Weaving a Sustainable Future for Fashion: The Role of Social Enterprises in East London
Abstract
:1. Introduction
2. Literature Review
2.1. Sustainability
2.2. Fashion and Sustainability
2.3. Sustainable Business Models and Social Enterprises
2.4. TBL Framework
2.5. Social Capital
3. Methodology
3.1. Case Study Selection
3.1.1. Case Study 1: Making for Change
3.1.2. Case Study 2: Stitches in Time
3.2. Data Collection Methods
3.3. Data Analysis
3.4. Validity
4. Results and Discussion
4.1. RQ1: How Do the Social Enterprises in the East London Fashion Cluster Leverage the TBL Framework to Promote Sustainable Practices in the UK Fashion Industry?
4.1.1. Social Considerations
4.1.2. Environmental Considerations
4.1.3. Economic Considerations
4.2. RQ2: How Do Social Enterprises in the East London Fashion Cluster Utilise Social Capital to Facilitate the Transition towards Sustainability in the UK Fashion Industry?
4.2.1. Bonding Social Capital
4.2.2. Bridging Social Capital
5. Conclusions
Limitations and Future Research
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
Appendix A
Themes | Key Findings | Excerpts from Interviews and Focus Groups |
---|---|---|
RQ1: How do the social enterprises in the East London fashion cluster leverage the TBL framework to promote sustainable practices in the UK fashion industry? | ||
Social Considerations | Social enterprises leveraged a variety of ethical practices. | Focus group 1, Participant A: “There is a lot of flexibility here with start times, appointments, family care, childcare, and other personal responsibilities. If there’s a week when you can’t work due to family commitments, allowances are made, so there’s a system in place”. Reiterating this, another participant said “I have tried approaching other workplaces, but it just didn’t fit our lifestyle with childcare, appointments, and health needs. Here, you have complete flexibility. Everyone here manages their own schedule to a certain degree”. Focus group 2, Participant B: “They accommodate our cultural needs and religious beliefs, we have space to pray, can dress comfortably, including wearing the hijab. It’s a safe space where we feel accepted and celebrated for our culture”. |
These enterprises want to change the perception of manufacturing as a factory-based environment to one that values skilled craftsmanship and ethical working conditions. | Anna Ellis, head of business development at Making for Change said “We do still have that connotation when you think of a factory, you immediate thing is to think of a sweatshop, and that’s what we’re trying to change”. Gracie Sutton, enterprise and production manager at Stitches in Time, said the following: “Brands can showcase our flexible work practices and the various sustainable methods we use. I think by sharing the stories and the impact on the makers, it gives a different example of how the fashion industry can work. Hopefully, that’s a good guideline for how people can work differently within various factories and settings” | |
They work closely with brands, individual designers, and other clients to ensure better quality and cost-effective products. | Gracie said “When smaller brands work with us, we help support them in terms of sampling and figuring out where we can reduce costs, or how to enhance and utilise the skills of the team as well. So, in that sense, they are not just coming to us with a technical pack and dictating what is being made. We are helping and supporting one another to produce something, which I think is great”. Similarly, Anna said “We offer more hands-on support than a typical manufacturer, meaning we closely examine their products. We also advise them on costing and techniques to produce garments that are either of better quality or more cost-effective due to improved manufacturing methods”. | |
Social enterprise’s initiatives had a significant social impact, particularly through training programs that empowered trainees with personalised support and skills development. | Paul, Chief Executive Officer at Stitches in Time said “We have a waiting list for our training courses that seems to be never-ending. But that’s great; it shows there is a desire, there is a need, and that people gain value from it”. | |
Community-driven initiatives by the enterprises foster social inclusion and economic empowerment, contributing to the growth of East London’s fashion cluster. | This sentiment is echoed by Paul who said “I find the way it contributes to East London’s fashion cluster is quite intriguing. As our story spreads not only through our efforts but also through brands that share it, it shines a light on our internal culture and the communities involved. This supports our role as a model and communicates the value of our work to other community enterprises, creating a ripple effect. Perhaps some of this influence will even shape the future creators of the next fashion wave. It’s an interesting cycle”. | |
Environmental Considerations | Social enterprises are committed to circular economy principles and collaborate with brands to upcycle, repair, mend and recycle products. | Talking about a collaboration between Stitches in Time and Making for Change, where they partnered with the renowned fashion brand ‘Monsoon’, Grace said “We recently collaborated with Monsoon alongside Making for Change, involving both our trainees and employees. Together, we utilised our embroidery skills to enhance Monsoon’s products, focusing particularly on upcycling dead stock items”. Making for Change also recycle waste as confirmed by Anna in the following statement: “We recycle our textile waste by partnering with a third-party start up that turns it into other products”. |
Using innovative solutions, such as AI, to enhance on-demand manufacturing. | Highlighting this, Anna said “We want to explore ways in which AI can make production more efficient and more sustainable”. | |
Sustainable practices incur higher costs due to the increased production time. | Focus Group 2, Participant D: “the amount of time it took us to unpick a particular garment, cut it, and create something new with it was much longer than sewing a garment from scratch”, | |
Social enterprises enhanced participants’ awareness of environmental sustainability, fostering a sense of pride and fulfilment in contributing to a greener world. | Focus Group 2, Participant B: “The training programs and our work have enabled us to better understand the carbon footprint associated with our processes, and how we can reduce the wastage of fabric and other materials to promote sustainable practices”. Adding to this, another participant said the following: “we’re not just churning out garment after garment without knowing what happens to it afterward. There’s a story behind each piece, and there are people behind it”. | |
Economic Considerations | Social enterprises ensure the commercial viability of their projects and commissions by meticulously calculating production costs. | Gracie highlighted that “We spend a lot of time ensuring that the cost of production is viable for the team. During sampling, we calculate how long it takes to make a product based on the quantity we’re producing. Once we reach around a hundred units or more, we switch to a production line to speed up the process. This involves detailed calculations and close collaboration with the client or brand to ensure they understand both the costs and the timeline. If they have a target cost in mind, we can adjust the design to meet their expectations and requirements”. |
The viability of on-demand manufacturing is a crucial factor for social enterprises. As noted, sustainability often involves producing in small quantities, which can be more costly due to inefficiencies and the use of offcuts. | Anna said “We may not necessarily be the cheapest; our pricing may not always match what our clients expect, but we explain our costs and try to collaborate where possible. However, commercial viability is very important to us”. | |
RQ2: How do social enterprises in the East London fashion cluster utilise social capital to facilitate the transition towards sustainability in the UK fashion industry? | ||
Bonding Social Capital | The East London fashion cluster utilises bonding social capital through community involvement, with enterprises like Stitches in Time engaging beneficiaries in co-creation. | Grace mentioned that “Stitches in time was built around the needs of the beneficiaries. They are always part of the conversation about how we grow and navigate the enterprise. They have a lot of say in what we do and the commissions we take on as well”. |
Social enterprises reinforce skills development, with trained individuals, such as women in East London, volunteering to train others, creating more job opportunities and revitalising the local manufacturing industry. | Paul highlighted that “I believe Stitches in time’s existing strengths as a social enterprise is its ability to connect particularly well with the Bangladeshi diaspora through skill-based cultural crafts. This connection is already a source of pride, fostering community communication and shaping social interactions”. | |
Bonding social capital within the enterprise community fosters trust and collaboration, with strong bonds facilitating support, knowledge exchange, and professional growth among members. | Focus Group 1, Participant C said “My work is comfortable; it feels like a home away from home. It doesn’t feel like coming to work; it’s like being with friends, and I feel very comfortable here”. Focus Group 2, Participant D: A participant commented the following: “I am taking many of the skills that I have learned here and using them in my private time for friends, family and private clients”. | |
Personal connections and support from social enterprises provide emotional support during challenging times, strengthening commitment to community initiatives. | Focus Group 1, Participant B: “In one of our classes, we have a woman who doesn’t have the leave to remain in the UK, she doesn’t speak English, and she has a brain tumour, so we were like heavily involved with helping her with her appointments. Being there, when she had to sign for her operation and all my colleagues went with her to the anaesthesia room because she was nervous. And that’s just like individualised led case, and we were there when she woke up from her surgery to give her support”. | |
Bridging Social Capital | Collaborations between enterprises leverage their combined expertise, resulting in higher-quality work. These partnerships provide mutual support and create opportunities for shared learning. | Paul said “We are quite good at collaborating, and we have a long organisational history of helping shape other programs or other project work because people come to us as a kind of community engagement specialist in that sense”. |
Connections between enterprises go beyond joint projects, including ongoing partnerships to provide skills development support for their trainees. | Paul said “I think it’s a shared desire, especially between us and Making for Change, to promote an ethical production base in East London. It’s something we’re deeply interested in as an organisation. It’s exciting to leverage our small-scale efforts to make this happen, not just as a story to tell, but by partnering with other organisations. We can share experiences, particularly in working with communities and how it can best benefit people”. This collaborative effort was also affirmed during discussions with focus group participants. | |
The enterprise collaborates with local manufacturers to provide trainees with practical experience that leads to employment opportunities. Educational partnerships and institutional support further enhance training programs and contribute to building a sustainable network within the fashion industry. | Anna highlighted that “There are several accelerator-type programs available to support organisations like ours. I have participated in a manufacturing forum that promotes innovative practices and processes in manufacturing. The Fashion District periodically hosts forums like these, offering competitions where manufacturers pitch ideas for financial support to bring them to life”. Focus group 2, Participant E: “When we did the modest fashion program, we collaborated with students from London College of Fashion, a women’s wear designer and an embroidery student. We also had someone who did printmaking. The designer who led the class, she’s now open to mentoring if we’re interested in starting a business or something like that. And then we had Toby Meadows, a fashion business consultant who’s helped lots of fashion startups and worked with many brands around the world. So yeah, it’s like we’ve had this opportunity to meet all these people in the field, and it kind of gives you an idea of what you can do with just a seed of an idea”. |
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Sampling Parameters | Description | Scientific Justification |
---|---|---|
Relevance | Cases must be chosen based on their relevance to answering specific research questions. | The selected cases directly address and align with the research questions, ensuring focused and pertinent data. |
Richness | The selected cases must generate rich information for an in-depth exploration of the phenomenon under study. | Each case provides comprehensive and detailed data, allowing for deep exploration and understanding. |
Analytic generalisability | Cases must offer insights into broader theoretical contexts, ensuring findings can be analytically generalised to similar contexts. Statistical generalisability to a larger population is not sought. | The findings from the cases are expected to provide insights that are applicable to other similar contexts, though not necessarily to a larger statistical population. |
Potential to generate believable explanations | Cases must have high potential to generate credible explanations about the role and impact of social enterprises | The data from the cases are expected to support robust and convincing explanations regarding the impact and role of social enterprises. |
Ethics | Obtaining informed consent from all participants, clearly explaining the study’s purpose, procedure, and potential risks. | Ethical standards are maintained by ensuring informed consent and transparency about the study’s procedures and risks. |
Feasibility | The study must be practical within the available time, resources, and access constraints. | The focused selection of cases allowed for manageable and effective data collection and analysis, given the available resources and regional scope. |
Core Operations | Core Focus | Outcomes for Trainees | Partnerships and Support | Community Group |
---|---|---|---|---|
Training programs (professional skills and qualifications in fashion manufacturing and production) | Skills development, job creation, community support | Volunteering opportunities leading to full-time employment | Collaborations with educational institutions and local councils | Bangladeshi immigrants, local communities based in east London |
Commercial production services for the fashion industry | Socially responsible practices Environmental sustainability | Social inclusion and economic empowerment | Partnerships with fashion industry networks and support from regional development initiatives |
Interviewee Job Title and Organisation | Date of Interview | Location of Interview | Type of Interview | Duration of Interview |
---|---|---|---|---|
Paul, Chief Executive Officer at Stitches in Time | 28 March 2024 | Stitches in Time, Tower Hamlets, East London | Face to face | 45 min |
Gracie Sutton, Enterprise and Production Manager at Stitches in Time | 28 March 2024 | Stitches in Time, Tower Hamlets, East London | Face to face | 45 min |
Anna Ellis, Head of Business Development at Making for Change | 30 May 2024 | Microsoft Teams | Online | 38 min |
Focus Group 1: Stitches in Time Participants | Coded as | Date | Location of Interview | Type of Focus Group | Duration of Interview |
Rohima Begum (Former Trainee and Employee) | Participant A | 28 March 2024 | Stitches in Time, Tower Hamlets, East London | Face to face | 1 h 15 min |
Malika (Former Trainee and Volunteer) | Participant B | ||||
Tayeeba Begum (Former Trainee and Employee) | Participant C | ||||
Shaleha Sharmi Chawdhury Mitale (Former Trainee and Employee) | Participant D | ||||
Fateha Hussain (Former Trainee and Employee) | Participant E | ||||
Farida Yesmin (Former Trainee and Employee) | Participant F | ||||
Focus Group 2: Making for Change Participants | Coded as | Date | Location of Interview | Type of Focus Group | Duration of Interview |
Ruma Boumik (Former Trainee and Employee) | Participant A | 6 June 2024 | Microsoft Teams | Online | 58 min |
Fieruza Khanom (Former Trainee and Employee) | Participant B | ||||
Shahana Begum (Former Trainee and Employee) | Participant C | ||||
Nosira Begum (Former Trainee and Employee) | Participant D | ||||
Dicko Coulibaly (Former Trainee and Employee) | Participant E |
Phase | Description of the Process |
---|---|
| Transcribing data (if necessary), reading and re-reading the data, noting down initial ideas. |
| Coding interesting features of the data in a systematic fashion across the entire data set, collating data relevant to each code. |
| Collating codes into potential themes, gathering all data relevant to each potential theme. |
| Checking if the themes work in relation to the coded extracts (Level 1) and the entire data set (Level 2), generating a thematic ‘map’ of the analysis. |
| Ongoing analysis to refine the specifics of each theme, and the overall story the analysis tells, generating clear definitions and names for each themes. |
| The final opportunity for analysis. Selection of vivid, compelling extract examples, final analysis of selected extracts, relating back of the analysis to the research question and literature, producing a scholarly report of the analysis. |
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Ashiq, R. Weaving a Sustainable Future for Fashion: The Role of Social Enterprises in East London. Sustainability 2024, 16, 7152. https://doi.org/10.3390/su16167152
Ashiq R. Weaving a Sustainable Future for Fashion: The Role of Social Enterprises in East London. Sustainability. 2024; 16(16):7152. https://doi.org/10.3390/su16167152
Chicago/Turabian StyleAshiq, Rubab. 2024. "Weaving a Sustainable Future for Fashion: The Role of Social Enterprises in East London" Sustainability 16, no. 16: 7152. https://doi.org/10.3390/su16167152
APA StyleAshiq, R. (2024). Weaving a Sustainable Future for Fashion: The Role of Social Enterprises in East London. Sustainability, 16(16), 7152. https://doi.org/10.3390/su16167152