A New Look at Excavation Techniques and Design of Rock-Cut Architectures
Abstract
:1. Introduction
2. Statement of the Problem
3. Materials and Methods
4. Results
4.1. Excavation Techniques
4.1.1. Excavation Method
4.1.2. Rough out Excavation
4.1.3. Fine Shaping and Detailing Excavation
4.1.4. Rough Shaping Excavation
5. Discussion
5.1. Excavation Design
5.2. Excavation Stages
5.2.1. Stage 1: Excavation of Kicheh (Entrance Trench)
5.2.2. Stage 2: Excavation of Soffeh (Semi-Open Space)
5.2.3. Stage 3: Excavation of Dargah (Doorway)
5.2.4. Stage 4: Excavation of Room
5.2.5. Stage 5: Construction of Other Elements
5.3. Excavation Design Measures in Meymand Buildings
5.3.1. Arrangement of Buildings in Different Levels
5.3.2. Varying Height of the Longitudinal Sections
5.3.3. Increasing the Area by Increasing the Depth
5.3.4. Special Design of the Entrance Trench (Kicheh)
6. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
References
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Name. | Main Excavation Technique | Climate | Context Rock | Context Steepness | Mass Excavation Technique (%) | Steady Excavation Technique (%) | Fine Excavation Technique (%) |
---|---|---|---|---|---|---|---|
Meymand | Rough out | Cold mountain | Pyroclastic | Steep hill and upright wall | 8 | 88 | 4 |
Kandovan | Fine | Cold mountain | Pyroclastic | Upright wall | 4 | 44 | 52 |
Hilevar | Rough shaping | Cold mountain | Pyroclastic | Steep hill | 12 | 66 | 22 |
Savar | Rough out | Cold mountain | Pyroclastic | Steep hill | 52 | 40 | 8 |
Arzanfoud | Rough shaping | Cold mountain | Metamorphic | Steep hill | 20 | 75 | 5 |
Bafran | Rough shaping | Hot and arid | Sedimentary | Upright wall | 30 | 65 | 5 |
Kouhpayeh | Rough shaping | Cold mountain | Sedimentary | Upright wall | 30 | 60 | 10 |
Khorrambid | Rough out | Cold mountain | Sedimentary | Steep hill and upright wall | 45 | 40 | 15 |
Abazar | Rough out | Cold mountain | Pyroclastic | Upright wall | 45 | 40 | 15 |
Viand | Rough shaping | Cold mountain | Pyroclastic | Steep hill and upright wall | 30 | 60 | 10 |
Architectural Element | Excavation Technique | Excavation Tool |
---|---|---|
Kicheh (entrance trench) | Rough out | Mallet and wedge |
Soffeh (semi-open space next to kicheh) | Rough shaping and fine shaping and detailing | Heavy and light pickaxe |
Dargah (Doorway) | Fine shaping and detailing | Light pickaxe |
Room | Rough out and rough shaping | Heavy pickaxe, wedge and mallet |
Number | Local Name | Name | Function | Description |
---|---|---|---|---|
1 | Otaq Boni | Main room | Living and kitchen together | Room quite dug in bedrock used as main livelihood place |
2 | Anbar | Side room or store room | Store and bedroom | Room quite dug in bedrock used as subsidiary space |
3 | Soffeh | patio | Semi-open space | Restricted by 3 rock-cut walls and rocky or wooden roof and 1 side open to air by entrance trench |
4 | Aqol | cratch | Livestock care place | Dug in rock and located in entrance trench used for livestock |
5 | Kahdoon | Hay loft | Fodder warehouse | Dug in rock and located in entrance trench used for storage |
6 | Kicheh | Entrance trench | corridor | Entrance and connector between outside and inside and introducing a residential unit |
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Mangeli, M.; Aram, F.; Abouei, R.; Mehdizadeh Saradj, F. A New Look at Excavation Techniques and Design of Rock-Cut Architectures. Designs 2022, 6, 64. https://doi.org/10.3390/designs6040064
Mangeli M, Aram F, Abouei R, Mehdizadeh Saradj F. A New Look at Excavation Techniques and Design of Rock-Cut Architectures. Designs. 2022; 6(4):64. https://doi.org/10.3390/designs6040064
Chicago/Turabian StyleMangeli, Mohammad, Farshid Aram, Reza Abouei, and Fatemeh Mehdizadeh Saradj. 2022. "A New Look at Excavation Techniques and Design of Rock-Cut Architectures" Designs 6, no. 4: 64. https://doi.org/10.3390/designs6040064
APA StyleMangeli, M., Aram, F., Abouei, R., & Mehdizadeh Saradj, F. (2022). A New Look at Excavation Techniques and Design of Rock-Cut Architectures. Designs, 6(4), 64. https://doi.org/10.3390/designs6040064