets of federal assimilation policies for the past few centuries, and as a result, much of their cultural knowledge unwittingly carries forward this distorted past. In this paper I explore a framework built upon ethnographic accounts of shamanism and rock art, along with a robust familiarity with local myth, and how this provides a foundation of traditional cultural knowledge against which to compare and evaluate the interpretive statements made in contemporary tribal members about rock art and other sacred material culture. Full article

The “hand-waving sacrifice” is a large-scale sacrificial ceremony with more than 2000 years of history. It was passed down from ancient times by the Tujia ethnic group living in the Wuling Corridor of China, and it integrates religion, sacrifice, dance, drama, and other cultural forms. It primarily consists of two parts: ritual content (inviting gods, offering sacrifices to gods, dancing a hand-waving dance, etc.) and the architectural space that hosts the ritual (hand-waving hall), which together constitute Tujia’s most sacred ritual space and the most representative art and culture symbol. Nonetheless, in existing studies, the hand-waving sacrifice ritual, hand-waving hall architectural space, and hand-waving dance art are often separated as independent research objects, and little attention is paid to the coupling mechanism of the mutual construction of space and ritual in the process of historical development. Moreover, with the acceleration of modernization, the current survival context of the hand-waving sacrifice has undergone drastic changes. On the one hand, the intangible cultural heritage protection policy and the wave of tourism development have pushed it into the public eye and the cultural consumption system. On the other hand, the changes in the social structure of traditional villages have led to the dissolution of the sacredness of ritual space. Therefore, using the interaction of “space-ritual” as a prompt, this research first uses GIS technology to visualize the spatial geographical distribution characteristics and diachronic evolution process of hand-waving halls in six historical periods and then specifically analyzes the sacred construction of hand-waving hall architecture for the hand-waving sacrifice ritual space throughout history, as well as the changing mechanism of the continuous secularization of the hand-waving sacrifice space in contemporary society. Overall, this study reveals a unique path for non-literate ethnic groups to achieve the intergenerational transmission of cultural memory through the collusion of material symbols and physical art practices, as well as the possibility of embedding the hand-waving sacrifice ritual into contemporary spatial practice through symbolic translation and functional extension in the context of social function inheritance and variation. Finally, this study has specific inspirational and reference value for exploring how the traditional culture and art of ethnic minorities can maintain resilience against the tide of modernization. Full article

Monastic life presents a contrast to many aspects of modern existence (the rule of ideology, consumerism, various forms of negativity, dominance of the virtual, forgetfulness). The following essay explores this contrast and its presence throughout the long history of monasticism, with a focus on early Northern and Western monasticism on the one hand, and the modern Benedictine tradition on the other. The counter-cultural dimensions of monastic life range from special landscapes and sacred space to the function of time, and from the transcendental role of prayer to the earthy nature of hard work. Not only do the traditions of monastic scholarship and the books gathered in monastic libraries help preserve the memory and reinforce the special counter-culture of monasteries, but the monasteries remain to this day places of healing and sources of hope. The poem “Pilgrimage” composed in 1929 by Austin Clarke captures the character of monastic life not only as something contrary, but as an essential way of life, which has survived from the founding of medieval Clonmacnoise up until today. Full article

El Malpais National Monument in New Mexico, USA, is a landscape of significant cultural and geological importance, characterized by extensive lava flows, caves, and cinder cones. Despite its harsh terrain, El Malpais holds deep cultural and spiritual meanings for Native American communities, including the Acoma, Zuni, Laguna, and Navajo tribes, whose cosmologies and histories are interwoven with this landscape. Employing a mixed-methods approach combining ethnographic fieldwork with comparative literature studies, this paper documents how these Indigenous groups perceive and interpret interconnected geological features as sacred and meaningful parts of their ancestral heritage. The findings reveal that volcanic landscapes are central not only to cultural origin narratives but also to ongoing rituals, resource use, and pilgrimage practices. This interconnectedness is exemplified by the cultural links between El Malpais and adjacent Mount Taylor, highlighting how geological features form a unified sacred geography. This study positions El Malpais as a culturally animated landscape, where Indigenous epistemologies and spiritual relationships with volcanic landforms challenge conventional notions of geoheritage and call for relational, community-informed approaches to heritage management. Full article

The Church of Christ is unity in diversity. Around the great centers of diffusion, the rites have been gradually defined as “the liturgical, theological, spiritual and disciplinary patrimony, culture and circumstances of the history of a distinct people, by which its own manner of living the faith is manifested” (Code of Canons of the Eastern Churches can. 28 § 1). At the same time, the necessity of the existence of the sacred ministry for the celebration of the Eucharist and the Sacraments is the basis for the establishment of the hierarchy of bishoprics that are formed ontogenetically and diachronically around the primary diffusion center, recognized as the Mother Church or, starting from the IVth–Vth centuries, as the Patriarchates. The tensions between dissident factions culminated in the Ecclesiastical Schism of 1054, which separated Eastern Christianity from the Roman Church. The restoration of the unity of the Constantinopolitan Churches of Central and Eastern Europe began with the Union of Brest–Litovsk (1595–1596), which generated a process of gradual entry of the territories of the Eastern Churches into unity, in 1700 reaching Transylvania. The Greek Catholic Churches fought a pioneering struggle in asserting their own traditions in order to restore the unity of the Church. The Eastern churches that re-entered the unity of the Catholic Church faced a change of ecclesiological paradigm, being in a permanent struggle to preserve their own specificity and to affirm the unity. The signatories of the Union Acts rejected “the Uniatism” from the beginning, a fact accepted today within the theological dialogue between the Catholic Church and the Orthodox Churches, the canonical evolution and the treatises of Greek–Catholic theology being the result of a process of experimentation “from within” of unity and catholicity in the context of the modern and contemporary era. The United Churches have paved the way for the restoration of unity between East and West, being obligated to grasp different forms of canonical manifestation of unity in the absence of a Patriarchate in communion with the Church of Rome, during which they offer a reflection that fully grows through a theology of restoring the unity of the Church, benefiting today from the ecclesiological paradigm shift of Vatican II and by the conceptual tools provided by the traditions and the Code of Canons of the Eastern Churches. Full article

The olfactory sense and experience are considered a conduit between spirituality and the divine realm in Daoism. The ceremonial use of incense in Daoism (shixiang 侍香) has been explored from various theological perspectives and described by numerous liturgists. Despite its importance, several questions about the development and history of Daoist olfactory culture remain unresolved. This paper examines medieval religious dialogs concerning divine smells and smoke before and during the Tang dynasty, a period marked by the interaction and mutual influence of Daoism and Buddhism in China. I argue that medieval Daoism enhanced its soteriology by adopting the concept of vāsanā (xun 薰) from Buddhism, particularly Yogâcāra. Xuan Zang’s 玄奘 translation corpus of Vasubandhu, Cheng Weishi Lun 成唯識論, along with the treatises of two Tang Daoist liturgists Zhu Faman’s 朱法滿 and Du Guangting’s 杜光庭, reveal a shared belief that sacred smells transform the perfumed at a profound level, embedding the divine essence within them. The Yogâcāra concept of vāsanā, elucidated by Xuan Zang, was readily incorporated into Tang Daoism due to their shared soteriological interests. Tang Daoism was in the process of codifying its rituals for self-purification and collective salvation, thereby enhancing the significance of incense through its dynamic absorption of vāsanā. The olfactory practices in medieval Daoism demonstrate that East Asian medieval soteriology promoted universalism through the ritual interactions between Buddhism and Daoism. Full article

Faith and conservation are deeply entangled in the Himalayas. Focusing on a single Hindu community in Darchula, Nepal, we investigate the forms of governance used to manage an extensive sacred forest on a nearby mountain and five smaller community forests at its base. To understand the effects of these different models of governance, we use a mixed method approach to examine two indicators of biocultural diversity: forest resource use and spiritual practices. These data reveal a concentrated human impact on the community forests through the harvesting of plant resources, while the sacred forest receives a far smaller impact from these activities. The community considers the sacred forest and mountain to be the home of a local god, who is worshiped in annual pilgrimages attended by people throughout the region. Spiritual practices in the community forests are more localized, small-scale, and associated with women’s traditions. From a biodiversity perspective, the sacred forest appears useful for conservation because of its large size and the spiritual governance that protects it from most human impacts. In terms of biocultural diversity, however, the two forest types play complementary roles in supporting biocultural heritage: the community forests provide the resources required for daily life, while the sacred forest nourishes identity, embodies communal history, and upholds the fertility of the land. The two forest types ultimately blend together in the ways that they are valued and used by people, showing that only a landscape-level perspective can provide a full understanding of the links between forest and community. Full article

The illustrated books of Kōriki Enkōan (1756–1831), a samurai and amateur illustrator from Owari domain, offer a unique window into the culture of spectacle and display that flourished in late Edo-period Japan. Included in his corpus are several manuscripts that document kaichō, public exhibitions of sacred icons and temple treasures hosted by Buddhist temples and other venues. While most studies of kaichō emphasize their popularity in the capital of Edo, this article focuses on Enkōan’s illustrated manuscript of an exhibition of the famous Seiryōji Shaka that was held in Nagoya in 1819. Situating the event and its visual documentation within the statue’s legendary history as a traveling icon, the study explores how Enkōan’s careful manipulation of text and image created an immersive reading experience that allowed its readers a kind of virtual access to the exhibition. Considering the author’s position within the contemporary social hierarchy, it also addresses the role that samurai values may have played in shaping the representation of kaichō and illuminates its intersections with urban spectacle and emerging exhibition practices in early modern Japan. Full article

In pre-Song Chinese thought, the afterlife, or the subterranean realm was a sacred space distinctly separate from the world of the living, an extension of the political–religious–cultural order of the Chinese empire. Even after the introduction of Buddhism to China, although the Buddhist concept of hell applied karmic retribution to the present life in an attempt to provide ethical norms for real life, the sacredness of the afterlife remained intact. Song Dynasty Chinese thought underwent a profound “modernization” transformation. Su Shi, with the concept of qing 情 [disposition] at its core, disenchanted the sacred afterlife, shaping a new, self-conscious individuality in the interplay between the living and the dead, the finite and the infinite, the mortal and the immortal. This new individuality, with its spiritual spontaneity and freedom, integrated the afterlife with the present world, internalizing infinity and immortality into a utopian spiritual homeland. This free individuality, entirely different from Song-Ming Neo-Confucianism, marking a hidden potential in the development of Chinese intellectual history that has yet to be fully revealed. Full article

Częstochowa is a city known as the “spiritual capital of Poland”. The reason behind this name is the sanctuary of Our Lady—”Jasna Góra” monastery—around which a settlement was established, giving rise to the city today. The first parish was established in the 14th century. The next two parishes in Częstochowa were only established at the turn of the 19th and 20th centuries: St Barbara’s in 1891 and St Joseph’s in 1910. Today, Częstochowa has a population of almost 200,000, is an industrial and academic center, and has 53 parish churches. In comparison, Warsaw, Poland’s capital, with a population of 1,861,599, has 86 parishes. The vast majority of Częstochowa’s churches were built in the 1980s and 1990s. This paper presents a short history of the city’s development with particular reference to its sacred architecture. It also attempts to present the influence of church buildings on the urban layout and religious atmosphere of the city. The paper is an attempt to present the phenomenon of Częstochowa, which attracts hundreds of thousands of pilgrims from Poland and all over the world every year. Full article

Medieval writers designated Siena as a “new city”. Seemingly confirming this assessment, the Sienese Church possessed no hagiographic tradition of early bishops that would prove that their urban settlement was a true civitas in late antiquity. As part of their effort to verify that their city had not only Roman but also early Christian origins, the Sienese, primarily spearheaded by lay officials, refashioned the image of their martyr-saint, Ansanus (d. 296). By the thirteenth century, the implication that the lay martyr had baptized the citizens was added to his second Latin passion narrative. Yet, only beginning in the fifteenth century do vernacular passions and images of Ansanus baptizing the Sienese appear, revealing that the baptismal event emerged as a defining point in the sacred history of the city and was communicated to citizens both textually and visually. These were produced at the behest of lay institutions, such as the Opera del Duomo and the communal government. By performing the sacrament of baptism, Ansanus fulfilled a crucial function of a proto-bishop, namely the transformation of the pagan Sienese into a true community of the baptized. Though some Sienese humanists sought to identify the earliest bishops, no episcopal cult was ever established. Considering that the default for other major cities in Italy was to identify and venerate their early bishops, Ansanus’s transformation into “the Baptizer” presents a case study of how saints could be adapted in unconventional ways to fix a problematic civic past. Full article

This article is devoted to the study of geoheritage objects and the scientific justification for the creation of a geopark in the Ulytau region of Central Kazakhstan. This region is the largest copper-bearing province in the world and has a unique natural and cultural heritage. The purpose of this article is to show the scientific and tourist significance of geoheritage objects of the potential Ulytau Geopark. The geological history of this area tells about no less than 500 million years of the planet’s development. Geological, historical and sacred objects make this area extremely interesting for the development of geotourism and the creation of geoparks as a basis for the sustainable development of the area. The research methods included a bibliographic method, which made it possible to collect information on the geoheritage of the territory; field survey techniques; and methods based on the evaluation of the criteria for eligibility for UNESCO Geoparks. The methodology included five main blocks of assessment (geology and landscape, structure and management model, interpretation and environmental education, geotourism and sustainable development at the regional level) and represents an integrated interdisciplinary approach to present regional features in the context of the geological heritage of the world. Despite the length of time geology has been studied and the resources actively used, geoheritage sites have not been previously studied and characterised. Geoparks in Kazakhstan are at an early stage of development and this article aims to show the potential for establishing geoparks in the Ulytau region. Full article

In this study, I explore the possibility of a historiography that recognizes and incorporates the sacred as an essential part of how reality is conceived. Here, the “sacred” refers to the belief that reality is inherently shaped and influenced by the presence and action of God. For the majority of the last twenty centuries, this has been the prevailing conception of reality in Europe. However, interpreting such a conception poses a significant hermeneutical challenge, that is understanding a sacred worldview that is fundamentally different from modern perspectives, without distorting its meaning through present-day assumptions or biases. The aim of this introductory article is to identify both the root of the hermeneutical problem and an opportunity to solve it. The root of the problem lies in the predominance of an immanent, secular approach to history. This approach dictates a secular interpretation of history that systematically excludes or marginalizes the transcendent, reducing complex historical realities shaped by sacred or metaphysical dimensions to purely material or social phenomena. The opportunity is the crisis of the secularization thesis and the loosening of secularism’s grip on historiography that open the space for alternative historiographical approaches. These alternative approaches would prioritize understanding the sacred on its own terms, rather than subordinating it to secular explanations. Full article

This article examines a single figure from Christian history, the reformed sinner known as Musa of Rome (d.c. 593). Tracing the evolution of Musa from Gregory the Great’s Dialogues to early modern pastoral texts, this study explores processes of condemnation, recalibration, and negotiation regarding dance in premodern Christianity. The first section analyzes medieval portrayals of Musa as expressions of “choreophobia,” a term borrowed from dance studies scholar Anthony Shay that denotes cultural anxiety surrounding dance. Here, I argue that choreophobic renditions of Musa sedimented medieval misogyny and conceptualized sin. The second section turns to late medieval sources that assess dance differently vis-à-vis dance studies scholar André Lepecki’s concept of “choreopolice” or “choreopolicing”. For this study, choreopolicing highlights how ecclesiastical authorities refashioned Musa as a moralizing vehicle to articulate and implement clerical agendas. The third and final section explores Musa’s inspiring aura as a sacred muse. In this vein, her kinesthetic afterlives helped Christian laity apprehend Marian piety, visualize the resurrected body, and communicate hope for redemption. Methodologically, this study embraces the frameworks of religious studies, medieval studies, and dance studies. However fictional and embellished retellings of the Musa story were, this article—the first in-depth scholarly study dedicated to Musa of Rome—demonstrates how the medieval dancing body manifested a site of political contestation, ecclesiastical control, and individual redemption. Full article