Theology, Arts, and Moral Formation

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: closed (29 February 2020) | Viewed by 15244

Special Issue Editor


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Guest Editor
Assistant Academic Dean and Logic/Rhetoric Teacher, Petra Academy Bozeman, MT 59718 USA
Interests: theological ethics; virtues; St. Bonaventure; apophaticism; critical and political theory

Special Issue Information

Dear Colleagues,

The articles in this Special Issue explore the possibilities and challenges for moral formation and education offered by research, scholarship, and practices involved in the academic study of theology and arts. Many of the seminal works fueling the surge in interest in theology and arts over the last two decades refer to important points of overlap with educational and moral formation (especially the virtues). The authors included in this issue seek, from different angles and different types of engagement with both theology and art, to focus on what this interdisciplinary study can learn from and contribute to issues of moral formation and education.

This issue focuses on the interrelation of 1) the study and practice of theology and arts and 2) moral formation in educational contexts—including concerns for establishing and cultivating moral imagination. The focus of the articles can be as tight as the explication and analysis of specific pedagogical or formational programs that draw from the study of theology and arts or as wide as the exploration of the larger philosophical and ethical fittingness of such approaches.

The scope will range from very practical concerns with educational design and practice in religious and educational contexts to the intersection of theology and arts and virtues ethics in academic research involving educational and moral formation.

The purpose of this Special Issue is to engage directly with a common but under-developed element of the last two decades of dialogue surrounding theology and arts. Since the articles compiled here are attuned to the many points of resonance among these interdisciplinary concerns, this Special Issue of Religions seeks to present several intriguing approaches to the topic and to encourage and cultivate more research, discussion, and performance of the morally and educationally formative potential of theology and arts.

This issue highlights aspects of the theology and arts discussion raised in numerous works by Jeremy Begbie, Mako Fujimora, Ralph Wood, Graham Ward, and many others—including conversations outside of higher education academia such as those centered around rigorous Classical Christian education. While these authors and others usually consider the consequences of theology and arts for moral and educational formation in the context of broader concerns for culture – both within pluralist civic/political life and various Christian communities or cultures – this issue will contribute to the literature by focusing on the related and essential, but narrower, context of moral formation within practical educational contexts (such as the curricula of schools or churches) as well as the ongoing academic study of theology and arts.

Dr. David M. Wilmington
Guest Editor

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Keywords

  • theology and arts
  • moral formation
  • education
  • virtues ethics
  • arts and moral imagination
  • theological imagination

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Published Papers (3 papers)

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Research

9 pages, 181 KiB  
Article
Toward a Theology of the Imagination with S.T. Coleridge, C.S. Lewis, and J.R.R. Tolkien
by David Russell Mosley
Religions 2020, 11(5), 238; https://doi.org/10.3390/rel11050238 - 12 May 2020
Cited by 2 | Viewed by 3942
Abstract
While many authors continue to use terms like Christian Imagination or Sacramental Imagination, few seek to define what the term imagination means. In this paper, the author presents his findings based on a close reading of S.T. Coleridge, C.S. Lewis, and J.R.R. Tolkien. [...] Read more.
While many authors continue to use terms like Christian Imagination or Sacramental Imagination, few seek to define what the term imagination means. In this paper, the author presents his findings based on a close reading of S.T. Coleridge, C.S. Lewis, and J.R.R. Tolkien. Rather than relying either on the definition of imagination as the ability to hold images in one’s head, or the definition by which is meant creativity, this paper puts forward a synthesis of the positions of the three authors listed above. In the end, this paper concludes that the imagination is inherently connected to the divine act of Creation, which aids in clearing away the lenses of sin and familiarity. Full article
(This article belongs to the Special Issue Theology, Arts, and Moral Formation)
11 pages, 774 KiB  
Article
Wisdom’s Guiding Compass: Lady Prudence as a Pedagogical Model
by Lanta Davis
Religions 2020, 11(4), 153; https://doi.org/10.3390/rel11040153 - 26 Mar 2020
Cited by 1 | Viewed by 4868
Abstract
Many educators desire to cultivate wisdom in their students but feel this goal is too vague to be clearly articulated and encouraged. One possible way around this problem is to learn from classical and medieval depictions of wisdom and particular virtues, which were [...] Read more.
Many educators desire to cultivate wisdom in their students but feel this goal is too vague to be clearly articulated and encouraged. One possible way around this problem is to learn from classical and medieval depictions of wisdom and particular virtues, which were often personified. I will examine one highly illustrative artistic depiction of Prudence, which gives wisdom a face and form and thus provides students with an imaginative entryway into better understanding and practicing this virtue in the classroom. After providing a brief overview of the role of images and the imagination in learning, I explain how personifications of the virtues—and of Prudence, in particular—may be a useful pedagogical guide in helping students cultivate those virtues. Full article
(This article belongs to the Special Issue Theology, Arts, and Moral Formation)
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8 pages, 195 KiB  
Article
Being Someplace Else: The Theological Virtues in the Anime of Makoto Shinkai
by Matthew John Paul Tan
Religions 2020, 11(3), 109; https://doi.org/10.3390/rel11030109 - 2 Mar 2020
Cited by 1 | Viewed by 5894
Abstract
This work explores the ways in which the anime of Makoto Shinkai cinematically portrays the theological virtues of faith, hope and love. The article will explore each virtue individually, with specific reference to the work of Josef Pieper and Pope Emeritus Benedict XVI. [...] Read more.
This work explores the ways in which the anime of Makoto Shinkai cinematically portrays the theological virtues of faith, hope and love. The article will explore each virtue individually, with specific reference to the work of Josef Pieper and Pope Emeritus Benedict XVI. In addition, it will juxtapose their explorations of these virtues with samples of Shinkai’s corpus of films. It will assert that the consistency of Shinkai’s work reveals several important parallels with the theological virtues. Faith is the encounter between one and another that reveals one’s nature. Hope is revealed by the distance between one and another, and is realised in traversing that distance to achieve an ecstatic reunion. Love, as the erotic attraction between one and another, is the driver that also sustains the journey and closes the distance. In spite of the similarities, important differences between the cinematic and theological will be highlighted. Full article
(This article belongs to the Special Issue Theology, Arts, and Moral Formation)
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