Search Results (17)

Miracle tales are almost the sole source for the investigation of the emergence and spread of the relic cult in the early phase of Chinese Buddhism. The earliest excavated relic casket dates back to 453 CE, over four centuries after Buddhism was introduced to China. Through a critical textual analysis of Ji Shenzhou Sanbao Gantonglu, it is evident that the initial form of relic veneration was based on miraculous responses. Legends about imperial relic worship before the 3rd century are all later fabrications. Two archeological finds—the alleged relic murals in a Han tomb at Horinger, Inner Mongolia, and the stūpa-shaped bronze vessel in Gongyi, Henan—are not directly related to relic veneration. Based on the available evidence, it is tentatively concluded that relic worship first emerged around the 3rd century in the vicinity of Luoyang, the capital of the Western Jin, and later spread to the south of the Yangtze River after the Yongjia chaos. The early worshippers included both monks and lay Buddhists, such as merchants and lower-ranking officials. Royal interest in relics did not arise until the 5th century. The rise of relic veneration in China occured two or three centuries later than that in Gandhāra, from which Chinese Buddhism was significantly influenced. Compared to the cult of images or scriptures, relic veneration also emerged relatively late in China. The reluctance to adopt relics as worship objects can be partly explained by (the mahāyāna) Buddhist doctrines and the Chinese cultural mentality. Full article

Microbes colonizing cultural artifacts are a ubiquitous phenomenon which may occur during burial, post-excavation, and storage periods, thereby seriously affecting sustainable heritage conservation. In this study, high-throughput sequencing technology was applied to analyze the microbial community structure in ancient mural paintings and the surrounding air, as well as to identify the most characteristic taxa causing black spot contamination. The results showed that members of the genera Gliomastix and Ochroconis were highly abundant in black-spots-contaminated areas and rarely detected in the air and uncontaminated mural paintings. Air samples of the two tombs showed no significant difference in Chao1 and Shannon indices, whereas statistically significant differences were observed compared to those samples collected from black spots. The taxonomic diversity of the microbial community in the soil-covered mural paintings and air exhibited similar structures at the genus level. Moreover, when compared to other areas of the two tombs, the samples from black spots differed not only in microbial community composition but also in microbial assembly processes and the co-occurrence patterns, such as much less network complexity in the black spots area. Functional predictions uncover the presence of microbial functional profiles involved in nitrogen cycling, organic matter degradation, and animal and human pathogens, representing a potential threat to cultural relics and public health. These results advance our understanding of the impacts of archeological excavations on the microbial community variation in tomb mural paintings. Full article

The advent of 3D virtual presentation technology for clothing has led to the gradual popularisation of digital virtual clothing in the modern fashion industry. However, there remains a gap between the application of this technology and the integration of cultural attributes in the field of digital communication of traditional cultural clothing. Consequently, the objective of this paper is to propose the establishment of a fusion system integrating archaeological research on traditional culture with emerging virtual presentation technology. This paper draws inspiration from the replicability and easy dissemination of digital products to combine cultural archaeology and digital technology. The aim is to provide ideas for the diversity of dissemination of cultural heritage. The research object is Diplomatic Envoys, a Chinese mural painting of the Tang Dynasty that depicts friendly exchanges between countries. The research is divided into two research stages. A CLO3D software-based digital restoration test was conducted to reproduce the costumes of officials and foreign envoys depicted in the Tang Dynasty mural. The FAHP model was employed to verify the accuracy of the restoration results. The experiment demonstrated that the digitally reconstructed clothing exhibited a high degree of similarity to the unearthed mural figure clothing object. Furthermore, the restoration result passed the credibility verification, resulting in a ‘credible’ outcome. The application of digital virtual simulation clothing restoration methods offers two key advantages. Firstly, in comparison with traditional clothing restoration methods, digital restoration enables the rapid assessment of the resulting clothing effect, thereby reducing the likelihood of secondary damage to cultural relics due to manual errors. Secondly, the benefits of digital technology facilitate the convenient storage, replication, and dissemination of clothing data information. Data can not only be extended to online exhibition halls but also to game animation, clothing production, and other fields for the purposes of creative redesign and information dissemination. Furthermore, these benefits can penetrate the education industry to disseminate information to the public through all-round display models and explanations. Full article

In the present contribution, we report the results from a study on the ancient technology used to create decorative color plasters in the Thracian tomb near the village of Alexandrovo, Bulgaria. A series of fragments of red, black, grey, white and brown colored lime plasters from the dromos and funeral chamber were investigated by laser-induced breakdown spectroscopy, X-ray diffraction analysis, infrared spectroscopy, paramagnetic electron resonance spectroscopy and differential scanning calorimetry. Based on the combined analytical data, it was possible to identify the pigments, fillers and other materials in the composition of the decorative plasters in the interior, as well as to clarify the technological features related to the plaster creation. The results demonstrated that the murals were implemented on two layers in the case of white, black, grey and brown decoration—first coarse mortar, followed by a white, fine mortar, which usually was made of calcite. In the case of red decoration, a pigment was added to the fine mortar to achieve a colored surface. The pigments were identified as mostly traditional mineral pigments—calcite, kaolinite, red natural ochres (colored earth), brown colored earth and black pigment (amorphous C). The use of the fresco technique is implied by the major participation of calcite and the absence of organic binder in all of the painting layers. Full article

Tomb murals are different from cave temple murals and temple murals, as they are underground cultural relics, their painting style is unique, solemn, and austere, and the performance image is characterised by simple colours, low contrast, and fewer survivors. During the digital restoration process, it is important to have sufficient reference samples to ensure the accuracy of the restoration. In addition, the style of mural paintings in the tombs varies greatly from other styles of murals and types of word paintings. Therefore, learning the unique artistic style of tomb murals, providing stylistically consistent training samples for digital restoration, and overcoming the problems of dim lighting and complex surface granularity of tomb murals are all necessary for research. This paper proposes a generative adversarial network algorithm that separates and fuses style features to enhance the generative network’s ability to acquire image information. The algorithm extracts underlying and surface style feature details of the image to be tested and conducts fusion generation experiments. The generative network’s parsing layer modifies the input noise tensor and optimises the corresponding weights to prevent misalignment between drawing lines and fresco cracks. Finally, to optimise the fresco generation effect, we add the corresponding loss function in the discriminator. The tomb murals dataset was established for experiments and tests, and quantitatively and qualitatively analysed with other style migration models, and SSIM, FID, LPIPS and NIQE were used as evaluation indexes. The results were 0.97, 269.579, 0.425 and 3.250, respectively, and the effect of style migration of this paper’s method was significantly higher than that of the control group model. Full article

Once excavated, cultural relics face immediate threats from oxidation, water loss, mold growth, etc., which are caused due to severe environmental changes. Covering with plastic films, spraying water, or applying biocides followed by mechanical polish are common conservation practices, which are effective to some extent, but with obvious side effects. Menthol, often used as volatile binding material (VBM) in heritage conservation, has been proved to be safe to conservators and cultural relics and can be removed easily via sublimation with no residue. In this study, the possibility of using menthol coatings as a reversible environmental barrier to protect cultural relics during excavation is examined. Laboratory results show that menthol coating has an excellent ability to prevent oxygen and water molecules from passing through it, to stop various fungal growths and cut off radiation below 300 nm. On-site antifungal applications on a mural tomb of the Tang Dynasty, located in the north of Xi’an Xianyang International Airport, provided satisfactory results. Laboratory and field results show that menthol coating has high potential of being used for the emergency protection of relics against sudden environmental changes during excavation. Full article

The tomb of Hanxiu, a prime minister of the Tang dynasty who died in 740 CE, was decorated with elaborate mural paintings. The pigments used in the mural paintings were collected from representative colours before a restoration process and analyzed using micro-Raman and scanning electron microscopy/energy dispersive X-ray spectroscopy (SEM-EDS) analysis to characterize the chemical compositions. The results reveal the chromatic palette and the painting technique used in the mural paintings. Most of the pigments are natural mineral pigments similar to those excavated in previous archaeological works, except the yellow pigment is unusual. A rare mineral pigment, vanadinite [Pb₅(VO₄)₃Cl], was employed in a large amount as the yellow pigment. This phenomenon was analyzed and compared with tomb mural paintings from varied periods and locations in ancient China. Notably, the identification of vanadinite via Raman spectra has to be performed carefully and combined with an elemental analysis to avoid misidentification. Full article

Murals are one of the important cultural heritages of mankind. The microbial control of murals is an important subject in mural painting conservation. In recent years, electron beam radiation sterilization has attracted more and more attention in the field of cultural relic protection. Murals are immovable cultural relics, so conventional electron beam irradiation equipment can not be used. However, the development of small mobile electron beam irradiation equipment shows the potential of radiation’s application in the sterilization protection of immovable cultural relics such as murals. A feasibility study of radiation sterilization in mural paintings is needed to investigate the effect of sterilization and the influence of sterilization dose on the stability of mural painting pigments and bonding materials. In this paper, the radiation effects of typical bacteria in tomb murals and mineral pigment powder in ancient Chinese paintings were studied in a laboratory. Firstly, aeromonas hydrophila (Aer.h) and penicillium flavigenum (PNC) were selected as representative strains to determine the appropriate sterilization dose for murals. Then, the effects of radiation on seven kinds of ancient Chinese mineral pigments and white calcium carbonate in the ground layer were verified. The results are as follows: the radiation dose of 10 kGy can effectively remove the two typical strains. This sterilization dose will cause a color difference in calcium carbonate and lead white, while other color pigments are essentially stable. Based on the color difference and UV-vis intensities of the four white carbonate samples, the color change in two of them increased with increasing the dose up to 30 kGy, after which signs of saturation began to appear. X-ray diffraction (XRD), Raman spectra, X-ray photoelectron spectroscopy (XPS) and X-ray absorption near edge structure (XANES) spectra showed that the chemical structure of the samples did not change after irradiation. The formation of free radicals in treated samples was confirmed using an electron paramagnetic resonance (EPR) spectrum test. According to all characterization results, the color difference between the four white carbonate samples may be due to the combination of unpaired electrons and defects in the process of electron beam irradiation to form color centers. After forming the color center, the light absorption of the four samples changed. This is a reversible change, but the samples will take a long time to return to their original state. This study focuses on the influence of electron beam radiation on pigment composition, which is a preliminary exploration of whether radiation sterilization can be applied to the protection of ancient Chinese mural paintings, and the experimental results can provide basic data for later application. Full article

As the only underground mural in the collection, the tomb murals are subject to damage due to temperature, humidity, and foundation settlement changes. Traditional mural inpainting takes a long time and requires experts to draw it manually. Therefore, the need for digital inpainting is increasing to save time and costs. Due to the scarcity of samples and the variety of damage, the image features are scattered and partially sparse, and the colors are less vivid than in other images. Traditional deep learning inpainting causes information loss and generates irrational structures. The generative adversarial network is, recently, a more effective method. Therefore, this paper presents an inpainting model based on dual-attention multiscale feature aggregation and an improved generator. Firstly, an improved residual prior and attention mechanism is added to the generator module to preserve the image structure. Secondly, the model combines spatial and channel attention with multiscale feature aggregation to change the mapping network structure and improve the inpainting accuracy. Finally, the segmental loss function and its training method are improved.The experimental results show that the results of using signal-to-noise ratio (PSNR), structural similarity (SSIM), and mean square error (MSE) on epitaxial mask, crack mask, random small mask, and random large mask are better than other methods. It demonstrates the performance of this paper in inpainting different diseases of murals. It can be used as a reference for experts in manual inpainting, saving the cost and time of manual inpainting. Full article

Although subterranean tombs are largely protected from the external environment, the colonization of microorganisms threatens their conservation. Conventional biocides have negative effects on the environment, human health, and the sensitive materials in ancient tombs, especially painted murals. Therefore, we tested the biocidal effects of 11 plant-extracted essential oils (EOs) against two fungal strains and four bacterial strains isolated from Buyeo Royal Tomb No. 1, a World Heritage Site in South Korea. Oregano, clove bud, thyme, and cinnamon cassia EOs showed the highest antifungal and antibacterial activities. At concentrations suitable for practical application (3–10%), oregano and cinnamon cassia EOs exhibited the highest antifungal and antibacterial activities against the tested microbial strains. No variation in the surface properties and mineral composition was detected for the lithotype specimens (granite and gneiss) treated with the EOs at 1–10%. Low-concentration thyme and oregano EOs led to minimal color change in the painting layer specimens, whereas clove bud and cinnamon cassia EOs caused yellowing of the oyster shell white pigment at a concentration of 3–10%. Our results suggest that 3% oregano EO is a candidate biocide that could minimize the biological damage to and promote the conservation of ancient tomb murals. Full article

In this study, we have analyzed the chemical components and crystal structures of minerals found in the Jinpari Tomb No. 4 mural paintings, which has allowed us to identify component materials comprising each layer. During the analysis of the painting layer, the green material was identified as malachite. The use of malachite is supported by the high Cu content, the flower-shaped crystals in the microstructures of the painting layer, and the XRD identification results. The ground layer consists of layers of panel-shaped particles. The main component materials were Ca, Al, Si, K, Mg, and Fe, which are usually found in earthen materials. The earthen layer showed high peaks of silicon oxide and calcium carbonate, along with potassium aluminum silicate. The findings indicate quartz, limestone, and mica. The lime layer showed the diffraction patterns corresponding to calcium carbonate, which indicates the use of limestone. The earthen layer consists of aggregated layers of thin panel-shaped structures, with small particles attached around the structures. The lime layer showed aggregations of multi-angle panel-shaped structures and pillar-shaped structures of various types. The analysis has allowed us to shed light on the techniques used in the Jinpari Tomb No. 4 mural paintings. Full article

China has numerous relics from tomb murals. Over 70 years (1949–2019), 1495 relic sites were excavated. Distributed across more than two-thirds of China’s provincial administrative regions, the relics of tomb murals span from the Han Dynasty (206 BC–220 AD) to the Qing Dynasty (1644–1911). In previous studies, scholars focused on the qualitative analysis of tomb murals. In this paper, we applied GIS tools to visualize these relics and analyze their density values for the first time. In terms of academic standards, we propose the material distribution index, the regional distribution index, and the temporal distribution index for relics. The academic innovation of this paper is threefold. First, with regard to the distribution of relic sites, this paper draws a distribution map of the relic sites of Chinese tomb murals and explores the preliminary significance of these relic sites in the culture of the Yellow River basin and its ancient political center. Second, in terms of synchronic viewpoints, this paper designs a material distribution map and a kernel density distribution map based on the distribution map of relic sites. Third, from a diachronic viewpoint, this paper sketches the secondary-level distribution map of six historical periods for the overall kernel density distribution map of relic materials in nine provinces, whereby it outlines the general trend of the development of Chinese tomb murals and the contributions of nine provinces. In brief, with the use of the GIS tool, this paper obtains information on the distribution of relics and reveals the characteristics of tomb murals in terms of their regional and temporal distributions through the ranking of various density values. This paper aims to construct a frame of reference for testing traditional theoretical achievements from the two perspectives of information acquisition and theoretical analysis. Full article

The detection of crack information is very important in mural conservation. In practice, the number of ancient murals is scarce, and the difficulty of collecting digital information about murals leads to minimal data being collected. Crack information appears in pictures of paintings, which resembles painting traces and is easy to misidentify. However, the current mainstream semantic segmentation networks directly use the features of the backbone network for prediction, which do not fully use the features at different scales and ignore the differences between the decoder and encoder features. This paper proposes a new U-shaped convolutional neural network with feature pyramids and a transformer called TMCrack-net. Instead of U-Net’s jump-join, an AG-BiFPN network is used, which consists of two modules: a channel cross-fusion (CCT) module with a transformer and a bidirectional feature pyramid network. While fully using the information in different network dimensions, the channel cross-fusion module optimizes the final features of each layer to reduce the confounding effect caused by the fusion of features. For the fusion of multi-scale channel information with decoder features, we designed a fusion module based on a channel attention (called FCA) to guide the fusion of enhanced encoder features with decoder features and reduce the ambiguity between the two feature sets. To demonstrate the effectiveness and generalization of the model, TMCrack-Net was evaluated on the Tang Dynasty tomb chamber mural dataset and Crack500. MIou values of 0.7731 and 0.7944 were achieved, respectively, which are better than those of other advanced crack detection methods. The method yields accurate segmentation performance and is advantageous for mural painting crack segmentation tasks. Full article

Tomb murals are an important component of cultural heritage, but the extant majority of burial murals are severely damaged. There are various causes behind the deterioration of tomb murals, among which the detrimental effects of sodium sulfate on murals are some of the most difficult to treat. In the past decades, the application of alkaline earth metal hydroxides (such as Ba(OH)₂, Ca(OH)₂, and Ma(OH)₂) for the conservation and consolidation of murals has become more common. However, there are some problems, such as large particles, poor permeability, and potential for surface whitening. In response to this issue, we investigated a facile method for the synthesis of nano barium hydroxide (N-Ba(OH)₂), from which we developed a barium hydroxide nanoparticle–phosphoric acid (N-Ba(OH)₂/H₃PO₄) multisite in situ consolidation system. The results show that N-Ba(OH)₂/H₃PO₄ consolidation material has good permeability and mechanical properties compared with commercial Ba(OH)₂ and other common consolidation materials. This material performs very well in both salt resistance and desalination tests, the color difference change is minimal, and the technique is suitable for the practical manipulation of outdoor artifact conservation work. Recently, it has even been used in the desalination and consolidation of tomb murals in Jiangxi, China, the results of which opened a new way of thinking about the long-term conservation of tomb murals. Full article

This study used morphological analysis to identify the materials used for the wall plaster in the Goa-ri Tomb and elucidate the wall manufacturing techniques by determining the processing conditions for the plaster ingredients through a calcination experiment. A glossy nacreous layer (or folia layer) and an adductor muscle scar were identified on the ventral of the shell. The shell section was confirmed in the form of a lens-like prismatic layer (or chalky layer) inserted between the nacreous layer (or folia layer). The calcinated samples showed clusters of polygonal particles of different sizes. The experiment confirmed a process of particles in plate-type–bedded structures converting into shapeless particles followed by recrystallization. The samples calcinated at 650 °C and 750 °C mostly showed plate-type–bedded structures. According to the results of the study, the plaster used on the Goa-ri Tomb walls was confirmed to be made of oyster shells. The existence of many incompletely calcinated shell particles in the plaster indicates that the calcination temperature was not high enough or the heat was not evenly distributed. The Goa-ri Tomb used weaker and less durable plaster made of incompletely calcinated shells, which seems to have caused the extensive exfoliation of the plaster from the wall surfaces. Full article