The Machine as Artist as Myth
Institute of Philosophy and Sciences of Art (IPK), Leuphana University, 21335 Lüneburg, Germany
Arts 2019, 8(1), 25; https://doi.org/10.3390/arts8010025
Received: 4 January 2019 / Revised: 11 February 2019 / Accepted: 14 February 2019 / Published: 20 February 2019
(This article belongs to the Special Issue The Machine as Artist (for the 21st Century))
The essay proposes an art–historical contextualisation of the notion of the “machine as artist”. It argues that the art–theoretical tropes raised by current speculations on artworks created by autonomous technical systems have been inherent to debates on modern and postmodern art throughout the 20th century. Moreover, the author suggests that the notion of the machine derives from a mythological narrative in which humans and technical systems are rigidly figured as both proximate and antagonistic. The essay develops a critical perspective onto this ideological formation and elucidates its critique in a discussion of a recent series of artworks and a text by US American artist Trevor Paglen. View Full-Text
Keywords: machine; art; art history; myth; modernism; artificial intelligence; artificialism; machine realism
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Broeckmann, A. The Machine as Artist as Myth. Arts 2019, 8, 25.
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Broeckmann A. The Machine as Artist as Myth. Arts. 2019; 8(1):25.Chicago/Turabian Style
Broeckmann, Andreas. 2019. "The Machine as Artist as Myth." Arts 8, no. 1: 25.
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