The Use of a Natural Polysaccharide as a Solidifying Agent and Color-Fixing Agent on Modern Paper and Historical Materials
Abstract
:1. Introduction
2. Materials and Methods
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- Mechanical post maceration MPM: The pulps, left in the dark for 24 h, must be filtered and blended. In this way we obtain a dense green gel (Figure 2).
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- Maceration MA: The pulps left in the dark for 24 h must be separated from the liquid through mesh filters from 2 mm to 250 microns. In this case, the separated liquid is recovered, resulting in mostly transparent mucilage with a slightly less dense consistency than in the MPM process (Figure 3).
2.1. Chemical-Physical Characterization of the Material after the Extraction Process
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- the stretching band around 3312 cm−1 and the bending one around 1425 cm−1 both typical of the hydroxyl groups, -OH,
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- the stretching band at 2925 cm−1 and the bending ones with a peak at 1614 cm−1, characteristics of the alkyl groups -CH, -CH2 and -CH3,
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- the bands observed at 1369 cm−1 and 1240 cm−1 are instead attributable to the characteristic vibrational modes of the pyranose ring [9],
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- the absorption peak at 1035 cm−1 that characterizes the single bond –C-O of the alcohols and related ether bridges present in the main chain of the polysaccharide [16].
2.2. The Use of Prickly Pear Mucilage as a Solidifying Agent for Historical Paper Materials
- Sampling: 42 pages were selected from the selected book, which were labeled and photographed from the front and back to obtain clear and precise documentation of the treated pages.
- Fiber analysis: this analysis is used to determine the composition of the paper with an aqueous solution of zinc chloride (ZnCl2) and potassium iodide (KI). The analysis confirms the absence of lignin, which means that the samples are mainly made of pure cellulose.
- Dry cleaning: dry cleaning is used to remove surface dirt. We used a yellow Akapad sponge and even a powder form for the stubbornness dirt. In both cases, the residues were removed with a soft bristle brush.
- Ink solubility test: this procedure is performed to select the optimal solution for wet cleaning. The test result shows that immersing sheets of paper in a water bath is the best method.
- pH test: this test is performed to check if deacidification of the samples is necessary. In all 42 samples, the measured pH was 7, so deacidification was not necessary.
- Thickness measurement: this analysis is performed before and after washing in order to verify any changes due to adhesive or material loss.
- Wet cleaning: wet cleaning is used to remove deeper dirt. In our case, it was performed by immersing the samples in a water bath three times for 20 min.
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- sample 25 was treated with MA mucilage gel treated with Ca(OH)2, which was applied with a brush. The pH of this gel was 9.7, while the pH of the treated sample was 8/9 (Figure 5a).
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- sample 26 was treated with MPM mucilage gel applied with a brush. The pH of the sheet after application of the gel was 9/10.
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- sample 27 was used to test the ability of the gel to remove rust stains, but without results.
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- sample 28 was not subjected to any treatment and was only used for visual comparison with samples 25 and 26 using a magnifying glass to see if the green mucilage leaves any traces of color on the paper. Sample 26 was indeed greener compared to 25.
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- sample 29 was treated with MA mucilage gel by immersion (Figure 5b).
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- sample 30 was treated with MPM mucilage gel by immersion.
2.3. Preliminary Aging Test Using UV Light
2.4. Use of Prickly Pear Mucilage as a Color Fixative on Watercolor Paper
2.5. The Characterization of Tested Samples by Colorimetric Analyses
2.6. Reversibility Test
3. Results
3.1. Chemical-Physical Characterization of Preliminary Aging Test
3.2. Results Obtained of the Colorimetric Analysis
3.3. Results of Reversibility Test
4. Discussion and Conclusions
Author Contributions
Funding
Data Availability Statement
Conflicts of Interest
References
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Sample Number | MPM Mucilage: Distilled Water Ratio | pH after Applying the Mixture | pH 1 after Vaporizing with Ca(OH)2 |
---|---|---|---|
1-1a | 2:98 | 7 | 7.5 |
2-2a | 5:95 | 7 | 7.5 |
3-3a | 10:90 | 7 | 7.5 |
4-4a | 20:80 | 7 | 7.5 |
5-5a | 30:70 | 7 | 7.5 |
6-6a | 40:60 | 7 | 7.5 |
7-7a | 50:50 | 7 | 7.5 |
8-8a | 60:40 | 7 | 7.5 |
9-9a | 70:30 | 7 | 7.5 |
10-10a | 80:20 | 7 | 7.5 |
11-11a | 90:10 | 7 | 7.5 |
12-12a | 100:0 | 7 | 7.5 |
Sample Number | MPM Mucilage:Tylose Ratio (Drops of Ammonia) | pH after Applying the Mixture |
---|---|---|
13 | 2:98 (1) | 7–8 |
14 | 5:95 (1) | 7–8 |
15 | 10:90 (1) | 7–8 |
16 | 20:80 (1) | 7–8 |
17 | 30:70 (1) | 7–8 |
18 | 40:60 (1) | 7–8 |
19 | 50:50 (1) | 7–8 |
20 | 60:40 (1) | 7–8 |
21 | 70:30 (4) | 7–8 |
22 | 80:20 (4) | 7–8 |
23 | 90:10 (4) | 7 |
24 | 100:0 (4) | 7 |
Color | L1* 1 | a1* 1 | b1* 1 | L2* 2 | a2* 2 | b2* 2 | ΔE* 3 |
---|---|---|---|---|---|---|---|
intense red | 45.39 | 48.08 | 34.35 | 45.2 | 49.6 | 35.14 | 1.72 |
transparent red | 82.71 | 16.81 | 14.35 | 71.76 | 33.88 | 24.81 | 22.81 |
intense burgundy | 43.48 | 53.84 | 21.09 | 47.8 | 64.5 | 21.83 | 11.52 |
transparent burgundy | 72.69 | 27.43 | 4.6 | 59.88 | 48.94 | 11.64 | 26.00 |
intense blue | 25.92 | 0.86 | 22.87 | 43.98 | 1.74 | 53.69 | 35.73 |
transparent blue | 81.41 | 4.52 | 10.46 | 71.65 | 1.89 | 19.83 | 13.78 |
intense green | 40.02 | 24.38 | 16.92 | 38.57 | 22.61 | 15.58 | 2.65 |
transparent green | 76.08 | 18.88 | 16.92 | 79.61 | 15.6 | 12.94 | 6.24 |
intense yellow | 82.89 | 3.15 | 81.49 | 88.22 | 6.59 | 87.23 | 8.55 |
transparent yellow | 88.1 | 4.64 | 80.27 | 87.26 | 10.66 | 75.39 | 7.79 |
intense black | 30.86 | 3.78 | 7.58 | 30.78 | 4.89 | 5.74 | 2.15 |
transparent black | 73.42 | 1.39 | 18.34 | 78.85 | 2.2 | 16.94 | 5.66 |
Color | L1* 1 | a1* 1 | b1* 1 | L2* 2 | a2* 2 | b2* 2 | ΔE* 3 |
---|---|---|---|---|---|---|---|
intense red | 50.69 | 60.86 | 46.97 | 46.18 | 52.64 | 37.58 | 13.26 |
transparent red | 75.8 | 27.45 | 21.24 | 73.06 | 31.53 | 27.24 | 7.75 |
intense burgundy | 45.71 | 59.35 | 22.87 | 44.33 | 54.5 | 18.99 | 6.36 |
transparent burgundy | 73.41 | 30.56 | 5.79 | 79.8 | 16.3 | 2.42 | 15.98 |
intense blue | 42.35 | 2.82 | −51.89 | 27.56 | 6.93 | −53.31 | 15.41 |
transparent blue | 84.43 | 0.99 | −1.81 | 78.42 | −4.67 | −13.27 | 14.12 |
intense green | 43.15 | −25.16 | 17.52 | 32.24 | −11.22 | 6.32 | 20.94 |
transparent green | 83.37 | −11.81 | 12.3 | 86.17 | −9.94 | 11.65 | 3.42 |
intense yellow | 85.3 | 3.83 | 82.22 | 86.21 | 5.41 | 82.66 | 1.87 |
transparent yellow | 87.42 | −9.11 | 69.56 | 89.32 | −7.24 | 82.95 | 13.65 |
intense black | 36.08 | 6.21 | 14.79 | 41.88 | 4.46 | 17.32 | 6.56 |
transparent black | 78.19 | 3.94 | 19.02 | 75.6 | 0.47 | 17.74 | 4.51 |
Color | L1* 1 | a1* 1 | b1* 1 | L2* 2 | a2* 2 | b2* 2 | ΔE* 3 |
---|---|---|---|---|---|---|---|
intense red | 55.93 | 54.09 | 41.53 | 56.41 | 54.04 | 41.72 | 0.51 |
transparent red | 81.77 | 18.43 | 17.54 | 80.31 | 20.24 | 17.09 | 2.36 |
intense burgundy | 46.27 | 60.18 | 22.7 | 45.64 | 58.45 | 22.73 | 1.84 |
transparent burgundy | 79.00 | 21.77 | 9.58 | 80.85 | 19.8 | 9.42 | 2.70 |
intense blue | 38.36 | 3.18 | −52.19 | 40.14 | 3.01 | −53.42 | 2.17 |
transparent blue | 82.2 | −2.22 | −9.96 | 80.76 | −0.01 | −8.14 | 3.20 |
intense green | 36.21 | −18.59 | 12.57 | 31.17 | −22.1 | 14.27 | 6.37 |
transparent green | 78.05 | −18.51 | 15.98 | 77.01 | −19.15 | 16.00 | 1.22 |
intense yellow | 93.34 | −12.28 | 86.7 | 92.68 | −17.11 | 86.31 | 4.89 |
transparent yellow | 90.55 | −5.38 | 59.25 | 92.97 | −2.99 | 74.2 | 15.33 |
intense black | 34.77 | 6.46 | 13.66 | 28.51 | 2.97 | 4.09 | 11.95 |
transparent black | 72.62 | 3.39 | 18.53 | 69.39 | 3.84 | 19.06 | 3.30 |
Sample | Mass of Paper (g) | Mass of Paper + Mucilage (g) | Mass of Paper after Washing (g) |
---|---|---|---|
1 | 0.42 ± 0.01 | 0.49 ± 0.01 | 0.42 ± 0.01 |
2 | 0.41 ± 0.01 | 0.48 ± 0.01 | 0.40 ± 0.01 |
3 | 0.39 ± 0.01 | 0.42 ± 0.01 | 0.39 ± 0.01 |
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Emanuele, L.; Dujaković, T.; Roselli, G.; Campanelli, S.; Bellesi, G. The Use of a Natural Polysaccharide as a Solidifying Agent and Color-Fixing Agent on Modern Paper and Historical Materials. Organics 2023, 4, 265-276. https://doi.org/10.3390/org4020021
Emanuele L, Dujaković T, Roselli G, Campanelli S, Bellesi G. The Use of a Natural Polysaccharide as a Solidifying Agent and Color-Fixing Agent on Modern Paper and Historical Materials. Organics. 2023; 4(2):265-276. https://doi.org/10.3390/org4020021
Chicago/Turabian StyleEmanuele, Lucia, Tanja Dujaković, Graziella Roselli, Simone Campanelli, and Giulia Bellesi. 2023. "The Use of a Natural Polysaccharide as a Solidifying Agent and Color-Fixing Agent on Modern Paper and Historical Materials" Organics 4, no. 2: 265-276. https://doi.org/10.3390/org4020021
APA StyleEmanuele, L., Dujaković, T., Roselli, G., Campanelli, S., & Bellesi, G. (2023). The Use of a Natural Polysaccharide as a Solidifying Agent and Color-Fixing Agent on Modern Paper and Historical Materials. Organics, 4(2), 265-276. https://doi.org/10.3390/org4020021