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From the Memory Books of Josely Carvalho

School of Art and Design, Texas State University, 601 University Dr., San Marcos, TX 78666, USA
Arts 2019, 8(3), 109; https://doi.org/10.3390/arts8030109
Received: 24 July 2019 / Revised: 19 August 2019 / Accepted: 25 August 2019 / Published: 28 August 2019
(This article belongs to the Special Issue Decolonizing Contemporary Latin American Art)
In this interview, Brazilian-born multi-media artist Josely Carvalho (b. 1942) reflects back on her art making practice in the 1980s. Among the subjects that she addresses are her bi-nationalism, her use of the silkscreen process, and her association with the 1984 activist campaign Artists Call Against U.S. Intervention in Central America. She also speaks about working as a Latin American artist in New York City during this period, as well as her involvement with galleries and arts organizations such as St. Mark’s Church-in-the-Bowery, Central Hall Cooperative Gallery, and Franklin Furnace. View Full-Text
Keywords: Josely Carvalho; art; Brazil; activism; silkscreen; mail art; Artists Call; St. Mark’s Church; Central Hall; Franklin Furnace Josely Carvalho; art; Brazil; activism; silkscreen; mail art; Artists Call; St. Mark’s Church; Central Hall; Franklin Furnace
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Duganne, E. From the Memory Books of Josely Carvalho. Arts 2019, 8, 109.

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