1. Introduction
“Trachyte” is the term which was used to indicate clear, rough rocks outcropping in Greece in the area of Thrace in ancient times [
1]. Another etymological interpretation of the word might derive from the Greek word “τυραχζ” which means “rough”. From the petrographic point of view, trachyte is the volcanic equivalent of syenites, which are rocks formed with K-feldspar, subordinate plagioclase oligo-andesinic and mafic, such as green hornblende and biotite. Quartz is generally missing.
Differently, “Trachite auctorum” is the latin term which, in the past, indicated a multiplicity of vulcanites, from acidic to neutral (rhyolites, riodaciti, dacites and andesites), found in Central and North-Central Sardinia (Ottana, Sedilo, Allai, Fordongianus, Bosa, Ozieri, Oschiri and Osilo), southern (Serrenti) and southwestern (Sulcis) as shown in
Figure 1. This term is still in use in the commercial field to identify this wide range of stone materials. Volcanic rocks are very different in texture (lavas, ignimbrites, pyroclastic rock welded in different ways, stagnation dome), easy to carve, they have variable porosity, and present very different color features, often characterized by a wide variable intensity: Pink, red, yellow, gray, dark gray, green, green-blue.
The aim of this study is to highlight how the “trachytes” of Sardinia can be regarded as a heritage stone resource (HSR). HSR is a natural stone, which was used in the construction of historical buildings and monuments over an extended period of time (sometimes centuries) and that should be involved in a great deal of consideration for its use in the restoration of those same historical buildings—when necessary—even when local quarries may no longer be active [
3,
4]. It is exactly for this reason that an international category has been created to include those global natural heritage stone resources (GHSR) that have achieved widespread utilization in human culture [
5].
The present study is considered a geoheritage subtopic; geoheritage can indeed be defined as a the branch of geosciences that studies “Globally, nationally, state-wide, the regional features of geology such as its igneous, metamorphic, sedimentary, stratigraphic, structural, geochemical, mineralogic, paleontologic, geomorphic, pedologic, and hydrologic attributes at all scales, that are intrinsically important or culturally important, which offer information or insights into the formation and evolution of the Earth, or into the history of science, or which can be used for research, teaching or reference” [
6]. For these reasons, heritage stone is a branch of geoheritage, which deals with the conservation of building natural stone resources that had an important role in human culture and also supports the preservation of historical quarries that once were the source of such stones.
Historical and Current Uses
These rocks have been widely used since ancient times, and can be found in numerous constructions located throughout the island. A great use of it was done during the Roman age: For example, the ancient thermal baths of Fordongianus, shown in
Figure 2, which were built with squared grey boulders of “trachyte” [
7], as well as the seven-arches bridge over the river Tirso, which was built with “trachyte” on top of an older bridge; Sardinian “trachyte” was also used by the Romans for the composition of mosaics and flooring in Nora. There is extensive footage of ancient “trachyte”, used in prehistory to build defensive walls building, “Domus de Janas” (i.e., fairies’ house), stone huts, nuraghi (i.e., Santu Antine, shown in
Figure 3, which is one of the biggest and best preserved nuragic settlements of the island), carved vases (currently exhibited at the local Sardinian museums), mostly dating back to what is generally referred to as the “cultura di Ozieri” (middle Neolithic), etc.
Important examples of the use of these volcanic rocks, which are used in construction as well as by architects, can be typically seen in the civic center of several Sardinian towns: “Trachytes” are used to make different architectural parts in both public and private buildings, as ashlars, pillars, capitals, architraves, jambs, statues, friezes and etc. A special mention should be made of the many churches built in the 12th and 13th centuries, that can be considered a showcase where the visitor can observe the “trachytes” in all shapes and sizes; some examples are shown in
Figure 4a–c.
The main areas where “trachytes” are currently quarried and processed are practically near to historic sites, which follow the geological distribution of outcrops. The main production facilities for both ornamental use and construction are located in Fordongianus (near Oristano) and Serrenti (Campidano) where the quarrying activity has started again about twenty years ago.
With regard to the latter, which is currently being reassessed, it is quarried to obtain the stone known as “Pietra di Serrenti”, a light-grey pyroclastic andesite, which is easy to be carved and split; it has been quarried and processed by skilled stonemasons since the 19th century from the quarry of Monte Atzorcu and used to build the traditional portals of both Serrenti houses including the houses (
Figure 5), the old market hall and the local Court of Justice in Cagliari (shown in
Figure 6), a part of the portico of Via Roma, the churches of San Francesco (in Cagliari, too), squares, and an array of monuments all over Campidano, etc.
It should be noted that all the different Sardinian “trachytes” started to be utilized at different moments throughout history. For example, Fordongianus “trachytes” have been used since Roman times and the Pietra di Serrenti since 19th century, while the use of Red Montresta in building is relatively recent.
2. Geological Framework
Figure 1 shows the lithological map of volcanics in Sardinia, which are related to two different volcanic cycles: A Plio-Pleistocenic one and a Oligo-Miocenic the second.
The first cycle occurred abundantly in the mid-western part of Sardinia and started when the island began to separate from the European continental mass during the Lower Oligocene. The subsequent opening of the Balearic basin activated a subduction zone to which the main phase of this volcanism is linked. This volcanic phase is composed of two main complexes both starting with mainly andesitic breccias and lavas, followed by more felsic product as tuff, lavas and ignimbrites. Most of these products are subaerial. However, during the rest of Miocene, a marine transgression with deposition of sediments as conglomerate, sandstone, clay and limestone covered most of these outcrop [
8,
9,
10,
11].
These volcanic activity can be shared in different phases:
A first sequence from 32 My: Outcrops in Central-West and South Sardinia, is characterized by lava with an intermediate to basic chemistry. These rocks generally present a dome structure, which is often associated with pyroclastic sediments.
The second acid explosive from 23 My: Characterized by volcanic products essentially dacitic to rhyolitic, ignimbrites and subordinate lavas. This sequence outcrops in several parts of Central Sardinia.
The third sequence goes from 19 to 16 Ma: Prevalent outcrops in Western, Central and Southern Sardinia. Here, volcanic rocks are composed by andesites and basalts that have been deposited by means of lava flows and pyroclastic sediments, both subaqueous and subaerial, or as lava domes and associated explosive phreatic-magmatic products.
The last activity between 17 and 13 Ma is characterized by ignimbritic, pyroclastic and lava-like rocks. These products are riolitic and dacitic (with rare episodes of pyroclastic sedimentation with sanidine), sometimes commenditic (Sulcis).
All these volcanic products have subalkaline affinity as shown in the Middlemost diagram of
Figure 7. This diagram has been successfully, and often compared to the original definition of Middlemost [
12], which reported only alkaline series [
13].
In summary, dacitic to rhyolitic ignimbrites are the prevailing products of volcanic activity, followed by andesitic, basaltic andesitic and, finally, basaltic lavas [
11].
Figure 8a–f shows the micro-photographies under crossed polars of six different Sardinian “trachytes”; their differences, explained in the figures caption, are clear.
3. State of Art
Pyroclastic rock are widely quarried in all the historical provinces of the Island, mainly in the areas of Fordongianus-Allai, Ottana, Sedilo, Ozieri and Serrenti as ornamental stone and building stone both as aggregates and ashlars.
The beauty of Sardinian “Trachyte” lies in its warms colors, whose intensity may vary even within a single quarry run, a single slab and therefore a single product, enhancing the unique character of this natural stone.
Color variability of Sardinian “trachytes” is neither a defect, nor a limit, but a very peculiar feature of this type of material that is skillfully used for building and ornamental purposes. It should be noted that the variability of color is extremely common; there are so many intermediate and softened shades amongst a vast range of colors [
14].
According to the various genetic processes, appearance and texture may vary, not only from type to type, but even within the same commercial type. This is made possible by the orientation in which the quarryman makes the cuts, which can be enhanced, emphasized or minimized the role of constituents of each material (crystals, lithic fragments, veins etc.). A good example is provided by the “trachyte” Red Montresta, which looks very different depending on the direction of the cut (
Figure 9a,b).
The use of “trachyte” has its roots in ancient times, when it was used to make external paving, which has coupled to the use of cladding in contemporary times (as shown in
Figure 10).
Using this pyroclastic rocks to build stairs best enhances the properties of various types; in fact, it is representative of all the various surface finishes that can be made, ranging from the mild thicknesses of the covered steps to the one of the solid steps in any shape (rectangular, triangular, fan-shaped, etc.) and any edge profiling.
Another important use is beautifully summed up both by celebratory and commemorative works of art, such as monuments and sculptures (
Figure 11a,b), and by other works that are able to combine functionality, design and sensitivity for natural stone, as is the case with some fountains.
Sardinian “trachytes” are also used in a wide range of architectural components as arches, jambs, columns, pillars (
Figure 12).
In recent years, production has proved to be particularly prolific in the segment of furnishing accessories, for which has supported the development of a whole range of interesting lines of production. It includes both objects with a strong aesthetic vocation, such as rose windows, cornices, inlay works, fretworks, etc., which combine aesthetics with functionality, such as clocks (wall, table), mirrors, tables of all sizes, fireplaces, bathroom sets, tops and elements for kitchens.
Among the furnishing accessories, a new concept of mosaic was developed in bathroom fittings, kitchen countertops, tables, fountains and with stone elements.
Sardinian “trachytes” are often associated with other stones, including basalt and travertine, a material particularly appreciated by the antiqued finishing.
3.1. Quarrying
As stated above, the commercial name “Sardinian Trachyte” covers a wide variety of pyroclastic rocks that henceforth will all be referred to by their common trade name.
Currently, the Sardinian market offers a number of “trachyte” stone types, which come in different grains, hardness, compactness and colors (pink, red, yellow, gray, brown; less frequently, green-blue);
Figure 13 shows some Sardinian “trachytes” which are important from an historical and commercial point of view. Moreover, as we look at
Figure 13, it is interesting to see how geodiversity, regarded as the natural range (diversity) of geological rocks [
16] and relative properties, is embedded in geoheritage.
“Trachyte” is quarried and worked by companies located in the provinces of Oristano (Ardauli, Bosa, Fordongianus, Ruinas), Sassari (Benetutti, Ittiri, Oschiri, Ozieri, Uri), Cagliari (Serrenti, whose local quarry is shown in
Figure 14), and Nuoro (Sedilo). Sardinian deposits are usually extensive and only slightly fractured, with exploitable depths ranging from 10 up to 65 m [
17].
The most common and effective quarrying method is by “single slice and horizontal step”. Quarrying motion leads downward, using quarry cutters mounted on tracks and equipped with two toothed sawing disks—one vertically, and the other one horizontally. Cutting speed is about 1–2 m/min, with a maximum daily output of about 200 m
2. After an adequate preparation of the quarry yard, parallel lines are traced on the surface of the rock slice with the vertical blade. The cut is then made simultaneously by the two blades: The vertical disk has a maximum cutting depth of 40 cm, which determines the size of the primary blocks cut out of the quarry loaf (maximum size: 40 × 60 cm, and length according to requirements) as shown in
Figure 15.
Following this cutting method, other stone units as well as blocks can be obtained already during primary cutting in the quarry: Solid stone for masonry work, strips of different thicknesses, or slabs for paving applications. Strips and slabs can be obtained also in the fabrication plant, by cutting the block with a bridge sawing machine with diamond-tipped disk.
During the quarrying of larger blocks, a higher step is required. Its height should be at least equal to what will be the height of the quarried blocks; in this case, more advanced technologies such as chain-cutters and/or diamond-wire cutting machines have to be used (
Figure 14).
Moreover, the stone deposit could have portions of rock of considerable volume which are already partially or completely detached from the rest of the rock mass; to isolate them, it is necessary to use earthmoving machines, such as shovels and excavators. The block is safely separated, perhaps with some drilling and metal wedges, and despite having irregular/non-geometric shapes, nevertheless provides significant volumes from which it is possible to produce large slabs dimensions, thicknesses and artifacts of complex shape.
3.2. Stone-Processing and Products
Similar to basalts [
18], the processing of “trachytes” follows different techniques, depending on the quarry availability and the use of the stone material.
When dealing with a medium-large block, it is preferred to saw it into large slabs, obtained by means of diamond-wire plants, multi-blade gangsaw, giant disk cutters.
Some of the finishings that leave the surface smooth or semi-smooth, the saw-plane, the honed, the gloss and the antiqued are the more requested.
Bush-hammering, shot-blasting, brushing and splitting are the most popular surface finishings which have a more traditional rustic appeal.
Regarding the cut-to-size phase, this is carried out with modern CNC cutters, often equipped with devices that expand its performance and which can be used for profiling, shaping, lathes, and with traditional cutters (as jib mill or bridge milling).
The production of building elements, masonry blocks and brick-sized blocks represents a segment of particular importance for the “trachytes”; these are mainly parallelepiped-shaped artifacts, used during construction, and they are used as load-bearing elements in enclosure and containment walls, structural works and replacement restorations of architectural and artistic works, as shown in
Figure 16.
3.3. Notes on the Wheatering of Sardinian Volcanic Calkaline Rocks
The different mineral composition (with some presence of glass, and some of different phenocrysts), a wide range of physical structure (due mainly to the porosity, density, hardness which are summarized in
Table 1), can encourage the process of decay. In fact, the decay of stone depends on the combined action of weathering (e.g., solar radiation, rainwater, stream water, carbon dioxide, sulfate, seawater, dust etc.) and on its mineral composition, texture and structure of stone that is used in monuments and engineering structures. In particular, the weathering of volcanic rocks is mainly due to the combined action of the wind with sea salt spray in Sardinia. For example, in the facies with porphiric structure and high capillary porosity (i.e., “trachytes” of Fordongianus), salt from the seawater produces new crystal growths and salt accumulation in the pore, extensive efflorescence and subefflorescence, with consequent crumbling, flaking, detached crust, color change phenomena. On the contrary, in the well compacted ignimbrites and tuffs facies, that are characterized by very low porosity and permeability (as “trachyte” of Sant’Antioco) the wheatering is very weak and no changes are visible and the stones used are very resistant to the action of atmospheric agent.
3.4. Market
Unlike marble and granite, whose market trend is widely documented, “trachytes” quarrying (raw production) can be difficult to track down and describe [
20]. In fact, the quarried “trachytes” is often sold locally, in other words it doesn’t cross the boundaries of the country where it was quarried and processed; this is due to the low market value when compared to more noble varieties of marbles and granites [
21]. However, a little percentage of Sardinian “trachyte” is currently exported to Europe, especially to Germany and UK, and also to the USA. Some is exported from Sardinia to the Italian domestic market.
Statistics are shown in
Table 2 and
Figure 17; in
Table 2, the production trend of Sardinian “trachytes and tuffs” for ornamental use is upward.
Figure 16 shows the number of active quarries during the last 25 years.
It has been difficult to evaluate the productions before 1999 because “trachytes” and tuffs had been inserted in the group “stones”, which included also sandstones and basalts in the previous statistics.
5. Conclusions
Sardinian pyroclastic rocks, which are generally called Sardinian “trachytes” are stones which are widespread in the western part of Sardinia: These kinds of stone were used to build a lot of works that have featured the Island’s history, from its prehistory (as witnessed by “domus de janas” and nuraghi), to the modern age, via the Roman and medieval ages.
During the last twenty years, the use of Sardinian “trachytes” has increased due not only to fashion, but also for the restoration of a high number of civic centers in several municipalities throughout the island.
Using commodity-related terms, Sardinian “trachyte” can show different colors from the pale yellow to the red through to pinkish, the green and the dark grey and has different mechanical characteristics. It is a fairly cohesive rock and shows remarkable elements of aesthetic value that have favored, its popularity as a building resource and ornamental stone in Sardinia.
At present, Sardinian “trachyte” is very much demanded for its compactness, homogeneity, color and because of its easy workability; it is usually utilized for flooring, covering, blocks for open-face constructions and buildings as well as for architectural and street furnishing elements. All this is highlighted by the growing production in the island.
Exactly for the above-mentioned reasons, it is necessary to raise awareness of people about the diversity, the history and use of Sardinian “trachytes” through guided tours.