Geometric Innovation in Acoustic Emission: The Icosidodecahedron as a Novel Omnidirectional Source
Abstract
1. Introduction
2. Traditional vs. Alternative Omnidirectional Sources for Measuring Reverberation Time (RT)
2.1. Mathematical Model
2.1.1. Equation for Sound Intensity at a Point
2.1.2. Directive Radiation Pattern
2.2. Selection of Acoustic Sources for Impulsive Signal Generation
3. Materials and Methods
4. Results and Analysis from Simulations
5. Design and Implementation
5.1. Loudspeaker Selection
5.2. Omnidirectional Source Construction
5.3. Frequency Response Measurement
5.4. Spatial Aliasing in Polar Pattern Measurement
6. Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
Appendix A. Supplementary Acoustic Characterization Tables
| Traditional | Alternative | ||||||||
|---|---|---|---|---|---|---|---|---|---|
| Characteristics | Dodecahedrical Loudspeakers | Balloons | Shots | Firecrackers | Slaps | Inverted Horns | Ring Radiators | Mouthpiece Whistle | Electric Spark Generator |
| Frequency (Hz) | 100–10,000 Hz (less effective < 100 Hz without subwoofer) | 100–1000 Hz; in huge balloons | Energy peak: 1–2 kHz, fast drop below 1 kHz (~14 dB/octave) | 500 Hz–2 kHz, drop below 1 kHz | 50 Hz–500 Hz | 100 Hz–5 kHz (peaks in 300 Hz, 1 kHz, 3 kHz) | 250 to 12,000 Hz (directivity measurements) | Until 40 kHz | Until 50 kHz (with spark frequencies between 20−30 kHz) |
| Sound Pressure | Until 120 dB SPL (depends on the model) | 121–138 dB (according to the size) | Between 148 and 168 dB | 156–166 dB | Approx. 75.8 dB | Approx. 85 dB SPL | 107 dB at 1 m | 92 dB at 1 m | 120 to 140 dB at 1 m (according to setting) |
| Harmonic distortion | <5% at moderated levels; it becomes higher with higher excitation | High, with zeros in the wave spectrum | High; not ideal for low bands | High dispersion at high and medium frequencies | 5–8% at low frequencies, until 15% in complex ones | 5–7% with equalization, until 20% without it | 10–15% (high frequencies) | 5–10% (high frequencies) | 5–10% (according to the spark quality) |
| Directivity | Omnidirectional < 1 kHz; deviation > 1 kHz | Not omnidirectional | High directivity, up to 20 dB higher in front than behind | Omnidirectional (index < 1 dB, 125 Hz–8 kHz). | Not omnidirectional, variation until 15 dB | Omnidirectional at +/− 3 dB (according to ISO 3382-1 [1]) | Moderated variation at high frequencies | Approx. omnidirectional, with variation | Moderated with higher dispersion, at higher frequencies |
| Duration of the sound impulse | 5000–10,000 ms with signals MLS/ESS | ~100–300 ms | 1–3 ms per shot | ~100–500 ms | 100–300 ms | 200–500 ms | 10–30 ms | 5–15 ms | <1 ms |
| Wavelength | 0.03 m–3 m (according to frequency) | 0.3 m to 3 m (depends on the size and frequency) | 0.17 m–0.34 m (in 1 kHz to 2 kHz) | 0.2 m–0.4 m (500 Hz–2 kHz) | 1.9 m to 20 m (depending on the frequency) | 0.17 m–0.5 m (300 Hz to 3 kHz) | 0.25 m to 1.2 m (250 Hz to 12,000 Hz) | 0.01 m to 0.5 m (20 kHz–40 kHz) | 0.01 m to 0.05 m (20 kHz–50 kHz) |
| SNR | 35–45 dB | 25–30 dB | 50–60 dB | 45–55 dB | 40–50 dB | 55–65 dB | 30–40 dB | 40–50 dB | 20–25 dB |
| Spectral composition | 1–10 kHz, peaks according to frequency | Low peaks (<200 Hz) and <1 kHz | Energy at high frequencies, fast drop | Concentration in 500 Hz–2 kHz | Drops of −10 dB below 100 Hz | Peaks until 12 dB in 300 Hz, 1 kHz, 3 kHz | 1–4 kHz, peaks in 8–10 kHz | Dominant in 125–160 Hz, peaks at 40 kHz | Peaks at 20–30 kHz, drop below 10 kHz |
| Range | 10–30 m | 1–5 m (depends on the balloon size) | 200–400 m (according to size) | 50–100 m | 1–5 m | 10–30 m | 1–10 m (depending on the frequency) | 1–3 m, depending on the air compressor flux | 0.5–2 m, according to the spark type and setting |
| Repeatibility | High, >90% with signals MLS/ESS | Low; variable due to size and inflation (10–50% variability) | Variable according to caliber | Low (variation until 10 dB) | Low, ±5 dB between slaps (applauses) | High, variation of ±2 dB | High, >90% in controlled conditions | Variable, depending on air pressure | High if well controlled |
| Frequency Response | ±3 dB at 100–10,000 Hz | Low in the lower bands | Energy at high frequencies; fast at low frequencies | Concentration in 500 Hz–2 kHz, lower at low frequencies | Drop of −10 dB below 100 Hz | Peaks until 12 dB at 300 Hz, 1 kHz, 3 kHz | 20 Hz–20 kHz | 2 kHz–8 kHz | Wider, from Hz until MHz |
| Performance Temperature (°C) | 0–40 °C | 0–50 °C | 0–50 °C | 0–50 °C | 0–40 °C | 0–40 °C | 20–80 °C | 5–45 °C | 0–50 °C |
| Modulation frequency | 20 Hz–20 kHz | 500 Hz–4 kHz | 200 Hz–3 kHz | 1 kHz–10 kHz | 500 Hz–2 kHz | 100 Hz–2 kHz | 10–100 Hz | 50–100 Hz | 1–20 Hz |
| Required source | 110–240 V AC; in some cases portable battery | Not required. | Not required. | Not required. | No required | 110 V–220 V AC, according to the amplifier | 0.5 W–2 W | 1 W–5 W | 10 W–100 W |
| Portability | Low, >20 kg; difficult to transport | High, light, without extra equipment | High, light, and easy to transport | High, small, and light | High, only hands are needed | Low, requires loudspeakers and amplification | Moderated, requires fixed installation | High, portable compressor | High, easy to transport, and to configure in place |
| Intensity control | Limited, adjustable until 120 dB SPL | Not adjustable | Not adjustable | Limited, according to size | ±5 dB between soft/heavy applauses | 80–100 dB, adjustable with gain | Adjustable by current | Controlled by air pressure | Difficult due to the chaotic nature |
| Applicability | Anechoic chambers, auditoria, theaters, recording studios, and scientific research | Educative acoustic rooms, closed rooms (research on resonances) | Impact simulation chambers, tests in industrial environments | Urban noise studies, Acoustic impact tests in buildings | Research in offices, reverberation analysis in small rooms | Auditoria and concert rooms, professional acoustic studios | Anechoic chambers, research in auditoria, and large spaces | Air quality tests, studies about resonances in aerodynamics | Electromagnetic Test Laboratories, electric noise studies |
| Costs | High | Very Low | Moderated (variable) | Low | Low | Moderated to high | High | Moderated | High |
| Category | Parameter | Description |
|---|---|---|
| Environmental conditions | Space size | - Large (>500 m2): Concert rooms, auditoria. - Median (100–500 m2): Conference rooms, offices. - Small (<100 m2): Rooms, studios. |
| Temperature and Place Humidity | Ideal: 18–25°C, 40–60% humidity for acoustic propagation. | |
| Lightning Level | - Low (<100 lux) - Medium (100–300 lux) - High (>300 lux). | |
| Surface type | - Absorbents: Carpets, upholstered. - Reflexives: Hard walls, glass. - Mixtures: Material combination. | |
| Measurement distance | - Short (<1 m) - Medium (1–5 m) - Large (>5 m). | |
| Wave propagation in the medium | Normal atmospheric pressure (1013 hPa), dry air, or moderate humidity. | |
| Other conditions | Acoustic environment for the Test | - Controlled (lab) for greater precision. - Real (with audience, noise) for practical results. |
| Measurement frequency | - Low: 20–100 Hz - High: 1000–8000 Hz | |
| Precision | - High (<1% error margin). - Standard (1–5% error margin). | |
| Background noise level | - Low (<30 dB): Controlled environment. - High (>40 dB): Environment with significant environmental noise. | |
| Measurement duration | - Fast (1–2 s): Instantaneous generation of signal. - Large (>2 s): Sustained signal. | |
| Space geometry | - Irregular: Spaces with a lot of corners, non-conventional forms. - Regular: Rectangular or circular spaces. | |
| Technical conditions | Electric conditions | Requires electric energy for electronic sources; no-electricity options (balloons, claps) available. |
| Accessibility for Equipment | Space for installing and handling measurement equipment without obstructions, especially in large or complex areas. | |
| Compatibility with Devices | Compatibility with microphones, amplifiers, and recording systems; previous revision of technical requirements. | |
| Equipment quality | Calibrated equipment and in good condition in order to minimize errors during data capture, preferably certificated. |
Appendix B. Individual Pieces for the Construction
Appendix B.1. Cutting Angles for Piece No. 1 and Piece No. 2

Appendix B.2. Cutting Angles for the Icosidodecahedron Geometries

Appendix C. Comparison of Radiation Spheres for Different Polyhedrons










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| Driver | LaVoice WSF041.00 Ferrite Woofer |
|---|---|
| Diameter | 4″ |
| RMS Power [W] | 40 |
| MAX Power [W] | 80 |
| S [dBSPL] | 90.4 |
| SPL@1m | 106 |
| Impedance [Ohm] | 8 |
| VAS [L] | 1.41/1.5 |
| RFreq [Hz] | 200–400 |
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© 2026 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license.
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Llontop Incio, J.; Herrera Martínez, M.; Montenegro Niño, J.O. Geometric Innovation in Acoustic Emission: The Icosidodecahedron as a Novel Omnidirectional Source. Appl. Sci. 2026, 16, 1149. https://doi.org/10.3390/app16021149
Llontop Incio J, Herrera Martínez M, Montenegro Niño JO. Geometric Innovation in Acoustic Emission: The Icosidodecahedron as a Novel Omnidirectional Source. Applied Sciences. 2026; 16(2):1149. https://doi.org/10.3390/app16021149
Chicago/Turabian StyleLlontop Incio, Jimmy, Marcelo Herrera Martínez, and Jonnathan Odraude Montenegro Niño. 2026. "Geometric Innovation in Acoustic Emission: The Icosidodecahedron as a Novel Omnidirectional Source" Applied Sciences 16, no. 2: 1149. https://doi.org/10.3390/app16021149
APA StyleLlontop Incio, J., Herrera Martínez, M., & Montenegro Niño, J. O. (2026). Geometric Innovation in Acoustic Emission: The Icosidodecahedron as a Novel Omnidirectional Source. Applied Sciences, 16(2), 1149. https://doi.org/10.3390/app16021149

