Next Article in Journal
Modern Pollen Rain and Present-Day Vegetation Along an Altitudinal Transect in the Rarău Massif (Eastern Carpathians, Romania)
Previous Article in Journal
Evaluating Paleoclimate Evolution of Alluvial Plain Using Sediment Grain Size Analysis: A Case Study of the Pleistocene Western Songnen Plain in China
 
 
Font Type:
Arial Georgia Verdana
Font Size:
Aa Aa Aa
Line Spacing:
Column Width:
Background:
Correction

Correction: Korpershoek et al. Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats. Quaternary 2024, 7, 48

1
Department of Life and Environmental Sciences, Bournemouth University, Poole BH12 5BB, UK
2
Department of Computing and Informatics, Bournemouth University, Poole BH12 5BB, UK
3
Department of Archaeology and Anthropology, Bournemouth University, Poole BH12 5BB, UK
*
Author to whom correspondence should be addressed.
Quaternary 2026, 9(2), 27; https://doi.org/10.3390/quat9020027
Submission received: 3 February 2026 / Accepted: 24 February 2026 / Published: 30 March 2026
The figures in the original publication are adaptations of rock art motifs, and the sources of the original photographs were cited in the description of each figure [1]. We have since understood that additional permission is required for the adaptation of a photograph. The required permissions have now been obtained. However, we have replaced Figures 3, 5–8 and 10 with either a different adaptation, or with the original photograph, at the request of the copyright holder. We have changed the image description of Figure 11 in order to reflect the granted permissions, as requested by the copyright holder. Figure 8 has been replaced with a depiction of an armed conflict on a boat from Scandinavian rock art, specifically from Tanum in Sweden. Scandinavian Bronze Age rock art is known to contain depictions of technology, such as weapons and boats, as well as scenes that refer to warriors and armed conflict [2]. The corrected figures appear below, including a new description. The revision of the image descriptions led to corresponding changes in the references cited in the text.
Lastly, there was an error in reference [49] in the original publication. The correct citation is: Taçon, P.S.C.; Wilson, M.; Chippindale, C. Birth of the Rainbow Serpent in Arnhem Land rock art and oral history. Archaeol. Ocean. 1996, 31, 103–124.
The authors state that the scientific conclusions are unaffected. This correction was approved by the Academic Editor. The original publication has also been updated.
Figure 3. A timeline of the earliest occurrences of geometric and animal motifs in rock art on each continent. The X-axis is based on a logarithmic scale (base 10).
Figure 3. A timeline of the earliest occurrences of geometric and animal motifs in rock art on each continent. The X-axis is based on a logarithmic scale (base 10).
Quaternary 09 00027 g003
Figure 5. A depiction of an unknown quadruped from a slab of stone at Apollo 11 Cave, Namibia. The oldest rock art depiction of an animal in Africa. Reproduced with permission from the Rock Art Research Institute and the African Rock Art Digital Archive. South Africa: https://rari.wits.ac.za/.
Figure 5. A depiction of an unknown quadruped from a slab of stone at Apollo 11 Cave, Namibia. The oldest rock art depiction of an animal in Africa. Reproduced with permission from the Rock Art Research Institute and the African Rock Art Digital Archive. South Africa: https://rari.wits.ac.za/.
Quaternary 09 00027 g005
Figure 6. An eland antelope depiction from the East Cape Province, South Africa. Reproduced with permission from the Rock Art Research Institute and the African Rock Art Digital Archive. South Africa: https://rari.wits.ac.za/.
Figure 6. An eland antelope depiction from the East Cape Province, South Africa. Reproduced with permission from the Rock Art Research Institute and the African Rock Art Digital Archive. South Africa: https://rari.wits.ac.za/.
Quaternary 09 00027 g006
Figure 7. A trace of a depiction of two adjacent rainbow serpents in Australian rock art. Traced by M. Korpershoek from the original photograph by P.S.C. Taçon in Taçon, P.S.C.; Wilson, M.; Chippindale, C. [49].
Figure 7. A trace of a depiction of two adjacent rainbow serpents in Australian rock art. Traced by M. Korpershoek from the original photograph by P.S.C. Taçon in Taçon, P.S.C.; Wilson, M.; Chippindale, C. [49].
Quaternary 09 00027 g007
Figure 8. A trace of a scene from Swedish Bronze Age rock art, depicting an armed conflict on a boat. Traced by M. Korpershoek from the original photograph Tanum 1975 01 by Rainer Knäpper, via Wikimedia Commons. Free Art Licence 1.3.
Figure 8. A trace of a scene from Swedish Bronze Age rock art, depicting an armed conflict on a boat. Traced by M. Korpershoek from the original photograph Tanum 1975 01 by Rainer Knäpper, via Wikimedia Commons. Free Art Licence 1.3.
Quaternary 09 00027 g008
Figure 10. A depiction of a therianthrope in San rock art, possibly mid-transformation. Reproduced with permission from the Rock Art Research Institute and the African Rock Art Digital Archive, South Africa: https://rari.wits.ac.za/.
Figure 10. A depiction of a therianthrope in San rock art, possibly mid-transformation. Reproduced with permission from the Rock Art Research Institute and the African Rock Art Digital Archive, South Africa: https://rari.wits.ac.za/.
Quaternary 09 00027 g010
Figure 11. A trace of a depiction of European colonists wearing hats and smoking pipes in Australian rock art. Traced by M. Korpershoek from the original photograph by Sally K. May, in Frieman, C.; May, S.K. [104]. Reproduced with permission from Springer Nature Customer Service Centre GmbH. This content is not included under the governing Open Access Licence.
Figure 11. A trace of a depiction of European colonists wearing hats and smoking pipes in Australian rock art. Traced by M. Korpershoek from the original photograph by Sally K. May, in Frieman, C.; May, S.K. [104]. Reproduced with permission from Springer Nature Customer Service Centre GmbH. This content is not included under the governing Open Access Licence.
Quaternary 09 00027 g011

References

  1. Korpershoek, M.; Reynolds, S.C.; Budka, M.; Riris, P. Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats. Quaternary 2024, 7, 48. [Google Scholar] [CrossRef]
  2. Ling, J.; Uhnér, C. Rock art and metal trade. Adoranten 2014, 2014, 23–43. [Google Scholar]
Disclaimer/Publisher’s Note: The statements, opinions and data contained in all publications are solely those of the individual author(s) and contributor(s) and not of MDPI and/or the editor(s). MDPI and/or the editor(s) disclaim responsibility for any injury to people or property resulting from any ideas, methods, instructions or products referred to in the content.

Share and Cite

MDPI and ACS Style

Korpershoek, M.; Reynolds, S.C.; Budka, M.; Riris, P. Correction: Korpershoek et al. Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats. Quaternary 2024, 7, 48. Quaternary 2026, 9, 27. https://doi.org/10.3390/quat9020027

AMA Style

Korpershoek M, Reynolds SC, Budka M, Riris P. Correction: Korpershoek et al. Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats. Quaternary 2024, 7, 48. Quaternary. 2026; 9(2):27. https://doi.org/10.3390/quat9020027

Chicago/Turabian Style

Korpershoek, Mirte, Sally C. Reynolds, Marcin Budka, and Philip Riris. 2026. "Correction: Korpershoek et al. Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats. Quaternary 2024, 7, 48" Quaternary 9, no. 2: 27. https://doi.org/10.3390/quat9020027

APA Style

Korpershoek, M., Reynolds, S. C., Budka, M., & Riris, P. (2026). Correction: Korpershoek et al. Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats. Quaternary 2024, 7, 48. Quaternary, 9(2), 27. https://doi.org/10.3390/quat9020027

Article Metrics

Back to TopTop