Shared Brains, Proprioceptiveness, and Critically Approaching the Animal as the Animal in Artworks

The animal and being animal is a proposition and position that invites observational and critical debate. Yet, the presence of the non-human animal is usually and normatively confined to representational artworks rather than the animal itself in the gallery or museum, which is, potentially, problematically anthropocentric. Using diverse methods, processes, and materials, and curious to a myriad of opening potentialities, Bartram + Deigaard, in contrast to this problem, explore working as humans from an animal-centric perspective through artistic research. They bring sensitivities to their handling of the animal, as both artistic subject and collaborator, to observe and engage with empathy and openness to animal insight and revelation and behaviour. Their works in performance, video, drawing, and printmaking foreground animal proximity and behaviour, inter-species proprioception, reciprocal caretaking, synchronised respiration, and companionate movement. This article explores the socialised and familiar in close observation, directly and indirectly, in their individual yet companion practices, illuminating the benefits of a radically enlarged sentiocentrism. It reflects on the allowing and embracing of other species within their artworks, and of being mindful and sensible with balancing sympathies and empathies as humans within an often unbalanced system of agency. Specifically, it gleans patterns and insights from their exhibition at Tippetts and Eccles Galleries at Utah State University in 2021, where they invited a canine collaborator into their thinking through praxis and the interventions and residual outcomes this created. This essay discusses two individual video artworks from each artist, which document their invitations to non-human animals into the gallery or museum, and two durational artworks curated within this exhibition.