Localising the Creator Economy: How South African Student Influencers Adapt Global Monetisation Strategies on TikTok and Instagram
Abstract
1. Introduction
2. Literature Review
2.1. Platform Economy Theory and Regional Adaptation
2.2. Cultural Adaptation and Authenticity in Digital Contexts
2.3. Creator Economy and Monetisation Strategy Research
2.4. Entrepreneurship Theory and Resource-Constrained Innovation
3. Materials and Methods
3.1. Research Design
3.2. Population and Sampling
3.2.1. Target Population
3.2.2. Sampling Strategy
3.2.3. Sample Size and Justification
3.3. Data Collection Methods
3.3.1. Quantitative Data Collection
3.3.2. Qualitative Data Collection
3.3.3. Measurement Instruments
3.4. Data Analysis Techniques
3.4.1. Quantitative Analysis
3.4.2. Qualitative Analysis
3.4.3. Integration and Interpretation
4. Findings
4.1. Participant Characteristics and Platform Usage Patterns
4.2. Strategic Localisation: Adapting Brand Partnership Approaches
4.3. Platform Arbitrage: Leveraging Access Limitations Strategically
4.4. Resource-Constrained Innovation: Alternative Monetisation Development
4.5. Category-Specific Adaptation Patterns
4.6. Effectiveness Factors and Success Determinants
4.7. Challenges and Constraints in Strategy Adaptation
5. Discussion
5.1. Theoretical Contributions to Platform Economy Research
5.2. Cultural Adaptation and Authenticity in Creator Economy Practice
5.3. Entrepreneurial Innovation Under Constraint
5.4. Platform Design and Policy Implications
5.5. Implications for Emerging Market Creator Economy Development
5.6. Limitations and Future Research Directions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
References
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Characteristic | Users (n) | % |
---|---|---|
Age Range | ||
18–22 years | 12 | 60% |
23–28 years | 8 | 40% |
Content Category | ||
Lifestyle | 7 | 35% |
Beauty | 5 | 25% |
Gaming | 3 | 15% |
Education | 2 | 10% |
Other (activism, comedy, fashion) | 3 | 15% |
Follower Count Range | ||
1000–10,000 | 12 | 60% |
10,001–25,000 | 5 | 25% |
25,001–50,000 | 3 | 15% |
Primary Platform | ||
Instagram-focused | 12 | 60% |
TikTok-focused | 5 | 25% |
Dual-platform | 3 | 15% |
Geographic Distribution | ||
Gauteng | 9 | 45% |
Western Cape | 6 | 30% |
Other provinces | 5 | 25% |
Strategy | Users (n) | Success Rate 1 |
---|---|---|
Traditional Strategies | ||
Brand partnerships | 14 | 80% (beauty), 50% (other) |
Affiliate marketing | 9 | 60% |
Sponsored content | 12 | 65% |
Adapted Strategies | ||
Digital product sales | 13 | 75% |
Community monetisation | 9 | 70% |
Service provision | 8 | 85% |
Collaborative ventures | 6 | 65% |
Platform-Specific | ||
Cross-platform funneling | 12 | 80% |
Live streaming | 7 | 45% |
Bio-link optimisation | 15 | 70% |
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Adefemi, K.O.; Mutanga, M.B. Localising the Creator Economy: How South African Student Influencers Adapt Global Monetisation Strategies on TikTok and Instagram. Journal. Media 2025, 6, 181. https://doi.org/10.3390/journalmedia6040181
Adefemi KO, Mutanga MB. Localising the Creator Economy: How South African Student Influencers Adapt Global Monetisation Strategies on TikTok and Instagram. Journalism and Media. 2025; 6(4):181. https://doi.org/10.3390/journalmedia6040181
Chicago/Turabian StyleAdefemi, Kuburat Oyeranti, and Murimo Bethel Mutanga. 2025. "Localising the Creator Economy: How South African Student Influencers Adapt Global Monetisation Strategies on TikTok and Instagram" Journalism and Media 6, no. 4: 181. https://doi.org/10.3390/journalmedia6040181
APA StyleAdefemi, K. O., & Mutanga, M. B. (2025). Localising the Creator Economy: How South African Student Influencers Adapt Global Monetisation Strategies on TikTok and Instagram. Journalism and Media, 6(4), 181. https://doi.org/10.3390/journalmedia6040181