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Open AccessArticle

Agents of Secularisation—Ibsen and the Narrative of Secular Modernity

Department of Finnish and Scandinavian Studies, University of Greifswald, 17487 Greifswald, Germany
Humanities 2019, 8(2), 111; https://doi.org/10.3390/h8020111
Received: 7 February 2019 / Revised: 28 May 2019 / Accepted: 28 May 2019 / Published: 3 June 2019
(This article belongs to the Special Issue Nordic and European Modernisms)
In sociology, modernisation is often identified with secularisation. How can secularisation in the texts of modernism around 1900 be analysed? Literary history books tell us that the modernist authors were lucid analysts of their time who portrayed the process of secularisation going on around them in their dramas, novels or short stories. The article tries out a different approach: By conceptualizing secularisation as a cultural narrative, the perspective on the literary material changes fundamentally. The modernist authors were involved in shaping the idea of secularisation in the first place, in propagating it and in working on its implementation. They did not react to the process of secularisation with their texts. Instead, they were involved in the creation and shaping of the interpretative category ‘secularisation’. The article exemplifies this change in approach using a pivotal text of Nordic literary modernism, Ibsen’s Rosmersholm. View Full-Text
Keywords: modernisation; secularisation; Henrik Ibsen; Rosmersholm; Sigmund Freud modernisation; secularisation; Henrik Ibsen; Rosmersholm; Sigmund Freud
MDPI and ACS Style

Schiedermair, J. Agents of Secularisation—Ibsen and the Narrative of Secular Modernity. Humanities 2019, 8, 111.

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