Search Results (15)

This article examines a single figure from Christian history, the reformed sinner known as Musa of Rome (d.c. 593). Tracing the evolution of Musa from Gregory the Great’s Dialogues to early modern pastoral texts, this study explores processes of condemnation, recalibration, and negotiation regarding dance in premodern Christianity. The first section analyzes medieval portrayals of Musa as expressions of “choreophobia,” a term borrowed from dance studies scholar Anthony Shay that denotes cultural anxiety surrounding dance. Here, I argue that choreophobic renditions of Musa sedimented medieval misogyny and conceptualized sin. The second section turns to late medieval sources that assess dance differently vis-à-vis dance studies scholar André Lepecki’s concept of “choreopolice” or “choreopolicing”. For this study, choreopolicing highlights how ecclesiastical authorities refashioned Musa as a moralizing vehicle to articulate and implement clerical agendas. The third and final section explores Musa’s inspiring aura as a sacred muse. In this vein, her kinesthetic afterlives helped Christian laity apprehend Marian piety, visualize the resurrected body, and communicate hope for redemption. Methodologically, this study embraces the frameworks of religious studies, medieval studies, and dance studies. However fictional and embellished retellings of the Musa story were, this article—the first in-depth scholarly study dedicated to Musa of Rome—demonstrates how the medieval dancing body manifested a site of political contestation, ecclesiastical control, and individual redemption. Full article

In medieval India, the desire for “the unity of Brahman and Self” was present in the Vedānta tradition of Hinduism. Adi Śaṅkara, the master of Vedānta philosophy, proposed the six-fold sādhana: mind control, sense control, mental tranquility, endurance, potential faith, and concentration. These six-fold practices can help Vedānta followers realize unity with Brahman. In medieval Christianity, mysticism was regarded as an important path for Christians to seek a closer relationship with God. Pursuing “the unity of God and man” became the goal and direction of Christians at that time, which could be achieved through spirituality. Bonaventure, known as the Seraphic Doctor, was a representative figure of medieval Christian mysticism. He proposed six stages of spirituality: Sense, Imagination, Reason, Intelligence, Understanding, and Spark of Conscience, through which one can achieve unity with God. This article attempts to compare Bonaventure’s theory of six stages of spirituality with Śaṅkara’s idea of six-fold practice and discover the similarities and differences between Eastern and Western religious spirituality in the Middle Ages. Through this comparison, we can further explore the medieval religious believers’ desire for ultimate reality and try to find the possibility of dialogue between Christianity and Advaita Vedānta. Full article

This article explores how the visual culture of Eastern Europe has been studied and often excluded from the grander narratives of art history and more specialized conversations due to political and cultural limitations, as well as bias in the field. The history and visual culture of Eastern Europe have been shaped by contacts with Byzantium, transforming, in local contexts, aspects of the rich legacy of the empire before and after the fall of Constantinople in 1453. This study expands and theorizes the eclectic visual cultures of Eastern Europe during the late medieval period by focusing on two ecclesiastical buildings of the 14th century built under princely and noble patronage in regions of North Macedonia and Wallachia, respectively: the Church of St George at Staro Nagoričane, near Skopje, modern-day North Macedonia (1315–17) and Cozia Monastery in Călimănești, Wallachia, modern-day Romania (founded 1388). The 14th century was a transformative period for the regions to the north and south of the Danube River, establishing the contacts that were to develop further during the 15th century and especially after 1453. Full article

Nicosia Walled City, on the northern side of Cyprus, encapsulates historical imprints from various cultures and civilizations within its layered structure, despite being a divided city since 1974. Based on this beautiful Medieval sequence, this study investigates the implications of architectural design approaches aimed at incorporating contemporary architecture into this heterogeneous historic city to conserve its historical identity. While the threats facing this diverse built heritage composition are various, the changes brought about by design outcomes and development actions can be challenging. This is especially so when designers are obligated to adhere to conservation principles that clash with the city’s character and that resort to design strategies that prohibit the addition of new layers. This study employed a mix of qualitative and quantitative research methods and examined three case studies based on buildings that were erected during the Turkish Republic of Northern Cyprus period, spanning from 1983 to when the crossing began in 2003. This study’s conclusions revealed that the design schemes negatively impacted the city’s historical identity layers because the designers followed selective conservation principles that entirely concentrated on nostalgia rather than typological values. Rather than creating new layers, preferences energized this problem, and the designers’ attitudes towards the place’s heterogeneous character maintained the same context uniformity patterns. Efforts to add sequences of layers reflecting the identity of the present time and its perceptions were thwarted. These reductions in the historical layers, the subsequent transformations, and the current social–cultural necessities should stimulate individual determination and practical policy instruments. The tools proposed here will accommodate inclusive ideas that encourage fresh dialogues with the past, thus keeping the city’s identity significant for the future. Full article

Chán Buddhist literature is not only an important source for the study of religious thought during the Chinese late medieval and early modern periods, but also constitutes a treasure trove for investigating the development of the colloquial language of the respective periods, both in terms of semantics and syntactic constructions. Since the editors of Chán Buddhist literature—such as the Recorded Saying and Transmission of the Lamp texts—claimed to convey the “living words” of the patriarchs and masters, numerous vernacularisms were integrated in the dialogue sections of the texts, and the use of traditional Buddhist terminology was often reduced to a minimum. Frequently, Chán Buddhist texts are among the earliest sources in which these colloquialisms surfaced. In this paper, we focus on expressions which derive from the colloquial language of the late Táng and Sòng periods, and which were integrated in Chán Buddhist literature, often assuming a particular metaphorical meaning in the rhetorical structure of the texts. We reconstruct their original meaning, their use in the Chán texts, as well as their further development in Sinitic languages and dialects. Besides contributing to a better understanding of the vocabulary used in the enigmatic language of Chán literature and the metaphorical mapping of originally colloquial expressions in a religious context, in this preliminary study, we also hope to contribute to a better understanding of the development of semantic items from the perspective of historical linguistics, their complex paths of metaphorical extensions, as well as their usage in local linguistic contexts. In addition, the case studies also illustrate the transformative force of religion on the development of language, and the complex interplay between religious ideas and linguistic expression. Full article

The focus of this Special Issue is on medieval Japanese religion. Although Kamakura “new” Buddhist schools are usually taken as unquestioned landmarks of the medieval religious landscape, it is necessary to add complexity to this static picture in order to grasp the dynamic and hybrid character of the religious practices and theories that were produced during this historical period. This Special Issue will shed light on the diversity of medieval Japanese religion by adopting a wide range of analytical approaches, encompassing various fields of knowledge such as history, philosophy, materiality, literature, medical studies, and body theories. Its purpose is to expand the interpretative boundaries of medieval Japanese religion beyond Buddhism by emphasizing the importance of mountain asceticism (Shugendō), Yin and Yang (Onmyōdō) rituals, medical and soteriological practices, combinatory paradigms between local gods and Buddhist deities (medieval Shintō), hagiographies, religious cartography, conflations between performative arts and medieval Shintō mythologies, and material culture. This issue will foster scholarly comprehension of medieval Japanese religion as a growing network of heterogeneous religious traditions in permanent dialogue and reciprocal transformation. While there is a moderate amount of works that address some of the aspects described above, there is yet no publication attempting to embrace all these interrelated elements within a single volume. The present issue will attempt to make up for this lack. At the same time, it will provide a crucial contribution to the broad field of premodern Japanese religions, demonstrating the inadequacy of a rigid interpretative approach based on sectarian divisions and doctrinal separation. Our project underlines the hermeneutical importance of developing a polyphonic vision of the multifarious reality that lies at the core of medieval Japanese religion. Full article

A survey of the history of medieval Kōyasan, an important mountain-based headquarters for esoteric Shingon Buddhism since the early ninth century, cannot omit significant developments in the worship of kami (tutelary and ancestral gods) from the end of the Heian period (794–1185) to the Muromachi period (1333–1573). A fundamental aspect of kami worship at Kōyasan was the regular offering to the kami (shinbōraku 神法楽) of mondō-kō 問答講 (catechism/dialogue form, or ‘question and answer’ ‘lectures’) and rongi (debate examinations in the form of mondō). The relationship between Buddhist scholarship and kami worship has not been fully elucidated and such will enrich understanding of both subjects. The identities and meanings of the two oldest kami enshrined at Kōyasan, Niu Myōjin 丹生明神 (also called Niutsuhime) and Kariba Myōjin 狩場明神 (also called Kōya Myōjin), were delineated in texts produced by scholar monks (gakuryo 学侶) during a period when the debates were re-systematized after a period of sporadicity and decline, so the precise functions of this cinnabar goddess and hunter god in the related ritual offerings deserve attention. In this paper I examine ideas about the Kōyasan kami that can be found, specifically, in the institution and development of these mondō and rongi 論義. Placing them in this context yields new information, and offers new methods of understanding of not only related textual materials, but also of the icons used in the debates, and the related major ceremonies (hōe 法会) and individual ritual practices (gyōbō 行法) that were involved. Given that the candidates of a major ritual debate examination—to be discussed—that has been practiced from the Muromachi period up to the present day are said to ‘represent’ kami, and are even referred to by the names of kami, the history of the precise relationship between the kami and the debates invites more detailed explanation that has so far been largely lacking in the scholarship. Full article

Reflecting John D. Niles’ recent codicological reading of the Exeter Book, this essay advances a comparative reading of the three manuscripts containing Old English Solomon and Saturn dialogues. These manuscripts attest that the Solomon and Saturn dialogues were “serious” texts, twice attending the liturgy and later (12th century) joining high pre-scholastic philosophy. They further reveal a shift in the use of poetry over time. The earlier dialogues evince an “Incarnational poetics” that is distinct from but nevertheless comparable to the “monastic poetics” of the Exeter Book, while the later, prose dialogue has taken a less performative and more encyclopedic form. Full article

For 2000 years, the history of Granada has been the story of its peoples—native Iberian, Roman, Jewish, Muslim, Christian and gypsy—who bequeathed a multi-cultural heritage to the city, forged by momentous racial, religious and political conflicts. That heritage is central to Spain’s vexed quest for its own identity, and pre-eminent in that quest is the encounter between Islam and Christianity that took place there. Based on historical sources including oral and written testimonies, early historiography and contemporary historical views, this article considers the answers to two key questions, with specific reference to the Nasrid dynasty of Granada: (i) how did the Nasrids contribute to the culture of Andalusia and the late medieval Mediterranean, and (ii) was religious difference an obstacle to cultural dialogue in Granada in the late Middle Ages? The contention is that Granada’s importance as a meeting place between Islam and Christianity hinges on its apparent transition from Muslim state to Christian enclave, an event crucial to our understanding of the history of the Iberian Peninsula, and also of Europe. Full article

France numbered second only to England in its veneration of the martyred archbishop of Canterbury. Nowhere in France was that veneration more widespread than Normandy, where churches and chapels devoted to Saint Thomas, many embellished with sculptures, paintings, and stained-glass windows, appeared throughout the Middle Ages. A nineteenth-century resurgence of interest in the martyred archbishop of Canterbury gave rise to a new wave of artistic production dedicated to him. A number of these modern commissions appear in the same sites and thus in direct visual dialogue with their medieval counterparts. This essay examines the long legacy of artistic dedications to Saint-Thomas in the town of Saint-Lô. It considers the medieval and modern contexts underpinning the creation of these works and what they reveal about Thomas Becket’s enduring import across nine centuries of Saint-Lô’s history. Full article

The holiness of sacred spaces is expressed through the creative synthesis and performance of different symbolic or iconic elements. This article concentrates on the medieval church of Ayios Iakovos in Nicosia, Cyprus. Dedicated to Saint James the Persian, the church became, by the 1600s, a shared shrine for Christians of different denominations (Orthodox, Maronites, and Latins) and Muslims. The aim of this article is to investigate in an interdisciplinary way the formation, adaptation, and negotiation of insular religious identities in relation to Ayios Iakovos’ hierotopy, official and popular religious practices, and the appropriation of Byzantine culture. The components in the creation of this sacred space reflect long-term contact between Cyprus and Greater Syria, constructing an inclusive religious environment with its own insular characteristics. It will be argued that these characteristics were shaped by global, regional, and local developments, including trade, pilgrimage, war, and environmental changes. Being in dialogue with recent scholarship on mixed sacred sites, this case study stresses the importance of interconnectivity and mobility in the creation of shared places of worship. It also shows that phenomena of religious co-existence and syncretism do not always result in homogenisation but maintain distinct group identities. Full article

This study explores the shared spaces and common ground between the moral theosophies of Sufism and Christian mysticism in Spain. This article focuses on how Sufis, Carmelites and other mystical authors expressed spiritual concepts, establishing networks of mutual influence. Medieval and Golden Age mystics of Islam and Christianity shared a cultural canon based on universal moral principles. Both their learned and popular traditions used recurrent spiritual symbols, often expressing similar ethical coordinates. Spiritual dialogue went beyond the chronological and geographical frameworks shared by Christianity and Islam in the Iberian Peninsula: this article considers a selection of texts that contain expansive moral codes. Mystical expressions of Islam and Christianity in Spain are viewed as an ethical, cultural and anthropological continuum. Full article

In comparison with the estimated number of about 60,000 executed so-called witches (women and men), the number of executed and punished witch-priests seems to be rather irrelevant. This statement, however, overlooks the fact that it was only during medieval and early modern times that the crime of heresy and witchcraft cost the life of friars, monks, and ordained priests at the stake. Clerics were the largest group of men accused of practicing magic, necromancy, and witchcraft. Demonology and the media (in constant dialogue with trials) reveal the omnipresence of the devil’s cleric with his figure possessing the quality of a ‘super-witch’, labelled as patronus sagarum. In Western Europe, the persecution of Catholic priests played at least two significant roles. First, in confessional debates, it proved to Catholics that Satan was assaulting post-Tridentine Catholicism, the only remaining bulwark of Christianity; for Protestants on the other hand, the news about the devil’s clergy proved that Satan ruled popedom. Second, in the Old Reich and from the start of the 17th century, the prosecution of clerics as the devil’s minions fueled the general debates about the legitimacy of witchcraft trials. In sketching these over-lapping discourses, we meet the devil’s clergy in Catholic political demonology, in the media and in confessional debates, including polemics about Jesuits being witches and sorcerers. Friedrich Spee used the narratives about executed Catholic priests as vital argument to end trials and torture. Inter alia, battling the devil’s clergy played a vital role in campaigns of internal Catholic church reform and clerical infighting. Studying the debates about the devil’s clergy thus provides a better understanding of how the dynamics of the Reformation, counter-Reformation, Catholic Reform, and confessionalization had an impact on European witchcraft trials. Full article

This reflection derives from a discussion that took place at the 2018 “Comparative Hagiology” pre-conference workshop of the American Academy of Religion. The goal during that meeting was to articulate points of dialogue for the comparison of exemplary figures in various historic, geographic, and faith traditions. Here, I offer an open-ended descriptive index as a heuristic device for beginning a comparative study, whether collaborative or single-authored. After positioning my inquiry from within my own field of study, medieval European Christianity, I offer a brief “test case” for the portability of the index by using its terms to think through a text that is widely-regarded within my subfield as deeply complicated and difficult to interpret, the Life of Christina Mirabilis. I conclude by re-describing some of the terms of the index and by inviting further re-description. Full article

In recent decades, historians of religions have turned to, and developed, entirely new methodologies for the study of religion and human consciousness. Foremost among these are a collection of approaches often termed the “cognitive science of religion” (CSR), typically drawing on cognitive science, neuroscience, linguistics, and contemporary metaphor theory. Although we are still “early” in this enterprise, I hope to show how a meaningful dialogue between religious studies and contemporary neuroscience and cognitive science can help us to better understand some intriguing mystical texts and practices from a tradition of medieval South Asian Hinduism. Known collectively as the Vaiṣṇava Sahajiyās, these followers of transgressive and antinomian Tantric Yoga provide excellent examples for exploring the nature of religion, ritual, consciousness, embodiment, identity, gender, emotions and sexuality. This paper will show how the study of these rich materials from 17th through 18th century Bengal in northeastern South Asia can be enhanced using insights from the philosopher, Shaun Gallagher, and the neurologist, Patrick McNamara. Full article