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Keywords = UV light photography

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17 pages, 18470 KiB  
Article
Photonic Band Gap Engineering by Varying the Inverse Opal Wall Thickness
by Dániel Attila Karajz, Levente Halápi, Tomasz Stefaniuk, Bence Parditka, Zoltán Erdélyi, Klára Hernádi, Csaba Cserháti and Imre Miklós Szilágyi
Int. J. Mol. Sci. 2024, 25(23), 12996; https://doi.org/10.3390/ijms252312996 - 3 Dec 2024
Cited by 1 | Viewed by 1287
Abstract
We demonstrate the band gap programming of inverse opals by fabrication of different wall thickness by atomic layer deposition (ALD). The opal templates were synthesized using polystyrene and carbon nanospheres by the vertical deposition method. The structure and properties of the TiO2 [...] Read more.
We demonstrate the band gap programming of inverse opals by fabrication of different wall thickness by atomic layer deposition (ALD). The opal templates were synthesized using polystyrene and carbon nanospheres by the vertical deposition method. The structure and properties of the TiO2 inverse opal samples were investigated using Scanning Electron Microscope (SEM) and Focused Ion Beam Scanning Electron Microscopy (FIB-SEM), Energy Dispersive X-ray analysis (EDX), X-ray Diffraction (XRD) and Finite Difference Time Domain (FDTD) simulations. The photonic properties can be well detected by UV-Vis reflectance spectroscopy, while diffuse reflectance spectroscopy appears to be less sensitive. The samples showed visible light photocatalytic properties using Raman microscopy and UV-Visible spectrophotometry, and a newly developed digital photography-based detection method to track dye degradation. In our work, we stretch the boundaries of a working inverse opal to make it commercially more available while avoiding fully filling and using cheaper, but lower-quality, carbon nanosphere sacrificial templates. Full article
(This article belongs to the Special Issue Fabrication and Application of Photocatalytically Active Materials)
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29 pages, 2392 KiB  
Review
State-of-the-Art in Skin Fluorescent Photography for Cosmetic and Skincare Research: From Molecular Spectra to AI Image Analysis
by Konstantin Chekanov, Daniil Danko, Timur Tlyachev, Konstantin Kiselev, Ralf Hagens and Anastasia Georgievskaya
Life 2024, 14(10), 1271; https://doi.org/10.3390/life14101271 - 6 Oct 2024
Cited by 4 | Viewed by 5103
Abstract
Autofluorescence is a remarkable property of human skin. It can be excited by UV and observed in the dark using special detection systems. The method of fluorescence photography (FP) is an effective non-invasive tool for skin assessment. It involves image capturing by a [...] Read more.
Autofluorescence is a remarkable property of human skin. It can be excited by UV and observed in the dark using special detection systems. The method of fluorescence photography (FP) is an effective non-invasive tool for skin assessment. It involves image capturing by a camera the emission of light quanta from fluorophore molecules in the skin. It serves as a useful tool for cosmetic and skincare research, especially for the detection of pathological skin states, like acne, psoriasis, etc. To the best of our knowledge, there is currently no comprehensive review that fully describes the application and physical principles of FP over the past five years. The current review covers various aspects of the skin FP method from its biophysical basis and the main fluorescent molecules of the skin to its potential applications and the principles of FP recording and analysis. We pay particular attention to recently reported works on the automatic analysis of FP based on artificial intelligence (AI). Thus, we argue that FP is a rapidly evolving technology with a wide range of potential applications. We propose potential directions of the development of this method, including new AI algorithms for the analysis and expanding the range of applications. Full article
(This article belongs to the Special Issue Skin Technology and Artificial Intelligence in Dermatology)
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22 pages, 4295 KiB  
Article
Detection of Protective Coatings Applied on Baroque Amber Artworks: Case Studies
by Anna Rygula, Anna Klisińska-Kopacz, Paulina Krupska-Wolas, Tomasz Wilkosz, Marta Matosz, Michał Obarzanowski, Karolina Skóra, Aldona Kopyciak and Julio M. del Hoyo-Meléndez
Heritage 2024, 7(8), 4109-4130; https://doi.org/10.3390/heritage7080193 - 31 Jul 2024
Viewed by 1210
Abstract
Amber has been used to create decorative items for centuries, but its degradation presents challenges for conservators. This study identifies substances historically used to protect amber objects, especially those from 17th and 18th century Gdansk workshops. Despite their historical value, information on amber [...] Read more.
Amber has been used to create decorative items for centuries, but its degradation presents challenges for conservators. This study identifies substances historically used to protect amber objects, especially those from 17th and 18th century Gdansk workshops. Despite their historical value, information on amber conservation is scarce. Traditional substances are noted, but their exact compositions and effects on amber remain unclear. Synthetic resins, introduced in the late 19th century, also degrade, complicating conservation due to their removal difficulty and interference with amber identification. This research aimed to develop methods for detecting and analyzing protective coatings on amber objects using macroscopic and microscopic techniques. Initial methods included analytical photography under visible and UV light and reflectance imaging spectroscopy (RIS) to assess the surface. Raman spectroscopy (RS) and X-ray fluorescence spectroscopy (XRF) were used for detailed analysis. RS provided precise layer-specific information but was sensitive to surface conditions, while XRF quickly identified inorganic compounds but not organic materials. Examining amber objects from Polish collections using this methodology revealed various protective substances, including synthetic resins and nitrocellulose varnishes. This research contributes to amber conservation by proposing a comprehensive material analysis approach, essential for developing effective conservation strategies for these historic objects. Full article
(This article belongs to the Special Issue Protective Material Coatings for Cultural Heritage)
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13 pages, 51443 KiB  
Article
Unveiling the Secrets of an Artwork through Non-Invasive Investigations—Case Study of a 19th-Century Female Portrait
by Adrian Rauca, Luminița Ghervase, Antonia Berdie and Matei Agachi
Minerals 2023, 13(9), 1193; https://doi.org/10.3390/min13091193 - 11 Sep 2023
Viewed by 2243
Abstract
This article aims to present the results of the investigations performed on a 19th-century oil painting on canvas belonging to the Conservation and Restoration Department of the University of Art and Design in Cluj-Napoca, Romania. The artwork depicting the portrait of a lady [...] Read more.
This article aims to present the results of the investigations performed on a 19th-century oil painting on canvas belonging to the Conservation and Restoration Department of the University of Art and Design in Cluj-Napoca, Romania. The artwork depicting the portrait of a lady originating from an important Irish noble family (Judith Bunbury, 1785–1861) has been investigated using only non-invasive methods. The investigation protocol included digital photography in different light sources at different wavelengths, which was used to document the current condition of the painting, UV fluorescence, which highlighted the previous improper retouches and the presence of a varnish coat, Infrared reflectography, which brought to light the underdrawing made by the artist and X-ray Fluorescence (XRF) spectroscopy, an elemental analysis technique which indicated the chemical composition of the pigments, suggesting the use of lead white, a barium white pigment, yellow and red ochre, vermilion, cobalt blue, and a manganese-based brown pigment. The results of this entirely non-invasive investigation approach helped in choosing the most appropriate conservation and restoration methodology for the artwork. Full article
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18 pages, 4458 KiB  
Article
Crime Light Imaging (CLI): A Novel Sensor for Stand-Off Detection and Localization of Forensic Traces
by Andrea Chiuri, Roberto Chirico, Federico Angelini, Fabrizio Andreoli, Ivano Menicucci, Marcello Nuvoli, Cristina Cano-Trujillo, Gemma Montalvo and Violeta Lazic
Sensors 2023, 23(18), 7736; https://doi.org/10.3390/s23187736 - 7 Sep 2023
Cited by 1 | Viewed by 2616
Abstract
Stand-off detection of latent traces avoids the scene alteration that might occur during close inspection by handheld forensic lights. Here, we describe a novel sensor, named Crime Light Imaging (CLI), designed to perform high-resolution photography of targets at a distance of 2–10 m [...] Read more.
Stand-off detection of latent traces avoids the scene alteration that might occur during close inspection by handheld forensic lights. Here, we describe a novel sensor, named Crime Light Imaging (CLI), designed to perform high-resolution photography of targets at a distance of 2–10 m and to visualize some common latent traces. CLI is based on four high-power illumination LEDs and one color CMOS camera with a motorized objective plus frontal filters; the LEDs and camera could be synchronized to obtain short-exposure images weakly dependent on the ambient light. The sensor is integrated into a motorized platform, providing the target scanning and necessary information for 3D scene reconstruction. The whole system is portable and equipped with a user-friendly interface. The preliminary tests of CLI on fingerprints at distance of 7 m showed an excellent image resolution and drastic contrast enhancement under green LED light. At the same distance, a small (1 µL) blood droplet on black tissue was captured by CLI under NIR LED, while a trace from 15 µL semen on white cotton became visible under UV LED illumination. These results represent the first demonstration of true stand-off photography of latent traces, thus opening the way for a completely new approach in crime scene forensic examination. Full article
(This article belongs to the Special Issue Feature Papers in Optical Sensors 2023)
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14 pages, 4166 KiB  
Article
Nature of Pigments in Orange and Purple Coloured Chinese Freshwater Cultured Pearls: Insights from Experimental Raman Spectroscopy and DFT Calculations
by Chaoyang Chen, Jing Yu, Chuting Zhang, Xu Ye and Andy H. Shen
Minerals 2023, 13(7), 959; https://doi.org/10.3390/min13070959 - 18 Jul 2023
Cited by 4 | Viewed by 2569
Abstract
Pearls, a well-known organic gemstone, are popular for their attractive lustre and rich colour. The pigmentation and colour of pearls have never been clearly explained. Understanding the pigments and colour origin of pearls can be a guide for artificial cultivation and rational conservation. [...] Read more.
Pearls, a well-known organic gemstone, are popular for their attractive lustre and rich colour. The pigmentation and colour of pearls have never been clearly explained. Understanding the pigments and colour origin of pearls can be a guide for artificial cultivation and rational conservation. In this study, Chinese freshwater cultured pearls were collected as research samples. The appearance and colour characteristics of pearls were characterised using D65 standard light source photography and UV–Vis spectroscopy, the molecular structure of the pigments in the pearls was characterised using Raman spectroscopy, and Density Functional Theory (DFT) calculations were used to reveal the characteristics of the pigments in the pearls in terms of molecular structure and electronic excitation. It was proposed that freshwater pearls are coloured with polyene pigments, with the chain length of the polyene determining the type of colour and the concentration of the polyene determining the colour intensity of the pearl. The HOMO–LUMO transition of conjugated polyenes is intrinsically responsible for the colour of pearls. Many colour-rich biominerals also have similar Raman spectral features to pearls, and this study has wider implications for understanding the nature of pigments and their colour origins. Full article
(This article belongs to the Special Issue Gemstone Analysis by Spectroscopy and Microscopy, Volume II)
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12 pages, 9858 KiB  
Article
Complex Study of a Painted Gypsum XVIII Century Bas-Relief by Optoelectronic Methods to Develop a Combined Cleaning Technique
by Anastasia Vasilieva, Arina Kareva, Gulsina Zhankasheva, Dmitry Danilovich and Vadim Parfenov
Heritage 2023, 6(2), 1891-1902; https://doi.org/10.3390/heritage6020101 - 11 Feb 2023
Cited by 1 | Viewed by 2190
Abstract
In this work, a painted gypsum bas-relief from the facades of the inner courtyard of the St. Petersburg Academy of Arts building was examined using UV and visible light photography and optical and electron scanning microscopy, which showed the heterogeneous layers of white [...] Read more.
In this work, a painted gypsum bas-relief from the facades of the inner courtyard of the St. Petersburg Academy of Arts building was examined using UV and visible light photography and optical and electron scanning microscopy, which showed the heterogeneous layers of white painting on the surface of the bas-relief that covered the historical ones. These undesirable layers should be removed during the restoration work, but it was found that the traditional method of removing surface layers of painting with the help of chemical solvents and mechanical cleaning does not solve the problem to the full extent. A cross-section of all the painting layers was prepared to investigate the stratigraphy of the paint layers. These studies were conducted using optical and electron scanning microscopy in order to determine the structure of the paint layers more properly and study the chemical composition of every layer. After this study, a complex cleaning technique was developed. This technique combines chemical and laser cleaning, making it possible to effectively remove the upper dense layers of paint without damaging the historical paint layers. Full article
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11 pages, 55303 KiB  
Article
The Tartan Ribbon or Further Experiments of Maxwell’s Disappointment/Sutton’s Accident
by Susanne Klein and Paul Elter
Heritage 2023, 6(2), 968-978; https://doi.org/10.3390/heritage6020054 - 24 Jan 2023
Viewed by 2372
Abstract
On 17 May 1861, James Clerk Maxwell delivered a lecture at the Royal Society where he demonstrated, using a lantern slide projection, his theory for colour perception in the human eye via the additive colour process known today as RGB. Three images from [...] Read more.
On 17 May 1861, James Clerk Maxwell delivered a lecture at the Royal Society where he demonstrated, using a lantern slide projection, his theory for colour perception in the human eye via the additive colour process known today as RGB. Three images from three separate lantern slide projectors were projected onto a surface. The same colour filters with which the object had been photographed where then placed in front of each projection lens, carefully realigned, and what has been called “the first colour photograph” was supposed to have been created. It was a series of happy accidents, during capture and exposure, and a misinterpretation of the results—mostly long after the event itself—that has invented this commonly referred to fictional “First Ever” title. In the following retelling of the historical details in their chronological order and through a series of experiments with historically correct emulsions, we will clearly outline the errors and where they occurred. Full article
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16 pages, 189704 KiB  
Article
Mattel’s Barbie: Investigation of a Symbol—Analysis of Polymeric Matrices and Degradation Phenomena for Sixteen Dolls from 1959 to 1976
by Andrea Macchia, Chiara Biribicchi, Camilla Zaratti, Katiuscia Testa Chiari, Martina D’Ambrosio, Denise Toscano, Francesca Caterina Izzo and Mauro Francesco La Russa
Polymers 2022, 14(20), 4287; https://doi.org/10.3390/polym14204287 - 12 Oct 2022
Cited by 8 | Viewed by 7455
Abstract
Mattel’s Barbie dolls are the most famous and iconic dolls since 1959. Today, they are being collected by individuals and often conserved in museum environments due to their cultural and historical significance reflecting everyday life and historical events. However, just like most museum [...] Read more.
Mattel’s Barbie dolls are the most famous and iconic dolls since 1959. Today, they are being collected by individuals and often conserved in museum environments due to their cultural and historical significance reflecting everyday life and historical events. However, just like most museum objects made of plastics, both historical and more recent Barbies show evident degradation phenomena. Firstly, Barbies were made of plasticized polyvinyl chloride (PVC), affected by the migration of additives—mostly the plasticizers—from the bulk phase to the outermost layer, appearing as a tacky and glossy exudate. Over the years, Barbies’ polymeric constituents were replaced with more stable ones, whose additives migration is limited compared to PVC, even though still occurring. Multispectral photography in visible (VIS) and ultraviolet (UV) light, microscopical observations in VIS and UV light, and Fourier Transform Infrared spectroscopy in the Attenuated Total Reflectance mode (FT-IR ATR) were performed to characterize the constituent materials of 15 Barbies produced between 1959 and 1976, bridging the information gap on their processing over the years. The micro-invasive multi-analytical approach also allowed for the characterization of the degradation products, permitting the reference of the exudated compound to the specific bulk polymer. Full article
(This article belongs to the Special Issue Polymeric Materials in Modern—Contemporary Art II)
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14 pages, 1984 KiB  
Article
Ultraviolet Fluorescence Photography—Choosing the Correct Filters for Imaging
by Jonathan Crowther
J. Imaging 2022, 8(6), 162; https://doi.org/10.3390/jimaging8060162 - 7 Jun 2022
Cited by 8 | Viewed by 5010
Abstract
Ultraviolet (UV) fluorescence is a valuable tool for the imaging of a wide range of subjects. Like all imaging techniques, the key to success depends on the correct choice of equipment and approach used. In fluorescence photography, a filter is placed in front [...] Read more.
Ultraviolet (UV) fluorescence is a valuable tool for the imaging of a wide range of subjects. Like all imaging techniques, the key to success depends on the correct choice of equipment and approach used. In fluorescence photography, a filter is placed in front of the camera lens to block unwanted short-wavelength light from entering the camera, which would compromise the image. However, some filters exhibit fluorescence under UV light and can therefore have the potential to produce a color cast on the image. Filters also vary in how well they block unwanted light. A range of commonly used optical filters was assessed for fluorescence under UV light, and their optical transmission between 250 nm and 800 nm was measured. Finally, a simple method to enable the researcher to determine the fluorescence of the filters that they are using or wish to use for their work is described. The results indicate that the filters tested demonstrated a wide range of fluorescence under UV light and varying degrees of UV blocking. Some filters tested had equivalent or reduced fluorescence compared to Schott KV-418, which is a widely used, but, unfortunately, no longer manufactured UV blocking filter commonly used for fluorescence photography. Full article
(This article belongs to the Special Issue Spectral Imaging for Cultural Heritage)
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12 pages, 17504 KiB  
Article
Sicilian Byzantine Icons through the Use of Non-Invasive Imaging Techniques and Optical Spectroscopy: The Case of the Madonna dell’Elemosina
by Francesco Armetta, Gabriella Chirco, Fabrizio Lo Celso, Veronica Ciaramitaro, Eugenio Caponetti, Massimo Midiri, Giuseppe Lo Re, Vladimir Gaishun, Dmitry Kovalenko, Alina Semchenko, Dariusz Hreniak and Maria Luisa Saladino
Molecules 2021, 26(24), 7595; https://doi.org/10.3390/molecules26247595 - 15 Dec 2021
Cited by 3 | Viewed by 3033
Abstract
The iconographic heritage is one of the treasures of Byzantine art that have enriched the south of Italy, and Sicily in particular, since the early 16th century. In this work, the investigations of a Sicilian Icon of Greek-Byzantine origin, the Madonna dell’Elemosina, [...] Read more.
The iconographic heritage is one of the treasures of Byzantine art that have enriched the south of Italy, and Sicily in particular, since the early 16th century. In this work, the investigations of a Sicilian Icon of Greek-Byzantine origin, the Madonna dell’Elemosina, is reported for the first time. The study was carried out using mainly non-invasive imaging techniques (photography in reflectance and grazing visible light, UV fluorescence, infrared reflectography, radiography, and computed tomography) and spectroscopic techniques (X-ray fluorescence and infrared spectroscopy). The identification of the constituent materials provides a decisive contribution to the correct historical and artistic placement of the Icon, a treasure of the Eastern European historical community in Sicily. Some hidden details have also been highlighted. Most importantly, the information obtained enables us to define its conservation state, the presence of foreign materials, and to direct its protection and restoration. Full article
(This article belongs to the Special Issue Physical Chemistry in Cultural Heritage)
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13 pages, 3289 KiB  
Article
Study of Iron Gall Inks, Ingredients and Paper Composition Using Non-Destructive Techniques
by Victoria Corregidor, Rita Viegas, Luís M. Ferreira and Luís C. Alves
Heritage 2019, 2(4), 2691-2703; https://doi.org/10.3390/heritage2040166 - 24 Sep 2019
Cited by 35 | Viewed by 9240
Abstract
Old manuscripts are among the most important elements of the cultural and historical heritage of ancient knowledge. Unfortunately, many of them suffer from degradation, mostly those written with iron gall inks. In the present work, a study using non-destructive techniques was designed with [...] Read more.
Old manuscripts are among the most important elements of the cultural and historical heritage of ancient knowledge. Unfortunately, many of them suffer from degradation, mostly those written with iron gall inks. In the present work, a study using non-destructive techniques was designed with the aim of analyzing the elemental composition and structural characteristics of iron gall inks, reproduced in laboratory, paper and their interaction when the ink is deposited on paper, inducing the paper degradation. Proton induced X-ray emission, X-ray diffraction and Fourier-transform infrared spectroscopy provided the elemental and structural information, and photography under infrared (IR) and ultraviolet (UV) light allowed the differentiation between manufactured inks. Results show that the first step of inked paper deterioration is due to acid-hydrolysis of the cellulose and the presence of reactive Fe(II) species by reducing the crystallinity index of the paper, which is affected depending on the ink recipe and the starting raw materials. These results will be useful to future studies on ancient documents written with iron gall inks, which suffer deterioration due to ink corrosion, and to differentiate between the different paper degradation mechanisms. Full article
(This article belongs to the Special Issue Cultural Heritage—Science, Materials and Technologies)
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