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Keywords = psychogeography

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25 pages, 19830 KB  
Article
Adaptive Redesign of Urban Industrial Landscapes: The Case of Komotini’s Technical Chamber Square, Greece
by Varvara Toura, Alexandros Mpantogias and Neslihan Saban
Culture 2026, 2(1), 2; https://doi.org/10.3390/culture2010002 - 4 Jan 2026
Viewed by 372
Abstract
Deindustrialization has left many industrial buildings inactive, raising questions about their role in contemporary urban life. This article explores how semiotics and psychogeography can reframe such structures as dynamic architectural happenings, shifting emphasis from preservation toward social value and collective experience. This research [...] Read more.
Deindustrialization has left many industrial buildings inactive, raising questions about their role in contemporary urban life. This article explores how semiotics and psychogeography can reframe such structures as dynamic architectural happenings, shifting emphasis from preservation toward social value and collective experience. This research focuses on Komotini, Greece, where the Technical Chamber Square is reinterpreted through references to the adjacent Tobacco Warehouse. By integrating architectural traces of the past into new recreational and sporting functions, this study demonstrates how heritage can be embedded into everyday practices. Methodologically, this research employs qualitative approaches, including demographic and historical analysis of Komotini’s urban and industrial development, alongside psychogeographic drifting walks. Twenty interviews were conducted with local business owners, residents, and visitors, as well as psychogeographic walks, generating insights into how communities interact with industrial heritage. The findings indicate that semiotics and psychogeography are effective tools for activating public spaces near former industrial sites, enabling the built environment to be understood as a layered record of successive interventions. The study concludes that adaptive redesign offers designers a methodology that can embed industrial fragments into vibrant public realms that sustain diverse communities, catalyze local economies, and honor historical identity through lived practices. Full article
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40 pages, 4766 KB  
Article
Psychogeography of Refugee Youth from Ukraine in Weimar, Germany: Navigating the Sense of Belonging in the Context of Liminality
by Mariam Kunchuliya and Frank Eckardt
Soc. Sci. 2024, 13(9), 438; https://doi.org/10.3390/socsci13090438 - 23 Aug 2024
Cited by 1 | Viewed by 2941
Abstract
This study looks at the sense of belonging among the youth who fled Russia’s full-scale invasion of Ukraine and currently reside in Weimar, Germany. Having fled the war in a time of transition to a more independent stage of life, refugee youth are [...] Read more.
This study looks at the sense of belonging among the youth who fled Russia’s full-scale invasion of Ukraine and currently reside in Weimar, Germany. Having fled the war in a time of transition to a more independent stage of life, refugee youth are finding themselves in a challenging context of liminality: both in terms of age and environment. Experiencing a feeling of uncertainty about their positioning in life and a new society, refugee youth are especially prone to feeling excluded and lost, which creates further challenges for their well-being. While the sense of belonging cannot be strictly defined, it is considered a vital factor for mental and physical well-being, as well as a core sign of social integration. To understand how to help newcomers foster their sense of belonging, this study tracks senses of (non)belonging among refugee youth following a weak theory and psychogeographic approach. The results demonstrate the ‘dialectic’ battle of opposites: how right-wing city rallies and pro-Russian symbolism in Weimar are triggering a sense of alienation and detachment on the one hand, and how signs of solidarity with Ukraine and connecting to local social groups invite engagement with the city, its politics and hence create a sense of agency, welcoming and belonging on the other. The results of the study have important applicability for human geography as well as the development of the theory on the sense of belonging among refugee youth in the context of liminality. Full article
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17 pages, 4571 KB  
Technical Note
Awareness of Spontaneous Urban Vegetation: Significance of Social Media-Based Public Psychogeography in Promoting Community Climate-Resilient Construction: A Technical Note
by Jie Kong, Wei He, Yongli Zheng and Xiaowei Li
Atmosphere 2023, 14(11), 1691; https://doi.org/10.3390/atmos14111691 - 16 Nov 2023
Cited by 4 | Viewed by 2835
Abstract
Traditional urban green spaces offer numerous benefits to the environment and residents, but their high social resource expenditure on exploitation and maintenance makes them insufficient to face the threats of global climate change and the rapid pace of urbanization, further raising numerous other [...] Read more.
Traditional urban green spaces offer numerous benefits to the environment and residents, but their high social resource expenditure on exploitation and maintenance makes them insufficient to face the threats of global climate change and the rapid pace of urbanization, further raising numerous other socio-environmental issues. Spontaneous urban plants have a superior ability to mitigate urban environmental crises due to their ability to maintain urban biodiversity and provide ecological benefits with minor cost and effort of maintenance. However, these values are often overshadowed by their stigmatized image and aesthetic characteristics that are not widely appreciated by the general public. To promote the future utilization of spontaneous plants at the community level, this study explores how, from the perspective of individual psychology, aesthetic appreciation of spontaneous plants can serve as a pivotal element in motivating environmental participation, thereby fostering urban resilience. Public psychogeography, with its focus on the emotional and behavioral interactions between individuals and their urban environments, can be instrumental in promoting community climate resilience by enhancing place attachment and inspiring collective action towards sustainable urban living. Through study, the project conducted by Future Green Studio, based in New York City, raised public interest and awareness based on psychogeography theory and presented a way of using social media posts, not only as a reflection of the public’s aesthetic appreciation of spontaneous urban plants but also as a data collection instrument of their geo-location and ecological properties. The result of the social media engagement activities enabled the establishment of a growing interactive digital open database, covering all of New York City. This database succeeded due to its efficient data collection methods, which resulted in more robust stakeholder engagement as compared to conventional community engagement efforts. The research argues that when residents are empowered to document and learn about their environment, they can become active agents in the creation of sustainable, resilient, and aesthetically enriched urban ecosystems. The success of this initiative offers a replicable model for other cities and demonstrates the potential for collaborative efforts in environmental restoration and education. Full article
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13 pages, 293 KB  
Article
Drancy–La Muette: Concentrationary Urbanism and Psychogeographical Memory in Alexandre Lacroix’s La Muette (2017)
by Diane Minami Otosaka
Genealogy 2023, 7(1), 23; https://doi.org/10.3390/genealogy7010023 - 20 Mar 2023
Viewed by 3091
Abstract
That the Drancy transit and internment camp—the main camp from which Jews were deported from France—is currently inhabited, having reverted to its pre-war name ‘La Muette’ and initial function as a housing estate at the end of the 1940s, remains little-known. As a [...] Read more.
That the Drancy transit and internment camp—the main camp from which Jews were deported from France—is currently inhabited, having reverted to its pre-war name ‘La Muette’ and initial function as a housing estate at the end of the 1940s, remains little-known. As a result of this multi-layered history, the site is deeply ambivalent, being both haunted and inhabited. Through a theoretical framework informed by psychogeography, this article brings to light the concentrationary presence that is layered onto the space of everyday life at the site of Drancy–La Muette and investigates the possibility of resisting the resulting spatial politics of dehumanisation. Through a close reading of Alexandre Lacroix’s novel La Muette (2017) and its spatial poetics, this article argues that it is by elaborating new ways of seeing, whereby the interpenetration of past and present, the visible and the invisible, comes to the fore, that the traumatic space of Drancy–La Muette may open up. This, in turn, allows for the circulation of affective resonances between the built environment and the individual, which resist the concentrationary logic. Full article
(This article belongs to the Special Issue Space in Holocaust Memory and Representation)
15 pages, 241 KB  
Article
Creative Environments: The Geo-Poetics of Allen Ginsberg
by Alexandre Ferrere
Humanities 2020, 9(3), 101; https://doi.org/10.3390/h9030101 - 1 Sep 2020
Cited by 2 | Viewed by 5165
Abstract
As was the case for other writers from the Beat Generation, geography is more than simply a setting for Allen Ginsberg’s work, as his poetry also bears the imprint of the influence of the landscapes through which he traveled in his mind and [...] Read more.
As was the case for other writers from the Beat Generation, geography is more than simply a setting for Allen Ginsberg’s work, as his poetry also bears the imprint of the influence of the landscapes through which he traveled in his mind and poetic practice. In the 1950s, the same decade which saw the composition of Ginsberg’s Howl, Guy Debord and his followers developed the concept of “psychogeography” and “dérive” to analyze the influence of landscapes on one’s mind. The Debordian concept of psychogeography implies then that an objective world can have unknown and subjective consequences. Inspired by Debord’s theories and through the analysis of key poems, this paper argues that a psychogeographical focus can shed new light on ecocritical studies of Ginsberg’s poetry. It can indeed unveil the complex construction of the poet’s own space-time poetics, from hauntological aspects to his specific composition process. Full article
12 pages, 5077 KB  
Article
Spatio-Temporal Distribution of Negative Emotions in New York City After a Natural Disaster as Seen in Social Media
by Oliver Gruebner, Sarah R. Lowe, Martin Sykora, Ketan Shankardass, SV Subramanian and Sandro Galea
Int. J. Environ. Res. Public Health 2018, 15(10), 2275; https://doi.org/10.3390/ijerph15102275 - 17 Oct 2018
Cited by 48 | Viewed by 7088
Abstract
Disasters have substantial consequences for population mental health. We used Twitter to (1) extract negative emotions indicating discomfort in New York City (NYC) before, during, and after Superstorm Sandy in 2012. We further aimed to (2) identify whether pre- or peri-disaster discomfort were [...] Read more.
Disasters have substantial consequences for population mental health. We used Twitter to (1) extract negative emotions indicating discomfort in New York City (NYC) before, during, and after Superstorm Sandy in 2012. We further aimed to (2) identify whether pre- or peri-disaster discomfort were associated with peri- or post-disaster discomfort, respectively, and to (3) assess geographic variation in discomfort across NYC census tracts over time. Our sample consisted of 1,018,140 geo-located tweets that were analyzed with an advanced sentiment analysis called ”Extracting the Meaning Of Terse Information in a Visualization of Emotion” (EMOTIVE). We calculated discomfort rates for 2137 NYC census tracts, applied spatial regimes regression to find associations of discomfort, and used Moran’s I for spatial cluster detection across NYC boroughs over time. We found increased discomfort, that is, bundled negative emotions after the storm as compared to during the storm. Furthermore, pre- and peri-disaster discomfort was positively associated with post-disaster discomfort; however, this association was different across boroughs, with significant associations only in Manhattan, the Bronx, and Queens. In addition, rates were most prominently spatially clustered in Staten Island lasting pre- to post-disaster. This is the first study that determined significant associations of negative emotional responses found in social media posts over space and time in the context of a natural disaster, which may guide us in identifying those areas and populations mostly in need for care. Full article
(This article belongs to the Special Issue Health-Related Emergency Disaster Risk Management (Health-EDRM))
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7 pages, 1150 KB  
Proceeding Paper
A Survey of Utopia—Creating Filmic Travelogues in Architectural Design Studio Education
by Johannes Müntinga and Gerlinde Verhaeghe
Proceedings 2017, 1(9), 936; https://doi.org/10.3390/proceedings1090936 - 28 Feb 2018
Viewed by 2476
Abstract
This paper investigates the potential of the creation of filmic travelogues in architectural design studio education. It looks at student works from a studio conducted at RWTH Aachen University in the summer term of 2017 and explores how the works construct meaning from [...] Read more.
This paper investigates the potential of the creation of filmic travelogues in architectural design studio education. It looks at student works from a studio conducted at RWTH Aachen University in the summer term of 2017 and explores how the works construct meaning from and reflect on architectural reference in an active creative process. The assignment of the studio was to create a travelogue of a 4-day excursion to Belgium and the South of England in the form of a short film. Inspired by Patrick Keiller’s film Robinson in Space, the students were invited to explore the Situationist techniques of Drifting and Psychogeography, and to use them in their visual storytelling. The studio´s title A Survey of Utopia makes reference to the architectural and urbanistic projects that were visited: visionary residential projects from the 1960s to 1980s, built by well-known architects of this period, such as Lucien Kroll, Walter Segal and Leon Krier. The term utopia hints at the projects shared interest in radical change and bold new architectural approaches, even though each pursues its own distinct kind of utopia. Full article
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14 pages, 241 KB  
Article
Assembling the Assemblage: Developing Schizocartography in Support of an Urban Semiology
by Tina Richardson
Humanities 2017, 6(3), 47; https://doi.org/10.3390/h6030047 - 10 Jul 2017
Cited by 3 | Viewed by 6880
Abstract
Abstracts: This article looks at the formulation of a methodology that incorporates a walking-based practice and borrows from a variety of theories in order to create a flexible tool that is able to critique and express the multiplicities of experiences produced by moving [...] Read more.
Abstracts: This article looks at the formulation of a methodology that incorporates a walking-based practice and borrows from a variety of theories in order to create a flexible tool that is able to critique and express the multiplicities of experiences produced by moving about the built environment. Inherent in postmodernism is the availability of a multitude of objects (or texts) available for reuse, reinterpretation, and appropriation under the umbrella of bricolage. The author discusses her development of schizocartography (the conflation of a phrase belonging to Félix Guattari) and how she has incorporated elements from Situationist psychogeography, Marxist geography, and poststructural theory and placed them alongside theories that examine subjectivity. This toolbox enables multiple possibilities for interpretation which reflect the actual heterogeneity of place and also mirror the complexities that are integral in challenging the totalizing perspective of space that capitalism encourages. Full article
7 pages, 166 KB  
Editorial
Deep Mapping and Spatial Anthropology
by Les Roberts
Humanities 2016, 5(1), 5; https://doi.org/10.3390/h5010005 - 14 Jan 2016
Cited by 26 | Viewed by 16706
Abstract
This paper provides an introduction to the Humanities Special Issue on “Deep Mapping”. It sets out the rationale for the collection and explores the broad-ranging nature of perspectives and practices that fall within the “undisciplined” interdisciplinary domain of spatial humanities. Sketching a cross-current [...] Read more.
This paper provides an introduction to the Humanities Special Issue on “Deep Mapping”. It sets out the rationale for the collection and explores the broad-ranging nature of perspectives and practices that fall within the “undisciplined” interdisciplinary domain of spatial humanities. Sketching a cross-current of ideas that have begun to coalesce around the concept of “deep mapping”, the paper argues that rather than attempting to outline a set of defining characteristics and “deep” cartographic features, a more instructive approach is to pay closer attention to the multivalent ways deep mapping is performatively put to work. Casting a critical and reflexive gaze over the developing discourse of deep mapping, it is argued that what deep mapping “is” cannot be reduced to the otherwise a-spatial and a-temporal fixity of the “deep map”. In this respect, as an undisciplined survey of this increasing expansive field of study and practice, the paper explores the ways in which deep mapping can engage broader discussion around questions of spatial anthropology. Full article
(This article belongs to the Special Issue Deep Mapping)
19 pages, 2558 KB  
Article
Glas Journal: Deep Mappings of a Harbour or the Charting of Fragments, Traces and Possibilities
by Silvia Loeffler
Humanities 2015, 4(3), 457-475; https://doi.org/10.3390/h4030457 - 18 Sep 2015
Viewed by 8560
Abstract
With reference to a hybrid ethnographic project entitled Glas Journal (2014–2016), this article invites readers to reflect on the cultural mapping of spaces we intimately inhabit. Developed with the participation of local inhabitants of Dún Laoghaire Harbour, Ireland, Glas Journal seeks to explore [...] Read more.
With reference to a hybrid ethnographic project entitled Glas Journal (2014–2016), this article invites readers to reflect on the cultural mapping of spaces we intimately inhabit. Developed with the participation of local inhabitants of Dún Laoghaire Harbour, Ireland, Glas Journal seeks to explore the maritime environment as a liminal space, whereby the character of buildings and an area’s economic implications determine our relationship to space as much as our daily spatial rhythms and feelings of safety. Deep mapping provides the methodological blueprint for Glas Journal. In order to create a heteroglossic narrative of place and belonging, I will contextualise the project with references to seminal works in the visual arts, literature, film and geography that emotionally map spaces. Chronotopes of the threshold will be used to elaborate on spatial and cultural phenomena that occur when crossings from public to private and interior to exterior take place. Touching upon questions such as “What is a space of protection?”, “Who am I in it?”, and “Who is the Other?”, this article traces forms of liquid mapping that do not strive to conquer but rather to gain insight into the inner landscapes that are reflected in outer space. Full article
(This article belongs to the Special Issue Deep Mapping)
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5 pages, 448 KB  
Book Review
Walking and Mapping: Artists as Cartographers. By Karen O’Rourke. Cambridge, MA. MIT Press, 2013.
by Joel Weishaus
Arts 2014, 3(2), 298-302; https://doi.org/10.3390/arts3020298 - 16 Jun 2014
Cited by 1 | Viewed by 10179
Abstract
While there is a long well-documented tradition of poets walking and writing about the landscape, for at least the past fifty years visual artists have been laying out walks as various kinds of artwork. More recently, with the technology of mapping morphing into [...] Read more.
While there is a long well-documented tradition of poets walking and writing about the landscape, for at least the past fifty years visual artists have been laying out walks as various kinds of artwork. More recently, with the technology of mapping morphing into electronic devices, artists have begun using these tools to develop entirely new genres. Full article
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