The History of Hungarian Ballet

Dear Colleagues,

We are pleased to announce our intentions to publish a thematic Special Issue, named “The History of Hungarian Ballet”.

The existing research corpus of the history of Hungarian ballet is given primarily by the results of fundamental research. Systematic research in the field of art theory, which has been initiated in the last few years, has placed the main points of Hungarian ballet history in interdisciplinary contexts—the opening of the Hungarian Theatre in Pest and the art of the first Hungarian female choreographer, the star of Hungarian ballet romanticism; the spectacular ballets after the opening of the Royal Hungarian Opera House around the turn of the century; the period up to the First World War, which laid the foundations for the training of the ballet company; the all-art endeavours between the two world wars; and the theoretical issues surrounding Hungarian ballet education. The foundations of Hungarian ballet research—approached from the theory of art—were thus laid.

The upcoming Special Issue is in line with this approach. The aim of the issue is to present the international connections and Hungaricums of the development of the Hungarian ballet repertoire within a framework of cultural history and art interpretation, with special attention to issues that have been little examined thus far: the interaction of different dance styles, the theoretical and methodological issues of dance education, the development of the repertoire of the Opera House, all-art endeavours, and the connections with music history.

The aim is to provide a framework of a history of ideas for the significant turns in the history of ballet, laying the foundations for a theoretical understanding of ballet.

The thematic topicality of the Special Issue is given by the 80th anniversary of the death of Nicola Guerra—who developed the corps de ballet of the Opera House—in addition to the reopening of the Opera House after five years of reconstruction, and the recent commemoration of the 70th anniversary of the death of Vaslav Nijinsky, a dance genius with strong Hungarian connections, during the pandemic.

Dr. Anna Mária Bólya
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

• Hungarian ballet
• history of ballet
• history of dance
• theory of art
• Hungarian Opera House
• Nicola Guerra
• Nijinsky Budapest