James Bond’s Biopolitics
Institute for English and American Studies, TU Dresden, 01062 Dresden, Germany
Humanities 2019, 8(2), 62; https://doi.org/10.3390/h8020062
Received: 22 February 2019 / Revised: 18 March 2019 / Accepted: 22 March 2019 / Published: 27 March 2019
This chapter traces Foucauldian technologies of power in the James Bond universe and characterises the Bond franchise’s biopolitics in the cultural environment of the 1960s and 1970s, when 007 became a mass phenomenon. The majority of the chapter is dedicated to a case study of On Her Majesty’s Secret Service, Ian Fleming’s tenth Bond novel (1963) and the sixth film in the EON series (1969). The chapter highlights the intersection between reproduction and fertility on the one hand and the infliction of death and mass genocide on the other, and it examines how James Bond juxtaposes the disciplinary means that are directed against the body (as an organism) on the one hand, and the state-powered regulation of biological processes that control the population on the other. The two versions of On Her Majesty’s Secret Service amount to the franchise’s most straightforward foray into the realm of biopolitics and would pave the way for the franchise’s subsequent biopolitical and eugenic moments, like when the figure of the genocidal villain gets to articulate the franchise’s own subliminal agenda regarding population control and the future of the (British) species. View Full-Text
Keywords: James Bond; Michel Foucault; biopolitics; thanatopolitics; sexual revolution; contraception; genocide; On Her Majesty’s Secret Service; Moonraker►▼ Show Figures
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Schwanebeck, W. James Bond’s Biopolitics. Humanities 2019, 8, 62.
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Schwanebeck W. James Bond’s Biopolitics. Humanities. 2019; 8(2):62.Chicago/Turabian Style
Schwanebeck, Wieland. 2019. "James Bond’s Biopolitics." Humanities 8, no. 2: 62.
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