Search Results (31)

A project to assess air pollution at the National Archeological Museum in Naples was carried out. The main goal of the project was to develop and test a reliable yet simple monitoring system to be adopted at the same time in several exposition rooms. Nitrogen dioxide, hydrogen chloride, nitrous acid, and sulphur dioxide were the chemical species addressed by the technique. Monitoring was simultaneously performed in five rooms, and pollutant concentrations were determined using two passive samplers. The sampling time was approximately one month per period. In addition to passive samplers, environmental data loggers were used to obtain temperature and relative humidity data. Results show high concentrations of nitrogen dioxide inside rooms, which were consistent with those found in outdoor environments and are close to the values calculated considering the air exchange rates, estimated through time gradients of ambient temperature. The minimum values were recorded in a basement room that had a low ventilation rate. The conversion of nitrogen dioxide to real surfaces produces nitric acid and nitrous acid. Large amounts of nitrous acid, up to 15 µg/m³, were found in exposition rooms, with maximum values in the basement room, where the air exchange rate is limited, and the surface-to-volume ratio is the highest among the monitored rooms. Data analysis demonstrated that the system could discriminate between nitrous acid and nitrogen dioxide. The results show that, for the first time, passive samplers can overcome the problem of mutual interference between nitrogen-containing species. Nitrates and nitrites found in the alkaline passive sampler were generally found not to be interfered by nitrogen dioxide. Nitric acid was also found in the gas phase, likely generated by dissociation of ammonium nitrate in particulate matter. Hydrogen chloride and sulphur dioxide were present at few µg/m³. Nitrous acid is the most relevant acidic species found indoors. The presence of pollutants was discussed in terms of the reliability of the analytical procedure and its significance for indoor air pollution. Full article

The dyes used to produce two Palestinian garments from the British Museum’s collection attributed to the late 19th–early 20th century were investigated by high pressure liquid chromatography coupled with diode array detector and tandem mass spectrometry (HPLC-DAD-MS/MS). Palestinian embroidery is a symbol of national identity and the topic of scholarly research. However, little attention has been given to the dyes and how these changed with the introduction of new synthetic formulations in the second half of the 19th century. The results revealed the use of natural indigoid blue and red madder (Rubia tinctorum), in combination with tannins. Yellow from buckthorn (probably Rhamnus saxatilis) and red from cochineal (probably Dactylopius coccus) were found mixed with synthetic dyes in green and dark red embroidery threads, respectively. Early synthetic dyes were identified in all the other colours. These include Rhodamine B (C.I. 45170), Orange II (C.I. 15510), Orange IV (C.I. 13080), Metanil Yellow (C.I. 13065), Chrysoidine R (C.I. 11320), Methyl Violet (C.I. 42535), Malachite Green (C.I. 42000), Fuchsin (C.I. 42510), Auramine O (C.I. 41000) and Methyl Blue (C.I. 42780). As the date of the first synthesis of these dyes is known, the production date of the garments was refined, suggesting that these were likely to be produced towards the end of the 1880s/beginning of the 1890s. The continuous use of historical local sources of natural dyes, alongside new synthetic dyes, is of particular interest, adding rightful nuances to the development of textile-making practices in this region. Full article

Arcangelo Scacchi (1810–1893) one of the greatest Italian geoscientists known worldwide, especially for his contributions in the fields of mineralogy and volcanology, dedicated his early years to malacological and zoological works. This paper aims to pay homage to a lesser-known side of the scientist, focusing on a malacological work related to fossils from his hometown, Gravina, in Puglia (southern Italy), located within the boundaries of the MurGEopark, which is aspiring to become a UNESCO Global Geopark (aUGGp), and at the border of Parco Nazionale dell’Alta Murgia (Alta Murgia National Park). Among others, Arcangelo Scacchi described 16 new species of molluscs but his precious collection, hosted in Naples, in the Real Museo Mineralogico (Royal Mineralogical Museum), now Museo di Paleontologia dell’Università di Napoli Federico II (Museum of Palaeontology of the University of Naples Federico II), was partly lost. In recent years, research has allowed the resampling of some species he described for the first time in 1835. Starting from this material, the figure of Scacchi was highlighted to the public through the temporal exhibitions and the use of 3D digital models of these resampled fossils. This activity represents: (i) a tribute to the first modern geoscientist who worked in the area of the MurGEopark, (ii) an instrument to preserve palaeontological remains of international importance, and (iii) a public opportunity to know this kind of geocultural heritage enriching the potential examples of (geo)dissemination in the MurGEopark. Full article

The National Museum of Transylvanian History in Cluj-Napoca, Romania, features a History of Pharmacy Collection that documents the evolution of pharmacies in the region since the 16th century. Within the “Pharmatrans” project (2021–2023), we investigated the chemical composition of ointments from fourteen historical pharmaceutical containers dating back to the 18th and 19th centuries. Most samples were from an aristocratic traveling medicine chest, a key artifact in the collection. This study marks the first extensive analysis of historical pharmaceutical formulations in Romania, enhancing our understanding of these valuable items. The main ingredients of formulations were characterized using gas chromatography–mass spectrometry (GC–MS), solid-phase microextraction–GC–MS (SPME–GC–MS), and pyrolysis–GC–MS (Py–GC–MS). Additionally, high-performance liquid chromatography coupled with high-resolution mass spectrometry (HPLC-ESI-Q-ToF) was employed for the detailed analysis of lipid materials and polar compounds. Elemental analysis was conducted using field emission gun–scanning electron microscope (FEG–SEM) with energy-dispersive spectroscopy (EDS). The results revealed that twelve out of fourteen mixtures contained interpretable organic content, often aligning with the vessels’ labels. The findings indicate that Transylvanian elites in the late 18th century had access to both rare drugs and traditional remedies, reflecting contemporary trends in pharmacy. Full article

This article studies the recent evolution of five cases of small cities in the interior of Spain that several decades ago invested in culture as a strategy to maintain their populations and increase the quality of life of their inhabitants. These are case studies of differentiated characteristics in which the analysis of their evolution offers important keys for developing cultural policies in any small city in the world. The examples of Allariz, Almagro, Astorga, Puigcerdá and Trujillo allow for the corroboration of how betting on culture as a resilient and sustainable strategy generates positive results for their populations. Allariz, in the province of Ourense, is showing a cultural identity development that emerged as a movement to reject the pollution of the Arnoia River. In Almagro, in the La Mancha province of Ciudad Real, the recovery in 1955 of the only Corral de Comedias preserved since the 17th century allowed for the inauguration in 1979 of the first Almagro Classical Theatre Festival, and from then on, a whole series of restorations and new constructions related to theater and the performing arts, which turned a small town of less than 10,000 inhabitants into the national theater capital. Astorga is a small two-thousand-year-old city in the province of León, which is trying to recover as a living history museum to face the current reality of demographic and economic crises. Puigcerdá, in the province of Girona, the historic capital of Cerdanya, is another small town in which cultural management and production is much larger than it would be corresponding to its demographic size. Lastly, Trujillo, in the Extremadura province of Cáceres, a city of pre-Roman origin known in the 16th century as the birthplace of conquistadors in America such as Francisco Pizarro and Francisco de Orellana, is another small town of less than 10,000 inhabitants that is committed to creating and maintaining a rich cultural agenda with an important weight for the history and relationship between America and Spain and the recovery of the civil and religious heritage of this small monumental city. These are five enclaves, in summary, that have for years followed a clear strategy of betting on identity and culture to improve the well-being of their inhabitants and the local development of their economy, and which, as this research demonstrates, have made it possible to avoid the biggest problems of the impoverishment and abandonment of other nearby towns with similar characteristics. Full article

For the first time, an attempt has been made to present, chronologically and in a systematized form, the development of ornithological studies at the National Museum of Natural History in Sofia (Bulgaria) from its foundation in the last decades of the 19th century to the present day. This 135-year period (1889–2024) includes the work of 12 curators of the ornithological collections. Their major contributions and most-significant ornithological publications are also presented. Full article

This article addresses the making of heritage and the processes of sacralisation involved by investigating the heritage created after the rescue of the “Wild Boars”, a Thai youth football team, from a flooded cave in July 2018. The unfolding story of this “epic rescue operation” was followed with tremendous engagement, locally, nationally and worldwide, an example of what I capture as “high-density events”. Cave diver specialists and rescue equipment were flown in. Thousands of volunteers, mainly from Thailand but also from abroad, assisted. In Thailand, schools participated massively in nationwide Buddhist prayer sessions. Renowned holy monk Khruba Bunchum Yansangwaro directed his prayers to the boys and predicted they would be found alive. The massive involvement with the 18-days rescue operation generated a multiplicity of memes, photographs, books, documentaries, paintings, and statues. As religious and national heritage, this material lives on in various forms and exhibitions, including the cave, which was declared to become a “living museum” immediately upon the completion of the rescue. The analysis concerns three interrelated issues: First, I focus on the “instantaneous heritagization” of the event, asking: how to understand the processes that transform people, objects, and places into heritage overnight? Second, I bring in the role of emotions and moral imagination to shed light on the secular and religious sacralities produced and reproduced in the making of heritage. Third, I am interested in the impact of the heritage on the cave and its vicinity, bringing in issues of ownership and power over the event’s legacy. Full article

This paper presents the creation of an immersive learning experience of the lost 16th-century Monastery of Madre de Deus, now the National Tile Museum in Lisbon, Portugal. It builds upon previous virtual reconstruction research which resulted in several digital models accompanied by paradata supporting the construction of different hypotheses. Reinforced by a review of relevant literature intersecting virtual heritage dissemination, research transparency and immersive learning, this paper details an immersive experience created with Shapespark 2.9.7, an online platform designed for architectural walkthroughs but repurposed for heritage dissemination. The result is a prototype that takes place in the existing building wherein the visitor can be transported to equivalent spaces of the 16th or 17th century to gain first-hand experiences of speculative pasts. While the constraints of the Shapespark platform necessitated a counterintuitive narrative workaround, this enabled creative associations to be made between the physical and virtual and the past and present. This paper identifies various advantages and disadvantages of the platform in the context of immersive learning and the long-term virtual sustainability of lost architectural heritage. Full article

In 2022, the National Museum of Australia launched an immersive virtual exhibition of Australian Aboriginal art: Connection: Songlines from Australia’s First Peoples, which was created and produced by Grande Experiences, the same team that produced the multisensory experience Van Gogh Alive. The exhibition employs large-scale projections and cutting-edge light and sound technology to offer a mesmerizing glimpse into the intricate network of Australian Aboriginal art, which is an ancient pathway of knowledge that traverses the continent. Serving as the gateway to the Songlines universe, the exhibition invites visitors to delve into the profound spiritual connections with the earth, water, and sky, immersing them in a compellingly rich and thoroughly captivating narrative with a vivid symphony of sound, light, and color. This article examines Connection as a digital storytelling platform by exploring the Grande Experiences company’s approach to the digital replication of Australian Aboriginal art, with a focus on the connection between humans and nature in immersive exhibition spaces. Full article

We describe the process by which the quarantine whitefly, Aleurocanthus spiniferus (Hemiptera, Aleyrodidae), was detected in France. The initial observation was made by a volunteer who reported a picture of an adult in the Inventaire National du Patrimoine Naturel (INPN Espèces), a citizen science resource developed by l’Office Français de la Biodiversité and the French Muséum National d’Histoire Naturelle. The specimen was suspected to be A. spiniferus from this picture by one of the expert entomologists in charge of the Hemiptera group validation. Once the species was identified, it was mounted on a slide and the information was officially passed on to the ministry in charge of agriculture via a communication channel set up in advance for this type of situation. The ministry then triggered the regulatory actions planned in the event of the suspected detection of quarantine organisms. Sampling was quickly carried out and the specimens collected on this occasion were formally identified as belonging to the species A. spiniferus. This led to the formalization of an outbreak in France. This sequence of decisions took just two months from the first observation to the implementation of a management plan. This case presents how incursion preparedness contributes to a rapid response. Furthermore, this case exemplifies how citizen science can contribute to the early detection of invasive species and highlights the importance of informing both the general public and professionals about major environmental issues. Full article

This paper describes the first phase of a Coast Salish Knowledge Repatriation Project being coordinated by the Curator of Indigenous Collections and Engagement at the Museum of Vancouver, within the unceded, ancestral territories of the xʷməθkʷəýəm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) nations. The goal of this knowledge repatriation work is to support cultural revitalization and language renewal through activities that generate learning opportunities for community members. These activities pivot around knowledge that has been lost due to urbanization, forced assimilation efforts, and other colonial activities that may have restricted access to traditional lands and resources, preventing knowledge transmission. This work is about shifting the focus from extractive projects, that benefit external audiences, to one that supports capacity building and cultural renewal within communities. This essay describes a project to reintroduce coiled cedar root basketry into communities within the Greater Vancouver area in the province of British Columbia, Canada. Full article

The diversity and distribution of the amphibians in Rwanda was critically reviewed to provide a reliable species inventory for informed conservation management. The checklist of the amphibian species of Rwanda is based on results of our own fieldwork, historical records compiled from the literature, and examination of voucher specimens in museum collections. A total of 62 species are recorded, and 22 further species listed in field guides and open-access data bases are discussed, identified as erroneous records, and consequently not included in the country list. We provide diagnostic characters of external morphology and the advertisement call for each validated species, and a short synopsis of geographic distribution, altitudinal range, occurrence in the provinces of Rwanda, and habitat preference. We provide keys to all genera, and all taxonomically described species based on morphological characters and additional keys based on features of the advertisement calls. We discuss features of amphibian communities including local community structure and delimitation of altitudinal metacommunities. Based on the IUCN red list assessment and our field surveys, we propose for the first time a national red list of amphibians in Rwanda. Full article

The COVID-19 pandemic led to significant changes in societies across the globe. In many countries in Europe, national lockdowns during the spring of 2020 meant that museums were closed, and maintenance and housekeeping were at a minimum. We compared the insect monitoring data of 15 museums in and around Vienna between the years 2018 and 2022 to see potential effects of the two lockdowns (spring 2020 and winter 2020/21) on insect populations. In Vienna, these changes altered the presence of pests, most notably an increase in silverfish by late spring (March–May 2020). We also found increased numbers of other pest species (notably Tineola bisselliella and Attagenus sp.), though these changes were seen later (June–October 2020). Thylodrias contractus, although found only in one museum, appeared to show decreased numbers during 2020. Storage areas in some of the museums revealed no significant increase in insect catch during the COVID-19 related closures. Since there are rarely visitors in such spaces, the situation did not change much during the closures. Silverfish are shy insects, but they were able to range more freely during the closures in the mostly darkened rooms. The increase of Tineola bisselliella and Attagenus sp. could be a result of reduced cleaning in the first lockdown. In the second lockdown, no significant changes were found. Human activity from staff was much higher compared to the first closure; a second reason could be the time of year, as in the winter period, it is mainly larvae that are active. Increased insect populations remind us that even when museums are unoccupied, they still need monitoring for possible risks from pests. No damage to the objects from the pests was observed in the museums investigated. Full article

This paper presents results on the protective properties of different coatings over metals representative of those found in scientific–technical heritage collections. An examination of several objects in the collection of the Spanish National Museum of Science and Technology have allowed the identification of brass and steel as the most representative metals, and the existence of coatings (mainly shellac and acrylic resins) applied for aesthetic and/or conservation purposes. Based on these findings, brass and steel coupons coated with Paraloid B-44, B-48, B-67, B-72, Incralac, Cosmolloid H80, B-72 + H80 double layer and shellac have been studied to carry out a first screening in order to select the most promising candidates and determine the most appropriate methodology and key factors for the study. Coatings have been aged up to 336 h using cycles of UV light and water condensation. The change in the aspect of the coupons has been assessed via visual examination, optical microscopy and colorimetric measurements, with B-44 and Incralac showing the least change. EIS has been used for a quantitative evaluation of the protective properties and FTIR to measure chemical changes experienced by some coatings, such as B-48 and B-67. These evaluations allowed us to follow, understand and compare the behaviour of the different coatings and substrates after artificial ageing. Full article

This collaborative multidisciplinary pilot project involving the Victoria and Albert Museum (V&A), the Ashmolean Museum, and Newham Borough of London, examined the composition of a selection of eighteenth-century porcelain objects by two of London’s first porcelain manufacturers, Bow and Chelsea. As the first science-based public engagement project to be piloted by the V&A, it succeeded in bringing together young Londoners and their communities to investigate local histories of scientific and artistic innovation through the analysis and remaking of eighteenth-century porcelain. Scientific object analysis informed activities with local sixth-form students, revealing the intimate link between art and science, and showcasing the V&A Science Lab as a national hub for heritage science. Public outreach activities, including an exhibition at Stratford Library and workshops for Newham Heritage Month also provided hands-on learning, including curatorial and object-handling experience, and the embodied practices of remaking. Ultimately, this project stimulated new ways of engaging with ceramics collections and explored how the creativity and ingenuity of eighteenth-century ceramics pioneers can provide inspiration for the next generation of makers. Full article