Search Results (34)

During the 10th to 12th centuries, the Song, Liao, and Goryeo Dynasties and Japanese regimes in East Asia engaged in frequent activities of requesting and granting the Chinese Tripitaka (the Chinese Buddhist Canon), forming a distinctive diplomatic phenomenon termed “Tripitaka Diplomacy”. This paper examines the political and cultural dynamics underlying these cross-border interactions by analyzing the historical records of such activities among the polities. It also explores the multifaceted role of the Tripitaka in East Asian international relations, which transcended its religious significance to shape diplomatic strategies and power dynamics. Through this lens, this paper reveals the complexity of the East Asian international order during this period, emphasizing how the circulation of the Tripitaka served as both a cultural bridge and a tool for political negotiation. Full article

This research conducts a comparative content analysis of two leading English-language newspapers, The Kathmandu Post and Rising Nepal, to examine the media framing of China’s cultural and educational diplomacy in Nepal. This study employs a frame analysis methodology alongside a qualitative content analysis approach to systematically examine thirty news items published from 2021 to early 2025. Key themes were coded and examined based on frequency and contextual framing, including cultural interaction, Chinese language promotion, Confucius Institute coverage, education diplomacy, and geopolitical alignment. Rising Nepal demonstrates a clear state-centric editorial stance, frequently articulating a supportive tone that emphasizes bilateral collaboration, strategic partnership, and mutual growth, thereby highlighting a significant contrast in representational patterns. This research argues that these contrasting frames signify underlying ideological and geopolitical affiliations, rather than merely editorial choices. This research contributes to the expanding body of literature on soft power, media and culture diplomacy, and the geopolitics of influence in South Asia by integrating media framing theory with qualitative analysis. Full article

Saudi Arabia has emerged as a key middle power, leveraging niche diplomacy to expand its global influence. This study examines how the Kingdom strategically employs mediation, religious diplomacy, humanitarian aid, energy leadership, and sports diplomacy to shape regional and international dynamics. Unlike great powers, middle powers focus on specialized areas where they hold a comparative advantage, allowing them to exert influence despite material constraints. Saudi Arabia’s diplomatic recalibration aligns with its Vision 2030 agenda, prioritizing economic diversification, regional stability, and multilateral engagement. Saudi Arabia enhances its geopolitical significance by positioning itself as a mediator in regional conflicts, reinforcing its religious leadership, investing in sports diplomacy, and maintaining energy dominance. This study contributes to understanding middle power strategies in international relations, highlighting Saudi Arabia’s role as a stabilizing force in an evolving global order. Full article

Studying abroad has been emphasised to increase the cultural influence of sending countries and promote international understanding. This study re-examines study abroad as part of the internationalisation of higher education, using concepts of soft power, knowledge diplomacy, public diplomacy, and cultural diplomacy. Specifically, the study highlights the limitations of the conceptual frameworks of ‘nation’ and ‘formal educational opportunities’ in studying abroad, and discusses a perspective on learning that goes beyond the physical space of the university and the formal educational opportunity. Furthermore, this study considers cultural studies and a public pedagogy perspective to examine where and how studying abroad and international learning can occur. Therefore, this research aims to provide a more interdisciplinary perspective on higher education research surrounding the phenomenon of studying abroad, and to examine the academic boundaries that define the field of research on the internationalisation of higher education. The paper concludes that studying abroad and international education should be reconsidered as a ‘medium’ that promotes cross-border learning by understanding culture and social structure. Full article

The analysis in this study covers how power imbalance, alliance cohesion, diplomatic and media framing, and big data analytics affect scaling up in the conflict in a multipolar world. This research applies the Constructivist International Relations Theory to examine survey data of 250 international relations experts, policymakers, and analysts using Survey Structured Equation Modeling (SEM) via SMART-PLS. Power imbalance and the way the media frames the situation are found to lead to an escalation of conflicts, but strong alliance cohesion, diplomatic effort, and big data analytics can mitigate the risk of the escalation. Strategic diplomacy, media regulation, and real-time data monitoring have thus shown their capacity to prevent conflict. These contribute to conflict studies by incorporating political IR models, data science knowledge, and policy advice on global security governance. This means they can support the prediction and prevention of conflicts by means of diplomatic transparency, ethical media practice, and AI early warning systems. This study is limited by the use of self-reported data; however, the results of this study indicate that this topic is under-explored in cultural and geopolitical terms. The results help inform policymakers and security entities on ways to address conflict resolution as a matter of discretion and from a multidimensional perspective. Survey Structured Equation Modeling (SEM) via SMART-PLS is a technique used for analyzing structural relationships between measured variables and latent constructs, providing valuable insights into complex models. Survey Structured Equation Modeling (SEM) via SMART-PLS is a technique used for analyzing structural relationships between measured variables and latent constructs, providing valuable insights into complex models. Full article

Cultural diplomacy is often regarded as a potent method to enhance the bond between nations by facilitating the interchange of cultural values and practices. Previous studies have focused chiefly on political and economic elements, neglecting the role of religious institutions in cultural diplomacy. This paper investigates the function of Wat Chaozhou Kaiyuan si in Guangdong as a means of cultural diplomacy between China and Thailand. This temple is a significant platform for cultural and religious exchanges, fostering enhanced understanding and collaboration between the two nations. Using a case study methodology, this research employed five semi-structured interviews with several individuals, including a head monk from Wat, a monk from Thailand, a monk from China, a diplomat from Thailand, and a diplomat from China. Additionally, field observations were conducted. The data were examined using NVivo through a three-step process consisting of data collection, data coding, and data interpretation. The study produced four noteworthy findings: (1) Buddhism plays a vital role in cultural diplomacy by advancing national objectives through cultural engagement. (2) Cultural diplomacy involves the act of advancing a country’s interests by means of engaging in cultural exchanges. (3) We identified the key actors involved in formal cultural diplomacy. (4) Wat Chaozhou Kaiyuan acts as both a platform for cultural diplomacy and a facilitator of foreign cultural interactions, which is discussed in this study. Full article

The article examines the exhibition history of hand-painted ceramic objects from the “Fajans” factory in Włocławek and the politics of regional contextualization during the period of détente in the 1970s and 1980s. It extends both existing scholarship on transnational art history in socialist Europe and the notion of cultural diplomacy, approached here in the context of regional politics and economic frameworks. The paper highlights the peripheral networks and movements that developed in relation to the socialist cultural politics of working-class artistic engagement and artistic practice as labor. Questions of cooperation between Poland and other socialist states are of particular interest, as are the implications of détente for East Central Europe. The reconstruction of the transnational circulation of “Fajans” objects is based on a comparative analysis of international “Fajans” exhibitions, using documentation from the archives of the Faience Department of the Museum of the Kujawy and Dobrzyń Land, as well as from the archives of the city of Novi Sad. Based on the researched material and the conceptual framework of transnational art history, the article proposes a concept of regional cultural diplomacy. Full article

Classical organizational management literature draws clear parallels between organizational culture and climate and effective use of power and influence as key to successful policy implementation of reforms in public sector organizations. On the other hand, the public policy literature, in particular, policy transfer as a strand within policy studies, emphasizes the role of the national context, more specifically, ‘facilitators’ and ‘constraints’ of ‘‘politico-administrative culture” within the national context, as crucial to understanding processes of transfer, convergence, and diffusion of public policy. There is a plethora of studies by Western scholars of public management who have successfully utilized these theoretical underpinnings to study the effectiveness of public service reforms in mature policy environments such as the UK, the US, Australia, New Zealand, and others. However, the public policy and comparative public management literature only offers a limited number of case studies from developing, middle-/upper-middle countries, which rely on concepts of organizational management in addition to narratives on the impact of policy learning from global doctrines, such as Weberianism, New Public Management (NPM), and New Public Governance (NPG), and national politics, on the implementation of administrative reforms in those contexts. Kazakhstan, as a resource-affluent post-Soviet country and a bastion of modernization and ‘open government’ in Central Asia or the Commonwealth of Independent States (CIS) in the post-Soviet era is a case in point. Based on ethnographic research consisting of interviews with elite academics, civil servants, and think-tank activists, as well as reviews of OECD and government strategy reports in Astana, the findings point to a potential abatement of the impact of context constraints such as large power distance and collectivist behavior by context facilitators such as those surrounding the use of ‘trilingualism’ and public diplomacy towards reforms in Kazakhstan particularly in recent years. Full article

This article reconstructs the story of the “Chinese Painting Exhibition” in the USSR, brought to Moscow and Leningrad in 1934 by the prominent Chinese artist Xu Beihong. The exhibition covered a period from the Han dynasty up to the 1930s, and, for the first time, presented Chinese art to the Soviet audience. Before arriving in the USSR, the show toured Europe, where it was extremely popular and considered the first successful attempt to present Chinese art in the West. In contrast, the exhibition’s perception in the Soviet Union was rather contradictory. The reasons for that could be found in the ongoing Soviet artistic discourse and preconceived vision of Chinese art. Based on archival materials, this study reveals the process of the exhibition’s organization and focuses on the image of China and Chinese art constructed by its curators. Additionally, this article examines the reception of the show by both professional and mass Soviet audiences in conjunction with the Soviet ideology towards fine art, foreign art exhibitions of the 1930s, and existing narratives on China, which shaped the optic of Soviet visitors. Full article

This article is a case study that illustrates the complex intersection of art, politics, and diplomacy in the interwar period. Based on Finnish and Soviet archival documents and press publications, it examines the entire process of organising a Finnish art show abroad. The exhibition, held from 28 November to 24 December 1934, in Moscow, was seen as a landmark event, drawing significant attendance and fostering Finnish–Soviet cultural exchange. By analysing various factors contributing to its success, we provide a detailed picture of both artistic and political influences, demonstrating how cultural events can transcend mere aesthetic appreciation to become significant diplomatic tools. Full article

This article explores the official exhibition of Austrian art held in May 1930 at The Society for the Encouragement of the Fine Arts in Warsaw. Showcasing 474 artworks by 100 artists, the exhibition spanned the years 1918–1930, a period marked by Austria’s efforts to overcome post-war political isolation. The article examines the exhibition’s rhetoric and its critical reception in Warsaw within the broader context of Polish–Austrian diplomatic relations, influenced by Austria’s challenging political and economic situation and the priorities of the Second Polish Republic. The introductory essay in the exhibition catalogue, authored by Hans Tietze, emphasized Vienna’s seminal role as a cultural center at the crossroads of European artistic trends. This approach aligned with the cultural diplomacy of Johannes Schober’s government, which aimed to underscore a rhetoric of openness to the cultures of other nations, particularly the successors of the Habsburg Empire. This contrasted with the later identity policy of the Bundesstaat Österreich, which elevated Tyrol as emblematic of the core German–Austrian identity constructed in the new state. The analysis reveals that the exhibition represented the peak of Polish–Austrian cultural relations during the interwar years, suggesting the potential for broader engagement. However, this potential was short-lived, ultimately thwarted by the Anschluss of Austria to Germany in 1938. Full article

The lexical analysis of seminal policy-to-diplomacy documents from the socio-environmental discourse of the last fifty years of agendas has allowed examining the contextual affinities between resources, pollution, and health. The central role of resource stewardship, according to nature’s physical limits, is highlighted in the context of the boundary systems for the biosphere and societies, and the carrying capacity and inclusive systemic health (one health, planetary health, …). To reframe a rather fragmented conceptual and methodological landscape, this work proposes choices that consider core values, purpose, and best practice developments, allowing us to compare the dynamics of socioecological states across the planet and in specific social, economic, political, and cultural contexts. The prioritization of resource justice and responsibility becomes a societal project, embedding the economy in social and ecological frames through institutional reframing and tangible action on resource management, pollution control, and health outcomes. How? By recognizing the primacy of the law and economy of life—the adequacy between basic needs and accessible resources for all— over the rules and economy of the market through socioecosystemic checks and balances. Full article

In 1990, three years after Andy Warhol’s death and one year after the fall of the Berlin Wall, the Museum of Modern Art (MoMA) organized the first one-man show of this pop artist in Eastern Europe. The Prints of Andy Warhol, although never shown at the MoMA in New York, traveled to the Fondation Cartier pour l’Art Contemporain in Jouy-en-Josas, France, the Národní Galerie in Prague, Czechoslovakia, the Staatliche Kunstsammlung in Dresden, the GDR, the Mücsarnok in Budapest, Hungary, and the Muzeum Narodowe in Warsaw, Poland. The current paper analyzes the cultural–political context of The Prints of Andy Warhol. It first discusses the place of both American pop art and Eastern Europe in MoMA’s International Program (IP) and then explores the organizational challenges, art historical contents, and public reception of the exhibition. The paper concludes by examining the broader impact of The Prints of Andy Warhol on both the growing awareness of American pop art in Eastern Europe and MoMA’s cultural diplomacy in this region after the fall of the Iron Curtain. Full article

This article examines the series of art exhibitions organized by the Hungarian government in the 1920s. After examining the bureaucratic framework of the exhibition, the article then discusses the materials displayed at five different exhibitions, organized between 1920 and 1927. While much of the material displayed remained the same, the rhetoric, particularly the catalog essays that accompanied the exhibition provided insight into the organizers’ goals and the governmental ideology underlying that rhetoric. Full article