Search Results (12)

It has been observed that since the Early Qing Dynasty, the eastward spread of Western classics has been in decline; this article aims to looks at how Protestant missionaries helped to revive it in the late nineteenth and early twentieth centuries. First, this study examines the circumstances that Protestant missionaries faced upon arriving in China and describes the challenges, opportunities, and issues they encountered when attempting to spread Western classics as part of their missionary effort. Second, this article reveals the strategies Protestant missionaries employed to revive the Western classics, with a focus on the utilization of the translated literature, press, and academic institutions. Third, this article explores the ways the spread of Western classics by the missionaries of the late nineteenth and early twentieth century outshone the achievements of their predecessors of the late sixteenth and seventeenth centuries. Unlike the missions through secular knowledge in China, the spread of Protestantism in Korea took place in a more direct manner. This comparative study in the last section highlights the importance of each country’s endowment in terms of the method and effectiveness of missionary efforts. Full article

Ford Madox Ford famously intended his First World War tetralogy Parade’s End to have “for its purpose the obviating of all future wars”. But why do we engage in war to begin with? Modernist literature provides some provocative explanations. Ford’s Sylvia Tietjens, for example, proclaims that “You went to war when you desired to rape innumerable women. It was what war was for”. And in the very same year, Virginia Woolf’s shell-shocked Septimus Smith “went to France to save an England which consisted almost entirely of Shakespeare…” I argue that Ford’s understanding of the causality of war involves a strange combination of these two explanations in Parade’s End’s triangulation of seventeenth-century English literary tradition along with sexual and imperial conquest. While countless modernist novels exhibit a sensibility to the power of early modern poetry amidst battle, Parade’s End displays a particularly emphatic and extended focus on the relationship between poetic tradition and war. Soldiers of various ranks “talk…in intimate undertones about the resemblances between the Petrarchan and the Shakespearean sonnet form”, host timed sonnet competitions in the trenches, recurringly quote the seduction poetry of Marvell, and fantasize about George Herbert’s lifespan being “the only satisfactory age in England…yet what chance had it today? Or, still more, to-morrow?”. To answer this question, my own transtemporal study will use early modern scholarship to investigate seventeenth-century metaphysical poetry’s dual power to inspire and potentially obviate war. Much has been written on this tetralogy’s anti-linear plot but less on the broader temporality of its politico-literary vision. I contend that the metaphysical allusions of this text help Ford to show us the complexities of nationalism in the imperial conquest and imperial damnation that (early) modern aesthetics can catalyse. Full article

Faced with the exaltation of sight as a perfect divine creation, so evident in the Uso de los antojos (1623) by Daza de Valdés, and faced with the satirical–burlesque tone of popular literature, dogmatic theology considered it inappropriate to praise a sense that deviated human understanding and made it difficult to comprehend the sacramental mysteries in depth. Through different fragments of literature produced in seventeenth-century Seville, we will see how the Church constructed, parallel to the scientific and popular discourses, a catechetical rhetoric that sought to deny physical sight and any device intended to enhance or restore it. The idea was to promote a knowledge of God guided by faith, allegorized as a blindfolded woman. Thus, we will see how the glasses and the blindfold capitalized two discourses that could feed back on each other and at the same time evidence the porosity of baroque literature towards the new advances in physics. Full article

One reason why the concept of the quotidian has proved elusive to critics of literature and the visual arts is that the commonplace in art and literature so often refuses to remain untransfigured, not least because of its power to confront us with the material detritus with which we surround ourselves and which we will eventually join. It is not surprising, then, that contemporary artists share a preoccupation with finding both mortality and transcendence in what John Wilmot, Earl of Rochester called “the lumber of the world.” In this paper, I shall consider how an early Damien Hirst mini-installation, consisting of a glass tumbler of water and a ping-pong ball, takes its only partly mocking place in a still life tradition going back to Roman xenia and seventeenth-century vanitas paintings, and to a related literary tradition typified by Thomas Hardy’s Under the Waterfall and James Joyce’s great prose aria to water all its forms in the Ithaca section of Ulysses. Full article

French Enlightenment philosophe Voltaire’s ambivalence vis-à-vis the biblical text is well documented. On the one hand he highlights irregularities and contradictions in Scripture to undermine the clergy’s authority and legitimacy. On the other, he clearly was fond of reading it and the sheer volume of his work devoted to it confirms that he was certainly not indifferent to its content. This article shows how Voltaire’s use of different biblical scholars, particularly the seventeenth-century French biblical critic Richard Simon, informed his understanding of Scripture and how it manifested in his works, both those of a satirical and of a serious tone. This analysis problematizes the role of religion and of biblical criticism in French seventeenth and eighteenth-century literature. If Richard Simon’s method was not always welcomed during his lifetime, his main goal was to pursue truth. Voltaire, however, used the tools of Simon to undermine traditional Christianity and to emphasize his own understanding of what religion entails. Full article

The 1609 pamphlet The liues, apprehensions, arraignments, and executions of the 19 late pyrates tells the stories of nineteen pirates trialled in 1609. Historians of Jacobean piracy have used this pamphlet as evidence, finding value in its detailed, dramatic accounts of maritime depredation—yet it has often escaped close textual analysis. This article analyses the pamphlet’s content and context, in doing so illuminating the tensioned relationship between legal, state, and popular cultural narratives of what constituted a “pirate”. The pamphlet provides an opportunity to further discuss the ambiguous, developing cultural role of piracy (and its perpetrators) at this time. It allows us to approach such questions as: which elements of a pirate’s story were interesting to the seventeenth-century audience, and which elements marked out acts of depredation as truly being “piracy”? How does the source approach legal proceedings, and digest them for popular consumption? What place does this pamphlet have in the wider canon of piracy’s print culture? This article suggests that the figure of the pirate could be redeemed, where it was reconcilable with the sensibilities of the terrestrial community—however, tensions arose when different groups imposed their own ideologies and intentions upon the criminal. These tensions appear in the differences between representations of maritime depredation emanating from the state and from the public—differences visible in the transmission of information from law to literature. Full article

Around the turn of the seventeenth century, the prolific writer-editor Deng Zhimo produced three illustrated books narrating the lives of Lü Dongbin (The Flying Sword), Xu Xun (The Iron Tree), and Sa Shoujian (The Enchanted Date). This article focuses on the textual hybridity of Deng Zhimo’s hagiographic Saints Trilogy and argues that it offers encyclopedic, practical, and entertaining guidebooks for worshipping the three immortals and pursuing Daoist attainment. The cultic lore woven into the fabric of Deng’s Saints Trilogy reflects the important contribution of authors and publishers to popular reverence, highlighting the close interplay between “literature” and “religion” in late-imperial China. Full article

In recent years, scholars have devoted a great deal of attention to the history of scholarship in general and, more specifically, to the emergence of critical historical and anthropological literature from and within ecclesiastical scholarship. However, few studies have discussed the Jewish figures who took part in this process. This paper analyzes the role played by historiographical and ethnographical writing in seventeenth- and eighteenth-century Italian Jewish–Christian polemics. Tracing various Christian polemical ethnographical depictions of the Jewish rite of shaking the lulav (sacramental palm leaves used by Jews during the festival of Sukkot), it discusses the variety of ways in which Jewish scholars responded to these depictions or circumvented them. These responses reflect the Jewish scholars’ familiarity with prevailing contemporary scholarship and the key role of translation and cultural transfers in their own attempts to create parallel works. Furthermore, this paper presents new Jewish polemical manuscript material within the relevant contexts, examines Jewish attempts to compose polemical and apologetic ethnographies, and argues that Jewish engagement with critical scholarship began earlier than scholars of this period usually suggest Full article

Jain narrative literature in Sanskrit, Prakrit, and Apabhraṃśa is rightly recognised as one of South Asia’s great cultural heritages and a vital source of material for insight into premodern Jain teachings, practices, and everyday life. However, Jain studies is yet to fully engage with the rich archive of Jain narrative literature in Brajbhāṣā, and a wealth of untapped manuscript material is waiting to be explored. In this article, I argue that by going beyond the too-broad moniker of “Jain Hindī literature” to recognise Jain narrative literature in Brajbhāṣā as a distinct category, we may better understand the Jains of early modern North India as partakers of a wider literary and religious culture. More particularly, by comparing the form and religious outlook of Rāmcand Bālak’s Sītācarit, a seventeenth-century Rāmāyaṇa treatment, with the works of the more well-known Banārsīdās, we see that even amongst the Jains who used Brajbhāṣā, considerable variety of outlooks and approaches existed. Full article

This paper offers an analysis of a number of the fascinating, thought-provoking, and yet often deeply puzzling epigrams by the German Baroque poet Johann Scheffler (Angelus Silesius), and illustrates how his enigmatic mystical concepts were influenced, to some extent, by the philosophical thoughts offered by the late antique statesman and thinker Boethius (d. 525). While recent research has already reached new insights into the long-term reception history of Boethius’s De consolatione philosophiae well into the modern age, including by Scheffler, we still face the critical desideratum to determine the meaning of Scheffler’s spiritual insights in direct correlation with Boethius’s fundamental teachings, and hence, to answer the intriguing and challenging question of why Scheffler, along with Boethius, continues to speak to us today, and this perhaps more than ever before. Even though Scheffler pursued deeply religious questions typical of his time, he obviously greatly profited from Boethius’s musings about the meaning of the absolute Goodness, the vagaries of fortune, and the instability of all material existence in the quest for happiness. Many times we observe that Scheffler offers paradoxical and also apophatic statements, but those make surprisingly astounding sense if we read them, especially in light of Boethius’s teachings, as perceived in the seventeenth century. The epigrams thus prove to be the prolific outcome of universal cross-fertilizations and demonstrate the continued impact of antiquity on the modern world and the growing need today to accept the notion of “world literature” not only in a contemporary, transcultural perspectives, but also in terms of universal interactions throughout time. Full article

Scholarship abounds on contemporary Hindu food offerings, yet there is scant literature treating the history of food in Hinduism beyond topics of food restrictions, purity, and food as medicine. A virtually unexplored archive is Hindu temple epigraphy from the time that was perhaps the theological height of embodied temple ritual practices, i.e., the Cōḻa period (ninth-thirteenth centuries CE). The vast archive of South Indian temple inscriptions allows a surprising glimpse into lived Hinduism as it was enacted daily, monthly, and annually through food offerings cooked in temple kitchens and served to gods residing in those temples. Through analyzing thousands of Tamiḻ inscriptions from the tenth through the fourteenth centuries CE, I have gleaned information concerning two distinct material cultural facets. (1) The practice of writing these rare but remarkable recipes which themselves are culinary textual artifacts has allowed us to access (2) Hindu food offerings of the past, also complex, sensory historical artifacts. In exploring these medieval religious recipes for the first time, I aim to show: the importance that food preparation held for temple devotees, the theological reality of feeding the actual bodies of the gods held in these temples, and the originality of the Cōḻa inscriptional corpus in bringing about a novel culinary writing practice that would be adopted more extensively in the Vijayanagara period (fourteenth-seventeenth centuries CE). This study, a radical new attempt at using historical sources inscribed in stone, sheds new light on medieval Hindu devotees’ priorities of serving and feeding god. The examination of this under-explored archive can help us move our academic analysis of Hindu food offerings beyond the hitherto utilized lenses of economics, sociology, and anthropology. Further, it contributes to our understanding of medieval temple worship, early culinary studies, and the history of food in India. Full article

This pioneering paper is the first to consider the contribution of a new type of urban literature to perceptions and portrayals of the city in the late seventeenth and early eighteenth centuries. It focuses on London and Parisian guidebooks, a genre that has been little studied to date, particularly those of: Germaine Brice, Description nouvelle de ce qui’il ya de plus remarquable dans la Ville de Paris (1684); F. Colsoni, Le Guide de Londres (1693); and Edward Hatton, A New View of London (1708). The article is the first to establish the significance of language primers as source for tourist guidebooks and the prevalence of lexicographers among those producing them. It examines the modern type of non-antiquarian urban guidebook as part of the new urban consumer culture. It also explores the genre’s contribution to a novel form in the writing and understanding of the city in the period focussed on the contemporary and the experiential, rather than the traditional orientation towards the historical and the monumental. Full article