Search Results (10)

Digital pedagogies have significant potential to enhance classroom learning, and teachers are increasingly seeking ways to integrate these approaches. Combining video with drama provides students with opportunities to explore technology while expressing themselves through dramatic performance. This article presents a qualitative case study exploring the use of creative videomaking as a literacy strategy in an upper primary class at a high-diversity Australian school. The research explored different forms of literacy involved in collaborative videomaking, as well as benefits and challenges associated with this approach. Thematic analysis of observations, interviews, and student videos identified collaborative drama and videomaking as an engaging and inclusive pedagogy for diverse learners. Benefits included a strong focus on oral and visual communication and an authentic use of digital technologies. Written literacy would have benefitted from separate sessions targeting scriptwriting, however, and although critical digital topics captured students’ interest, these also needed more time than was allocated. Other challenges included increased self-consciousness for some students when recording their voices, limitations of filming in a classroom, and additional time needed for lesson preparation. Further findings showed drama strategies were particularly useful for improving at-risk students’ confidence and sense of identity as learners and speakers of English. Overall, integrating videomaking into literacy instruction effectively fostered multimodal and technological literacy, creativity, and identity for diverse students. Full article

Contemporary educators have increasingly recognised the diversity of their student population and, hence, have attempted to use multimodal teaching methods for additional student learning benefits. One popular example is repurposing film and TV content for higher education pedagogies. However, integrating these materials into teaching effectively often proves more complex than lecturers might anticipate. This entry investigates the merits and challenges of using FF/TV in teaching to determine the factors that impact development of an effective FF/TV pedagogy for student learning, through an interdisciplinary review of the existing literature, followed by a qualitative survey and semi-structured interviews with lecturers across disciplines at Australian universities. Using visual literacy theory, cognitive load theory, and dual coding theory, data analysis reveals that the pros and cons of integrating film and TV in teaching are in fact interconnected, and the main role of the teacher is to pedagogically balance them. Evidence-based and theory-grounded suggestions for application are detailed throughout the discussions. Full article

Europe has just established the first regulation for artificial intelligences. Large technology corporations and private educational institutions are already imagining neural networks educating us. Has anyone stopped to think about who, how and for what purpose we humans are going to educate machines? The Spanish critical pedagogy research team (PEDACRI), after participating in international conferences on digital education, robotics, ethics in the metaverse and cartography of hyperreality and participating in various publications on the challenges of pedagogy and ethics in the technologisation of educational processes, reflects in this essay on the challenges and questions we need to ask ourselves to imagine the post-human or trans-human community to come. Reviewing works coming from philosophy and those plays, series and films that address the future and the relationship between humans and machines, we analyse the opportunities and threats that can humanise machines or programme them as soulless weapons, which can civilise us or return us to a state of barbarism. The word robot, let us not forget, is derived from the Polish word roboca, which means “slave”. Will we be able, as the replicant in Blade Runner wonders, to programme silence? What can philosophy and pedagogy contribute to the ethical programming of algorithms? Full article

This article provides an overview of the recent flourishing of research and pedagogy in higher education that seeks a greater rapprochement between criticism and creativity, bringing together diverse media, disciplines, and modes of knowledge production and expression. It focuses on transformations in film and screen studies and on the ethical and aesthetic possibilities of conducting creative, intermedial research through filmmaking, drawing on the author’s recent, first-hand experiences of conducting such research through her making of two films about the African women filmmakers Judy Kibinge (from Kenya) and Bongiwe Selane (from South Africa). The author gives specific examples from her filmmaking process to show how she has attempted to unsettle the generic space between documentary filmmaking, curatorial practice, and video-essay making to engage in a collaborative research practice with Kibinge, Selane, and their communities, as well as her research teams. Grounding itself in a decolonial feminist framework, this article draws on the perspectives of a wide range of thinkers and filmmaker scholars to explore ways in which the colonial, patriarchal values that have haunted many academic institutions can be reformed to allow for the envisioning of new futures that will lead to a more self-reflexive, socially just higher education environment. Full article

This essay first briefly examines African American novelist Chester Himes’ genre-defying position as prison writer turned detective writer, whose influence is clear not only in the usual suspects such as Walter Mosley but also in the Blaxploitation films of the early 1970s, and in the urban fiction tradition from Donald Goines and Iceberg Slim on down through today’s Triple Crown books and others. I then look at how Himes’ work has been received by the college students and incarcerated people who each spring for the past 20 years have worked together in reading groups set at the local county jail in a project linked to a class I teach, in order to raise questions about genre, audience and pedagogy. The two groups of readers, who may come to see each other as one group over the series of meetings, often develop readings of Himes’ novel that push back against the analysis I present in the classroom. Full article

Creative pedagogies within youth work practice are well established. Practitioners working with young people are often called upon to utilise their own personal and professional ‘toolboxes’, as a way of supporting ‘Creative Arts Youth Work’. However, within Higher Education (HE), creative methods for teaching and learning within the university context are often overlooked. The problem posed by this article is: how can HE ‘catch-up’ with more advanced pedagogies in the field of practice? Despite a recent focus on the personalisation of learning within HE, how can arts-based pedagogies, including digital storytelling, be drawn upon to enhance the learning experience? This article reports on three areas of pedagogical innovation engaged with by students undertaking the Youth Studies degree at Nottingham Trent University. Three experimental initiatives are explored, which assisted in educating informal educators, through creative learning techniques. Engaging with music, film-making and boardgames are given as examples of creative pedagogy, reporting on both my own practical experience in organising these activities and student feedback. Results showed that the symbiosis of creative pedagogies with relational and experiential learning, key tenets of youth work practice, offered expressive and authentic conditions for learning that are based upon student’s experiences. Therefore, there is much to learn from youth work courses within HE, not only in terms of engaging and encouraging students through creativity, but also setting the scene for the future of creative youth work practice. Full article

While scholars have considered the centrality of teaching in Buddhist traditions and the rich pedagogical resources Buddhism has to offer academic courses on the topic, less attention has been paid to the ways in which Buddhist pedagogy might be applied to the overall structure of course design. This article addresses the challenges of presenting the richness and complexity of Buddhist traditions while also encouraging students to experientially engage such traditions in ways that promote transformative learning. It proposes using Buddhist pedagogical principles, together with a model of significant learning (Fink 2013), to design a course according to the Three Trainings in Wisdom, Ethics and Meditation. Framing the course as a series of experiments in Buddhist forms of thought, action, and practice highlights the critical perspective common to both Buddhist and academic approaches and helps maintain important distinctions between Buddhist traditions and popular secular practices. This article describes specific experiments with Buddhist ways of reading and analyzing classic and contemporary texts, films and images, together with experiments in Buddhist methods of contemplative and ethical practice, in an introductory course in order to help students see how forms of suffering that concern them might arise and be stopped or prevented from a Buddhist point of view. Full article

This article presents and discusses student assignments reflecting on the documentary film If a Tree Falls, written as part of the Business Ethics and Sustainability course at The Hague University of Applied Sciences. This article follows two lines of inquiry. First, it challenges mainstream environmental education, supporting critical pedagogy and ecopedagogy. These pedagogies, which advocate pedagogy for radical change, offer a distinct and valuable contribution to sustainability education, enabling students to critically examine normative assumptions, and learn about ethical relativity, and citizenship engagement from environmentalists. The discussion of “lessons of radical environmentalism” is pertinent to the question of what types of actions are likely to achieve the widely acceptable long-term societal change. While this article focuses on student reflection on a film about radical environmentalism, this article also discusses many forms of activism and raises the question of what can be considered effective activism and active citizenship in the context of the philosophy of (environmental or sustainability) education in connection didactics and curriculum studies. Second, this article argues for the need for reformed democracy and inclusive pluralism that recognizes the needs of nonhuman species, ecocentrism, and deep ecology. The connection between these two purposes is expressed in the design of the student assignment: It is described as a case study, which employs critical pedagogy and ecopedagogy. Full article

David Fincher may not be an expert in Buddhism. But his description of Fight Club—as reprising the figurative admonishment to “kill the buddha” by Lin-ji Yi-xuan (9th cent.), the founder of the Rinzai Zen Buddhist school—illuminates the way that Fincher’s own directorial choices mirror the ritualized practices of Rinzai Zen aimed at producing insights into the imaginary and subjective nature of reality. Other articles have already looked from the perspective of film criticism at the many Buddhist (and non-Buddhist) diegetic elements in Fight Club’s story, plot, and dialogue. In contrast, this article analyzes the non-diegetic elements of Fincher’s mise-en-scène in Fight Club from the perspective of film theory in order to demonstrate the way they draw inspiration from certain Zen Buddhist pedagogical methods for breaking through to a “glimpse of awakening” (kenshō). By reading David Fincher’s directorial choices in light of Zen soteriology and the lived experience of Rinzai Zen informants, the article sheds light not only on the film’s potentially revelatory effects on its viewers, but also on esoteric aspects of Rinzai Zen pedagogy as encapsulated in Lin-ji’s “Three Mysterious Gates” and Hakuin’s three essentials of practice. Full article

Over the twentieth century, visual anthropology and visual sociology defined a way of conducting research which placed the supremacy of the written text as the only scientifically recognised form for collecting and processing empirical data in crisis, affirming the legitimacy of research into visual repertories (photographs, films, videos) deemed as “significant data” in the socio-anthropological field. We must ask why “visual pedagogy” has not developed in the same way, taking on the importance of the “educational act” as a specific object of representations. In the field of pedagogy, the visual dimension has remained substantially linked to teaching devices, with only a subsidiary function aiming to improve teaching and learning processes. This essay aims to introduce and define Visual Pedagogy as a field of study and research with images and on images which represent educational events, demonstrating their specificity and scientific consistency. Full article