Interval-Valued Fermatean Fuzzy EDAS for Social Media Influencer Evaluation and Benchmarking
Abstract
1. Introduction
- Misdirected marketing budgets and low returns on investment.
- Reputational damage caused by associations with inauthentic or controversial SMIs.
- Erosion of consumer trust caused by irrelevant, misleading, or overly promotional content.
- The vast and diverse pool of potential candidates requires a structured evaluation across several key dimensions.
- A lack of transparency and standardization hinders objective comparisons among SMIs.
- The dynamic nature of social media trends affects influencer effectiveness over time.
- The presence of fraudulent or inflated metrics, such as fake followers or manipulated engagement, can mislead decision-makers.
- We conduct a comprehensive review and categorization of existing multi-criteria approaches for SMI selection. These methods are classified based on the types of input data used (numeric, interval, linguistic values; crisp and fuzzy numbers), as well as by their complexity (number of integrated MCDM techniques), flexibility (degree of fuzziness), and iterativeness (single vs. repeated evaluations).
- We propose a theoretical framework for SMI ranking that incorporates both single and hybrid MCDM methods. Single methods apply a singular approach for weight assignments and ranking, while hybrid methods integrate multiple techniques. The framework includes crisp and fuzzy operations, robustness analysis, and sensitivity analysis. Furthermore, we introduce a new fuzzy Fermatean group EDAS method, enhanced with an advanced 3D distance metric to improve influencer comparisons across multiple criteria.
- We validate the proposed framework through two real-world case studies using AI-based influencer data. Static rankings are primarily based on literature reviews and expert assessments, with relatively limited incorporation of social media data. In contrast, dynamic rankings integrate real-time sentiment and emotion data extracted from social media platforms, offering more responsive and up-to-date evaluations. Comparative analyses against both traditional and fuzzy MCDM baselines demonstrate the enhanced performance and practical utility of our fuzzy framework and the extended EDAS method.
2. Related Work
2.1. Applications of MCDM Methods in SMI Selection
- (1)
- Most existing MCDM solutions address only specific aspects of the influencer selection problem, such as determining the relative importance of certain influencer characteristics or generating rankings based on a single criterion or method.
- (2)
- Only a limited number of studies effectively handle imprecise or subjective influencer attributes. Since the evaluation of SMIs frequently involves qualitative factors, these assessments should ideally utilize fuzzy numbers or advanced fuzzy set variants.
- (3)
- The majority of current fuzzy solutions typically employ only one or two MCDM methods, and notably do so without iterative procedures, which limits their robustness and reliability in dynamic environments.
2.2. Evaluation Criteria for SMI Comparison
- Authenticity [20] refers to the perceived sincerity, transparency, and credibility of the influencer. It is a crucial factor for building audience trust and fostering long-term engagement and brand advocacy. Genuine influencers are more likely to establish strong emotional connections with followers, which enhances persuasive effectiveness in campaigns. Authenticity is the most frequently emphasized dimension, cited in eight of ten studies, excluding only Firouzhouhi et al. [16] and Cokak and Dursun [17], and having over 19 related indicators such as trustworthiness, likability, sincerity, and familiarity.
- Innovation in social media marketing [21] captures the influencer’s use of new technologies, formats, and creative storytelling approaches. Frequent and effective innovation helps differentiate the influencer in a saturated market, increases visibility, and boosts user engagement. Innovation, mentioned in four sources [3,6,10,15], measures creative use of formats and technology.
- Content quality [22] includes the esthetic appeal, originality, clarity, and consistency of published content. High-quality content attracts attention, reinforces brand messaging, and sustains audience interest through professional standards and creative alignment. Content quality appears in six studies [4,6,13,14,15,17], encompassing attractiveness, informativeness, and entertainment value.
- Brand collaboration [23] reflects the number and reputation of brands that have partnered with the influencer. It is an indicator of commercial credibility, professional reliability, and market alignment. Strong collaboration history also signals trust and increased campaign ROI. Brand collaboration, referenced in five studies [3,4,6,10,17], signals professional credibility through past partnerships.
- Social impact [24] evaluates the influencer’s engagement with social issues and promotion of ethical or positive messaging. This attribute contributes to public trust, emotional resonance, and added brand value—especially in socially conscious consumer segments. Although this factor is explicitly highlighted in only one study [3], where it is referred to as “social responsivity and ethical consideration”, it plays a crucial role in promoting positive societal norms, encouraging responsible digital behaviour, and supporting public discourse on important social issues.
- Demographic relevance [25] assesses the alignment between an influencer’s audience and a brand’s target market in terms of demographics such as age, gender, location, income, and lifestyle. A high degree of fit enhances campaign effectiveness and conversion rates. Demographic relevance, cited in four studies [3,6,12,17], reflects audience alignment with campaign targets.
- Engagement metrics [26] measure how actively the audience interacts with the influencer’s content. Likes, comments, shares, and clicks serve as proxies for audience interest and connection, offering a more reliable indicator of influence than passive exposure alone. Engagement—likes, comments, and participatory behaviour—appears in only two studies [3,4], and social impact, such as advocacy and ethical messaging, is noted in one study [3].
- Follower count [27] represents the size of an influencer’s audience across platforms. Although often used as a reach indicator, follower numbers should be interpreted alongside engagement to assess actual influence and marketing effectiveness. Followers, as a proxy for reach and visibility, are highlighted in eight studies [3,4,6,10,12,13,14,17], linked to metrics like subscriber counts, likes rates, share rates, and click-through rates.
2.3. SMIs and Their Defining Attributes
- Kenza Layli, Morocco, https://www.instagram.com/kenza.layli, accessed on 9 July 2025, is a winner of the inaugural Miss AI pageant. Kenza Layli is recognized for her high-quality AI-generated content and engagement in social and cultural discussions. Her image reflects inclusivity, modernity, and North African representation in virtual spaces.
- Aitana López, Spain, https://www.instagram.com/fit_aitana, accessed on 9 July 2025, is created by the Spanish company The Clueless. Aitana is a virtual model with over 370,000 Instagram followers. She generates significant income through brand collaborations and is promoted as an “ideal” influencer for the fashion and fitness industry.
- Miquela Sousa (Lil Miquela), USA, https://www.instagram.com/lilmiquela, accessed on 9 July 2025, is among the earliest and most influential virtual influencers. She has over 2.4 million Instagram followers. She is known for music releases, activism, and high-profile fashion campaigns. Created as a computer-generated imagery (CGI) persona, she has collaborated with major brands like Prada and Calvin Klein.
- Shudu Gram, UK, https://www.instagram.com/shudu.gram, accessed on 9 July 2025, is referred to as the world’s first digital supermodel. She is known for her hyper-realistic appearance. She has been featured in luxury fashion campaigns and often raises questions about diversity and the future of digital identity in modelling.
- Thalasya Pov, Indonesia, https://www.instagram.com/thalasya_, accessed on 9 July 2025, Indonesia’s first digital influencer, is recognized for her aspirational travel content and lifestyle branding. She appeals to a Southeast Asian audience and collaborates with local and regional brands.
- Diversity of origin: The selected influencers come from various regions—North Africa (Kenza Layli), Europe (Aitana López), North America (Lil Miquela), Africa (Shudu Gram), and Southeast Asia (Thalasya Pov)—ensuring a geographically diverse sample that reflects the global reach and cultural relevance of AI-generated figures.
- Variety of brand engagement and purpose: Each influencer embodies a distinct commercial and narrative identity. Aitana López represents the monetization potential of virtual models through brand partnerships. Kenza Layli stands out for her activism and social messaging. Lil Miquela merges entertainment and fashion with music releases, while Shudu Gram exemplifies hyper-realism in luxury modelling. Thalasya Pov, on the other hand, highlights storytelling and travel-centric content, often tied to lifestyle branding.
- Technological and esthetic innovation: These characters illustrate different approaches to AI and CGI use, from hyper-realistic renders (Shudu Gram, Kenza Layli) to stylized and narrative-driven avatars (Lil Miquela, Thalasya Pov). This allows the study to assess the role of visual design, user engagement, and content strategy.
- Pioneering influence: Some of the selected figures, such as Lil Miquela and Shudu Gram, are pioneers in the virtual influencer space and have set industry standards. Others, like Kenza Layli and Aitana López, represent newer generations that show how the field is expanding in scope and purpose.
- Audience reach and social impact: With follower counts ranging from hundreds of thousands to millions, each influencer has demonstrated tangible audience engagement. This makes them ideal case studies for evaluating user interaction, marketing effectiveness, and emotional resonance with digital personas.
3. MCDM-Based Framework for SMI Assessment
3.1. Methodological Foundations of MCDM Methods
- Suitability for both individual and group decision-making scenarios.
- Flexible structure allowing the integration of methods for criteria weighting and alternative ranking.
- Low dependency on large datasets or high-performance computing.
- Ability to process various input data formats, such as crisp values, interval numbers, linguistic variables, or fuzzy numbers (e.g., triangular, trapezoidal, spherical, etc.), depending on the task requirements.
3.2. Core Concepts and Operations of Interval-Valued Fermatean Fuzzy Numbers
3.3. EDAS in IVFF Environment
Algorithm 1. Pseudocode of IVFF EDAS. | ||
Step 1: | Formulation of DM problem: | |
identify | // is the set of given alternatives | |
identify and | // is the set of identified criteria for evaluation // is the set of relative weights of criteria | |
//Empty matrix | ||
Step 2: | Input of decision matrix | |
Step 2.1: | Data transformation | |
; | //Input of assessments of kth expert in matrix in linguistic variables | |
for k in {1..K} | ||
for i in {1..N} | ||
for j in {1..M} | ||
//Transform X matrices in IVFF values | ||
endfor | ||
endfor | ||
endfor | ||
Step 2.2: | Data processing | |
for i in {1..N} | //Averaging for the group of experts according to Equation (5), where the experts have equal weight (1/K) | |
for j in {1..M} | ||
endfor | ||
endfor | ||
Step 3: | Computation of the average value for each criterion | |
for i in {1..N} | //Weighted average by criteria according to Equation (5) | |
for j in {1..M} | ||
endfor | ||
endfor | ||
Step 4: | Calculation of the positive distance and negative distance matrices of each alternative from the average solution | |
for i in {1..N} | //Computation of the positive and the negative ideal distance matrices for beneficial and cost criteria ) according to Definition 2 | |
for j in {1..M} | ||
, where | ||
endfor | ||
endfor | ||
Step 5: | Calculation of the weighted forward distance and the reverse weighted distance to the average solutions for each alternative | |
for i in {1..N} | //Computation of the weighted sum of PDA and NDA from each alternative to the average solution. | |
| ||
Step 6: | Calculation of the normalized value of the weighted distances to the average solutions for each alternative and the final evaluation score | |
Step 7: | for i in {1..N} , , | //Computation of the normalized weighted distances of each alternative to the average solution and and the appraisal score AS of alternatives |
Step 8: | Output of alternatives’ ranks in descending order of their assessment |
3.4. Conceptual Framework for SMI Selection
4. Practical Examples
4.1. Case Study: Quality-Based Evaluation of SMIs
4.2. Case Study: Dynamic Attitude-Based Evaluation of SMIs
- BG is assigned the value of Joy;
- NG is calculated as the sum of Anger, Disgust, Fear, and Sadness (Table 7).
5. Conclusions
- Interval-valued membership, non-membership, and hesitancy degrees;
- The lengths of these intervals, representing Belongingness, Non-Belongingness, and hesitancy.
Author Contributions
Funding
Data Availability Statement
Acknowledgments
Conflicts of Interest
References
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Reference | Research Objective | Dataset Characteristics | MCDM Methods | Result Evaluation |
---|---|---|---|---|
Wu et al. (2020) [12] | Assess influencer performance using multi-criteria evaluation | Literature review and expert interviews | FDM, DEMATEL, ANP, TOPSIS | Expert validation |
Tsai et al. (2021) [6] | Develop a decision model to rank bloggers based on campaign efficiency | Literature review and survey data from hotel managers | IPA, AHP, TOPSIS | Ranking consistency |
Shukla & Dubey (2022) [13] | Integrate MCDM methods for celebrity ranking | Secondary data on celebrity engagement metrics | MGFEM, FITtrafeoff method | Comparative performance with other MCDM methods |
Wu et al. 2022 [14] | Hybrid MCDM methods | YouTube dataset, user engagement stats | FDM, DEMATEL, ANP, TOPSIS | Expert validation |
Lam et al. (2024) [10] | Hybrid model for selection of KOLs based on content and interaction | B2B company data, user engagement stats | Fuzzy BWM, fuzzy TOPSIS | Sensitivity and robustness checks |
Yang et al. (2024) [15] | Propose a framework for evaluating fitness influencer impacts | Literature survey and expert interviews | Bayesian BWM, TOPSIS | Fuzzy consistency and expert validation |
Chiu et al. (2024) [4] | Identify essential features for influencer assessment | Survey of consumers from Taiwanese market | Delphi method, DEMATEL | Weight consistency and expert panel review |
Firouzhouhi et al. (2024) [16] | Determine key criteria for SMI selection | Social media network data | Generalized fuzzy hypergraph | Consensus rate and factors influence validation |
Cokak & Dursun (2025) [17] | Prioritize influencer selection factors | Literature review and structured interviews with e-commerce professionals | FCM | Comparative results with real campaigns |
Sorroshian (2025) [3] | Use MCDM methods for criteria ranking | Survey data | Delphi–OPA method | Rank tests |
N | Influencer | Creator | Country | Primary Domain | Features | Follower Count * |
---|---|---|---|---|---|---|
1 | Kenza Layli | Miss AI Pageant Winner (N/A) | Morocco | Social advocacy | Miss AI winner, Arabic/Moroccan cultural appeal | 190,000+ |
2 | Aitana López | The Clueless (2023) | Spain | Fashion/Fitness | Revenue-focused, designed to be ideal SMI | 370,000+ |
3 | Lil Miquela | Brud (2016) | USA | Fashion/Music | Early CGI figure, activism, brand collaborations | 2.4M+ |
4 | Shudu Gram | The Diigitals (2017) | UK | Luxury fashion | Hyper-realistic, high fashion, digital diversity | 230,000+ |
5 | Thalasya Pov | Local digital agency (N/A) | Indonesia | Travel/Lifestyle | Regional branding, aspirational tone | 450,000+ |
Criteria Alternatives | C1 | C2 | C3 | C4 | C5 | C6 | C7 | C8 |
---|---|---|---|---|---|---|---|---|
A1 | M | M | H | M | H | M | VL | L |
A2 | H | VH | H | H | M | H | VH | M |
A3 | VH | VH | VH | VH | VH | VH | L | VH |
A4 | M | VH | VH | H | H | H | H | M |
A5 | H | M | H | M | H | H | M | H |
Criterion type |
Linguistic Term | IVFFN |
---|---|
Very Low (VL) | ([0.05, 0.20], [0.85, 1.00]) |
Low (L) | ([0.25, 0.40], [0.65, 0.80]) |
Medium (M) | ([0.45, 0.60], [0.45, 0.60]) |
High (H) | ([0.65, 0.80], [0.25, 0.40]) |
Very High (VH) | ([0.80, 1.00], [0.05, 0.20]) |
A1 | A2 | A3 | A4 | A5 | ||
---|---|---|---|---|---|---|
IVFF | Score | 0.121 | 0.576 | 0.590 | 0.495 | 0.417 |
Rank | 5 | 2 | 1 | 3 | 4 | |
Crisp | Score | 0.000 | 0.642 | 0.922 | 0.608 | 0.421 |
Rank | 5 | 2 | 1 | 3 | 4 |
SAW | TOPSIS | IVFF TOPSIS | ||||
---|---|---|---|---|---|---|
Alternative | Score | Rank | Score | Rank | Score | Rank |
A1 | 0.575 | 5 | 0.123 | 5 | 0.057 | 5 |
A2 | 0.800 | 2 | 0.586 | 2 | 0.386 | 2 |
A3 | 0.925 | 1 | 0.650 | 1 | 0.624 | 1 |
A4 | 0.800 | 2 | 0.551 | 3 | 0.376 | 3 |
A5 | 0.725 | 3 | 0.446 | 4 | 0.156 | 4 |
Spearman’s | 0.900 | 0.900 |
Time | ) | ) | ||||||||
---|---|---|---|---|---|---|---|---|---|---|
Alternative Emotion | A1 | A2 | A3 | A4 | A5 | A1 | A2 | A3 | A4 | A5 |
Joy | 0.358 | 0.411 | 0.438 | 0.413 | 0.398 | 0.336 | 0.425 | 0.685 | 0.392 | 0.415 |
Anger | 0.042 | 0.032 | 0.029 | 0.034 | 0.039 | 0.039 | 0.041 | 0.084 | 0.026 | 0.035 |
Disgust | 0.021 | 0.029 | 0.031 | 0.019 | 0.025 | 0.025 | 0.025 | 0.046 | 0.013 | 0.018 |
Fear | 0.034 | 0.025 | 0.025 | 0.030 | 0.034 | 0.030 | 0.022 | 0.061 | 0.025 | 0.035 |
Sadness | 0.059 | 0.043 | 0.046 | 0.045 | 0.068 | 0.054 | 0.055 | 0.072 | 0.038 | 0.067 |
Surprise | 0.210 | 0.195 | 0.235 | 0.173 | 0.204 | 0.207 | 0.189 | 0.218 | 0.167 | 0.192 |
BG | 0.358 | 0.411 | 0.438 | 0.413 | 0.398 | 0.336 | 0.425 | 0.685 | 0.392 | 0.415 |
NG | 0.156 | 0.129 | 0.131 | 0.128 | 0.166 | 0.148 | 0.143 | 0.263 | 0.102 | 0.155 |
Alternative | Score | Rank | ||||
---|---|---|---|---|---|---|
A1 | 0.336 | 0.358 | 0.148 | 0.156 | 0.038 | 5 |
A2 | 0.411 | 0.425 | 0.129 | 0.143 | 0.071 | 2 |
A3 | 0.438 | 0.685 | 0.131 | 0.263 | 0.193 | 1 |
A4 | 0.392 | 0.413 | 0.102 | 0.128 | 0.064 | 3 |
A5 | 0.398 | 0.415 | 0.155 | 0.166 | 0.063 | 4 |
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Ilieva, G.; Yankova, T. Interval-Valued Fermatean Fuzzy EDAS for Social Media Influencer Evaluation and Benchmarking. Electronics 2025, 14, 3161. https://doi.org/10.3390/electronics14163161
Ilieva G, Yankova T. Interval-Valued Fermatean Fuzzy EDAS for Social Media Influencer Evaluation and Benchmarking. Electronics. 2025; 14(16):3161. https://doi.org/10.3390/electronics14163161
Chicago/Turabian StyleIlieva, Galina, and Tania Yankova. 2025. "Interval-Valued Fermatean Fuzzy EDAS for Social Media Influencer Evaluation and Benchmarking" Electronics 14, no. 16: 3161. https://doi.org/10.3390/electronics14163161
APA StyleIlieva, G., & Yankova, T. (2025). Interval-Valued Fermatean Fuzzy EDAS for Social Media Influencer Evaluation and Benchmarking. Electronics, 14(16), 3161. https://doi.org/10.3390/electronics14163161