The island had a long cultic tradition that pre-dated the Hellenistic period. Ancient literary sources, such as Arrian, that refer to the island briefly mention its religious life. The majority of Greek inscriptions found on Ikaros/Failaka reveal which gods were worshipped on the island and various aspects of religious life. In this part of the paper, we will examine what happened when the Seleucids conquered the island and annexed it to their kingdom and how and to what extent the sacred landscape changed. We will employ archaeological evidence to deal with the sacred space of the island as an environment created by such architectural features as temples and sanctuaries in combination with human religious activities and practices. We have already mentioned that the population of the island varied over time and that, during the Seleucid occupation, there was a military garrison. We will not, however, discuss in detail the archaeological finds and the wider problems raised by some of them, as our aim is to put together the material evidence in such a way as to explain how diverse cultural elements influenced the sacred landscape of the island.
4.1. The Pre-Hellenistic Sanctuary at Tell-Khazneh and Its Continuity
The oldest cultic centre predating the Seleucid occupation of Ikaros/Failaka is situated in the southwest of the island in the Tell Khazneh area. A few remains indicate that cultic use was made of this area from the pre-Hellenistic period to the mid-2nd century BC, when the area was abandoned (
Hannestad 2019, pp. 315–16). Here artefacts were found, probably offerings that tied this spot to its Achaemenid religious past. Approximately 280 figurines were found in this sanctuary, among them many Persian figurines of horsemen, who are probably wearing the Persian
Kyrbasia (
Lesperance 2002, pp. 97–98). Male and female Mesopotamian figurines found at the sanctuary display similarities with terracotta offerings found in the cities of southern Mesopotamia, such as Uruk and Nippur. A Mesopotamian seal dating to the neo-Babylonian Empire depicts a priest of Nabu, the patron god of literacy and wisdom (
Salles 1985, p. 588;
1986b, pp. 144–52).
As we have already noted, Arrian (
Anabasis 7.20.3–4), when referring to the island, notes the existence of a shrine of Artemis and that the inhabitants spent their lives around it. There is no other literary information on the cultic rituals performed in this shrine or the identity of the inhabitants.
Hannestad (
2019, p. 316), on the basis of a coin hoard found at the area, suggests that ‘the sanctuary was visited in first quarter of the 3rd century by mercenaries and/or soldiers probably coming from Mesopotamia via Euphrates’. Perhaps the first visitors to the island, influenced by the thick forest and the wild animals found on the island, guessed that this shrine belonged to Artemis, the goddess of hunting, or perhaps they thought that it was a shrine to the goddess Anahita, an ancient Iranian goddess who in the Near East is frequently identified with Artemis (
Hjerrild 2009, pp. 42–43) or of the Mesopotamian goddess Nananya, spouse of Nabu, who is frequently assimilated with Artemis (
Lesperance 2002, pp. 111–12).
In this area a very mutilated inscription was found that refers to the sacrifice performed by a Greco-Macedonian “
hegemon”, whose name ends with -
telos (
IK Estremo oriente 417: 4th/3rd century BC). There is no reference to the god to whom he sacrificed, but it may have been a female deity. Archaeological evidence derived from stratigraphical information reveals that at the third excavation level, dating to the Hellenistic period, Hellenistic-style female figurines were found, five of them being nude female figurines with their arms at their sides. Several incense altars were also found (
Lesperance 2002, p. 98). On the basis of archaeological discoveries, Salles suggests that this sanctuary may have been that of Artemis referred to by Arrian (
Anabasis 7.20.3–4) (
Hannestad 2019, p. 326), although, the pre-Hellenistic terracotta offerings found here connect this sanctuary with a male divinity (
Salles 1985, p. 590), probably with Nabu, the son of the Babylonian god Marduk (
Gachet and Salles 1990, p. 210).
Two inscriptions dated to the 3rd century BC give us some idea why the Greco-Macedonians used this sanctuary. The inscriptions mention dedications that were made by Soteles (the Athenian or the son of Athenaios) (
Roueché and Sherwin-White 1985, pp. 4–5). The first dedication was made by Soteles and the soldiers to Zeus Soter, Poseidon and Artemis Soteira and the second dedication was made by Soteles to Poseidon Asphaleios.
Roueché and Sherwin-White (
1985, p. 10) suggest that the dedications were made by the garrison of the early Seleucids established on the island. The fact that, during the early years after the Seleucids established their power on the island, there was no Greek temple, although there are inscriptional references to sacrifices taking place on the island, leads one to believe that the Greco-Macedonians probably sacrificed in local temples and sanctuaries, such as that of Tell Khazneh.
Canepa (
2018, p. 179) notes that ‘the archaeological material …suggests [that] the Greco-Macedonian settlers engaged pre-existing cult sites once the military installation was founded’.
The dedications of Soteles were made to Zeus, the supreme god of the Greek pantheon, to Poseidon, who granted safety to sailors and protected the ports, and to Artemis. Artemis was chosen, probably because of the connection between of Ikaros/Failaka with Ikaros in the Aegean.
7 Artemis was patroness of Ikarian sailors of the Aegean and also protector of hunters and of wild animals. On the north-west coast of the Aegean island of Ikaros, there was a port that offered a safe anchorage in the midst of the dangerous seas around the island. On Ikaros, too, there also stood a temple dedicated to Artemis Tauropolos at Oenoe and a temple of Artemis at Nas. On the island of Ikaros/Failaka in the Persian Gulf, there was, as we have discussed earlier, a
temenos that the Greco-Macedonian sailors identified as a shrine of the Greek goddess Artemis (Arrian
Anabasis 7.20.7–8) or an oracle of Artemis
Tauropolos (Strabo
Geogr 16.3.2). In the first dedication made by Soteles, the goddess is referred to as Artemis
Soteira (Saviour), who protected sailors and brought them safely to the island. The second dedication by Soteles was made in honour of Poseidon
Asphaleios. According to Xenophon (
Hell. 4.7.4.),
paeans in honour of Poseidon
Asphaleios were sung whenever an earthquake occurred, in order to appease the force behind it and to lessen its effect (
Katsonopoulou 2021, p. 132). Although the worship of Poseidon
Asphaleios was connected mainly with earthquakes and had spread to many places in the Mediterranean world,
Katsonopoulou (
2021, p. 132) notes that in the Hellenistic city of Dionysopolis on the Bulgarian Black Sea coast there was a cult of Poseidon
Asphaleios connected with ‘the safety of their cities and ports’. In our case, the dedication of Soteles to Poseidon
Asphaleios was probably made after the dedicator had arrived safely on Ikaros/Failaka. Soteles, who had probably faced the monsoons in the area, may then have made this dedication to thank Poseidon for his safe return.
Although no buildings survive from the Tell Khazneh sanctuary (
Salles 1986a, pp. 107–9), the archaeological record in the area reveals the co-existence of pre-Hellenistic local artifacts, particularly figurines, with Greek artifacts, such as incense altars and pottery (
Lesperance 2002, pp. 97–98). Although this temple was a sacred place for the old inhabitants of the island, this did not stop Greco-Macedonians from sacrificing here and using the temple to perform their rituals. Their actions are perhaps a manifestation of Seleucid religious policy that made use of pre-existing local religious infrastructures (
Canepa 2018), so as to create a unified religious environment that allowed the monarchs to control remote strategic areas of their kingdom. Yet it may also be connected with the multi-ethnic composition of the Seleucid garrisons.
Naveh (
1995, pp. 2–3), in his study of the two Greek inscriptions regarding Soteles and of a contemporary Aramaic inscription found on the island, argues that the Seleucid military garrison included Iranian soldiers and officers. Non-Greek Seleucid soldiers, probably familiar both with local eastern religious practices and with Greek practices, must have facilitated the cultural dialogue between local and Greek cultic habits.
4.2. The Fortress
The cultural dialogue between Greek and local traditions is also evident in the fortress, whose architectural structure and temples combine local architectural forms and practices with Greek traditional architectural styles, thereby creating a hybrid cultural identity. The Hellenistic fortress stood on the south-west corner of the island. In the same area, on a site approximately 100 metres distant from the Hellenistic fortress, a temple- tower was built around 2000 BC, during the Dilmun period. The benefits of the site were already evident to the Bronze Age inhabitants of the island, who built a temple-tower there (
Calvet et al. 2008, p. 22). Temple-towers in the East were erected at strategic spots and, being visible from a distance, were used by sailors for orientation and navigation (
Calvet et al. 2008, p. 25). These temple-towers also served to observe the arrival of ships. In the temples included in these temple-towers, sailors offered thanks to the gods who had protected them and brought them safely home. Calvet (
Calvet et al. 2008, p. 25) connects the existence of temple-towers with the presence of important sea and land routes in the East. He compares the temple-tower of Ugarit, an ancient port in northern Syria, with that of Ikaros/Failaka and concludes that, during the Bronze Age, these ‘temple towers are situated at points of intense trade, in places of transit between the sea routes and the land routes’. Calvet (
Calvet et al. 2008, p. 23) argues that the thriving trade that existed in these areas facilitated the creation of religious, cultural and intellectual ties between local populations and their neighbours.
The Seleucids, playing their part in the long history of Ikaros/Failaka and realising its importance of the area, decided to erect their fortress at this point on the island (
Gelin 2014, pp. 88–89). The strategic location of the hill and the existence of wells of fresh water, indispensable for the survival of any inhabitants, made this a highly desirable site for a fortress. The use of the old eastern model of the temple-tower in this Seleucid rebuilding reveals a continuation of an older tradition. Irrespective of the architectural form, the geographical position of the fortress, its religious role and its importance in navigation show that the building had multiple functions and strongly resembled the temple-towers of the Bronze Age. Archaeological finds and, in particular, the presence of fragments of Attic black glaze bowls indicate that the first phase of the enclosure was built around 300 BC, perhaps the work of Antiochos I (
Gelin 2014, p. 88). It served primarily as accommodation for the Seleucid garrison and to protect Temples A and B that stood within its precincts.
Temple A was a typical Greek style temple with
naos,
pronaos, altar,
stylobates,
krepis and Greek-style ornamentation, such as
acroteria (
Jeppesen 1989, pp. 25–28;
Gelin 2014, p. 89;
Lesperance 2002, pp. 64, 67–68). The builders of the temple, however, combined these traditional Greek elements with Achaemenid-influenced column bases of local limestone (
Jeppesen 1989, p. 34). Temple B stood a small distance from Temple A. It displays the same plan as Temple A and the same characteristics of a Greek temple in the form
naos and
pronaos, although
Gelin (
2014, p. 89) believes that its plan is oriental. Temple B displays less decoration than Temple A and has a circular altar (
Lesperance 2002, pp. 68–73).
How did the indigenous population deal with these changes? Written sources concerning the local population are scanty. As we have said, Arrian notes that they lived around a sanctuary (
Anabasis 7.20.3–4). A letter, inscribed on a
stele, which mentions a now unknown Seleucid king (probably Seleukos II) and mentions arrangements concerning religious matters and other practical issues that arose on the island (
IK Estremo oriente 422; l.15), divides the locals into
neokoroi, who were local servants of the gods (or eminent members of the local society with cultic responsibilities), and into other inhabitants.
Roueché and Sherwin-White (
1985, p. 32) discuss the role of
neokoroi ‘who, on the analogy of the famous sanctuaries of Artemis at Sardis and Ephesus, as well as that at Amyzon, were important administrators responsible for temple administration as well as for the organisation of the cults in their care’. The fact that the
neokoroi hold their religious office after the island has been annexed by the Seleucids demonstrates that the Seleucids, far from wanting to break the link with the past, actively desired that old and new religious practices should co-exist. Moreover, the fact that local religious officials used a Greek term (
neokoroi) to label them is an example of how Seleucid rule dealt with religious matters. Unfortunately, the lack of indigenous written sources means that we cannot construct a complete picture of the relations between local religious aristocracy and the Greco-Macedonian administration.
In the letter that we have just looked at, Ikadion, a Seleucid official, conveys the will of the Seleucid king to his subordinate, Anaxarchos, that limits be put on the treatment of locals by Greco-Macedonian colonists and that certain religious, economic and property matters be settled. He orders this letter to be inscribed on a
stele in front of Temple A in the sacred fortress. These measures may have been triggered by disturbances and clashes between the indigenous population and colonists, since the king was clearly anxious that his ruling should be displayed in a prominent public space. The king mentions, among others matters, the relocation of a temple left unfinished by his ancestors, such an operation never having been carried out before (
Estremo oriente 422; ll. 4–8). Perhaps this projected relocation was one reason for any clashes that may lie behind the ruling published on the
stele. The king apparently requested that the
hieron of
Soteira, probably the shrine of Artemis
Soteira, be relocated to the interior of the fortress (
Estremo oriente 422; ll. 5–6). It is not clear from the letter where this altar of
Soteira was situated.
Roueché and Sherwin-White (
1985, p. 32) argue that this old temple was either the temple of Artemis that the explorers of Alexander discovered on the island or the Achaemenid shrine of Tell Khazneh or perhaps some other shrine elsewhere. The main reason for the royal decision was to protect the new sanctuary and to provide ‘room for the community to dwell around it’ (
Roueché and Sherwin-White 1985, p. 32).
Hannestad and Potts (
1990, p. 123) argue that the evidence of Ikaros/Failaka reveals how ‘a local pre-Seleucid cult was transformed on royal command into something at least reminiscent of Greek cultic practice’.
Temple A of the fortress existed before the
hieron was moved inside the fortress, which perhaps indicates that more than one god was worshipped in the temple. That this was so is suggested by the second inscription found in Temple A, which mentions the gods to which the inhabitants of Ikaros/Failaka dedicated the altar. Notably, the inscriptions do not distinguish between the local population and Greco-Macedonians (
ΙΚ Estremo oriente 420). All this written evidence leads one to suspect that the local inhabitants had no separate administrative organisation. Their officials were mainly concerned with the local cult and the administration of the temples. By contrast, the Greco-Macedonians lived in a semi-urbanised community (
Petropoulou 2006, p. 147), which was not a
polis and was subject to the orders of the representatives of the Seleucids. The establishment of athletic and music competitions (
IK Estremo oriente 422: ll. 11–12) as part of the religious festival that took place on the occasion of the relocation of the altar reveals that, even in areas on the very edge of their kingdom, the Seleucids promoted and supported Greek cultural practices.
Let us consider another factor connected with the relocation of the altar and the co-existence of Greco-Macedonians and the indigenous population alongside each other that is revealed through archaeological finds from the island. The relocation of the cult of Artemis
Soteira, the divine protector of sailors, to the Hellenistic fortress, the protection of her sanctuary, and the offerings made by her pilgrims are clearly connected with the protection and use of the temple-towers for religious purposes during the Bronze Age. In the Hellenistic period, towers were erected on islets in the Aegean to protect sea routes from pirates or other hostile individuals, to ensure the maintenance of the ‘complex matrix of intercommunication in the seascape of the Aegean’ (
Constantakopoulou 2007, p. 198) and to indicate that more powerful neighbours dominated and exploited the natural resources of these islets (
Constantakopoulou 2007, p. 198). The towers of the Hellenistic period probably also served as a means of protection and as markers of dominion and territory. Perhaps, then, when the Hellenistic-style tower spread through the east, it was combined with the eastern temple-tower tradition and so acquired yet another function, that of a shrine. Such temple-towers are found from the Mediterranean coast, ‘as at Alalakh, ancient Atchana, and Ras Shamra, ancient Ugarit, to the shores of the Gulf, as at Failaka, and in Mesopotamia, as at Mari and other Mesopotamian sites’ (
Calvet et al. 2008, p. 24). This type of temple-tower had evolved from the ziggurats (
Calvet et al. 2008, p. 24) built by indigenous populations, such as Sumerians, Babylonians, Akkadians, and Elamites, to worship local gods (
Walton 1995, p. 158). This concept of the temple–tower, rooted in local tradition, probably influenced Seleucid architects when they came to construct their fortress.
As the archaeological discoveries now stand, there is evidence of Hellenistic fortifications with sanctuaries in Seleucid territory (
Canepa 2018), but the size, structure and style of the Ikaros/Failaka enclosure seems to be unique. Thus, it would seem that, although this enclosure and its temples were modelled after local eastern and Greek prototypes, it kept its unique character and reflects Seleucid policy in the area. In the case of Ikaros/Failaka, in addition to the Greco-Macedonians, indigenous religious officials (
Estremo oriente 422, l.15) also took part in the rituals practiced in the fortress. Even archaeological finds from the period, when Seleucid power had declined in the area and the Seleucid garrison abandoned the fortress, show that the local inhabitants used the temples uninterruptedly (
Gelin 2014, p. 89), which indicates that they had embraced the mixture of local and Greco-Macedonian religious traditions and continued to perform their own rituals. Such behaviour clearly demonstrates that the Seleucids, instead of aiming to impose any one religious tradition upon another, created new, heterogeneous religious forms accepted and promoted by the local population and Greco-Macedonians. Such religious co-existence probably also mirrored the relations between the local population and the Macedonian garrison.
After the period of Arab occupation of the island (246–223 BC), Antiochos III restored Seleucid power over the area. He reinforced and extended the fortress and awarded it the status of a colony (
Gelin 2014, p. 89). This event is reflected in the increasing number of houses erected within and outside the fortress. The presence of an indigenous population or at least of non-Greek settlers in the fortress, is revealed by finds there consisting of terracotta figurines and ceramics, most of which display traditional Mesopotamian stylistic traits. These finds included nude female figures inspired by Babylonian and Parthian figures, terracotta horsemen whose figures display similarities with those found at Uruk and Babylon and in southern Iran and, ceramic vessels Mesopotamian and Arab in style (
Lesperance 2002, pp. 78–83). The archaeological finds from the fortress also included model boats, which reveal the maritime occupations of the owners or dedicators. Although most of them display similarities to model boats from Babylon and Seleukeia-on-the-Tigris (
Chavane 1990, p. 286), in the view of
Mathiesen (
1982) some fragments display parallels with objects found elsewhere in the Mediterranean, such as at Salamis on Cyprus (
Chavane 1990, p. 286). These boats are either to be connected with the occupations of the inhabitants or were used domestically as ornaments or toys. They may also have had some religious purpose, a feature attested elsewhere in the Eastern Mediterranean and Near East (
Chavane 1990, pp. 286–89). These model boats may have been offerings made to the gods before a voyage or after a safe return to the island, or they may have been dedications made by fishermen after a plentiful catch. Prayers offered at sanctuaries and temples, sacrifices, and offerings to the god-protectors of sailors were common public and private cultic practices, designed to secure the benevolence of the gods towards navigators (
Van Straten 1981, p. 65).
The offerings made at temples demonstrate both the piety of the donor and his hopes for protection during future maritime endeavours (
Van Straten 1981, pp. 72–73). The material from which these offerings were made and the stylistic influences they display clearly express a desire on the part of the donor to display his wealth before the public, his stylistic preferences and his connections with either the Achaemenid and Babylonian past or with Greco-Macedonian tradition.
Monloup (
1984, p. 148) connects these boats with burial traditions and suggests that they symbolised the voyage of the dead on Charon’s skiff. This ancient Greek tradition and, in particular, the appearance of such vessels in tombs, is attested on Crete and Cyprus (
Chavane 1990, p. 286). In addition to the model boats, dedications of naval equipment were found at the sanctuaries in the fortress. These include two small stone anchors offered at the sanctuaries (
Chavane 1990, p. 289) that resemble anchors found in Salamis on Cyprus (
Chavane 1975, p. 115, no. 356–57) which imitate Near Eastern prototypes from the Bronze Age. It is easy to see why an anchor, vital for maritime travel, especially among the windy islands of the Persian Gulf, should have been offered. Indeed, an anchor was something sacred in that it kept a ship stable in bad weather and the safety of the ship and the crew directly depended on it (
Kapitän 1985, p. 152). Many items connected with fishing, such as fishing weights, flat and lenticular spindles and spindle-shaped spherical caps, were found in the fortress and in the Hellenistic sanctuary in area B6. Fishing was an important economic activity for the inhabitants of the island and was indispensable for their subsistence. Multiple offerings demonstrate people’s piety towards the divine protectors of sailors and fishermen.
The way in which the artifacts found in the fortress were manufactured (
Gachet 1990) or the way in which they represented humans, animals or deities expresses the cultural identity of the owner, their stylistic preferences and their social status. Because the island was connected with so many other places, these artifacts are naturally the creation of various artistic trends that combined eastern and Greco-Macedonian stylistic forms (
Connelly 1990). A stone statuette of a bottlenose dolphin created in a local workshop and dating to the mid-2nd century BC was found in the fortress and throws light on the local sculptural aesthetic and the view of the inhabitants of dolphins. The bottlenose dolphin lives in shoal-waters, near shores and bays (
Lilly 1962) and statuettes and other images of dolphins were widespread round the Mediterranean. The Phoenician dolphin cult led to the incorporation of the dolphin into Greek religious life. Dolphins were considered to be protectors of fisherman and sailors and were connected chiefly with the worship of Poseidon and Apollo (
Csapo 2003, p. 94). Among the archaeological finds from Ikaros/Failaka connected with the religious or cultural life of the inhabitants, there is a statuette of Papposilenos, the style of which displays similarities with figurines from Pergamon and Kharayeb in the Lebanon (
Connelly 1990, p. 214). The Ikaros/Failaka Silenus was connected with the Dionysiac cult of the Greco-Macedonians (Arrian,
Anabasis 4.8.1) or ‘possibly [reflects] the influence of theater in the daily lives of soldiers posted on the Eastern frontier’ (
Connelly 1990, p. 214). In the fortress, a fragmentary Greek-style statuette of a young Herakles was also found (
Connelly 1990, p. 210). Terracotta figurines of Herakles were also found in the fortress, but their style displays Near Eastern influences, especially from Mesopotamia and Susiana (
Connelly 1990, p. 210). The worship of Herakles was widespread in the East. Statuettes of Herakles have been discovered at Nippur, Uruk, Hatra, Dura-Europus, Assur and Begram (
Connelly 1990, p. 211). These figurines may depict Herakles in his role of protector of those who, like him, make long-distance expeditions (Diodorus 4.18.4–5). Herakles reached the furthest limits of seafaring in the West and confronted the sea in all its moods and other dangers, too (Pindar
Nemean 3), but nevertheless accomplished his goal and returned home. The Greco-Macedonians probably saw similarities with Herakles’ journey in their own experiences and no doubt hoped that, if they worshipped him, he would grant them the safe return home that he himself enjoyed.
Architectural forms or domestic and cultic objects show that Seleucid policy was to establish their cultural influence on the foundation offered by local Neo-Babylonian and Achaemenid cultural tradition. Local cultural elements combined with Greco-Macedonian practices, influencing each other to create a unified new cultural form within the Seleucid kingdom. By reshaping the older local sacred landscapes, the Seleucids created a heterogeneous cultural environment. This allowed the indigenous population to continue their local practices and traditions, even when Seleucid presence on the island had faded (
Gelin 2014), and to live in an environment that displayed cultural elements from their past, but at the same time to adopt some Greco-Macedonian cultural elements without losing their local identity.