A Nature’s Way—Our Way Pilot Project Case Assemblage: (Re)Storying Child/Physical Literacy/Land Relationships for Indigenous Preschool-Aged Children’s Wholistic Wellness
Abstract
:1. Introducing Possibilities for Different Stories of Physical Literacy
- Developing A strong sense of cultural identity and connection to family, community, spirituality, and land are protective factors for Indigenous social and emotional wellness [4].
- Dwelling with the tensions of political, cultural, and social discourses that impact how PL is actualized.
- PL rooted in cultural identity and connection to family, community, spirituality, and land is a protective factor for Indigenous wholistic wellness.
“Relationships do not merely shape reality; they are reality”.[5] (p. 7)
2. The Background of Nature’s Way–Our Way
3. A New Materialist Mapping of Methods in NWOW’s Pilot Project
4. Moment of Rupture One—A Break in Political and Cultural Discourses
The sound of our language, whether I can understand every word, is calming and reassuring as it drives me back to the place where I was surrounded by grandmothers and grandfathers, aunts and uncles, and cousins who all shred the memories of our common participation in our Indigenous life and ways. This presence is a continuous source of guidance and support as we lived on Mother Earth and enjoyed the trees, grass, and bushes as our playground within hearing distance of the medicine lodge our Elders relaxed and worked in. These are rare places where nature sets aside a small space for a table to work at or benches to rest on, and the boundary between inside and outside is blurred because there is little need of doors.
With the presence of so many Indigenous students, educators, and Elders in the building, this ECEC is one place in the busy city that holds the potential to be one of these rare places that embody the connection of Indigenous peoples to the land. Bright open windows let in the sunlight, or the gray colors of a rainy day, or the pure whiteness of a snowy day. A busy street surrounding the building cannot hold back a parade of Fall leaves as they blow past the windows; and always in the background are all the Indigenous voices of invisible generations and the Indigenous presence of visitors bringing the lifeways into the space.
Walls cannot hold out the laughter as Indigenous people support their learning always with laughter. Artwork further brings the distant flora of the outside world into the space. The unique understanding of Indigenous people in their beliefs connect them to their spirit and to the land through the creation is further reflected in artwork on the surfaces; but most important is hearing the language spoken by the Elders in word or song. Words that remind us of who we truly are and songs with the ever-present strong beat of our hearts that push our bodies to move and to love our lives.(Wahpepah, Fieldnotes, December 2022)
[Indigenous] culture has been absorbed. It’s gone. We are disconnected from [Indigenous] identity. That’s where residential schools come in; they took it [identity] from their parents so then they couldn’t teach it to their kids and then their kids don’t know it and then the babies don’t know it; nobody knows it. People expect you to do be [Indigenous], but you’re not because you were never exposed [to the culture]. My grandpa was in residential school. I’m sad that my mom knows nothing. She should know more than she does. I grew up in Saskatoon and not on a reserve, so I am an outcast from both worlds. And we shouldn’t feel like that. Only one of the children here are exposed to Cree culture at home. So, I want to expose children to their culture so that they can pass it onto their children and so on, you know—give culture back. ‘Cause everyone should have a sense of their culture regardless of what your culture is, you know? You should be provided that opportunity.(transcribed interview notes, 2022)
The [Tatanka] story is their own [children’s] story. So, after hearing the story, [the children] are connected with the game and feel more confident to move because it is their story. They can be challenged because they understand the story. After the storytelling when I tell them how to play the game, they feel more interested and confident to participate. We are doing a ‘learning circle’ to tell the story. I see them relating with the cultural story, and then they better focus on their physical development through the story. The body movements are actually from their roots. The pictures [on the learning resources] show connections to land and culture, like the buffalo and the tipi, for example.(Transcribed interview notes, 2022)
5. Moment of Rupture Two—A Break in Social Discourses
These children’s parents attended the adjacent high school; and while they were still kids themselves, they showed incredible strength and determination to return to high school after facing many disruptions to their education in the face of complex social challenges. As I entered the ECEC, I saw two children playing with the deer-hide drum. Every now and then, they would generate enough momentum to carry out a drumbeat with control and precision before becoming distracted with the ‘lurking’ toy dinosaur (shown in Figure 1). Through informal conversations with teachers at the high school, it became evident that one of the biggest barriers to PA and PL for these children’s parents was the lack of confidence to participate. But this lack of confidence was evident in Harmony and Tulip too; a lack of confidence which meant it was easier to stay indoors and play in more sedentary ways rather than venturing to the playground or the gym to move and thus exposed to the potential of failure or judgement. These children and the children’s parents certainly needed their teachers to actively participate in movement with them; for the teachers to guide and show the children that it was safe to express themselves through movement; that it was safe to fall in love with how their body moved, irrespective of the spectator gaze. Yet what happens when the educators are simply not confident to do so because of their own limiting stories with PA and PL (and perhaps physical education)? Afterall, Harmony did tell me that she wishes she had someone move with her as a child, then she might not be so deterred by movement as an adult.(Riley, Fieldnotes, May 2022)
When the children go outside, they get so excited to move! But they won’t move unless the adults move with them. Sometimes, the adults will tell them to go play and they will inevitably just flock to the sandpit and dig and dig and dig. There is no game. No structure. No bigger purpose. It’s random. I would like them to be able to connect their play and importantly, their movement with deeper learning as prompted by the educators. We need to provide the children with more meaningful movement opportunities. But mostly, we need to be the influence for these children.(transcribed interview notes, 2022)
Living in a small space like a lodge or tipi, especially in cold weather, caused many games to evolve. Balls made of leather scraps were used in a football game that could range far and wide across the plains in warm weather as there were no boundaries. This wouldn’t be possible in snow or stormy weather, but the ball was still a favorite toy. Smaller games with balls can be used inside. Living in small spaces in large family groups, First Nations people taught their children to be respectful and careful of one another’s safety and comfort within the tipi. Tipi teachings were essential and guided family life. Each pole of the tipi represented a teaching within First Nation’s life. The tipi poles represent: obedience, respect, humility, happiness, love, faith, kinship, cleanliness, thankfulness, sharing, strength, good child rearing, hope, and ultimate protection. Inter-connectedness is represented by the tipi flaps, and the rope represents the sacred bond or our connection to the universe.
We know about the tipi; we know about [Indigenous] hunting and dance; we know about the beaver and the deer…but these cards [learning resources] helped us to provide more cultural knowledge in our physical activity. Before, we would just show the children a picture of a beaver or a deer, or of a tipi, and then separately at a later time, we would take the children outside; but now, we are bringing these two things together. We take the children outside to actually be the beaver and the dear and the tipi!.(Transcribed interview notes, 2022)
6. (In) Conclusion: The Implications of Physical Literacy Emergent within Radical Relationality
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Acknowledgments
Conflicts of Interest
References
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Riley, K.; Froehlich Chow, A.; Wahpepah, K.; Houser, N.; Brussoni, M.; Stevenson, E.; Erlandson, M.C.; Humbert, M.L. A Nature’s Way—Our Way Pilot Project Case Assemblage: (Re)Storying Child/Physical Literacy/Land Relationships for Indigenous Preschool-Aged Children’s Wholistic Wellness. Children 2023, 10, 497. https://doi.org/10.3390/children10030497
Riley K, Froehlich Chow A, Wahpepah K, Houser N, Brussoni M, Stevenson E, Erlandson MC, Humbert ML. A Nature’s Way—Our Way Pilot Project Case Assemblage: (Re)Storying Child/Physical Literacy/Land Relationships for Indigenous Preschool-Aged Children’s Wholistic Wellness. Children. 2023; 10(3):497. https://doi.org/10.3390/children10030497
Chicago/Turabian StyleRiley, Kathryn, Amanda Froehlich Chow, Kathleen Wahpepah, Natalie Houser, Mariana Brussoni, Erica Stevenson, Marta C. Erlandson, and M. Louise Humbert. 2023. "A Nature’s Way—Our Way Pilot Project Case Assemblage: (Re)Storying Child/Physical Literacy/Land Relationships for Indigenous Preschool-Aged Children’s Wholistic Wellness" Children 10, no. 3: 497. https://doi.org/10.3390/children10030497