Search Results (30)

Romantic poetry is known to have engendered a potent discursive space in 19th-century Europe, wherein national aspirations, personal tragedies, and mythic narratives coalesced. This study examines the recurring images of the “galloping horse” and the “self-sacrificing cavalryman” in 19th-century Romantic poetry in the context of a common poetic myth shaped around the themes of national identity, spiritual transcendence, and historical destiny. The present study focuses on Adam Mickiewicz’s “Faris” and Nikoloz Baratashvili’s “Merani”, employing a comparative literary and philosophical approach to analyze these two works. This study reveals that “Faris” presents a messianic call around the ideal of freedom of the Polish nation, while “Merani” is structured as an individual tragedy and inner journey. Both poems are positioned within a broader poetic paradigm that can be called the “Faris” Cycle, and they can be compared thematically and imaginatively with the works of Goethe, Petőfi, Sully Prudhomme, and Vazha-Pshavela. This study explores the aesthetic and intellectual dimensions of intercultural interaction by analyzing the poetic transitions between the two poles of the Romantic paradigm: collective hope and individual melancholy, action, and inner intuition. By tracing the interplay between national poetics and universal archetypes, this manuscript investigates how such interaction facilitates the symbolic transformation of historical traumas. Full article

The development of prosthetic limbs has benefited individuals who suffered amputations due to accidents or medical conditions. During the development of conventional prosthetics, several challenges have been observed regarding the functional limitations, the restricted degrees of freedom compared to an actual human limb, and the biocompatibility issues between the surface of the prosthetic limb and the human tissue or skin. These issues could result in mobility impairments due to failed mimicry of the actual stress distribution, causing discomfort, chronic pain, and tissue damage or possible infections. Especially in cases where underlying conditions exist, such as diabetes, possible trauma, or vascular disease, a failed adaptation of the prosthetic limb could lead to complete abandonment of the prosthetic part. To address these challenges, the insertion of topologically optimized parts with a biomimetic approach has allowed the optimization of the mimicry of the complex functionality behavior of the natural body parts, allowing the development of lightweight efficient anthropomorphic structures. This approach results in unified stress distribution, minimizing the practical limitations while also adding an aesthetic that aids in reducing any possible symptoms related to social anxiety and impaired social functioning. In this paper, the development of a novel anthropomorphic designed prosthetic foot with a novel Thermoplastic Polyurethane-based composite (TPU-Ground Tire Rubber 10 wt.%) was studied. The final designs contain advanced sustainable polymeric materials, gyroid lattice geometries, and Finite Element Analysis (FEA) for performance optimization. Initially, a static evaluation was conducted to replicate the phenomena at the standing process of a conventional replicated above-knee prosthetic. Furthermore, dynamic testing was conducted to assess the mechanical responses to high-intensity exercises (e.g., sprinting, jumping). The evaluation of the dynamic mechanical response of the prosthetic limb was compared to actual plantogram-derived foot pressure data during static phases (standing, light walking) and dynamic phenomena (sprinting, jumping) to address the optimal geometry and density, ensuring maximum compatibility. This innovative approach allows the development of tailored prosthetic limbs with optimal replication of the human motion patterns, resulting in improved patient outcomes and higher success rates. The proposed design presented hysteretic damping factor and energy absorption efficiency adequate for load handling of intense exercises (0.18 loss factor, 57% energy absorption efficiency) meaning that it is suitable for further research and possible upcycling. Full article

Friedrich Hölderlin (1770–1843) is widely known as a poet and sometimes described as a poet’s poet (Heidegger). However, more recent interpretations, undertaken by Dieter Henrich, Michael Franz and others, have shown that he was a genuine philosopher as well, who had an original conception of the relation between art, poetry and metaphysics, with neo-Platonic and theological roots. This paper reconstructs Hölderlin’s ideas and their relation to those of Kant and Fichte. Hölderlin emerges, on the interpretation offered here, as a metaphysician of life, a poet of the biosphere and as such most relevant to our present-day predicament. Full article

In recent years, the increasing construction of high-rise buildings has led to the widespread use of glass curtain walls. Regular cleaning is essential to maintain their aesthetic appeal and functionality. However, manual cleaning methods pose significant safety risks, necessitating the development of façade-cleaning robots. This paper presents a 3-Degree-of-Freedom Modular High-Rise Façade-Cleaning Robot (3-DOF-MHRFCR), consisting of a lifting module, an XYZ motion module, and a cleaning module. The robot employs a synchronous belt lifting mechanism for vertical movement, ensuring high positioning accuracy and safety. The XYZ motion module enables precise cleaning and obstacle traversal, while the cleaning module combines high-pressure water jets, rotating brushes, and squeegees for effective contaminant removal. Experimental results demonstrate a maximum glass transmittance enhancement of 72.4% and a 21.8% reduction in water consumption compared to manual cleaning, validating the robot’s efficiency and stability. Full article

Since the 1990s, Polish energy companies have been using new technologies to build wind farms, consisting of large devices. Over the years, the power and the size of installations have increased, and it continues to do so. In Poland, as well as in other countries, a problem with the post-use management of wind turbine blades has appeared. The recycling of wind turbine blades has remained challenging hitherto. The utilization of many different materials and changes in the dimensions cause multi-material waste. Since there are no economically viable recycling technologies available for such large-scale composite products, other treatment strategies for disposed WTBs have to be considered. This study explores the repurposing of WTBs as a pro-environmental alternative approach from a technological and architectural point of view. For this purpose, the study is guided by an analysis of wind turbine locations in reference to the impending need for waste management of wind blades in Poland. Well-profiled blades help transfer a large portion of wind energy to turbine rotors, which is why their construction is a challenge when it comes to designing new objects or elements thereof from decommissioned blades. They have a continuous curvature, where both the cross-section and thickness change, which is why, in the design of architectural or engineering objects, they are cut into smaller parts. This solution makes it possible to optimize the load-bearing properties of individual segments, ensuring a more stable system. Smaller elements also provide greater freedom in shaping architectural forms, which is associated with better control of the final effect from the aesthetic side. The potential of repurposing WTBs is shown, for example, in the design concept for the Archery Centre in Poznan (Poland). Full article

Museums are important educational platforms in informal learning environments, offering essential off-campus venues for university-level aesthetic education. Over half of students’ independent off-campus art appreciation activities occur in museums. This study employed a mixed-methods approach to analyse students’ general impressions of museums using the TF-IDF algorithm. Additionally, the specific feelings of university students participating in self-directed museum learning were explored through focus groups, and differences between learning in museums and appreciating other art forms from the students’ perspectives were analysed. The results show that museums provide students with profound cultural and artistic knowledge. Students prefer museums for independent art appreciation because of the freedom, control, and safety offered in that learning process. In terms of interactivity, comprehensiveness, and repeatability, clear differences exist between museum art appreciation and other art disciplines. Overall, museums are important and sustainable off-campus aesthetic educational resources for universities. Full article

This article offers a fresh exegesis of Heidegger’s philosophy of art, focusing on his conceptualization of artwork as the reproduction of the thing’s general essence. Grounding the analysis in Heidegger’s revisit of Kant’s Transcendental Aesthetic, this study explores Heidegger’s interpretation of a thing as a “composed homogeneity” that reveals inherent determinations of temporality and spatiality in the self-presence of beings as a phenomenon grasped within finite human cognition. This is inextricably linked to the ecstatic temporality of Dasein, elucidating a cyclical human–thing dynamic integral to Heidegger’s ontology. Going deeper, I draw parallels between Kant’s “supersensible” realm and Heidegger’s “earth”, revealing a teleological (ethical) design manifested in art that captures the dual essence of Nature—using Kantian terminology, its purposiveness and contrapurposiveness—intersecting with Heidegger’s notion of the counter-essence of ἀλήθεια in relation to freedom. Finally, I show how the manifold aesthetic metamorphoses of this existential scheme within the existentiell ordinariness through nonradiant φαίνεσθαι, such as equipmentality, emerge as the everyday incarnation of this design. Full article

Nowadays, there is a growing awareness of environmental protection, new findings in the field of sustainable chemistry, the use of biodegradable materials, and the increased use of eco-friendly textile products. For this reason, natural dyes are being used more and more frequently, giving rise to a new way of decorating textiles, namely, plant transfer printing, popularly known as “eco-printing”, in which the shape and/or pigment of a plant is transferred to the textile. In addition, the great interest of the young generation in the application and research into the use of natural dyes can create incentives for cultural and social sustainability through the preservation of national heritage. Plant transfer printing is a method that combines scientific technology and artistic design with corresponding benefits for the eco system. The very fact that the patterns are unique and unpredictable brings out the notion of artistic freedom. In the work, plant transfer printing was carried out on undyed cotton material and on material dyed with pomegranate peels, walnut leaves, coffee, and aleppo pine bark. The influence of the pH value and the capillarity of the fabric, as well as the treatment of the leaves with iron(II) sulphate heptahydrate solution, on the aesthetics of the print and the colour fastness during washing was investigated. Based on the optimised parameters and a sustainable fabric design, the clothing collection “Hamadryad”, inspired by Greek mythology, was realised. Full article

Joseph Kosuth, one of Concept Art’s influential practitioners, credited Marcel Duchamp in an important 1969 essay, “Art After Philosophy”, with instigating the shift from the visual to the conceptual by means of indifference and dematerialization. Duchamp’s approach to art was not limited, however, to the realm of artistic intention but also included the (re)contextualization provoked by his readymades. This (re)contextualization elucidated the embodied, dialogical encounters of the artist-artwork-audience, what I identify as an “aesthetics of difference”. This designation sets forth a framework of meaning that draws upon a burgeoning subset of early-twentieth-century personalist philosophy called dialogical personalism in order to offer a more suitable plausibility structure than the usual explanations of Duchamp and his approach to art, which typically revolve around nihilism, absurdity, and a solipsistic understanding of freedom. In doing so, Duchamp’s artistic approach retains not only a more viable ontology for continuing to question the nature of art, but also has important epistemological and ethical implications. Full article

Following the trauma of the Second World War, Hong Kong, under British governance, enjoyed considerable economic and political freedom to establish a local entertainment industry. Musical films became a major genre of Hong Kong’s film releases in the 1950s. Local melodramas, Hollywood musicals, celebrities, and ideals of female beauty were all present in the growth of Hong Kong musical films, which culminated in a glorious display of cinematic art. This article aims to provide insight into the popularity of Chinese-speaking musical films by examining the social, economic, and political complexity of 1950s Hong Kong, including post-war migration and colonial censorship. An in-depth analysis of Li Han-Hsiang’s The Kingdom and the Beauty demonstrates how Hong Kong studios adapted the Hollywood musical to tell Chinese stories and how Hong Kong musical films incorporated Chinese literature and music to represent cultural memory, local identity, and modern aesthetics. This case study sheds light on the localization of a Hollywood genre and the hybridization of Chinese and Western entertainment forms to appeal to a Chinese audience, thereby broadening the definition of cultural hybridity and informing the practice of Hong Kong’s musical filmmaking. Full article

In this essay, I discuss the art of Missionary Mary Proctor, a contemporary folk artist from Tallahassee, Florida, in the context of the literary aesthetics of the renowned twentieth-century anthropologist and writer Zora Neale Hurston. In comparing these Southern-born African American women artists, I argue that both are rooted in an aesthetic praxis deriving from their shared womanist ethics. My goal in this inquiry is to highlight the faith-based aesthetic traditions of African American women and reveal the manner in which discourses of freedom intertwine with literary and visual aesthetics and faith-based practices in African American folk art and literature. To that end, I analyze the prevalence of themes of liberation within the spiritual discourses of Southern African American women artists such as Missionary Mary Proctor and theorize the manner in which a landscape of Black female liberation is envisioned within their works. Full article

The design of wearable antennas presents a challenge from multiple perspectives, as they must meet technical requirements and satisfy safety standards while also being suitable for integration into clothing and aesthetically pleasing. In recent years, the development of conductive fabrics has, in many ways, allowed for significant progress in the manufacturing of wearable antennas, and in previous work, we developed textile slotted waveguide antennas using conductive textiles and traditional sewing processes. However, various aspects of the design and realization of such antennas remain challenging. In particular, this work investigates the issue of using foam-based molds, which enables the realization of thin, flexible, wearable antennas, as well as the issue of antenna feed, specifically the transition from a classic coaxial transmission line to a waveguide. The design of the transition was focused on simplicity and robustness, due to which we limited the number of degrees of freedom in the design process in order to achieve a structure suitable for mounting on textile waveguide antennas. In addition, the antenna design procedure and the body-channel model were considered in order to optimize the performance of the antennas and the wireless body-centric system itself. Several prototypes of different kinds were developed in the 5.8 GHz ISM band, confirming the feasibility of the proposed concepts through experimental results. Full article

In the last few decades, a growing dissatisfaction with traditional approaches can be observed in migration and refugee studies. In particular, the widespread focus on the “refugee” and “migrant” as exclusive objects of study has been criticized for its underlying tendency of repeating the binary polarization between migrant and non-migrant, native and foreign as well as majority and minority. This chapter considers the short stories of Syrian journalist and writer Rasha Abbas against this background. Instead of reducing her stories to the depiction of flight and exile, this chapter explores her stories as aesthetic expressions of what can be called the “art of survival”—the concept focusing on strategies of empowerment and tactics to regain autonomy. In Abbas’ prose, this “art of survival” is achieved and expressed through the blending of times and spaces as well as the aesthetic transformation of reality into surreal realms. Experiences of war, displacement, exile, and patterns of exclusion in the new homeland merge into complex pictures of the human capacity to reframe and reinvent a given reality. When viewed from this perspective, the surreal and psychedelic nature of her writing intensifies the power of aesthetic freedom, thus helping overcome traditional representations of migrants and refugees in cultural expressions and literature. Full article

This article considers the relationship between action (Arendt) and aesthetics in curatorial projects with feminist concepts. I suggest that Hannah Arendt’s theory of action provides the connection between aesthetics and the notion of action in feminist curatorial praxis. The vision of feminism discussed here refers to the desire to understand matters from the specific point of view of women and considers the distribution of power and potentiality in various levels of life. The feminist theory in this research aims to reveal, show, and transform cultural, historical and social structures. From a broader perspective, living in the neoliberal realities alongside capitalist and patriarchal state structures provides multiple reasons and a rationale for collectively forming a new foundation of resistance. Feminism emerges in and through curatorial actions involving varied artistic expressions of freedom, discontent, etc. Four case studies concerning women as subjects are investigated, whose subject is migration and border-crossing, and both works and exhibitions are compared in terms of their curatorial approach, the level of action and their aesthetics methods. Full article

With the continuous development of minimally invasive and precise surgical techniques, laparoscopic myomectomy has become a mainstream surgical method due to its aesthetic outcomes and rapid postoperative recovery. However, during laparoscopic myomectomy, clinicians often encounter unfavorable factors, such as limited vision, inaccurate suturing, difficulty in removing tumors, and susceptibility to fatigue in the operating position. In recent years, robot-assisted surgery has been widely used in gynecology. The advantages of this technique, such as a three-dimensional surgical view, reducing the surgeon’s tremor, and the seven degrees of freedom of the robotic arms, compensate for the defects in laparoscopic surgery. The Department of Gynecology in our hospital has accumulated a wealth of experience since robot-assisted surgery was first carried out in 2017. In this article, the surgical skills of the robotic myomectomy process are described in detail. Full article