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Open AccessEditorial

Art Markets and Digital Histories

1
Project for the Study of Collecting and Provenance, Getty Research Institute, Los Angeles, CA 90049, USA
2
Department of History, University of Amsterdam, 1012 WX Amsterdam, The Netherlands
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Authors to whom correspondence should be addressed.
Arts 2019, 8(3), 105; https://doi.org/10.3390/arts8030105
Received: 2 August 2019 / Accepted: 6 August 2019 / Published: 21 August 2019
(This article belongs to the Special Issue Art Markets and Digital Histories)
This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. Digital art history or historical research facilitated by computer-technology in general is omnipresent in academia and increasingly supported by an infrastructure of seminars, workshops, networks, journals and other platforms for sharing results, exchanging notes and developing criticism. As the wealth of historical and contemporary data is rapidly expanding and digital technologies are becoming integral to research in the humanities and social sciences, it is high time to reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. View Full-Text
Keywords: art markets; digital history; editorial art markets; digital history; editorial
MDPI and ACS Style

van Ginhoven, S.; Rasterhoff, C. Art Markets and Digital Histories. Arts 2019, 8, 105.

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