Search Results (29)

The growing importance of the symbolic dimension in urban globalisation has led cities to compete not only in economic terms, but also in cultural and symbolic arenas. In this context, events and festivals have emerged as strategic tools for building reputation, attracting global audiences, and projecting soft power. This study introduces an updated version of the Synthetic Index of Events and Festivals (SIEF), which evaluates the positioning of 150 cities based on their capacity to host significant cultural and sporting events. Using a multi-methodological approach that combines an extensive literature review with a statistical analysis of data from various international organisations, the findings reveal a complex urban hierarchy. Globally multifunctional cities coexist with secondary or globalising ones that gain symbolic visibility through thematic specialisation. This study also identifies synergies between different event types and provides evidence of thematic clusters within the global urban network. The results underscore the importance of incorporating cultural indicators into global urban studies and position events as a privileged lens through which to examine the symbolic reconfiguration of the contemporary urban system. Full article

Rome, historically regarded as a monumental center of Catholic Christendom, now stands as a multi-layered environment shaped by diverse religious communities whose overlapping architectures, rites, and narratives expand the city’s cultural memory. This article employs Warburg’s Mnemosyne methodology to investigate how symbolic motifs, architectural forms, and intangible practices—from Eastern Orthodox iconography to the Great Mosque of Rome’s transnational design—migrate, adapt, and reconfigure within Rome’s urban fabric. Drawing on interdisciplinary approaches from cultural memory studies, religious studies, and urban geography, it reveals how minority communities—Jewish, Muslim, Orthodox Christian, Protestant, Methodist, and Scientology—act as “memory agents”, negotiating visibility and introducing new heritage layers that challenge monolithic perceptions of Rome’s identity. The analysis underscores that intangible heritage, such as chanting, prayer, and interfaith festivals, is equally central to understanding how collective memory is produced and transmitted. Tensions arise when key stakeholders do not validate these emerging cultural forms or question their “authenticity”, reflecting the contested nature of heritage-making. Ultimately, Rome’s religious plurality, shaped by migration and historical transformations, emerges as a dynamic memoryscape. By recognizing the vital role of minority faiths in heritage-making, this study contributes to broader debates on cultural pluralism, super-diversity, and the evolving definitions of religious and cultural heritage in contemporary global cities. Full article

Air Quality (AQ) and the management of low-emission zones are critical issues in densely populated urban areas. In such environments, human activity significantly impacts AQ, prompting increased efforts to monitor it using a range of devices. Traditional Air Quality monitoring relies on regulated stations, which are often scarce due to high costs, leaving many areas unmonitored. Low-cost sensors offer a promising solution by enabling the higher-spatial-resolution monitoring of pollution levels. In this article, we present the results of a case study conducted in an urban setting where AQ is affected by human activity, particularly during Las Fallas, Valencia’s most renowned festival, which has been declared an Intangible Cultural Heritage of Humanity by UNESCO. The festival features widespread bonfires, firecrackers and large crowds, all of which contribute to worsening air pollution. In this context, we evaluate the performance of the off-the-shelf, low-cost ZPHS01B multisensor module in a real deployment. This module is capable of monitoring Temperature (T), Relative Humidity (RH), Particulate Matter (PM), CO, ${\mathrm{CO}}_2$, ${\mathrm{NO}}_2$, ${\mathrm{O}}_3$, ${\mathrm{CH}}_2$O and Volatile Organic Compounds. We analyze the features and properties of these sensors. In our deployments, the ZPHS01B module is connected to an ESP32 microcontroller and assembled into an AQ Internet of Things (IoT) node. We present AQ monitoring results from the festival and compare the measurements with those from regulated AQ monitoring stations, used as a reference. Additionally, we evaluate the power consumption of this AQ IoT node, providing its electrical operating characteristics and considering the use of duty cycles to reduce consumption while maintaining sensor stability. We conclude that this module offers promising capabilities for identifying pollution risk zones and opens the door to new research opportunities, particularly in efficient sensor calibration and AQ parameter prediction. Full article

This article explores the challenge of developing a sustainable cultural brand for cities that are primarily perceived as tourist destinations. While major urban hubs like Berlin (DE), Edinburgh (UK), and Lisbon (PT) have successfully transitioned from being known mainly for tourism to becoming recognized cultural destinations, the process behind this transformation remains underexplored, especially when it comes to mid-sized cities. How does a town move beyond its touristic image to build a lasting cultural identity? What strategies enable this shift, and what role do different stakeholders play? Focusing on the Romanian city of Brașov, a scenic destination in Transylvania mostly known for its natural environment and medieval architecture, the paper addresses this gap by investigating how a cultural brand can be developed through strategic marketing efforts. Using an integrated approach that combines two qualitative studies and one quantitative analysis, the research provides new insights into (i) cultural marketing strategies that can enhance Brașov’s city brand; (ii) stakeholder perspectives on developing Brașov’s cultural identity; and (iii) the role of Generation Z, whose influence on urban cultural branding has, so far, been minimally researched, in shaping the cultural future of cities, particularly Brașov. Some of the findings highlight key areas for developing Brașov’s cultural brand, including expanding nightlife activities, introducing more contemporary and year-round themed festivals, and tailoring promotional efforts to the short attention spans of the “TikTok generation”. Participants emphasized the need for a more diverse range of cultural events, including experimental and niche performances, alongside stronger educational initiatives to encourage long-term engagement by involving schools and universities. The results offer actionable insights for policymakers, urban planners, and cultural leaders seeking to develop a city brand centered around culture, focusing on long-term identity and community engagement rather than solely on tourism. Full article

Urban and peri-urban forests serve as significant drivers, conferring benefits to humans through engagement with their ecosystems. These benefits encompass recreation, cognitive development, introspection, the acquisition of knowledge systems, social relations, and aesthetic values. The aim of this study is to examine the urban and peri-urban ecosystem services by offering new insights into visitors’ perspectives on the recreational, aesthetic, and spiritual values of forests in the city of Timișoara and its peri-urban area. The study focuses on two forests: Padurea Verde, the largest forest in Timișoara, and the Giroc Forest, one of the most frequently visited forest areas in the peri-urban zone of Timișoara. Thirty-six in-depth interviews were conducted with visitors to the two selected forests in September 2024. The findings indicate that visitors derive benefits from the ecosystem values of these forests, including recreational, aesthetic, and cultural values. However, there are also feelings of disappointment related to the lack of cleanliness and the presence of an excessive number of stray dogs in the forests. The findings also indicate a necessity for the implementation of organized activities, such as sports competitions and more children-oriented events, while discouraging the organization of festivals and the excessive use of noise in forests. Furthermore, they suggest that forests should be maintained in a relatively undisturbed state. These findings could prove beneficial as future perspectives for local practitioners, enabling the continued provision of complex ecosystem services and recreational values by urban and peri-urban forests. Full article

Accessibility to cultural heritage is crucial for fostering inclusive urban environments and preserving historical and cultural identities. This study addresses the gap between heritage conservation and urban accessibility with two objectives: (1) to identify tangible and intangible cultural heritage elements based on user preferences from the social media platform Foursquare, and (2) to assess the impact of accessibility on public engagement using Space Syntax analysis. The historic centres of Valencia and Alicante, Spain, were chosen as case studies for their rich cultural heritage and dynamic urban contexts. A novel urban cultural heritage (UCH) taxonomy was developed to categorise heritage elements into buildings, public spaces, elements, and events/festivities. Findings indicated that social media data offer valuable insights that complement official heritage catalogues, providing a richer understanding of cultural assets and public engagement. The results showed that higher public engagement was concentrated (1) in and around key heritage sites, (2) in heritage sites that combine cultural significance with multifunctional public use, (3) in public spaces and urban nodes that are highly accessible and well connected to the urban structure, (4) in areas where clusters of heritage elements are located close together, and (5) around sites of architectural prominence and cultural significance. This emphasised that accessibility is as important as historical significance for attracting public interest. The study suggested that improving accessibility and integrating social media data with traditional methods can enhance heritage conservation strategies and support sustainable urban development by fostering stronger identity values within cities. Full article

This study delves into the profound impact and significance of religious culture on the urban spatial configuration and local cultural essence of Macau amidst contemporary societal transformations. Emphasis is placed on how religious sites undergo functional reshaping and role redefinition within the urban fabric, thereby influencing residents’ quality of life, cityscape, and cultural identity. Adopting a spatial anthropological lens, this research employs a multitude of methodologies including city walking, participatory observation, and historical analysis to investigate the spatial configurations and developmental trajectories of Macau’s diverse religious sites and their immediate environments. The aim is to unearth the historical drivers behind the formation and dissemination of religious culture in Macau and to elucidate its intricate interactions with urban space. The findings reveal that religious sites in Macau not only physically delineate unique urban spatial patterns but also serve as vital hubs for fostering local cultural cohesion and weaving social networks through routine religious practices, community engagements, and a plethora of festive and ritualistic events. The pervasive influence of these sites extends across multiple domains of society, culture, and economy, playing a pivotal role in maintaining regional stability and harmony, enriching cultural diversity, and propelling socioeconomic transformation. Full article

Recognizing the vital role of a positive city image in attracting stakeholders, urban officials are increasingly implementing cultural branding strategies to establish and highlight their city’s distinct character. Culture, essential in urban development, shapes identity and local economy, encouraging social cohesion and sustainability. According to existing research, strategies for branding places—and cities in particular—through arts and culture include associating them with a famous personality (such as Barcelona’s perceived connection with Gaudi), flagship buildings (like Paris with the Eiffel Tower) and hallmark events (as exemplified by Cannes and its Film Festival). The European Capital of Culture awarded annually by the European Union, which associates a city with a good cultural reputation, was a favorable starting point for this research. Fourteen EcoC Bidbooks brought forward by candidate cities bidding for the title within the 2020–2026 time frame were analyzed in order to investigate essential components of city branding. The study delves into aspects such as perceived image of European Capital of Culture candidates, problems behind this perceived image and ideal city image, revealing recurrent themes that define cultural European cities today. In addition, the research identifies new strategies that complete Ashworth’s list (such as culture tailored to a particular natural environment, alternative spaces turned into culture hubs, artistic transportation, historical moments and movements, culture gamification, grassroots culture, culture thematization, highlighting the cultures of minorities, cultural fusions and embracing local folklore and mythical creatures). This helps bridge a gap in the specialized literature on cultural place branding. The study’s originality extends to the analysis of Ecoc Bidbooks as a sum of cultural branding strategies proposed by the candidate cities. Each Bidbook is in fact a cultural vision of the city under optimum financial circumstances, thereby carrying a significant weight in the realm of research. Full article

Russian interference and invasion in Ukraine have transformed that nation’s historical practice of mural painting. A traditional art form with deep religious and political resonance in Ukraine, murals have become an instrument for patriotic mass mobilisation against the Russian military threat. From the mid-2000s, spraypaint graffiti underwent a gradual process of professionalisation and reconciliation with mainstream culture as Ukrainian municipalities pursued urban beautification initiatives and city-branding strategies to mitigate the socioeconomic challenges of postsocialism. It was this legacy of apolitical, privately funded street art that provided the foundations for patriotic muralism following the Maidan “Revolution of Dignity” and the Russian annexation of Crimea. Amidst the post-Maidan search for a postcolonial understanding of Ukrainian culture disentangled from Soviet and Russian influences, professionally produced murals in central urban districts proposed new visions of national identity. The war’s intensification since 2022 has resulted in a decentralisation of mural production. No longer reliant on international festivals in urban centres, conflict murals are now made by Ukrainian artists in large cities and small towns across the country. The newest murals represent a blending of the physical and digital—with a subject matter often inspired by viral conflict memes; artworks are, in turn, shared with worldwide audiences via social media. Full article

At the present stage, China’s ecological civilization construction has entered a strategic period focusing on carbon reduction, which is also a critical period for achieving the improvement of ecological environment quality. The prosperity of bamboo culture and the development of the bamboo industry are of great significance in promoting the construction of an ecological civilization in China. Festival activities often have lasting impacts on the development of the host city. They not only promote urban development but also spur the growth of local enterprises in related industries. However, these impacts have been rarely explored by researchers. This paper analyzes how festival activities influence the behavior of host city enterprises from the perspective of stakeholders with a theoretical model. Taking the China Bamboo Culture Festival as an example, micro-data on bamboo enterprises in 1999–2015 were collected from the Chinese Industrial Enterprise Database and analyzed with a theoretical model to empirically verify the influence of the festival over the production behavior of bamboo enterprises. The research shows that the China Bamboo Culture Festival has a significant positive impact on the total output value and total factor productivity of bamboo product enterprises, which in turn affects the production behavior of the enterprises. In the host province/city, the enterprises that engaged in the festival surpassed the other enterprises by 1.0764% in terms of gross output; export enterprises were less affected by the festival than domestic market enterprises. The China Bamboo Culture Festival makes bamboo enterprises more sustainable and competitive in the industry, and the holding of festival activities enhances the sustainable development capabilities of enterprises by improving their business environment. In addition, significant differences were observed between enterprises in different geographical locations, of different ownerships, and in different subdivided industries. Enterprises in the eastern region are least affected by the China Bamboo Culture Festival, while those in the western region are the most impacted; those in the central region fall in the middle by the degree of influence. Bamboo, rattan, palm, and grass products are influenced by the China Bamboo Culture Festival, while the production of other manufacturing industries is basically unaffected. Full article

The intense development of urban–rural integration has brought about a constant increase in people’s demand for public culture. In particular, as the equalization of public cultural services is promoted, narrowing the gap between the services offered in urban and rural settings has gradually become the dominant orientation to promote urban–rural integration and enhance the rights and interests of the people. Starting from the principles of the new public service, this research conducted field interviews in Xuling Town, Anhui Province, China. The Zaltman metaphor elicitation technique (ZMET) was used to analyze the interview content, and five inferences about the construction of township public culture were drawn: (1) cultural facilities have a significant impact on township public cultural construction; (2) the role of cultural talents is essential but lack of talent is normal in townships; (3) carrying out cultural activities is the top priority of township public cultural construction; (4) cultural management is an indispensable auxiliary link but the management level is insufficient; (5) and the cultural activities of traditional festivals are particularly important. Moreover, on the basis of these five inferences, the fuzzy-set qualitative comparative analysis (fsQCA) method was used to analyze the survey data and verify the underlying problems around public cultural service effectiveness as well as resource allocation in township areas. Finally, countermeasures are proposed on how to narrow the gap, which are of reference significance for improving the quality of township public cultural services in the context of urban–rural integration and meeting the cultural needs of residents. Full article

The purpose of this study was to develop and validate qualitative value indicators of region-based community dance for cultural urban regeneration. To this end, the conceptual structure of local-based community dance was explored and evaluation indicators were developed by deriving questions related to this. The specific research procedures and results are as follows: First, a literature review and Delphi survey were conducted to obtain factors and questions regarding qualitative value indicators. Consequently, four factors of local singularity, convergent creativity, sustainability, and community culture were obtained with 43 questions. Next, a preliminary survey targeting 122 people who have participated in representative local dance festivals (the ‘Wonju Dynamic Dancing Carnival’, ‘Cheonan World Dance Festival’, and ‘Andong Maskdance Festival’) in Korea was conducted to determine the relationship between the factors and questions. Multi-dimensional value indicators with 30 questions in four factors were obtained from an exploratory factor analysis using SPSS version 25.0. Then, the main survey, targeting 341 people who have participated in three representative local dance festivals in Korea, was conducted to verify the validity of the value indicators. Finally, evaluation indicators of 26 questions (seven questions for regional uniqueness, five questions for convergent creativity, seven questions for sustainability, and seven questions for community culture) were developed from a confirmatory factor analysis using AMOS version 24.0. Additionally, the contents evaluated by each factor are as follows: Firstly, ‘Local Singularity’ is a factor in whether the evaluation target sufficiently contains the unique characteristics of the region. Secondly, ‘Convergent Creativity’ is a factor in whether the evaluation target converges the indigenous culture (traditional culture) and acceptance culture (modern culture) of the region well. Thirdly, ‘Sustainability’ is a factor in whether the evaluation target contributes to the sustainable development of the region. Fourthly, ‘Community Culture’ is a factor in whether the evaluation target contributes to the formation of community culture in the region. This study is significant in that it emphasises the potential possibility of community dance, which can contribute to cultural urban regeneration based on the perspectives of cultural democracy. Therefore, the results of this study are expected to be extended and applied to various types of community dance in the future. Moreover, it is further forecasted that this study will suggest the meaning of the qualitative valuation of art and culture for a variety of subjects, such as policy experts and administrators, as well as for directors, choreographers, and participants in community dance. Full article

The reproduction of space along the border in post-conflict divided cities is an important issue in relation to urban resilience. Nicosia, widely known as the last divided capital city in Europe, is the capital city of Turkish Cypriots in the north and Greek Cypriots in the south. The Buffer Zone was formalized in 1974 as an emergency measure against inter-communal clashes. Further, the walled city of Nicosia was bisected, and thus urban and social unity became a relic of the past. In addition, the city center became the edge of the two bisected halves. The Nicosia Master Plan (NMP) was initiated by professionals on both sides. Moreover, it was in the first planning attempt that Nicosia was considered as a whole. The NMP was the first self-reliant quest that was developed for the purpose of finding a solution that could operate without having to wait for a political consensus. The Ledra Palace crossing opened in 2003 as the first opening on the border that ran across the United Nations (UN)-controlled Buffer Zone in Nicosia. Such a crossing possessed a symbolic meaning; the two communities feel as if they are socially united, and it encouraged NGOs and artists to step forward and allow the border to be perceived not as a boundary but as a shared space. The Buffer Fringe Festival is one of the recent cultural organizations that was held along the divide of Nicosia and it is also the festival scrutinized in this paper. This festival was designed to explore the boundary as a phenomenon experienced in daily life; furthermore, discussions were had regarding how the Buffer Fringe actors and artists perceived the festival as a peace-making tool. Together with visual and verbal records, the analysis conducted in this paper is based on qualitative data within a theoretical framework concerning body–space connections. In this paper, the aim is to emphasize how festivals can function beyond the limits of borders, provide an arena for connecting people, and exemplifies how one can interpret the spatial transformation of a space within the context of post-conflict divided cities. Full article

Since reform and opening-up, China’s eastern coastal cities have taken the lead in integrating into the global production network and city network based on neoliberalism and economic globalization. Entering the 21st-Century, the deep inland cities in Western China (DICWC), which are underdeveloped at the national scale, are keeping with the Belt and Road Initiative and high-quality development strategy and exploring the localization path of urban globalization. Among them, Xining and Yinchuan, the two provincial capitals, have adopted the urban globalization process driven by the sports festival and cultural festival of the “Tour of Qinghai Lake” and the “China-Arab States Expo”, respectively. Based on the field research data, this paper summarizes and compares the globalization paths and effects of Xining and Yinchuan driven by international festivals. The main conclusions include: Firstly, the international festivals are (central/provincial/autonomous region/city) power-led, that is, the government tries to promote the integration of inland areas into globalization, and they are powerful tools and strategies to promote the process of urban globalization and local social and economic development. International festivals can enhance the city’s political and cultural influence and effectively promote the city’s integration into the global system. In contrast, the “China-Arab States Expo” as a political, cultural, and economic exchange platform can promote the economic globalization of the cities more than the “Tour of Qinghai Lake” as a sports festival. Secondly, the actor-network in international festivals in inland cities is very distinct, with the government as the leader (initiator, organizer, and executor), enterprises as the specific participants, the media as the booster of news reports and the public as the indirect and passive participant. Thirdly, from the perspective of urban globalization, the “Tour of Qinghai Lake” is only a sports festival, however, the political intervention and economical guidance of the “China-Arab States Expo” is more obvious and direct. Fourthly, international festivals in inland cities established a new global image by promoting the modernization drive of city facilities, especially creating a new international urban space. However, the model of the international festival-driven globalization of DICWC is still in the primary stage. Moreover, after the outbreak of COVID-19 in 2019, the globalization of Xining and Yinchuan, driven by the sports event and cultural festival, has been impacted to varying degrees. The city urgently needs to seek a more stable driving model to promote its own globalization development. The “economical marginal effect” of international festivals in inland cities is declining. Therefore, the urban globalization of DICWC needs the related further innovations in organization and the improvement of the stability of international festivals. Full article

In recent years, tourism products and services have been oriented to offer more experiences than those of classical leisure activities for tourists. More, the COVID-19 pandemic drew a new trend in travel: the tourists are now oriented to internal offers rather than the external ones, to rural regions instead of urban ones. Romania and Moldova are two well-known international countries that are both producers and exporters of Protected Designation of Origin (PDO) and Protected Geographical Indication (PGI) wine. The aim of the paper is to analyze (qualitative and quantitative) the motivation of tourists from Romania and Moldova for wine tourism, to model the motivation according to the socio-demographic characteristics of tourists and the specific elements for travel (accommodation, frequencies of visit, average stay). For quantitative analysis, an online questionnaire by convenience sampling was used to collect the data, and statistical methods were used for analysis. Even if these countries have cultural similarities, our results indicate statistically significant different motivations and different profiles of wine tourists. By using a co-occurrence link between the terms from WoS and Scopus scientific articles with VOSviewer software, our results indicate a link between wine tourism, rural and festivals tourism, and cultural heritage. Our research fills a gap in the literature, being the first comparative research on wine tourism in Romania and Moldova. Full article