Media and Natural Disasters: Organising Storytelling in the Age of Climate Change
Abstract
:1. Introduction
How Is Climate Change Affecting Floods?
2. Local News, Local Proximity
- Proximity as newsworthiness. A fundamental question of newsworthiness that has to do with “what is included,” “what is excluded,” and “why” (O’Neill and Harcup 2008, p. 162);
- Proximity as a working practice. This aspect refers to daily journalistic work and focuses on the relationship between journalists and events or sources. In this case, proximity as a journalistic working practice refers to the need to be physically and temporally close to the stories being covered;
- Proximity as presentation-interpretation is a further concept of proximity and refers to the narrative means used to “create a sense of closeness and familiarity between the audience and the event” (Clausen 2003, p. 47). A range of ‘dramaturgical tools’ can be used to create a sense of proximity to a local story, such as emotional discourse and dramatised narrative structures;
- Proximity as a strategy. The most important relationship is that between media organisations and their audiences, understood as citizen-customers of a specific place. As well expressed by Hjarvard (2000, p. 42), “‘proximity’ has become a key word that allows newsrooms to develop a closer relationship with their audiences.” As a strategy, proximity shapes the way news is selected, sourced, framed, and narrated with the aim of “cultivating the perspective of the common man” (Wahl-Jorgensen et al. 2010).
3. Methodology
4. The Field of Community Journalism
We see ourselves as a full digital ecosystem. We are local, but we think global. We write for Tuscans, but we always imagine new audiences.(J,12)
When we have received, and still receive, reports on what has been published in the newspaper, we often recognise the name of our reader because he or she has been following us for some time, or has already written to us, or we have even met him or her in the square or at the bar, to say (…) and they are comments, useful comments. (…) and they are comments, useful, understandable, constructive comments.(J, 9)
The Tuscan citizens who write to us via Facebook are unknown subjects, sometimes not even Tuscans (…) maybe they have been to Prato once and claim to know how local politics or the organisation of some event works.(J, 8)
In addition to publishing the various institutional and emergency press releases, in the first day of the disaster we found ourselves acting as moderators on our online page. We often received insults and criticism from readers on issues that had nothing to do with the ongoing emergency (…) In these circumstances, the most difficult thing is to maintain calm and professionalism.(J, 2)
5. The Local Journalists in the Disaster Field
In general, we try to distribute the information fairly evenly between the different topics. For example, by delving into some topics that seem to be of greater concern to the citizens, also according to their reactions on social media (…) But starting from the night of 01 November, we completely changed our agenda (…) 95% some news related to weather forecasts and floods.(J, 4)
During the flood, the emergency messages and therefore the news increased in a frightening way (…) from citizens, authorities, mayors (…) So we started to collect and select what we thought was more urgent and what could help citizens understand how to behave (…) From that night on, our work was on the flood, nothing else existed.(J, 3)
Within a few hours, the disaster struck between Prato and Florence (…) That day, there were three of us in the newsroom... we did everything we could, we felt very responsible. Meanwhile, we were receiving reports, phone calls from people who were scared and had climbed to the higher floors, as indicated on TV, by ourselves or on social media, from the authorities (…) asking us for help because they couldn’t contact anyone, the police, relatives, the emergency lines were overloaded (…) Between one article and another, we became a kind of psychological help desk for the community for almost two days.(J, 31)
After some hours the case of Tuscany has become national (…) During some of the nights I spent in the newsroom, I was contacted by Rai 1 and SkyTG24, who asked me for details on the construction of this or that dam, trying at all costs to find those responsible or to frame someone (…) Or other colleagues wanted to know the number of relatives of the victims (among other things, still not determined). In a situation like this, out of control, we sometimes preferred to partially photograph the disaster and give more voice to the citizens (…) Shooting random numbers of deaths or creating more anxiety and fear is not a sign of responsible journalism (…) We have already seen something similar with COVID. And we felt very responsible at the time.(J, 17)
Some colleagues were unable to return to work for days because of the amount of mud on the road. So he went on foot, from home (…) We made a lot of use of the material sent by the inhabitants. We already had their emails or numbers, some of them are almost friends. There was no need to check the content.(J, 21)
The monitoring and management of information on the Internet under these conditions is an additional stress factor and a waste of time for us journalists (…) People who write a lot of “rubbish” and then you are forced to talk about it, whether you want to deny it or not, you find yourself in the middle of completely inappropriate issues (…) Our job is to narrate and reveal unclear or unknown aspects of the territory, to give the reader the right tools to form their own opinion on the subject. It is not to moderate verbal conflicts or justify every comment that comes.(J, 12)
It was necessary to provide them with precise information, through official channels and in formats that were informative and stood out from the chaos (…) What people needed, as soon as the water began to enter their homes, was not just the number of missing people or the damage.(J, 17)
In the first day of the emergency, we decided to publish in the paper edition the most important useful instructions to follow in order to avoid damage to property or people and, if possible, to contact the local authorities through the emergency numbers.(J, 3)
As “brand journalism” and regional institutional newspaper, our main source has always been the world of institutions: Tuscany Region, President’s profile and civil protection channels. Even if we had an operator in the field, our way of providing live news was more of a translation of institutional communication aimed at citizens.(J, 1)
We collected the testimonies of more than a dozen volunteers, young and old, and shared probably a hundred photos (…) Stories and gestures of courageous and hopeful people who, in the midst of the mud, turned to the institutions of the media to ask for help.(J, 33)
To give space to solidarity, to the suffering of a whole community, I think it is important for them and for us (…) It is a kind of local information that gives hope and strength.(J, 25)
6. Conclusions
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- Precision: understood as the ability to commit resources and ensure that what we communicate is clear and precise in order to encourage feedback;
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- Honesty: is about being willing to say what is actually happening, creating discussion, active participation, and criticism;
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- Healing: it has to do with knowing how to “heal” the consequences of communication; any content put into circulation can annoy or interest, and it is necessary to be able to anticipate this double effect.
Funding
Institutional Review Board Statement
Informed Consent Statement
Conflicts of Interest
1 | Regione Toscana 2023. “Emergenza alluvione 2023”: https://www.regione.toscana.it/-/emergenza-alluvione-2023 (accessed on 1 December 2023). |
2 | The newsrooms considered here belong to the Italian publisher “Toscana—Firenze—Prato—Pistoia—Pisa Today/CityNews”, which hosts more than 50 local publishers throughout Italy, including in the entire region of Tuscany) and it has been involved one other local online newsrooms “Intoscana”, an institutional and journalistic platform that is directly linked to the regional offices. The research involved a total of around 45 journalists (men and women). |
3 | This material has been sent directly by the journalists who were interviewed. |
4 | As indicated earlier in the methodology, at the end of the fourth paragraph the author has collected some journalistic images to give the reader a visual dimension of what local journalists said about the November 2023 flooding in Tuscany. The images were collected from the websites of the local newspapers involved at the indication of the interviewed sample but selected by the undersigned in relation to what emerged from the interviewees’ voices regarding the extent of the disaster. |
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Buoncompagni, G. Media and Natural Disasters: Organising Storytelling in the Age of Climate Change. Journal. Media 2024, 5, 614-625. https://doi.org/10.3390/journalmedia5020041
Buoncompagni G. Media and Natural Disasters: Organising Storytelling in the Age of Climate Change. Journalism and Media. 2024; 5(2):614-625. https://doi.org/10.3390/journalmedia5020041
Chicago/Turabian StyleBuoncompagni, Giacomo. 2024. "Media and Natural Disasters: Organising Storytelling in the Age of Climate Change" Journalism and Media 5, no. 2: 614-625. https://doi.org/10.3390/journalmedia5020041
APA StyleBuoncompagni, G. (2024). Media and Natural Disasters: Organising Storytelling in the Age of Climate Change. Journalism and Media, 5(2), 614-625. https://doi.org/10.3390/journalmedia5020041