Special Issue "Medical Narratives of Ill Health"

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: closed (28 February 2019)

Special Issue Editor

Guest Editor
Dr. Amanda Caleb

Department of English, Misericordia University, 301 Lake Street Dallas, PA 18612, USA
Website | E-Mail
Interests: medical humanities; narrative medicine; science, medicine, and literature; fin de siècle fiction

Special Issue Information

Dear Colleagues,

The field of literature and medicine has been steadily growing over the past four decades, solidifying itself as a vital component of the medical and health humanities. The intersection of literature and medicine enriches how we view issues of health, disease, and care, particularly in how we value the individual’s narrative of health and ill health to help with diagnosis, treatment, and the relationship between the practitioner and the patient. In an attempt to wade through the difficult terrain of defining disease and health, Kenneth Boyd provides the following medical definitions (adapted from Marshall Marinker’s earlier work): “Disease […] is the pathological process, deviation from a biological norm. Illness is the patient's experience of ill health, sometimes when no disease can be found. Sickness is the role negotiated with society” (Boyd, 1997). What Boyd reveals about these definitions is that one allows for the individual’s experience of ill health (illness), while the other two rely on others’ perceptions of ill health. Thus, he concludes, a clear definition of disease (and even sickness) is elusive: “to call something a disease is a value judgement, relatively unproblematic in cases when it is widely shared, but more contentious when people disagree about it” (Boyd, 1997). This contentious space has widened during the modern medical era (early nineteenth century to the present day), as medical reliance on technology favors an objective identification of disease. However, literary works, through both personal accounts and fictional scenarios, challenge this singular narrative of disease and ill health provided by the medical community.

For this special issue of Humanities, we seek to explore how literature from the early nineteenth century to the present day engages with and challenges modern medical authority when it comes to understanding disease, illness, and sickness. Papers for this special issue of Humanities should focus on narratives—fictional and/or non-fictional (such as medical realism, science fiction, pathographies, medical reports, etc.)—that explore the contentious space of disagreement between medicine, society, and the individual. Authors might consider topics such as: disease as metaphor; social vs. medical definitions of disease; patient agency and individual experiences of illness; challenges to medical technology’s presumed objectivity; representations of contagion and/or public health—or any other topics that relate to better understanding literary representations of disease, illness, and/or sickness.

Articles should be no more than 8000 words, inclusive of notes. Please email articles directly to Amanda M. Caleb at [email protected].

Dr. Amanda Caleb
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Humanities is an international peer-reviewed open access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charges (APCs) of 350 CHF (Swiss Francs) per published paper are partially funded by institutions through Knowledge Unlatched for a limited number of papers per year. Please contact the editorial office before submission to check whether KU waivers, or discounts are still available. Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • disease, sickness, and illness
  • public health and contagion
  • patient agency
  • medical technology
  • medical humanities

Published Papers (7 papers)

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Research

Open AccessArticle Contested Spaces: The Heterotopias of the Victorian Sickroom
Humanities 2019, 8(2), 80; https://doi.org/10.3390/h8020080
Received: 17 March 2019 / Revised: 15 April 2019 / Accepted: 16 April 2019 / Published: 19 April 2019
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Abstract
Both the invalid and the sickroom pervade the writings of the Victorian period, particularly in fiction, medical guidebooks, and autobiographies. The sickroom is a space that separates the invalid from the healthy space of the house and defines the invalid body as other. [...] Read more.
Both the invalid and the sickroom pervade the writings of the Victorian period, particularly in fiction, medical guidebooks, and autobiographies. The sickroom is a space that separates the invalid from the healthy space of the house and defines the invalid body as other. However, as a space that is both marginalized and central, the sickroom is molded by the medical and social views of sickness and the individualized experience of illness. This article contextualizes the Victorian sickroom by conceptualizing it through the lens of Foucault’s heterotopia of deviation, which represents the medicalized act of dividing practices to physically separate those deemed sick from healthy people and spaces. The sickroom functions as a heterotopia in three ways: physical space created by medical authority; textual space contested through invalid narratives; and bodily space, whereby the sickroom is mapped onto the invalid’s body. Thus, the sickroom as heterotopia reveals the contentiousness of invalidism and the limitations of medical authority and power. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
Open AccessArticle Women’s Ageing as Disease
Humanities 2019, 8(2), 75; https://doi.org/10.3390/h8020075
Received: 28 February 2019 / Revised: 7 April 2019 / Accepted: 10 April 2019 / Published: 15 April 2019
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Abstract
In the medical humanities, there has been a growing interest in diagnosing disease in fictional characters, particularly with the idea that characters in Charles Dickens’s novels may be suffering from diseases recognised today. However, an area that deserves greater attention is the representation [...] Read more.
In the medical humanities, there has been a growing interest in diagnosing disease in fictional characters, particularly with the idea that characters in Charles Dickens’s novels may be suffering from diseases recognised today. However, an area that deserves greater attention is the representation of women’s ageing as disease in Victorian literature and medical narratives. Even as Victorian doctors were trying to cure age-related illnesses, they continued to employ classical notions of unhealthy female ageing. For all his interest in medical matters, the novelist Charles Dickens wrote about old women in a similar vein. Using close reading to analyse Victorian gerontology alongside Charles Dickens’s novels Dombey and Son (1848) and Great Expectations (1861), this article examines narratives of female ageing as disease. It concludes by pointing to the ways that Victorian gerontology impacts on how we view women’s ageing as ‘diseased’ today. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
Open AccessArticle Personal Narratives of Mental Illness: Redressing Madness in the Singaporean Fiction of Amanda Lee Koe
Humanities 2019, 8(2), 70; https://doi.org/10.3390/h8020070 (registering DOI)
Received: 9 February 2019 / Revised: 23 March 2019 / Accepted: 1 April 2019 / Published: 6 April 2019
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Abstract
Amanda Lee Koe’s short stories (2013) redress the limited tolerance for the mad citizen-subject, whose subjectivity is obscured, if not erased, by medical prescriptions. Official and often state-sanctioned conceptualizations of the peculiar mind are grievously justified in behavioral manifestations deemed socially unacceptable. Koe’s [...] Read more.
Amanda Lee Koe’s short stories (2013) redress the limited tolerance for the mad citizen-subject, whose subjectivity is obscured, if not erased, by medical prescriptions. Official and often state-sanctioned conceptualizations of the peculiar mind are grievously justified in behavioral manifestations deemed socially unacceptable. Koe’s stories about idiosyncratic Singaporeans illustrate the way personal experiences—of memory loss, homosexual tendencies, and emotional self-expressions—are informed by, and in turn inform, the biopolitical regulation of Singaporean citizens rendered objects of biopower. In this way, her stories invite a meditation on the state, people and power. Foregrounding fractured and unorthodox characters, these stories serve to intensify individual voices articulated in personal narratives addressing affective experiences, including sadness culminating in loneliness. Furthermore, the stories attest to socially constructed norms instigating the repudiation and criminalization of sexual deviants. Significantly, they add to the “cultural apparatus”—which C.W. Mills defines as “the source of Human Variety—of styles of living and of ways to die”—by questioning the nation’s ideological imperatives, including heterosexual norms, social insistence on mono-cultural marriages and state/family-endorsed medical intervention. Offering a critique of ideological state apparatus embedded within the power structures inherent to psychopathology, Koe’s Ministry of Moral Panic challenges the established ways of viewing “Others” who are ostensibly “mad”. Consequently, her stories mediate a broadening human experience, by calling for inclusivity amid the social rejection and insular treatment of afflicted subjects with alleged disorders. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
Open AccessArticle Spectral Sterility in Bucknill and Tuke’s A Manual of Psychological Medicine and Bulwer Lytton’s A Strange Story
Humanities 2019, 8(1), 59; https://doi.org/10.3390/h8010059
Received: 2 February 2019 / Revised: 20 March 2019 / Accepted: 20 March 2019 / Published: 23 March 2019
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Abstract
This essay identifies and examines a narrative structure—here called the sterility plot—that is shown to recur in British mid-19th century psychiatric texts and imaginative literature engaging mental science. Treating physicians Bucknill and Tuke’s A Manual of Psychological Medicine and novelist Bulwer Lytton’s A [...] Read more.
This essay identifies and examines a narrative structure—here called the sterility plot—that is shown to recur in British mid-19th century psychiatric texts and imaginative literature engaging mental science. Treating physicians Bucknill and Tuke’s A Manual of Psychological Medicine and novelist Bulwer Lytton’s A Strange Story as influential case studies, it explores in particular the Gothic-styled spectralisation used by both Victorian medical and literary authors to characterize females whose mental disorders are depicted as bound with a short- or long-term inability to reproduce. The narratives thereby gender, pathologise, and suspensefully dramatise the plot trajectory of mentally ill patients’ clinical and fictional case histories, which, taken together, is argued to reveal mid-century medico-cultural anxieties about the health of Britain’s imperial future being threatened by potentially sterile Englishwomen. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
Open AccessArticle “Our Self-Undoing”: Christina Rossetti’s Literary and Somatic Expressions of Graves’ Disease
Humanities 2019, 8(1), 57; https://doi.org/10.3390/h8010057
Received: 17 February 2019 / Revised: 17 March 2019 / Accepted: 18 March 2019 / Published: 21 March 2019
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Abstract
Victorian poet Christina Rossetti (1830–1894) was frequently troubled by poor health, and her mid-life episode of life-threatening illness (1870–1872) when she suffered from Graves’ disease provides an illuminating case study of the ways that illness can be reflected in poetry and prose. Rossetti, [...] Read more.
Victorian poet Christina Rossetti (1830–1894) was frequently troubled by poor health, and her mid-life episode of life-threatening illness (1870–1872) when she suffered from Graves’ disease provides an illuminating case study of the ways that illness can be reflected in poetry and prose. Rossetti, her family, and her doctors understood Graves’ disease as a heart condition; however, Rossetti’s writing reflects a different paradigm, presenting themes of self-attack and a divided self that uncannily parallel the modern understanding of Graves’ disease as autoimmune in nature. Interestingly, these creative representations reflect an understanding of this disease process that Rossetti family documents and the history of Victorian medicine demonstrate Rossetti could not have been aware of. When the crisis had passed, Rossetti’s writing began to include new rhetoric and imagery of self-acceptance and of suffering as a means of spiritual improvement. This essay explores the parallels between literary and somatic metaphors: Rossetti’s body and art are often simultaneously “saying” the same thing, the physical symptoms expressing somatically the same dynamic that is expressed in metaphor and narrative in Rossetti’s creative writing. Such a well-documented case history raises questions about how writing may be shaped by paradigms of illness that are not accessible to the conscious mind. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
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Open AccessArticle Body Fluids and Fluid Bodies: Trans-Corporeal Connections in Contemporary German Narratives of Illness
Humanities 2019, 8(1), 55; https://doi.org/10.3390/h8010055
Received: 26 January 2019 / Revised: 1 March 2019 / Accepted: 3 March 2019 / Published: 12 March 2019
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Abstract
Medicine uses body fluids for the construction of medical knowledge in the laboratory and at the same time considers them as potentially infectious or dirty. In this model, bodies are in constant need of hygienic discipline if they are to adhere to the [...] Read more.
Medicine uses body fluids for the construction of medical knowledge in the laboratory and at the same time considers them as potentially infectious or dirty. In this model, bodies are in constant need of hygienic discipline if they are to adhere to the ideal of the closed and clean organism without leakage of fluids. In contrast, psychoanalytical feminist body theory by Julia Kristeva (1982), Elisabeth Grosz (1989) and Margrit Shildrick (1999) has deconstructed the abject body and its fluids in Western culture and medicine. While postmodern feminism has often focused on discourses about bodies and illness to the neglect of their materiality, more recently, material feminism has drawn particular attention to lived material bodies with fluid boundaries and evolving corporeal practices (Alaimo and Hekman 2007). Stacy Alaimo has developed a model of the trans-corporeal body that is connected with the environment through fluid boundaries and exchanges (2010, 2012). Influenced by these trends in feminist body theory, illness narratives, often based on autobiographical experiences of female patients or their caregivers, have increased in recent decades in the West (Lorde 1980; Mairs 1996; Stefan 2007; Schmidt 2009; Hustvedt 2010). Such narratives often describe explicitly the material and affective aspects of intimate bodily experiences. In this article, I analyze two German quest narratives of illness: Charlotte Roche’s pop novel Feuchtgebiete (2008) and Detlev Buck’s German-Cambodian film Same Same But Different (2010) that is based on the memoir Wohin Du auch gehst by German journalist Benjamin Prüfer (2007). In both narratives, the protagonists and their partners struggle in their search for love and identity with illness or injury in relation to body fluids, including hemorrhoids and HIV. I argue that Feuchtgebiete and Same Same But Different not only critique medical and cultural discourses on body (fluids) and sexuality but also foreground a feminist trans-corporeal concept of the body and of body fluids that is open to fluid identities and material connections with the (global) environment. At the same time, the conventional and sentimental ending of these quest narratives undermines the possibilities of the trans-corporeal body and its fluid exchanges. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
Open AccessArticle Prescribed Reading: Reflective Medical Narratives and the Rise of the Medimoir: An Interview with Adam Kay
Humanities 2018, 7(4), 130; https://doi.org/10.3390/h7040130
Received: 19 November 2018 / Revised: 30 November 2018 / Accepted: 5 December 2018 / Published: 7 December 2018
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Abstract
The 21st century has witnessed the rise of a genre of literature that has taken both the reading public and the publishing industry by storm. The ‘medimoir’—or medical memoir—is not in itself a new genre of writing, but has risen to prominence in [...] Read more.
The 21st century has witnessed the rise of a genre of literature that has taken both the reading public and the publishing industry by storm. The ‘medimoir’—or medical memoir—is not in itself a new genre of writing, but has risen to prominence in a contemporary British context of renewed focus on public health and wellbeing, a proliferation of professional confessionals in publishing, and debates about the future of the free-at-point-of-care British National Health Service (NHS). The most prolific medimoir published to date is Adam Kay’s This Is Going to Hurt (2017), a reflective diary that chronicles his time as a trainee gynaecologist in the NHS, and his subsequent exit from medical training in the face of growing personal and political pressures on his profession. This article contextualises and considers the rise of the medimoir, and examines why this genre of medical narrative has become such a critical, literary, and publishing success in the first two decades of the new millennium. Full article
(This article belongs to the Special Issue Medical Narratives of Ill Health)
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