Search Results (44)

This paper examines a previously unknown anonymous Hebrew letter inserted into a postwar edition of Shem HaGedolim, found in the library of the Jewish University in Budapest. The letter, composed in Győr in 1947, consists almost entirely of passages copied from Tiferet Chayim, a hagiographic genealogy of the Sanz Hasidic dynasty. Although derivative in content, the letter’s form and placement suggest it was not meant for transmission but instead served as a private act of mourning and historiographical preservation. By situating the letter within the broader context of post-Holocaust Jewish and Hasidic memory practices, including yizkor books, rabbinic memoirs, and grassroots commemorative writing, this study proposes that the document constitutes a “micro-yizkor”: a bibliographic ritual that aimed to re-inscribe lost tzaddikim into sacred memory. Drawing on theories of trauma, religious coping, and bereavement psychology, particularly the Two-Track Model of Bereavement, the paper examines the letter as both a therapeutic and historiographical gesture. The author’s meticulous copying, selective omissions, and personalized touches (such as modified honorifics and emotive phrases) reflect an attempt to maintain spiritual continuity in the wake of communal devastation. Engaging scholarship by Michal Shaul, Lior Becker, Gershon Greenberg, and others, the analysis demonstrates how citation, far from being a passive act, functions here as an instrument of resistance, memory, and redemptive reconstruction. The existence of such a document can also be examined through the lens of Maurice Rickards’ insights, particularly his characterization of the “compulsive note” as a salient form of ephemera, materials often inserted between the pages of books, which pose unique challenges for interpreting the time capsule their authors sought to construct. Ultimately, the paper argues that this modest and anonymous document offers a rare window into postwar Ultra-orthodox religious subjectivity. It challenges prevailing assumptions about Hasidic silence after the Holocaust and demonstarates how even derivative texts can serve as potent sites of historical testimony, spiritual resilience, and bibliographic mourning. The letter thus sheds light on a neglected form of Hasidic historiography, one authored not by professional historians, but by the broken-hearted, writing in the margins of sacred books. Full article

In the wake of the Holocaust and the post-war reconstruction of Greece’s historic city centers, many Greek synagogues were demolished, abandoned, or appropriated, erasing centuries of Jewish architectural and communal presence. This study presents a thirty year-long research and documentation initiative aimed at preserving, recovering, and eventually digitally reconstructing these “lost” synagogues, both as individual buildings and within their urban context. Drawing on architectural surveys, archival research, oral histories, and previously unpublished materials, including the recently rediscovered Shemtov Samuel archive, the project grew through the use of technology. Beginning with in situ surveys in the early 1990s, it evolved into full-scale digitally enhanced architectural drawings that formed the basis for further digital exploration, 3D models, and virtual reality outputs. With the addition of these new tools to existing documentation, the project can restore architectural detail and cultural context with a high degree of fidelity, even in cases where only fragmentary evidence survives. These digital reconstructions have informed physical restoration efforts as well as public exhibitions, heritage education, and urban memory initiatives across Greece. By reintroducing “invisible” Jewish landmarks into contemporary consciousness, the study addresses the broader implications of post-war urban homogenization, the marginalization of minority heritage, and the ethical dimensions of digital preservation. This interdisciplinary approach, which bridges architectural history, digital humanities, urban studies, and cultural heritage, demonstrates the value of digital tools in reconstructing “lost” pasts and highlights the potential for similar projects in other regions facing comparable erasures. Full article

This article examines Marcel Janco’s Holocaust drawings, positioning them within the broader discourse of Holocaust representation, trauma, and avant-garde aesthetics. Created in response to the Bucharest Pogrom of January 1941, these works resist both forensic realism and pure abstraction, instead embodying rupture, instability, and fragmentation. Janco’s grotesque distortions neither document events with the precision of testimony nor dissolve into conceptual erasure; rather, they enact the instability of Holocaust memory itself. This essay argues that Janco’s Holocaust works, long overshadowed by his modernist and Dadaist contributions, challenge dominant frameworks of remembrance. Through comparative analysis with artists, such as David Olère, Anselm Kiefer, and George Grosz, it situates Janco’s approach at the limits of witnessing, exploring how his figures embody violence rather than merely depict it. While Olère reconstructs genocide through forensic detail and Kiefer engages with the material traces of memory, Janco’s grotesque forms share an affinity with Grosz’s politically charged distortions—though here, fragmentation serves not as critique but as testimony. Furthermore, the study interrogates the institutional and critical neglect of these works, particularly within Israeli art history, where they clashed with the forward-looking ethos of abstraction. By foregrounding Janco’s Holocaust drawings as both aesthetic interventions and acts of historical witnessing, this article repositions them as crucial yet overlooked contributions to Holocaust visual culture—demanding recognition for their capacity to unsettle, resist closure, and insist on the incompleteness of memory. Full article

In Edith Stein’s thinking, there is a gradual transition from the discovery of Christianity in her phenomenological studies to the mystical realization of her own role as a Christian. The present paper explores the historical, cultural, and personal circumstances of Stein’s approach to Christianity and reveals how philosophical insights contributed to her Christian commitment and supported her receptivity to mysticism. My thesis is that Stein’s philosophical reflection and the deepening of her personal religiosity are mutually evolving. The thesis of this paper is based on a letter written by Edith Stein to Roman Ingarden in 1927, at a time when she had not yet entered the Carmelite Order in Cologne but was already living as a monk. In this sense, the letter represents a zigzag reflection between past and present events, describing events in the apocalyptic horizon of eternity. Through recurrent reflection on the letter, I argue for the parallel development of mystical insights and philosophical achievements in Stein’s life, and finally, I show that the two are inextricably linked and contribute to a philosophical understanding of her own holocaust. Full article

This paper attempts to reconceptualize memory as an event from a theological perspective, drawing on the recent dialog between memory studies and Critical Event Studies. To this end, it analyzes the narrative and themes of the 2007 novel Brodeck’s Report by Philippe Claudel, classified as a third-generation Holocaust (narrative) writer in France, within the framework of event studies. The novel has been praised for successfully depicting the tragedy as a universal event transcending spatial–temporal specificity by utilizing the genre of allegory while minimizing references to the historical and geographical specificity of the Holocaust. Extending this evaluation, this paper particularly focuses from a theological perspective on how the protagonist and narrator, Brodeck, simply names the subject of his report—a past event that happened to an unidentified other (Autre) called the ‘Anderer’—as ‘Ereignis’ (event). This is noteworthy because Ereignis is not only the most famous concept representing late Heideggerian philosophy but also holds significant importance in post-Heideggerian modern philosophy as the speculative source of the ‘evental turn’, which, along with the ‘material turn’, constitutes one axis of the ‘ontological turn’ in contemporary humanities and social sciences. In this regard, this work, which narrativizes the universality of the Holocaust, provides interesting implications for the possibility of a disjunctive synthesis between memory studies in the humanities and social sciences and theological event studies. Above all, it stimulates a reconsideration of the conventional dichotomy between memory and event—namely, the commonplace premise of “events that occurred in the past” and “present memories of past events”—as revealed in the definition of memory studies as “naming pasts, transforming futures”. Thus, this paper explores the possibility of reconceptualizing the moment of memory as part of the ongoing event itself from past to present, and the event as a process of symbolic construction of meaning through memory. Full article

In Rwanda, following the 1994 Genocide against the Tutsi, many people were found guilty of genocide crimes and imprisoned. Their children ended up in a situation of ambiguous loss during and after a parent’s imprisonment. The article presents the multidimensional impact of this loss on the everyday lives of these children and their families according to key themes as they emerged from an ethnographic study in which 21 children and their family members participated. Themes include changed family dynamics and family stress, economic deprivation, incomprehension of a parent’s criminal past, the social stigma of being a child of a génocidaire, and strategies used to make the loss bearable. The uniqueness of the ambiguous loss as experienced by children of perpetrators of genocide in Rwanda compared to those of perpetrators of the Holocaust or other mass crimes relates to an amalgam of factors specific for the context of post-genocide Rwanda; major ones being the severity of genocidal crimes and gacaca courts Rwanda chose as its main form of transitional justice. The case study illustrates how using the prism of intergenerational relations helps to understand some of the transformative and enduring effects of a crisis that deeply affects a society. Full article

With Great House (2010), Nicole Krauss offers a choral novel that interweaves the lives of several characters loosely connected by a huge, wooden desk that one of them relentlessly chases around the world. A possible symbol of the memory of the Second World War Jewish genocide transmitted to younger generations, the desk powerfully materializes transmission in its potentially traumatic, obsessional, and violent dimensions. This essay deals with the way first- and second-generation women, in the novel, develop ingenious, creative but also uncompromising responses to the inescapable duty of remembrance. While the dominating male characters freeze memory in timeless, petrified representations, these female writers expose its terrible necessity while hiding nothing of the damages memory causes to witnesses and descendants. They claim a right of inventory and use the desk as an echo-chamber reflecting both the suffering voices of children and the dark presence of defaulting fathers and failing mothers, thus allowing for a new generation to be born with a more bearable heritage. Full article

Immigration, particularly forced immigration, has a profound impact on every aspect of immigrants’ lives. One such aspect is their religious convictions and practices. Nowadays, Migration Studies is a major academic field that produces many books and articles each year. This article examines the impact of forced immigration on the daily practices and internal relationships between leaders and followers of a specific religious group—Hassidism, in one particular period—the early second half of the 20th century. It does so by examining how two Hassidic leaders, the Satmar Rebbe in America and the Viznitzer Rebbe in Israel, established their communities after the Holocaust. This is one of only a few academic studies that explore post-Holocaust Hassidism, with a specific focus on the effects of forced immigration on its development. Throughout Jewish history, large-scale immigration and the inevitable need to adapt to new political, religious, and cultural circumstances had a profound influence on the way Jews conducted their religious affairs. This article explores how the uprooting of Hassidism from Eastern Europe after the Holocaust and its transplantation in countries that were new to them prompted Hassidic leaders who wanted to reestablish their communities to adopt a new set of leadership priorities. The result was that despite bearing the same title, Hassidic communities that were established after the Holocaust were very different from those that operated in Europe previously. Full article

This paper explores the Polish Jew journal as a pivotal second-tier record for advancing Holocaust studies and Jewish genealogy. Traditionally underutilized in academic research, this periodical provides a unique repository of names and narratives of Holocaust victims, filling crucial gaps in primary record collections. The investigation centers on the journal’s potential not only to contribute names to existing databases of Holocaust victims—many of whom are still unrecorded—but also to enhance genealogical methods through the integration of network analysis. By examining Polish Jew, this study illustrates how second-tier records can extend beyond mere supplements to primary data, acting instead as vital tools for reconstructing complex social and familial networks disrupted by the Holocaust. The paper proposes a methodological framework combining traditional genealogical research with modern network analysis techniques to deepen our understanding of Jewish community dynamics during and after World War II. This approach not only aids in identifying individual victims and survivors but also in visualizing the broader interactions within Jewish diaspora communities. This research underscores the significance of Polish Jew in the broader context of Holocaust remembrance. It offers a novel pathway for the future of Jewish genealogical research, advocating for the strategic use of second-tier records in scholarly investigations. Full article

Using the social scientific theory of “weathering”, the case study presented here reveals the broader explanatory power of the theory. Arline Geronimus developed the concept to describe the impact of racist systems on marginalized populations. Based on more than four decades of empirical research, Geronimus posits that the cumulative impact of navigating the structural racism embedded in US institutions results in accelerated declines in health and premature aging. The historical case study of the Łódź ghetto demonstrates that Nazi persecution of the Jews during the Holocaust resulted in a similar process of weathering among Jews. From 1939 to 1945, German authorities systematically dispossessed and uprooted, purposely starved, and exploited for labor the tens of thousands of Jews held captive in the Łódź ghetto. Despite valiant Jewish efforts to ameliorate the hardships of life in the ghetto, the persistent onslaught of racist policies and degradation ultimately resulted in widespread weathering of the population on an individual and communal level. I propose that the concept of “weathering” developed by social scientists has broad interpretative power for understanding the personal and communal impact of white supremacist societies in a historical context. The case of the Łódź ghetto is instructive beyond what it reveals about the particular persecution of the Jews during the Third Reich. The abrupt imposition of a racist system of government, the steady escalation of antisemitic policies from oppression and exploitation to genocide, and the relatively short duration of the ghetto’s existence lays bare the cumulative effects of widespread individual weathering on the vitality of the community itself. In the Łódź ghetto, prolonged exposure to an environment governed by white supremacy also resulted in communal weathering. Full article

This article contributes to the interdisciplinary fields of memory and historical justice studies by analyzing one, particularly troublesome kind of competitive comparison that sometimes happens in memory politics in the so-called age of apology. The article calls this kind of competitive comparison, “saming”. Saming involves the attempt, via far-fetched or otherwise wrongheaded comparison, to exploit the recognition of some well-known case of historical injustice. Further, saming involves pursuing this comparison in ways that both trivialize the original injustice and undermine the framework from which the recognition of that injustice derives. The article develops its arguments and analysis by studying Budapest’s House of Terror museum and two Canadian redress campaigns, which sought historical recognition for the wartime internments of persons of Italian and Ukrainian ancestry, respectively. Saming is a recurrent problem, ubiquitous and probably inevitable in memory politics because the recognition of historical injustice brings with it unavoidable and indeed often valuable incentives to comparison. Thus, the overall aim of this article is to analyze the threat of saming in order to better defend the cause of comparison in introspective collective remembrance. Full article

This article delves into the underexplored intersection of Jewish identities and feminist art. It critically examines artworks by Judit Hersko and Susan Hiller, aligning with evolving identity constructs in contemporary aesthetics. Concepts like “postmemory” link second-generation Jewish artists to past experiences and unveil the erasure of Jewish women’s memory of Jewish genocide. Analyzing Hersko and Hiller’s diverse works, from landscape photography and sculpture to performance art, it underscores their shared pursuit: illuminating lingering “ghosts” of the Holocaust in modern landscapes. Susan Hiller’s The J Street Project represents an ongoing exploration of loss and trauma beyond the Holocaust in Germany, using archives as a dynamic, evolving phenomenon. Judit Hersko’s art calls for bearing witness to a potential climate catastrophe in Antarctica. The article culminates in the exploration of “The Memorial” (2017), an art project by the activist collective Center for Political Beauty that focuses on the resurgence of overt anti-Semitism in Germany. In essence, Hiller and Hersko confront erasures in history and nature, emphasizing justice and repair. Their art, intertwined with a project addressing contemporary anti-Semitism, serves as a testament to the enduring power of feminist art, reflecting, mourning, and transforming a world marked by historical traumas and war. Full article

This essay examines the connectedness between cultural trauma theory and decolonial studies in pastoral theology, demonstrating the denotation of collective trauma in South Korea and Korean Christianity from past colonial and war experiences. Although cultural trauma theory is well established in studying the case of the Holocaust and Western context, it has not yet explored the trauma of the Third World in a fully fledged manner. Rather, it still employs a Western-centered discourse that is unable to explain the disparity of power dynamics based on colonial values. Therefore, a critical analysis is essential to develop a decolonial discourse between cultural trauma theory and pastoral theology. The case of Korean cultural trauma and its relation to Korean Protestantism is a good starting point for addressing decolonial pastoral care in that the Korean church is still complicit in the colonial religious inheritances concerning its colonized ways of thinking and psyche. Throughout this essay, I argue that Korean social identity and Protestantism are reproducing the harmful reaction of in-group exclusion under the impact of cultural trauma. Finally, I provide a pastoral theological analysis of this discussion in order to suggest a new possibility of decolonial pastoral care for the traumatized Korean society and Christianity. Full article

In recent times, global events have starkly illuminated the disturbing absence of ethnic tolerance, thrusting interethnic conflicts into the spotlight and casting shadows over both individual and collective identities. This research focuses on the Holocaust, delving into the annals of history through the lenses of recollection, personal identification, and genetic memory, as portrayed within the pages of the novel Echoes: From the Dead Grandfather to the Deceased. The primary aim is to fathom the gradual erosion of collective historical memory over time and discern its profound significance for future generations. Within this study, an examination of the interplay between the ‘collective unconscious’ and the ‘personal unconscious’ is undertaken. Additionally, the novel’s utilization of symbols and details is scrutinized. The research employs a multifaceted approach, encompassing historical-genetic, interpretative, narrative, and psychoanalytic methodologies. Through the protagonist’s transformative journey, the novel highlights the importance of preserving historical memory and recognizing its lasting impact on individual and collective consciousness. Full article

By articulating a shared victimhood or guilt or responsibility, memorial museums are designed as ethical projects that encourage visitors to learn from the past to build a “better future”. In contemporary Europe, Holocaust memorials and museums constitute a trajectory of remembrance about public Holocaust memory that consolidates political legitimacy and articulates national narratives of the legacy of WWII. In parallel, increasing adoption and spread of digital technologies have resulted in a convergence and a globalisation of themes and user interests associated with Holocaust memory. The purpose of this study is to investigate the perspectives and interests of users of the social media profiles of a group of Holocaust museums and memorials in Germany and Italy. Using a primarily quantitative approach, the study sought to understand the motivations, interests, and online activities of users of nine Holocaust museums and memorials. While national narratives regarding public policy continue to diverge in the two countries, users express a convergence of interests and motivations when using these social media profiles. This dual venture of Holocaust memory is a complex yet powerful example of how the globalisation of digital media is playing an increasingly significant role in European contemporary society. Full article