1. Introduction
The classical understanding of room acoustics is closely related to Sabine’s work with the reverberation time as a function of volume and absorption area, and he referred to the equivalent area open window as a reference for sound absorption [
1] (pp. 23–24). Then, he assumed that the sound absorption coefficient of an open window would be 1, i.e., a total sound transmission through the opening. In the classical theory, it is assumed that the sound power incident on a surface is proportional to the geometrical projection of the area,
S cos
θ, where
S is the area and
θ is the angle of incidence. So, at grazing incidence, the incident sound power is assumed to be zero. The assumptions are approximations that can give rise to calculation problems, especially when a specific angle of incidence is considered. The discrepancy between the assumed and the real incident sound power on a sound absorbing surface of finite size has the consequence that the statistical absorption coefficient as measured in a diffuse sound field can take values above 1, i.e., that the absorbed sound power is greater than the incident sound power. This has led to empirical-based proposals of a possible edge correction, but a deeper understanding of the physics behind the phenomenon has been missing.
Previous research on the absorption properties of an open window or aperture includes theoretical work and experimental work. Wilson and Soroka [
2] studied a circular aperture in walls with different thicknesses and provided a numerical approach based on measurements between two reverberant rooms. Below a so-called ‘transition frequency’ (including opening depth and radius), the transmitted energy decreased. Later, Sauter and Soroka also studied sound transmission through rectangular apertures in a thick wall [
3]. They concluded that the sound transmission of apertures in thick walls between reverberant rooms can be represented by plane waves normally incident on the aperture, plane wave reflection from the aperture wall, three-dimensional radiation back into the source room, plane wave propagation through the aperture, and three-dimensional radiation into the receiving room.
In an early work by the author, he studied the angle-dependent sound transmission through windows, including an open window, by scale model measurements in an anechoic chamber [
4]. He also provided a simplified impedance model using only the real part of the radiation impedance.
Sgard et al. [
5] presented an extensive review of early investigations on acoustical properties of apertures and suggested a numerical method to predict the diffuse field transmission loss of apertures and slits. This work was continued with further experimental measurements by Trompette et al. [
6].
Martellotta [
7] collected experimental data for the absorption coefficient of openings of different dimensions and suggested an empirical model for the absorption coefficient as a function of a dimensionless frequency parameter.
In geometrical room acoustical computer models (image source models and ray tracing models), the calculations are based on sound reflections at specific angles of incidence, not on sound absorption as in Sabine’s reverberation time formula. Until now, such computer models have used statistical absorption coefficients truncated to a maximum of 1 as input data for the surface materials. With some approximations, the author has shown in earlier work that it is possible to derive angle-dependent reflection factors from the statistical absorption coefficients [
8,
9]. However, a more accurate model for sound reflection is needed to improve the accuracy of computer models based on geometrical acoustics. For wave-based models, the surface materials must be defined by their impedance, not by the statistical absorption coefficient.
Previous research dealing with prediction models for the angle-dependent absorption is rather sparse. The author has suggested a simplified model with real surface impedances [
8] and later a model with complex impedances derived from the statistical absorption coefficients [
9]. The work by Thomasson [
10,
11] deals with the sound absorption as a function of the area. He derived an impedance model for sound absorption, which has many similarities with the present work. A major difference is that he did not include sound transmission in his model, so he could not deal with the case of an open window. Instead, he assumed the maximum absorption to be approximated by a surface impedance equal to the complex conjugate of the radiation impedance at 60°, which would lead to a reflection factor of zero. However, such a surface impedance does not exist physically.
More recently, prediction models for the diffuse sound absorption of finite absorbers in a diffuse sound field have been proposed [
12,
13]. The diffuse sound absorption coefficient is obtained as a ratio of the power dissipated by the absorber to the intensity of the diffuse sound field and the area of the absorber by employing the direct boundary integral formulation for the scattering problem. Although the results of these models are excellent, they do not provide the angle-dependent absorption coefficients that are needed for room acoustic simulation models.
When measuring the sound absorption coefficient in a reverberation chamber in accordance with ISO 354 [
14], the area of the test sample must be between 10 to 12 m
2 or larger in case of a room volume above 200 m
3. The reasons for this area requirement are twofold: a smaller area would increase the measurement uncertainty, which is critical, and the so-called edge-effect would increase. The latter refers to the fact that the absorption is area-dependent, and the absorption increases for smaller samples. Even with the relatively large test samples that are usually applied, it is quite usual that the measured sound absorption coefficient exceeds 1. Since the 1960s, many researchers have studied the edge effect and tried to find a prediction method, but without convincing success [
15,
16,
17]. So, for practical applications, e.g., in room acoustic calculation models, the absorption coefficients are truncated to be ≤1. This is obviously a very coarse and unsatisfactory solution.
Recently, a method has been proposed that allows measurement of the angle-dependent absorption coefficient and surface impedance in a reverberant chamber [
18,
19]. A wavenumber transform is applied to separate incident and reflected plane-wave components. The absorption coefficient is determined simultaneously for all angles. The frequency range of the applied setup is from 315 Hz to 2000 Hz in one-third octave bands. These measurement methods are interesting because they can provide a better understanding of the sound absorption properties of materials. However, they are too complicated to be considered as possible alternative test methods in general.
The proposed impedance model for angle-dependent sound reflection and absorption suggests that Sabine was right in pointing at the open window as the ideal absorber, but the assumption that the open window has an absorption coefficient of 1 is only true for large areas and high frequencies. The main problems to be analyzed in the present paper are the angle-dependent reflection and the diffraction effects, including the so-called edge effect. The goals are to obtain a better understanding of measured data in reverberation chambers and to find solutions that allow the associated effects to be modelled in a room acoustic prediction model.
2. Impedance Models for Sound Reflection and Transmission
2.1. Electrical Analogue Circuits
The use of impedance models and other electrical or mechanical analogies for acoustical phenomena has advantages, but also limitations, because the wave-nature of sound is not included in such analogies. Nevertheless, it is possible to derive information on some diffraction effects for a finite-size surface from a simple impedance model.
The electrical analogue circuit of sound reflection and transmission is shown in
Figure 1. The wall impedance is
Zw, the radiation impedance is
Zr, and both are normalized with the characteristic impedance of air,
ρc. In the electrical analogy, the voltage corresponds to the sound pressure and the current to the particle velocity. The driving voltage corresponds to the sound pressure at a totally reflecting surface, which is 2
pi. The sound pressure of the transmitted sound,
pt, corresponds to the voltage drop over the radiation impedance on the backside of the panel.
The following definitions apply. The specific radiation impedance is the complex ratio of the radiated sound pressure to the normal velocity at the surface (
x = 0), normalized by the characteristic impedance of air:
The radiation impedance depends on the angle of incidence, but also on the wavelength relative to the size of the surface. See
Appendix A for details about the radiation impedance. In the case of sound transmission in
Figure 1, the radiation impedance is the same on both sides because the air is assumed to have the same acoustical properties on both sides. The radiation impedance is also called the field impedance in the literature [
8,
10,
11].
The specific wall impedance is the complex ratio of the sound pressure difference over the wall to the normal velocity of the surface, normalized by the characteristic impedance of air:
In the case of an open window, the pressure difference is zero, and thus Zw = 0.
If the sound-absorbing material is backed by a rigid wall, as is often assumed, the electrical analogue circuit of sound reflection is shown in
Figure 2.
In this case, the transmission is neglected, and instead of the specific wall impedance, the specific surface impedance
Za is applied. This is defined as the complex ratio of the sound pressure on the surface to the normal velocity of the surface, normalized by the characteristic impedance of air:
In the case of sound transmission, as in
Figure 1, the surface impedance is the sum of the wall impedance
Zw and the radiation impedance
Zr.
2.2. The Reflection Factor for a Finite Area
The characteristic dimension of the surface is defined as e = ½√S, where S is the area of the surface. Thus, for a square surface, the length of each side is 2e. The dimensionless frequency parameter is ke, where k = 2π/λ is the angular wavenumber and λ is the wavelength.
For a finite area, the direction of sound propagation through to surface is
θ′, which may deviate slightly from the angle of incidence
θ (see
Figure 1). This refraction will be discussed in detail later. The shifted angle can be related to the real part of the radiation impedance (see
Appendix A):
Thus, the relation between the particle velocities of the sound waves (incident, reflected, and transmitted) and the normal velocity on the surface is not exactly cos(
θ), but inherent in the radiation impedance. The normal velocity
v of the surface can be expressed in the following equations:
The angle-dependent pressure reflection factor is the complex ratio of the sound pressure of the reflected sound wave to the sound pressure of the incident sound, both taken at the reflecting surface (see also [
11] (p. 22)):
where
Zr*(
θ) is the complex conjugate of the specific radiation impedance. For a local-reacting material, the surface impedance
Za is independent of the angle of incidence, but in general, the surface impedance can also be angle-dependent. In the following, it is understood that the radiation impedance
Zr is always a function of the angle of incidence.
2.3. Sound Power Components
Applying an energy balance principle on the sound reflection leads to the incident sound power (
P1) being split into three components: transmitted (
P2), dissipated (
P3), and reflected sound power (
P4) (see
Figure 3B). In addition, there can be a possibility of scattered reflection from the edges (
P5), which contributes to the reflected sound power. Thus, we have a power balance:
The classical theory is a high-frequency model assuming the wavelength to be very small compared to the dimensions of the surface, λ << √S. This assumption is often referred to as the case of an infinite surface, which is disturbing because the incident sound power is proportional to the surface area S, and this area must be finite. In the classical theory, P5 is zero.
A plane wave with the sound pressure
pi has the sound intensity:
where
P0 is the sound power incident at normal incidence and
S is the area of the reflecting surface. In the following,
P0 will be used as a reference for the other sound power components.
The angle of incidence is
θ and the projection of the surface on a plane perpendicular to the direction of propagation is
S cos(
θ). In the classical theory, the incident sound power on the surface is:
Taking the wavelength into account, the incident sound power
P1 on the surface area
S is a function of the real part of the radiation impedance
Zr (see
Figure 1) and the impedance model yields [
11] Equation (52):
Similarly, the transmitted sound power
P2 that is radiated from the backside of the panel is proportional to Re{
Zr}:
In general, energy losses in a component of the electrical analogy are due to the real part of that component. Thus, the dissipated sound power
P3 is proportional to Re{
Zw} (see Thomasson [
10] Equation (19)):
The absorbed sound power is the sum of transmitted and dissipated sound powers:
The reflected sound power
P4 (without the scattered reflection) can be calculated as the non-absorbed part of the incident sound power:
The scattered reflection from the edges and the associated sound power P5 will be considered next.
2.4. Diffraction Effects
The finite size of the surface that is investigated for sound reflection and absorption leads to diffraction effects. These effects are wave-based and lead to deviations from the conventional geometrical acoustics.
Figure 3A shows a situation with a sound-absorbing patch surrounded by a large rigid baffle and a plane sound wave incident at an oblique angle. The transparent absorber also has the transmitted sound power (
P2) (see
Figure 3B). It is possible to isolate the diffraction effects by studying the case of an open window (an aperture). The aperture does not have dissipated sound power (
P3) and reflected sound power (
P4) (see
Figure 3C). However, the possibility of sound reflection from the surrounding edges due to diffraction is indicated with the sound power
P5. This is a scattered sound reflection, while
P4 represents a geometrical reflection. It is assumed that
P5 is the same in all three cases in
Figure 3. Thus, the total reflected sound power is
P4 +
P5, and this will be discussed in more detail in
Section 3.2.
2.5. Sound Absorption at Oblique Incidence
The physical absorption coefficient is the ratio of absorbed sound power (Equation (13)) to the incident sound power (Equation (10)). It can also be calculated as the not-reflected sound energy relative to the incident sound energy using the pressure reflection factor. The result is the same:
It is noted that
α(
θ) ≤ 1 because 0 ≤ |
r(
θ)| ≤ 1. In geometrical acoustics, the incident sound power on a surface is proportional to the projection of the surface on a plane perpendicular to the direction of the incident plane sound wave (see Equation (9)). Using this as a reference for the absorption, we obtain the apparent absorption coefficient:
The issue with the apparent absorption coefficient is that it can exceed 1, and α′ → ∞ for the angle of incidence approaching grazing incidence, θ → 90°.
2.6. Sound Absorption in a Diffuse Sound Field
As an attempt to describe the measured absorption coefficients in a reverberation chamber, the statistical absorption coefficient can theoretically be calculated by integration of the absorbed and incident sound powers over the hemisphere. Then,
P1,∞ is the incident sound power as in Equation (16). The result is the statistical absorption coefficient:
The statistical absorption coefficient can take values that exceed 1, which is well known from measurements in a reverberation chamber in accordance with ISO 354 [
14]. This phenomenon is sometimes called the edge effect, although physically it is more accurate to name it a refraction effect, as will be discussed in the following. For the application of measured absorption data in practice, it is typical that values above 1 are truncated to 1.
The physical absorption coefficient in Equation (15) can also be applied to the calculation of all angles of incidence, as in a diffuse sound field, and we obtain the random-incidence absorption coefficient. This is the ratio of the incident sound power and the absorbed sound power, both integrated over the hemisphere:
The random-incidence absorption coefficient is bound to be within 0 and 1, and thus, it may not be able to reproduce the measured absorption coefficient in a diffuse sound field. Like in Thomasson [
11] (Equation (11)), the ratio between
αstat and
αran can be expressed by the frequency-dependent factor
K:
However, as will be revealed later in
Section 4, none of them are very good matches for the measured absorption coefficient.
4. Revised Model for Sound Absorption
4.1. Sound-Absorbing Patch with Rigid Backing in a Large Rigid Baffle
The hypothesis for the revised model for sound absorption is that the open window is a valid reference for sound absorption: The sound absorption of a material surrounded by a large rigid baffle cannot exceed that of an aperture with the same size.
For a plane wave at oblique incidence, this implies that the factor
M must be applied to the apparent sound absorption coefficient. By doing so, it is expected that the results will be closer to those measured in a reverberation chamber. The factor
M is equal to the absorption coefficient of the aperture given by Equation (22) and depicted in
Figure 4:
Like the radiation impedance Zr, M is dependent on the angle of incidence and the frequency parameter ke. For high frequencies (ke > 10) and angles of incidence up to around 45°, the difference between the classical model and the revised model is negligible. However, at lower frequencies and for larger angles of incidence, the difference can be significant. Especially near the grazing incidence, it is noted that the revised model leads to very low absorption and thus a stronger angle dependency than with the classical models.
From Equation (16), we obtain the apparent sound absorption coefficient in the revised model:
The statistical absorption coefficient calculated with the revised theory is then:
The idea of the revised model was first presented in a short conference paper in 2022 [
22]. The model has recently been implemented in the material calculator of the room acoustic software ODEON [
23] (pp. 74–80). The surface impedance of a material is calculated by the transfer matrix method, in which the material is represented by a transfer matrix, relating the pressure and the normal particle velocity on either side [
24]. Porous materials are characterized by density and flow resistivity.
4.2. Examples for Validation of the Revised Model
In order to test the revised model against experimental data, some examples of measurement results were taken from [
25]. These measurements were made in a reverberation chamber in accordance with ISO 354 [
14]. The test objects consisted of combinations of mineral wool, polyester wool, and various air cavities (see
Table 2). Only four cases were selected for the present comparison; other cases were only 50 mm thick, and the difference between the theoretical models would be negligible. Other cases were covered on top with various slat structures that have a minor influence on the measured results, and these were not used for the validation. The measurements were made in one-third octave bands from 63 Hz to 8000 Hz. The selected cases have absorption coefficients higher than unity at some frequencies. The dimensions of the test samples were 3.9 m by 2.6 m, i.e., an area of 10.1 m
2. The test objects were placed on the floor of the test chamber and surrounded on the sides by a rigid frame. However, the surface of the test objects was not surrounded by a baffle as assumed in the theory. This is assumed to lead to slightly lower measured absorption coefficients compared to a situation with a surrounding baffle.
The mineral wool has a surface density of 30 kg/m2, and the flow resistivity is assumed to be 20,000 N∙s∙m−4. The polyester fiber wool has a surface density of 20 kg/m2, and the flow resistivity is assumed to be 1750 N∙s∙m−4. From these data, the statistical absorption coefficient, the random incidence absorption coefficient, and the revised statistical absorption coefficient are derived. The corresponding equations are Equations (17), (18) and (28), respectively.
Figure 14 shows the three calculated absorption coefficients together with the measured data for Case A. The measured absorption coefficients exceed 1 at mid frequencies and high frequencies. This cannot be reproduced by the physical absorption coefficient, whereas the calculated statistical absorption coefficient yields values that are too high. The revised model is in better agreement with measured data, although not perfect. In a frequency range of 100 Hz to 200 Hz, the measured absorption is lower than that predicted by the revised model, which might be explained by the position of the test sample on the floor without a surrounding baffle, as mentioned above.
The results for Case B are shown in
Figure 15. The measured absorption coefficients exceed 1 for most frequencies above 125 Hz. In general, the agreement with the revised model is quite good.
The results for Case C are shown in
Figure 16. The total thickness of the construction is doubled from 200 mm to 400 mm compared to the former Case B. Thus, it is unexpected that the measured absorption coefficient is lower than in the previous case in the frequency range of 125 Hz to 250 Hz. The absorption is particularly low at 63 Hz and 160 Hz. There might be some resonance effects in the air cavity that affect the results at low frequencies. Above 200 Hz, the agreement with the revised model is quite good.
The results for Case D are shown in
Figure 17. The tendency is the same as in the previous Case C, but the unexpected dip in the measured absorption between 80 Hz and 200 Hz is more pronounced. A dip in the curve is seen at 63 Hz and another one around 125 Hz. A possible explanation may be the influence of one-dimensional modes in the cavity. In actuality, the test specimen’s width of 2.6 m provides the natural frequencies 66 Hz, 132 Hz, and 198 Hz for the first three modes in this direction. These frequencies correspond to the location of the dips. If this should be included in the calculation model, it would need 3D modelling of the cavity.
The unexpected measurement results in the low-frequency region for Cases C and D were also addressed by the authors in the original paper [
25]. They suggested a lack of diffusion at low frequencies in the reverberation chamber or possible standing waves between the sides of the test object and the walls of the chamber as explanations. However, it seems more likely that the reason is related to the air cavity inside the test objects C and D, as suggested above. The effect is not seen in cases without a cavity, but it is very strong in cases with a cavity.
If this analysis is true, and we can disregard the measured data at 63 Hz, 100 Hz, 125 Hz, and 160 Hz for Cases C and D, the revised model appears to be superior to the statistical and physical models.
5. Discussion
One of the problems in room acoustics is how to deal with measured absorption coefficients that exceed 1 in cases of highly absorbing materials. The simple truncation of results above 1 is not a satisfactory solution because information contained in the measured data is thrown away. However, this is what happens when measured absorption data are converted to the so-called practical sound absorption coefficient in accordance with ISO 11654 [
26] (clause 4.1). In room acoustical calculation models, it is also common practice to truncate values above 1.
However, the revised model for sound absorption presented here aims to accept and understand the measurement results, also when the absorption coefficient exceeds 1. The issue is illustrated in
Figure 18, for example, Case B.
In order to achieve the correct statistical absorption coefficient, it may be necessary to apply angle-dependent absorption coefficients that are significantly greater than 1 when the angle of incidence is above 45°. It is noted that the absorption coefficient at 60° is very close to the statistical absorption coefficient. At some frequencies, the absorption coefficient exceeds 2 when the angle of incidence is greater than 75°. This means that the energy reflection coefficient is not limited to being between 0 and 1, but it can take negative values.
Sound reflections in the room acoustics computer model ODEON are calculated according to the method outlined in [
8]. Equation (15) is applied, and this implies that sound reflections are dependent on the size of the surface and the angle of incidence. If the revised model is to be applied to selected surfaces with high sound absorption, Equation (27) should be applied instead. The challenge here is how to deal with possible negative energy reflection coefficients. Here, it is important to remember the background for this, namely that the considered surface with high absorption is supposed to have a limited area and be surrounded by highly reflective surfaces.
In the room acoustic computer model, the calculated reflection contributes to the construction of an impulse response or an energy decay curve in a particular receiver position within the room. This means that the contribution from the highly absorbing surface considered here will be a single contribution among a large number of contributions from other surfaces with less absorption. Thus, the possible negative reflection coefficient from the absorbing surface will suck energy from the total collection of energy contributions.
An alternative application of the revised model could be to merge the absorption of the different materials on a surface. For example, if the highly absorbing material is placed on the floor of the reverberation chamber, all reflections from the floor should be assigned with the combined absorption coefficient
α1+2, calculated from:
where
S1 is the area of the sound-absorbing patch with absorption coefficient
α1, and
S2 is the area of the surrounding floor with absorption coefficient
α2. Since
α2 is very low, the combined absorption coefficient will not exceed 1, even if
α1 does so.
The aim of the calculation model based on the revised theory for sound absorption is to be able to reproduce the absorption data as measured in a reverberation chamber, also when the results exceed 1. If this can be realized, the room acoustics calculation model may also be able to provide more accurate results in other types of rooms.
Another theme to be considered in future research is the influence of standing waves in a cavity as part of a sound-absorbing structure. The problems that can occur at low frequencies are clearly demonstrated in some of the cases analyzed above. Current prediction models for sound-absorbing structures with deep cavities are not reliable, and a better prediction model can not only help in understanding the nature of the problem but may also help in developing more efficient sound absorbers.
6. Conclusions
Two diffraction effects are identified in connection with the sound reflection from a material sample with a finite area. One diffraction effect is the scattered reflection from the edges of the sample, and this causes a decrease in sound absorption towards low frequencies. This effect is related to the imaginary part of the radiation impedance of the absorbing surface. It is shown that the scattering effect can be separated and quantified by studying the case of an aperture in a large rigid baffle. It is argued that this represents an unavoidable amount of sound reflection, also valid for the case of an absorbing patch surrounded by a rigid baffle.
The other diffraction effect is a refraction of the incident sound wave, which can be pronounced for large angles of incidence. This effect is related to the real part of the radiation impedance of the absorbing surface. In a diffuse sound field, this effect causes the incident sound power to be greater than assumed in the classical room acoustic theory, and this explains why absorption coefficients measured in a reverberation chamber can exceed 1. This is often referred to as the edge effect.
A revised impedance model is presented for sound absorption that includes these diffraction effects. It is argued that measured absorption coefficients above 1 should not be truncated, as it is common practice today. Instead, the reason for such measurement results should be better understood. The revised impedance model may contribute to this.
The impedance model of the sound reflection from an aperture has revealed that the reflection is acausal. The phase shift of the reflection can be interpreted as an apparent reflection plane, the position of which is frequency-dependent and in front of the physical pane of the aperture. For ke > 1, the phase shift is between 45° and 90°. It is found that a causality requirement is generally not valid for impedance models of sound reflection.