How Land-Use Planning Deeply Affects the Spatial Distribution of Composite Soundscapes
Abstract
1. Introduction
2. Methods
2.1. Study Area
2.2. Delineation of Research Space Units
2.3. Data Sources and Processing Procedures
2.3.1. Objective Acoustic Parameters
2.3.2. Soundscape Subjective Parameters
- (1)
- Basic information of respondents. This includes gender, age (seven options: under 18, 18–24, 25–34, 35–44, 45–54, 55–64, and 65 and above), employment status (seven options: student, incumbent, retiree, and other), and educational background (four options: high school and below, technical vocational school, university graduate, and postgraduate and above).
- (2)
- Respondents’ perception of sound sources [1]. According to the international standard for soundscape (ISO/TS 12913-2) [28], sound sources are categorized into natural, human, and mechanical sounds, and the specific types of sound sources are shown in Table 1, and a five-level scale is used to quantify the perceived frequency of each type of sound source.
- (3)
- Respondents’ evaluation of the soundscape. In this study, based on the theoretical framework of multidimensional soundscape perception (e.g., pleasantness, eventfulness, familiarity), standardized ISO soundscape descriptors, and empirical validation across diverse environments, these five indicators—Appropriateness, Quietness, Comfort, Satisfaction, and Matching—were selected for their comprehensive ability to capture the physical, psychological, and contextual dimensions of soundscape quality. Suitability (characterizing the degree of relaxation and Appropriateness of the soundscape), Quietness (characterizing the degree of Quietness of the soundscape as perceived by the respondents), Comfort (characterizing the degree of Comfort of the soundscape as perceived by the respondents), Satisfaction (characterizing the degree of Satisfaction with the soundscape as perceived by the respondents), and Match (characterizing the degree of matching, as perceived by the respondents, of a soundscape with the soundscape in their area). The soundscape evaluation was quantified through a five-level scale divided into five degrees: strongly agree (+2 points), relatively agree (+1 point), moderate (0 points), relatively disagree (−1 point), and strongly disagree (−2 points). At the same time, we categorized the specific sound sources in the study area into three main types: natural sounds: wind, wind blowing leaves, water, chirping of birds and insects, and dogs barking; human sounds: conversation, footsteps, entertainment (excluding conversations), and sports; and mechanical sounds: music (musical instruments), broadcasts (electric broadcasting), transportation, and construction.
| Sound Source Type | Specific Sound Source |
|---|---|
| Natural sound | wind, leaves blown by the wind, water, birds, insects, dogs |
| Human sound | conversation, footsteps, entertainment activities fitness exercises |
| Mechanical sound | music, radio, traffic, construction |
2.3.3. Urban Land-Use Planning Data
2.4. Procedure
2.4.1. Objective Acoustic Data Acquisition and Processing
2.4.2. Questionnaire Distribution and Collection
2.5. Research Process
3. Results
3.1. Spatial Distribution of the Urban Soundscape
3.1.1. Characterization of Objective Indicators
3.1.2. Characterization of Subjective Indicators
- (1)
- Frequency of soundscape perception
- (2)
- Multidimensional evaluation of soundscape
3.2. Study of the Relationship Between Urban Land-Use Planning and Subjective and Objective Indicators of Soundscape
3.3. Characteristics of Typical Urban Road Soundscape and Land-Use Interaction
4. Discussion: The Urban Soundscape Is Influenced by Many Factors
4.1. Intervention in the Acoustic Environment by the Complex Urban Environment
4.2. Synergy of Site Functions on Soundscape Resources
4.3. Relationship Between the Public’s Need for Tranquility and Planning
5. Conclusions
- (1)
- Objective acoustic characteristics and soundscape perception evaluation are affected by the function of urban land use. Areas with the same urban soundscape distribution pattern have similar spatial functional characteristics, and soundscape evaluation will be affected by the surrounding environment. This is because the urban land-use function directly affects the natural environmental elements and crowd activities in the space, leading to changes in the objective acoustic environment, and affecting the evaluation of the subjective soundscape. Areas with the same distribution pattern of sound source perception tend to show similar spatial functional characteristics, and there are some differences in the distribution pattern of different categories of sound source perception. The overall spatial distribution of soundscape evaluation is relatively similar, but there are some differences in the urban spatial functions corresponding to high- and low-value areas. The distribution of soundscape evaluation is not random, and different soundscape evaluation indicators have significant spatial autocorrelation and spatial aggregation effects. Therefore, corresponding soundscape optimization strategies should be proposed for different urban spatial functions.
- (2)
- The critical objective acoustic indicators affecting the evaluation of urban soundscape perception are equivalent continuous A sound level LAeq, background sound L90, LC–LA, and loudness. Sound level remains the most critical factor influencing individuals’ perception and evaluation of the sound environment, and LAeq has a key influence on all soundscape evaluation indicators. Individuals rate the quiet environment highly and experience a strong sense of discomfort in the noisy environment. However, it should be noted that soundscape evaluation results may also vary due to individual differences and other physical environment factors.
- (3)
- Urban land-use planning has a significant impact on the urban soundscape. Urban land-use planning, to a certain extent, delineates the behavior of individuals in its space and therefore produces soundscape characteristics corresponding to the behavioral activities of the crowd. There are significant differences in the objective sound environment in different urban land-use plans, and urban land-use plans also influence people’s perception of the sound environment.
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
References
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| Sound Source Perception | Moran’s I | Z-Score | |
|---|---|---|---|
| Sound source category | Natural sound | 0.326 | 4.872 |
| Human sound | 0.547 | 8.030 | |
| Mechanical sound | 0.322 | 4.794 | |
| Soundscape Evaluation | Moran’s I | z-Score |
|---|---|---|
| Suitability | 0.290 | 9.055 |
| Quietness | 0.303 | 9.469 |
| Comfort | 0.307 | 9.586 |
| Satisfaction | 0.354 | 11.025 |
| Match | 0.141 | 4.441 |
| Implicit Variable | Independent Variable (Objective Acoustics) | Standardized Coefficient | t | Covariance Statistics | R-Square | F | ||
|---|---|---|---|---|---|---|---|---|
| Tolerances | VIF | |||||||
| Sound source perception | Natural sounds | / | / | / | / | / | / | / |
| Human sounds | L90 | −0.296 | −3.372 | 1.000 | 1.000 | 0.088 | 11.373 ** | |
| Mechanical sounds | L90 | 0.216 | 2.402 | 1.000 | 1.000 | 0.047 | 5.772 * | |
| Soundscape Evaluation | Suitability | LAeq | −1.077 | −5.297 | 0.108 | 9.278 | 0.483 | 36.098 *** |
| LC–LA | −0.247 | −3.552 | 0.924 | 1.082 | ||||
| L90 | 0.411 | 2.046 | 0.110 | 9.071 | ||||
| Quietness | LAeq | −0.836 | −16.517 | 1.000 | 1.000 | 0.698 | 272.809 *** | |
| Comfort | LAeq | −1.247 | −6.379 | 0.108 | 9.278 | 0.522 | 42.241 *** | |
| LC–LA | −0.236 | −3.537 | 0.924 | 1.082 | ||||
| L90 | 0.569 | 2.942 | 0.110 | 9.071 | ||||
| Satisfaction | LAeq | −1.234 | −5.739 | 0.108 | 9.278 | 0.422 | 28.261 *** | |
| LC–LA | −0.250 | −3.401 | 0.924 | 1.082 | ||||
| L90 | 0.648 | 3.051 | 0.110 | 9.071 | ||||
| Match | LAeq | −1.119 | −3.746 | 0.079 | 12.702 | 0.179 | 12.730 *** | |
| Loudness | 0.791 | 2.647 | 0.079 | 12.702 | ||||
| Residential Land | Commercial Land | Public Administration and Service Land | Industrial Land | Transport Land | |
|---|---|---|---|---|---|
| LAeq | −0.200 * | 0.239 ** | 0.076 | 0.017 | 0.063 |
| L10 | −0.180 | 0.235 * | 0.080 | 0.030 | 0.058 |
| L90 | −0.102 | 0.218 | 0.020 | −0.015 | 0.069 |
| L10–L90 | 0.421 ** | −0.213 * | −0.042 | 0.042 | −0.141 |
| LC–LA | −0.305 ** | 0.048 | 0.097 | 0.250 ** | 0.012 |
| Loudness | −0.332 ** | 0.301 ** | 0.090 | 0.011 | 0.109 |
| Sharpness | 0.452 ** | −0.082 | −0.209 * | −0.235 * | −0.033 |
| Suitability | 0.164 | −0.075 | 0.056 | −0.353 ** | −0.079 |
| Quietness | 0.205 * | −0.016 | −0.016 | −0.155 | −0.135 |
| Comfort | 0.130 | −0.082 | 0.043 | −0.312 ** | −0.040 |
| Satisfaction | 0.090 | 0.074 | 0.151 | −0.418 ** | −0.120 |
| Match | 0.011 | −0.008 | 0.099 | −0.081 | −0.067 |
| Natural sounds | −0.055 | 0.270 ** | 0.100 | −0.108 | −0.074 |
| Human sounds | 0.267 ** | −0.288 ** | −0.360 ** | 0.193 | −0.130 |
| Mechanical sounds | −0.165 | −0.045 | 0.195 * | −0.046 | 0.187 * |
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Feng, L.-Y.; Hu, F.; Liu, B.-Y.; Zhang, D.-Y.; Guo, L.-H.; Yu, S.; Hong, X.-C. How Land-Use Planning Deeply Affects the Spatial Distribution of Composite Soundscapes. Sustainability 2025, 17, 10948. https://doi.org/10.3390/su172410948
Feng L-Y, Hu F, Liu B-Y, Zhang D-Y, Guo L-H, Yu S, Hong X-C. How Land-Use Planning Deeply Affects the Spatial Distribution of Composite Soundscapes. Sustainability. 2025; 17(24):10948. https://doi.org/10.3390/su172410948
Chicago/Turabian StyleFeng, Li-Yi, Fangbing Hu, Bin-Yan Liu, Dan-Yin Zhang, Lian-Huan Guo, Shanshan Yu, and Xin-Chen Hong. 2025. "How Land-Use Planning Deeply Affects the Spatial Distribution of Composite Soundscapes" Sustainability 17, no. 24: 10948. https://doi.org/10.3390/su172410948
APA StyleFeng, L.-Y., Hu, F., Liu, B.-Y., Zhang, D.-Y., Guo, L.-H., Yu, S., & Hong, X.-C. (2025). How Land-Use Planning Deeply Affects the Spatial Distribution of Composite Soundscapes. Sustainability, 17(24), 10948. https://doi.org/10.3390/su172410948

