Search Results (40)

This essay provides a fine-grained analysis of selected passages of Giulio Aleni (艾儒略 1582–1649)’s translation of Catholic liturgy into classical Chinese in late imperial China. It focuses on the hitherto underexplored relationships between Aleni’s resort to medieval Aristotelianism and Thomism, as well as his translation-based introduction of Catholic Eucharistic theology into China. The case studies here revolve around Aleni’s Chinese translation of Aristotelian-Thomistic hylomorphism, with a focus on his interpretation of “anima” (i.e., the soul, which corresponds largely to linghun 靈魂 in Chinese), which is a multifaceted Western concept that pertains simultaneously to Aristotelian-Thomistic philosophy and Eucharistic theology. It is argued that in his overarching project of introducing Western learnings (i.e., 西學) to sixteenth- and seventeenth-century China, Aleni’s attention is centered primarily on the body-soul and form-matter relationship. This is, as understood here, motivated to a great extent by his scholarly awareness that properly informing Chinese Catholics of the Aristotelian-Thomistic underpinning of Western metaphysics enacts an indispensable role in introducing Catholic liturgy into China, notably the mystery of the Eucharist and Transubstantiation that would not have been effectively introduced to China without having the Western philosophical underpinnings already made available to Chinese intellectuals. Aleni’s use of medieval European cultural legacy thus requires more in-depth analysis vis-à-vis his translational poetics in China. Accordingly, the intellectual and liturgical knowledge in Aleni’s Chinese œuvres shall be investigated associatively, and the medievalism embodied by Aleni offers a valid entry point and productive critical prism. Full article

This article examines the theological trajectories of Watchman Nee (1903–1972) and Witness Lee (1905–1997) on sanctification, union with Christ, and deification, situating their contributions within recent reappraisals of the doctrine of theosis in the academy. Though deification was universally affirmed by the early church and retained in various forms in medieval and early Protestant theology, post-Reformation Western Christianity marginalized this theme in favor of juridical and forensic soteriological categories. Against this backdrop, Nee and Lee offer a theologically rich, biblically grounded, and experientially oriented articulation of deification that warrants greater scholarly attention. Drawing from the Keswick Holiness tradition, patristic sources, and Christian mysticism, Nee developed a soteriology that integrates justification, sanctification, and glorification within an organic model of progressive union with God. Though he does not explicitly use the term “deification”, the language he employs regarding union and participation closely mirrors classical expressions of Christian theosis. For Nee, sanctification is not merely moral improvement but the transformative increase of the divine life, culminating in conformity to Christ’s image. Lee builds upon and expands Nee’s participatory soteriology into a comprehensive theology of deification, explicitly referring to it as “the high peak of the divine revelation” in the Holy Scriptures. For Lee, humans become God “in life and nature but not in the Godhead”. By employing the phrase “not in the Godhead”, Lee upholds the Creator–creature distinction—i.e., humans never participate in the ontological Trinity or God’s incommunicable attributes. Yet, in the first portion of his description, he affirms that human beings undergo an organic, transformative process by which they become God in deeply significant ways. His framework structures sanctification as a seven-stage process, culminating in the believer’s transformation and incorporation into the Body of Christ to become a constituent of a corporate God-man. This corporate dimension—often overlooked in Western accounts—lies at the heart of Lee’s ecclesiology, which he sees as being consummated in the eschatological New Jerusalem. Ultimately, this study argues that Nee and Lee provide a coherent, non-speculative model of deification that integrates biblical exegesis, theological tradition, and practical spirituality, and thus, present a compelling alternative to individualistic and forensic soteriologies while also highlighting the need for deeper engagement across global theological discourse on sanctification, union with Christ, and the Triune God. Full article

Ritual has long served as a central axis of religious life, not only structuring practice but also transmitting meaning across generations. This article offers a new perspective on how Hasidic thought reconfigures the medieval Jewish genre of ta‘amei ha-mitzvot—meanings for the commandments—by transforming halakhah into a sustained mnemonic system for theological transmission and communal continuity. Focusing on Rabbi Nathan Sternhartz’s Likkutei Halakhot, a 19th-century Hasidic commentary on the Shulḥan Arukh, the study explores how Bratslav Hasidism embeds the kabbalistic teachings of Rabbi Nachman of Bratslav within the legal framework of Jewish ritual practice. It argues that Rabbi Nathan developed a distinctive mnemonic strategy that integrates symbolic and theological meaning into halakhic detail, enabling the internalization of Bratslav theology through repeated ritual action. Through close textual analysis, historical contextualization, cognitive theory, and a case study of Kiddushin rituals, this article demonstrates how halakhah becomes not only a vehicle for theological cognition but also a mechanism for sustaining religious identity and memory within a post-charismatic Hasidic community. More broadly, the study contributes to discussions of ritual, memory, and symbolic reasoning in religious life. Full article

The author analyzes various cases of breaking seal matrices in medieval Catalonia and other regions in this text. The manuscript notes of the Catalan sigillographer Ferran de Sagarra guide the exploration of the mechanisms of signification associated with an essential medieval political theology. Beyond the materiality of the sigillary matrix and the printed seal, one can decipher a series of iconic behaviors that allow the author to propose a method for understanding European cultural history through anachronistic narrative forms akin to those of Aby Warburg, Walter Benjamin, or, more recently, Georges Didi-Huberman. It is possible to demonstrate the historical validity of seals in the service of a cultural history and thought that transcends political or religious narratives, opening new horizons in the understanding of the Latin West from the Carolingian period to the apex of international Gothic. Full article

Post-Theoretical “creative–critical” research recently emerged in the discipline of Creative Writing as a collapse of the binaries between practice and Theory. This article shows that using this interdisciplinary methodology in the study of mysticism is a natural fit, illustrating its efficacy in a case study with the reflexive writing of the medieval Christian mystic Julian of Norwich. As a creative–critical writer and researcher, I explored the junctures where Julian’s poetics intersect with trauma-informed theology. Writing through these intersections formed a literary trauma-informed framework for the holding and processing of loss and grief through Julian’s nuanced modelling of mystical union with God. This case study shows how the framework came together critically and its application to contemporary ecological grief in the writing of a performative long poem, Blue: a lament for the sea. The “theopoetic” making process with two images from Julian’s texts, Christ’s “wounds” and “one-ing”, developed new language for liminal and spiritual experience. Insights from creative–critical research can be shared in artistic performance and publication in the academy and beyond in public impact. Bringing the whole self through theopoetics to the scholarly research of mysticism has the potential to form fresh insights, revealing new dimensions. Full article

The individual, as found primarily in modern Western civilization, is defined as “the independent, autonomous and thus (essentially) nonsocial moral being”, “the rational being” who is “the normative subject of institutions”. This is the definition of the individual we adhere to in this text. This text delves into the intricate dimensions of the concept of the individual by exploring the theological foundations inherent in Western thought. Rooted in Max Weber’s assertion regarding the theological meanings of Man’s self-perception, the entry emphasizes the pivotal role of theological understandings in shaping the concept of the individual. Focusing on the influence of Christian perspectives on the development of the concept of the individual, the article traces the historical entwining of theology and the concept of Man between antiquity and medieval times. Full article

This article builds on a previous essay and arises from research carried out between the summer of 2018 and the spring of 2020 among pilgrims who had participated in the Camino de Santiago in northwestern Spain and St Patrick’s Purgatory on Lough Derg in the northwest of Ireland. Research focused on embodied experience in relation to pilgrim motivation, groundedness and the enduring power of sacred travel as ritual. Convergent considerations about psychology, theology and pilgrimage studies were deployed as lenses of analysis of the pilgrims’ experience. The findings brought clarity in relation to pilgrims’ motivations and the subsequent satiation experienced as they became more grounded in relation to the physical rituals of the pilgrimage. The experience of full-blooded, fleshy embodiment, the analysis suggests, has considerable psychological dividend and is, the discussion argues, of theological significance, particularly from the perspective of Incarnation. As pilgrimage scholars have noted, a refreshing outcome of 21st Century research is the way in which it has been lifted out of the ‘narrow fields of religious or medieval studies’ and yet the analysis of this study suggests that we not dismiss the enduring possibility of religious quest as a still traceable element in the experience of contemporary pilgrimage. Full article

In popular discourse, it is not uncommon to highlight the distinctiveness of systems of “Eastern thought” (e.g., Daoism) in contrast to so-called “Western” systems. However, there is an interesting congruence between Daoism and Meister Eckhart’s mystical theology, particularly in regard to the concepts of the Dao and the Godhead. Like the Dao, the Godhead is the “ground” of all being, simultaneously radically transcendent and immanent, considered as distinct from all things and yet the enfolded totality of them. Both these concepts are also dynamic principles, continually manifesting in the flux of the ever-changing universe. In both systems, nature at its fundamental level is characterized by namelessness, emptiness, encompassment, and dynamism. Nature as “ground” is also a religio-ethical concept. Humans are called to align with this ground and enter into a state of wandering joy, called wuwei (non-action) in Daoism and the “wayless way” for Eckhart. Through reverting to their indeterminate source, the person is able to become detached from rigid teleological norms. Thus is laid the foundation for an ethics of non-attachment, wherein individuals dwell in an existential flow and are attuned to all yet anchored unquestionably to none. Full article

In this article, the author provides a fresh reading of three women-centered narratives from the Gurucaritra, a sixteenth-century Marathi devotional text. Based on the analysis of three distinct narratives from the Gurucaritra, the author examines the narratives through two key lenses: women’s subjectivity and the “hermeneutics of intersubjectivity”. I argue that although women’s voices are absent or marginalized in religious narratives, we can retrieve and amplify their contributions by reinterpreting traditional narratives to emphasize the roles of female characters. In the process, we can situate these narratives within their social contexts, thereby shedding light on women’s nuanced and multifaceted positions within the social and spiritual fabric of their societies. Full article

De Laudibus Sanctae Crucis (DLSC) by Hrabanus Maurus is a seminal work in the medieval Christian literature that explores the Cross as the central structure of the universe through a unique amalgamation of poetry, prose, and visual art. The work employs a multi-layered narrative that enriches the reader’s understanding, encouraging a meditative interaction with the text that emphasizes the contemplative over the recitative. This paper analyzes Hrabanus’s intricate use of verbal and visual elements to guide his readers into a profound meditation on the universal significance of the Cross. Full article

As William Cavanaugh has remarked, the scholarly notion of religion “should often be surrounded by scare quotes. Its flexibility and occasional nebulousness make evaluating its role in conceiving of, effecting, and justifying violence even more difficult. At the same time, it sticks around and remains a vital category of contemporary analysis. What if getting behind the Wars of Religion—the period to which Cavanaugh traces the emergence of his “myth of religious violence”—could plant the seeds for a new paradigm in understanding the relationship between religion and violence? In this article, I analyze the Chronicon of Jean Hocsem, a fourteenth-century canon from Liège. Untranslated into English and rarely written about, Hocsem’s text offers an unexpectedly political perspective on this question. Combining insights from Augustine’s City of God as well as Aristotle’s Politics and basing his ideas on his own experience of nearly constant conflict, Hocsem develops the idea that class antagonisms and human frailty make violence—especially political violence—inevitable. He takes this approach within a polity ruled by a prince-bishop, though one he would not have thought of as “religious”. Hocsem’s solutions are thus avowedly political. His pessimism about such questions leads to an emphasis on mitigating violence through the institution of proper socio-political structures. This reading of Hocsem and his politicizing of the question of violence opens new possibilities for scholars, further calling into question any easy relationship between the modern categories of “religion” and violence. Full article

This paper aims to decode medieval theology from the vantage point of ancient Chinese poetry, employing a cross-textual methodology that encourages a fusion of horizons. It highlights Saint Bernard’s profound and influential theological exegesis of the “Song of Songs”, particularly his comparison of the divine–human relationship to the conjugal bond. The present study posits that readers from Chinese culture can gain access to Saint Bernard’s mystical theology through the sentiment of love, as portrayed in the Book of Odes (Shijing). Initially addressing love as a core human sentiment, this study progresses by juxtaposing the representations of love in the Book of Odes with those in the “Song of Songs”. This comparative analysis culminates in an exploration of Saint Bernard’s theological perspectives, illuminated through these analogous depictions of love. The results affirm that engaging with Saint Bernard’s discourse on love via the Book of Odes is not only feasible but also instrumental in dispelling widespread misconceptions. Full article

Ancient philosophers attached great importance to the ideals of unity, truth, goodness, and beauty as the path to the greatest good. Beauty expressed through works of art can open the eyes of the mind and heart and direct the human spirit to transcendence. The beauty of art awakens inner emotionality, evokes elation in silence, and leads to “coming out of oneself”. The concept of beauty is inextricably linked to Catholic theology and preaching. Beautiful sacred images were a source of theological messages, intercession, and entry into the transcendental world. Medieval Gothic cathedrals had images on the walls as a basic tool of catechesis. Even in today’s teaching of young people, images play a crucial role. The world of symbols enables Christians to connect everyday life experiences with theological messages. The image of the Virgin Mary is the best example of recognizing personal life situations, with the story of a mother who loved her child, accepted the suffering and death of her own son, and together with St. Joseph formed a holy family, which is the image of an imperfect family in which each person recognizes himself. All these aspects of the life of the Virgin Mary could form the basic concepts of the Christian understanding of beauty. In modern thought, the concept of beauty is understood quite narrowly (we are talking about narrowing the meaning of the concept of beauty). In the first part of this paper, we focus on the philosophical concept of beauty with a brief historical overview, then we point out the difference between transcendental beauty and aesthetic beauty. Beauty appeals to the human being and opens the heart to the transcendent, to God, who is the source and fullness of beauty, beauty itself. The originality of the article is in its presentation of the understanding of the Christian concept of beauty through the figure and image of Mary, the Mother of God. The experience of the beauty of Mary and Mary’s life story enables the believer to have a different perspective on the perception of his own life and thereby opens him to the transcendent, to a personal relationship with God, who is eternal Beauty. Full article

Medieval nuns and anchorites (recluses) were spiritually and economically bound to pray for the dead, no matter their feelings towards the departed, who frequently appear to them in visions. This article charts medieval enclosed women’s attempts to intervene in this economy by forgetting souls. Staging a generative conversation between medieval women’s writings and Marcella Althaus-Reid’s (1952–2009) ‘indecent theology’ (queer liberation theology), this essay scrutinizes medieval female-authored texts for indecent forgetting (socially and economically disruptive forgetting). It juxtaposes a Middle English visionary text, A Revelation of Love by anchorite Julian of Norwich (1342/1343–c. 1416), with the mid-fourteenth-century Middle High German sister-book (compilation of nuns’ lives) of the Dominican convent of St Katharinental in Diessenhofen (in present-day Switzerland) and the early sixteenth-century Middle Dutch sister-book of Diepenveen (in the present-day Netherlands), originating from a Devotio Moderna convent of Augustinian canonesses regular. Heeding Althaus-Reid’s call, it dissects how forgetting unsettles systems of sanctioned spiritual and economic exchanges. I first examine how the sister-books forget certain souls and define their own terms for their participation in this system. I then turn to how Julian enlists all believers for her intercessory duties but also misplaces souls. Throughout, this article considers how these texts prise open space for medieval women within indecent theology. Ultimately, it illustrates how medieval women’s negotiations of their economic conditions supply a fertile ground for considering larger concerns of defiance, community, and the charity that binds together the living and the dead. Full article