Search Results (33)

This paper presents a conceptual and methodological framework for using Geographical Information Systems (GIS) to “deep map” cultural heritage sites along Ireland’s Wild Atlantic Way, with a focus on the 1588 Spanish Armada wrecks in County Kerry and archaeological landscapes in County Sligo’s “Yeats Country.” Drawing on interdisciplinary dialogues from the humanities, social sciences, and geospatial sciences, it illustrates how digital spatial technologies can excavate, preserve, and sustain intangible cultural knowledge embedded within such palimpsestic landscapes. Using MAXQDA 24 software to mine and code historical, literary, folkloric, and environmental texts, the study constructed bespoke GIS attribute tables and visualizations integrated with elevation models and open-source archaeological data. The result is a richly layered cartographic method that reveals the spectral and affective dimensions of heritage landscapes through climate, memory, literature, and spatial storytelling. By engaging with “deep mapping” and theories such as “Spectral Geography,” the research offers new avenues for sustainable heritage conservation, cultural tourism, and public education that are sensitive to both ecological and cultural resilience in the West of Ireland. Full article

This study investigates the anthropogenic transformation of small- and medium-sized river basins within the Caspian Sea catchment. The basins of seven rivers—Sunzha, Sulak, Ulluchay, Karachay, Atachay, Haraz, and Gorgan—were selected as key study areas. For both the broader Caspian region, particularly its southwestern sector, and the selected study sites, trends in land cover types were analyzed, natural resource use practices were assessed, and population density dynamics were examined. Furthermore, a range of indices were calculated to quantify the degree of anthropogenic transformation, including the coefficient of anthropogenic transformation, the land degradation index, the urbanity index, the degree of anthropogenic transformation, coefficients of absolute and relative tension of the ecological and economic balance, and the natural protection coefficient. The study was conducted using geoinformation research methods and sets of geodata databases—the global LandScan population density database, the GHS Population Grid database, the ESRI land cover type dynamics database, and OpenStreetMap (OSM) data. The analysis was performed using the geoinformation programs QGIS and ArcGIS, and a large amount of literary and statistical data was additionally analyzed. It is shown that within the studied region, there has been a decrease in the number and density of the population, as a result of which the territories of river basins are experiencing an increasing anthropogenic impact, the woody type of land cover is decreasing, and the agricultural type is increasing. The most anthropogenically transformed river basins are Karachay, Haraz, and Gorgan. Full article

The issue of environmental protection and nature conservation has gained global importance, and its solution requires not only scientific and technological efforts but also the education of an environmentally conscious and active young generation. Children’s literature serves as an effective means for this task. The article analyzes the eco-pedagogical potential of contemporary Ukrainian children’s literature through the prism of young eco-rebels. These characters inspire readers with their emotional power, eco-centric worldview, and bold resistance to environmental injustice. They contribute to the formation of ecological values in readers through emotional impact. Based on the ecocritical interpretation and typological comparison of Ghosts of Black Oak Wood by Bachynskyi and Taming of Kychera by Polyanko, we observe that the components of representation of the ecological topic are problematic eco-situation; behavior models, young eco-rebels’ actions and deeds; and eco-initiatives. The article further presents the results of ecocritical dialogues on environmental topics with 26 readers aged 14–15 (Ukraine). The methodology included interactive tools (e.g., Padlet) and surveys, which revealed that literary engagement promoted critical thinking, empathy, and personal eco-involvement. The findings confirm that children’s literature, when integrated with dialogic and participatory teaching methods, can serve as a powerful tool for shaping environmental literacy and civic responsibility in youth. Full article

This article explores Greco-Roman mythology through the lens of ecocriticism, focusing on how sacred landscapes and natural elements were imagined as animate, divine, and morally instructive forces. In ancient Mediterranean cultures, nature was not merely a passive setting for human action but a dynamic presence—rivers that judged, groves that punished, and mountains that sheltered or revealed. Texts such as Ovid’s Metamorphoses, Virgil’s Georgics, and Homer’s epics present nature as both sacred and sentient, often intervening in human affairs through transformation, vengeance, or protection. Forests, springs, and coastlines functioned as thresholds between human and divine, civilization and wilderness, mortal and eternal. By analyzing these representations, this article reveals a rich tradition in which nature teaches, punishes, guides, and transforms, long before ecological consciousness became a formalized discipline. Drawing connections between classical literary landscapes and contemporary environmental concerns, the article argues that myth can inform today’s ecological imagination, offering an alternative to extractive, anthropocentric paradigms. Recovering the reverence and narrative agency once granted to nature in classical thought may help us rethink our ethical relationship with the environment in the age of climate crisis. Full article

Writing in November 2010 in the aftermath of a series of devastating hurricanes, Norman Girvan admitted to “a growing sense that Caribbean states may be more and more facing a challenge of existential threats”. By this, he continues, “I mean systemic challenges to the viability of our states as functioning socio-economic-ecological-political systems” due to “the intersection of climatic, economic, social and political developments”. In this article, I examine the specifically literary response to these existential threats. My focus is on Nicole Dennis-Benn’s novel Here Comes the Sun (2016), which offers a searing critique of what I term the apocalypse of the everyday, that is, of the way capitalism’s logics of social death and ecocide permeate every facet of contemporary quotidian practice. I am particularly interested in Dennis-Benn’s registration of the impact of debt colonialism on Jamaica. Debt, for Girvan, is one of the contributing factors to the existential threat facing the Caribbean. However, the temporality of debt also provides a useful optic for understanding how Dennis-Benn’s novel grapples with the effects of the ongoing catastrophe of slavery and the plantation system, as well as with the erosion of futurity in apocalyptic times. Full article

Turfgrass has evolved from a fundamental element of natural landscapes to a key component of ornamental, recreational, and ecological systems. This review examines its historical trajectory, from ancient civilizations and medieval monastic gardens to modern urban green spaces, highlighting cultural, technological, and environmental influences. The study integrates historical analysis with agronomic and ecological research to assess turfgrass’s role in soil conservation, carbon sequestration, water management, and biodiversity enhancement. The methodological approach combines a historical–literary review with an analysis of scientific advancements in turfgrass management, focusing on low-input species, precision irrigation, and climate-adaptive strategies. The findings indicate that while turfgrass contributes to urban resilience and ecosystem services, conventional high-maintenance practices pose sustainability challenges. The review underscores the need for multifunctional turfgrass systems that balance aesthetics with ecological benefits. A shift toward eco-friendly management practices will be essential for the long-term sustainability of turfgrass in modern landscapes. Full article

We can understand Platonism as both a storehouse of resources that can be drawn upon and a living philosophy capable of helping us address the present-day environmental crisis, one of humanity’s most important and pressing challenges. Platonism appears in the collected papers here in philosophical, theological, scientific, and literary contexts, demonstrating both its versatility and its capacity. One of the aims of promoting this avenue of research is to both explore and challenge the traditional characterisations and critiques of the Platonic tradition in relation to nature and ecology. This Special Issue demonstrates how Platonism can serve as a resource for addressing the environmental crisis in a present-day context. Collectively, the wide range of contributions allow us to begin to tackle the task of showing how a Platonically orientated metaphysics can provide an integrative and sustainable framework for conceptualising nature and the place of humans within it, particularly by offering an alternative to subject-centred epistemologies. Full article

Literary works of contemporary Australian Aboriginal writers are widely read for their engagement with expressions of resilience and resistance against colonial supremacy. But these works have a greater significance in modern times, as they carry forward the Aboriginal cultural traditions of caring for the country (an Aboriginal concept that comprises people, their culture, and all living and non-living entities in a place, including the land) and in vocalising the concerns that arise from grief for the loss of the natural environment. This paper investigates how Alexis Wright, in her postmillennial novels Carpentaria (2006) and The Swan Book (2013), redefines dominant ethical and aesthetic frameworks and tries to delineate ecoethics in these novels through a critical analysis of the representation of relationality and interconnectedness between Aboriginal people and their natural environment. By exploring the Aboriginal belief system as represented in the texts and its role in shaping Aboriginal environmental values, this paper argues that Carpentaria and The Swan Book embody ecoethics and offer a reimagining of deep ecological perspectives in contemporary literature. Full article

Post-Theoretical “creative–critical” research recently emerged in the discipline of Creative Writing as a collapse of the binaries between practice and Theory. This article shows that using this interdisciplinary methodology in the study of mysticism is a natural fit, illustrating its efficacy in a case study with the reflexive writing of the medieval Christian mystic Julian of Norwich. As a creative–critical writer and researcher, I explored the junctures where Julian’s poetics intersect with trauma-informed theology. Writing through these intersections formed a literary trauma-informed framework for the holding and processing of loss and grief through Julian’s nuanced modelling of mystical union with God. This case study shows how the framework came together critically and its application to contemporary ecological grief in the writing of a performative long poem, Blue: a lament for the sea. The “theopoetic” making process with two images from Julian’s texts, Christ’s “wounds” and “one-ing”, developed new language for liminal and spiritual experience. Insights from creative–critical research can be shared in artistic performance and publication in the academy and beyond in public impact. Bringing the whole self through theopoetics to the scholarly research of mysticism has the potential to form fresh insights, revealing new dimensions. Full article

This study explores how Chang-Rae Lee, a Korean American writer, adeptly reworks the generic elements of spy fiction to serve as a conduit for interweaving his semi-autobiographical elements into Native Speaker, ultimately yielding a literary precondition sought by literary cosmopolitanism. The examination engages in a continuous search to identify literary preconditions that can address the challenges posed by prevailing power imbalances in discourse systems, which persist in impeding the progress of comparative exchanges toward a genuinely cosmopolitan literary ecology. It positions Lee’s literary practice within the landscape of U.S. literature, where he navigates similar challenges posed by the American publishing industry and the expectations of the reading public for ethnic writers to conform to formulaic representations that reinforce essentialist notions of identity. Analyzing Lee’s literary construction within this context reveals how his formal blend, in and of itself, not only subverts the role of genre as an ideological reinforcer but also empowers him to convey his authentic personal narratives without being reduced to a simplistic representation. This approach, therefore, ensures the preservation of authentic selfhood before embarking on further comparative literary exchanges. Full article

This paper examines Portuguese literary texts in which fire is explicitly included in the narrative. These texts include descriptions of various occurrences and uses of fire and their intertwined social and ecological effects. They shed light on the origins, actors, practices, and impacts of fire, and they reveal past perceptions of fire, namely the role fire played in social processes and in the making of landscapes. It becomes evident that in literary texts, fire is not merely a physical element but also a powerful symbolic force of life, death, and transformation. Furthermore, the literary landscapes of different regions describe fire in distinct ways, reflecting particular geographical, social, and political contexts. Full article

This paper reconstructs the sound of 19th-century alphorns based on contemporary written descriptions, which allows for a better understanding of literature and compositions that quoted and imitated the alphorn throughout the 19th century. In the absence of sound recordings, historical documents and literary sources provide valuable insights into the timbre of these traditional Alpine instruments. The research examines descriptions from 19th-century texts, comparing them with modern understandings of musical timbre. By analyzing the language used to describe the alphorn’s sound, the study identifies recurring descriptors and contextualizes them within the broader acoustic environment, including the influence of natural sounds like waterfalls and echoes. Historical sources reveal a complex perception of the alphorn’s timbre, described in terms of its resemblance to muted trumpets and a blend of brass and woodwind qualities. Authors such as Hermann Alexander von Berlepsch and François-Joseph Fétis provided detailed accounts, noting contrasting characteristics like “rough”, “soft”, “sharp”, and “melodious”, which varied with the listener’s distance from the instrument. These descriptions highlight the alphorn’s unique sound profile, distinct from modern perceptions that emphasize a warmer, fuller timbre. The findings underscore the importance of considering ecological and psychoacoustic contexts in the study of historical musical instruments. Full article

This article provides useful information on the distribution of sweet chestnut (Castanea sativa) and presents additional data on the ecology, chorology and phytocenology of the species in the Oltenia region, Romania, based on literary sources, herbaria and field observations. By providing accurate and detailed data, this study contributes significantly to the existing knowledge, as well as mapping efforts of the species at the European level. In the subspontaneous flora of the Oltenia region, the C. sativa species is found in sheltered resorts in the counties of Gorj (Glogova, Valea Perilor, Tismana, Pocruia, Polovragi, etc.) and Mehedinți (Comăneşti, Baia de Aramă, etc.), on mesobasic soils, balanced from a hydraulic point of view. The phytocenoses where this species grows are rich in southern elements (e.g., Cornus mas L., Cerasus avium (L.) Moench, Quercus dalechampii Ten., Tilia tomentosa Moench). They are included in the Castaneo-Quercetum Horvat 1938 association. In Romania, habitats that include areas occupied by sweet chestnut are classified within habitat R4141—Daco-Balkan forests of oak (Quercus petraea) and chestnut (C. sativa) with Genista tinctoria. This habitat has a very high biodiversity conservation value and ecological importance. According to the Natura 2000 directive, sweet chestnut forests are included in the habitat category 9260, which underlines the importance at the European level for biodiversity conservation. Full article

Distinctive for its pungent and oftentimes rotten odor, the thorny fruit of durian (Durio spp.) is considered a delicacy throughout Asia. Despite its burgeoning global recognition, durian remains a fruit of contradiction—desirable to some yet repulsive to others. Although regarded commonly as immobile, mute, and insentient, plants such as durian communicate within their own bodies, between the same and different species, and between themselves and other life forms. As individuals and collectives, plants develop modes of language—or phytodialects—that are specific to certain contexts. Focused on vegetal semiosis or sign processes, a phytosemiotic lens views plants as dynamic and expressive subjects positioned within lifeworlds. Absent from phytosemiotic theory, however, are the cultural sign processes that take place within and between plants—what I call cultural phytosemiotics. The framework I propose calls attention to the interlinked biological, ecological, and cultural dimensions of signification between plants and non-plants. From a phytosemiotic standpoint, this article examines historical, cinematographic, and literary narratives of durian. Reflecting the fruit’s divisive sensory effects, historical accounts of Durio by Niccolò de’ Conti, Jan Huyghen van Linschoten, Georg Eberhard Rumphius, and William Marsden alternate between praise and disdain. Moreover, films such as Fruit Chan’s Durian Durian (2000) and Anthony Chen’s Wet Season (2019) narrativize the polarities that similarly figure into historical depictions of the species. Literary narratives, including the poems “Durians” (2005) by Hsien Min Toh and “Hurling a Durian” (2013) by Sally Wen Mao, investigate the language of durian’s olfactory and gustatory sensations. Along a continuum between adoration to revulsion, durian embodies the otherness of vegetal being. In an era of rampant biodiversity loss, learning to embrace botanical difference should be a human imperative. Full article

Through the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: Waterworld, Snowpiercer, Interstellar, Mad Max: Fury Road and Mortal Engines in order to identify recurring themes within their dystopian societies. These narratives share an apocalyptic literary approach, intertwining biblical elements to draw a subjectivity that enables us to see the end of our known world order simultaneously as a new beginning. In the plots, technological development is related to the disrespect of ecological harmony and, therefore, extreme climate conditions. The changes in the films’ narratives lead to a new kind of spirituality and a new concept of home. This article concludes by evaluating how these findings relate to the real, contemporary world. Full article