1. Introduction
Sustainable architecture involves saving resources, reducing polluting emissions during the architectural product life cycle, the correct management of the materials used, and the use of renewable sources. Modern society has a considerable amount of new, disposable, and low-cost objects, which does not make the reuse of materials attractive, thus accumulating waste day after day [
1]. The emergency linked to waste disposal requires a radical change of perspective, starting to design according to eco-design criteria. A sustainable design minimizes the presence of toxic substances in products, uses recycled materials, and reduces the quantity and types of materials used. Furthermore, it uses compatible materials, reducing the amount of processing waste, minimizing the packaging by exploiting a reusable packaging system. Finally, it increases the energy efficiency of electrically operated products, facilitates access to parts for their replacement or maintenance, allows the recovery of components for subsequent recycling [
2].
A new design perspective must envisage a different approach to existing objects, providing for a new location when they have ceased to be used. Waste is no longer a problem but a resource, finding new opportunities for creativity in its uselessness. Thus, objects are always transformed into something else without ever becoming waste, in an eternal transformation in which they are used and reused by exploiting creative solutions. A new approach to objects becomes crucial, learning to separate them from their main function and to observe them for their material potential [
3].
The reuse of objects is widespread thanks to a growing ecological awareness of society. Reduction and reuse are not two alternative practices, but they can both be adopted in different areas [
4]. Reuse is based on the concepts of simplicity and circular economy [
5]. An object designed throughout its life cycle (Life Cycle Design) will already provide for its disposal or transformation into something else [
6]. This is not only an ecological issue, preventing non-biodegradable objects from being released into the environment and reducing the use of raw materials, but also an ethical issue—reuse being an opportunity for the development of less industrialized countries, because what is waste in a capitalist society is material in a less technically advanced context [
7].
Another aspect of reuse is closely linked to design. There has always been, on the part of the most curious and intelligent designers, an interest in objects created for contexts but with a hidden potential that suggests their useful application in other sectors. In this context, the creativity of the designer is solicited who identifies new forms of objects that have reached the end of their life or that for other reasons lie unused and abandoned. In this way, the object acquires new features that take advantage of the characteristics and properties inherent in the material and which may not have been initially foreseen. The new geometries envisaged by the designer exploit the characteristics of the material by providing new uses that, in some cases, can make the new object more interesting than the original one [
8,
9]. The reuse of materials has been widely applied in the history of art; specifically, in painting and sculpture [
9,
10] as well as in architecture [
11,
12].
Noise is one of the most common pollutants in cities, defined as a generally unpleasant sound. This depends on each person, since for some, a sound can be pleasant or tolerable, whilst for others, it can be considered annoying and even painful. In a new building’s design, a lot of attention must be reserved for the acoustics of the building [
13]. The sound in a room, regardless of its characteristics, has two components: direct sound and indirect sound. Direct sound is a sound that comes directly from the sound source. Indirect sound is the result of the multiple reflections, diffractions, and absorptions that the walls, ceiling, floor, and the different objects in the room produce to direct sound [
14].
Sound absorption is a fundamental element in the field of environmental acoustic design. The absorbent and reflective surfaces determine the behavior of the sound and consequently the acoustics of the environment [
15]. Optimal room acoustics always consist of a combination of different absorbent and reflective surfaces. To obtain effective sound absorption, it is necessary to provide adequate characteristics for the materials used. The success in the acoustic design of any type of room, once its volume and shape have been established, lies above all in the choice of the most suitable materials to be used as cladding to obtain an optimal reverberation time.
The sound absorption depends greatly on the material, a correct choice will provide the most adequate absorption in all the frequency bands of interest [
16]: Obtaining good sound absorption performance is not a simple thing; thus, several researchers are looking for new solutions to improve this performance. Recently, attention has been paid to a new category of acoustic absorbers based on metamaterials. The term metamaterial was initially used by Victor Veselago [
17] around 1967 to refer to a type of material, hitherto theoretical, in which negative values would be observed for some electromagnetic parameters (permittivity and magnetic permeability), which, up to that time, they believed capable of assuming only positive values. Subsequently, the study of metamaterials was extended to acoustic systems to give rise to acoustic metamaterials [
18,
19,
20]. An acoustic metamaterial is a structure composed of several elementary units, identical to each other and arranged in a periodic network. Based on the distance between these units, the geometry of each of them, and the properties of the medium in which they are incorporated, this system can influence the acoustic waves that propagate through it in unusual ways. Some of the characteristics identified in such materials include negative refraction [
21], band gap [
22], birefringence [
23], and autocollimation [
24]. These properties can be applied in a variety of devices covering different cases such as acoustic barriers [
25], acoustic lenses [
26], and acoustic absorbers [
27,
28,
29,
30].
To improve the sound-absorbing performance, we can design a new composite structure by combining materials already available to obtain a new material with properties different from the starting materials. In the new composite, the different materials collaborate in mass, size, and internal mechanical characteristics. Recently, the interest of researchers has focused on membrane metamaterials [
31,
32]. In these metamaterials, a thin layer of elastic material is exploited, which does not have flexural stiffness to generate resonances at low frequencies to which dipolar modes correspond; it is therefore capable of generating an effective negative density. These metamaterials are characterized by extremely small dimensions of the periodic structure and allow the setting of the resonances at the desired frequencies. Lee et al. [
33] proposed a metamaterial with a periodic structure of cells coated with a thin membrane under tension. The material returns negative effective density over a wide frequency range from 0 to 735 Hz. Yang et al. [
34] elaborated on a metamaterial using a membrane structure with very simple geometry. The material proposed in this study can attenuate the sound wave with a significant margin in the frequency range from 100–1000 Hz. The structure has a small elastic film with fixed boundaries defined by a rigid grid, with a small mass attached to the center of the membrane sample. The weak elastic modules of the membrane generate low-frequency oscillations regulated by the attached masses. Yang et al. [
35] presented a new membrane-type metamaterial made with a thin, slightly stretched elastic membrane attached to a rigid plastic grid, with a small mass attached to the center of the grid. The unit cells were arranged in parallel to form a light and relatively thin panel capable of acoustic attenuation with an average STL (Sound Transmission Loss) of 40 dB over the frequency range of 50–1000 Hz. Mei et al. [
36] elaborated a membrane-like acoustic metamaterial using a thin film with attached asymmetrical rigid platelets. The metamaterial returned an almost unitary sound absorption coefficient at frequencies in which the wavelength of the incident sound wave is three orders of magnitude greater than the thickness of the membrane. The flapping motion of the rigid plates generates a large elastic bending energy density in their perimeter regions. Ma et al. [
37] made a membrane-like metamaterial with a plate attached to the center of the cell. The structure is placed at a short distance from a totally reflective rigid surface; in this way, two hybridized resonances are generated in the new structure which returns a robust impedance and perfect absorption. The width of the absorption band is very narrow but can be adjusted according to specific needs. Ciaburro et al. [
38] proposed a new acoustic metamaterial structure based on the use of a thin cork membrane on which masses of different weights and shape were applied. The authors showed that the masses improve the acoustic behavior of the cork, an increase in the attached masses shifts the peak of the acoustic absorption coefficient towards the low frequencies and increases its value. Finally, an increase in the radius of the masses increases the frequency at which the absorption coefficient peak occurs.
Although this type of metamaterials has been extensively studied, many problems remain unsolved. For example, the performance of the sound absorption coefficient offered by these materials, even if concentrated at low frequencies, are narrow band. This is due to the local resonance phenomenon, which concerns the low-frequency range, while for the high frequencies, excellent performances are measured for wider frequency bands thanks to the Bragg scattering effects. A solution to this problem could be obtained by increasing the internal resonant mass but to the detriment of the lightness of the material which characterizes its competitiveness. To overcome these difficulties, Yang et al. [
39] proposed an acoustic metamaterial using two coupled membranes with rigid circular masses attached. The symmetry of the structure generates monopolar and dipolar resonances returning a double negativity in the frequency range of 520–830 Hz. Lu et al. [
40] created a metamaterial with a sandwich structure by inserting a thin membrane between two layers with a honeycomb geometry. The structure has a negative mass density at frequencies lower than the first natural frequency, giving excellent low-frequency acoustic insulation. Furthermore, the authors have shown that STL can be increased by modifying some characteristics of the membrane such as surface density, shape, and tension.
Based on the analysis of these works, in this study, a new membrane-type metamaterial was developed based on three reused PVC layers and attaching reused metal washers. To improve the acoustic absorption capacity at low frequencies, the internal resonances of the different layers of the material were coupled, obtaining an effectively extended absorption band. Each layer consists of a PVC membrane with attached masses mounted on a PVC frame. The specimens correctly assembled and stacked were housed in an impedance tube to measure the sound absorption coefficient. Different configurations were analyzed, changing the number of masses attached to each layer and the geometry of their position. These measurements were subsequently used to train a model based on artificial neural networks for the prediction of the sound absorption coefficient. This model was then used to predict the value of the sound absorption coefficient for all possible combinations; these values were used to evaluate the combinations which give the best absorption performance.
The rest of the paper is structured as follows:
Section 2 describes in detail the preparation of the specimens, the procedure for measuring the sound absorption coefficient, and the methods applied for the analysis of the acoustic characteristics of the samples and the processing of the forecast models. Finally, the optimization procedure for finding the best specimen configuration is also described.
Section 3 shows the results of the measurements of the sound absorption coefficient, of the simulation obtained with the model based on neural networks, and of the search for the optimal configuration. In
Section 4, the conclusions are drawn by proposing possible practical uses of the proposed technology and possible future research ideas.
4. Conclusions
In this study, a new layered membrane metamaterial was developed based on three layers made with a reused PVC membrane and attaching reused metal washers to each layer. The membranes were fixed on a rigid support, leaving a cavity between the stacked layers. The test pieces were used to measure the sound absorption coefficient with an impedance tube. Different configurations were analyzed, changing the number of masses attached to each layer and the geometry of their position. These measures were subsequently used to train a model based on artificial neural networks for the prediction of the sound absorption coefficient. This model was then used to identify the metamaterial configuration that returns the best absorption performance.
The results of this study tell us that the designed metamaterial is capable of significantly improving the acoustic behavior of the original membrane, especially at low frequencies. The presence of washers on the membrane characterizes its acoustic behavior. No washers in all three layers returned a highly selective bell-shaped sound absorption coefficient around the resonant frequency—this behavior is typical of cavity resonators. For this configuration of the specimens, we observed a peak of the acoustic absorption coefficient positioned at a frequency of 400 Hz. The opposite behavior assumed the configuration with five washers in all three layers. This configuration no longer showed the typical bell shape but, on the contrary, it showed an almost constant behavior of the material in almost all frequency bands. The peak at the resonant frequency of the membrane was replaced by a significant improvement in performance at the lowest frequencies (around 200 Hz).
The search procedure for the optimal configuration confirmed this behavior. In fact, at low frequencies (63–125 Hz) the optimal configuration is obtained with the greater number of washers attached to the membranes of the three layers, indicating that at low frequencies, due to the resonance and anti-resonance between incident sound waves and membrane vibration, an acoustic insulation effect is determined. For medium frequency bands (200–400 Hz), the higher values of the SAC are obtained for configurations in which the intermediate layer has no washers attached. Finally, for high-frequency bands (500–1250 Hz), the optimal configuration provides for the absence of washers in the first layer: Once again the behavior of cavity resonators seems to prevail.
The aim of this work was to evaluate the unit cell performance of the stratified membrane metamaterial. This structure will be adopted for the construction of acoustic panels to be used for improving room acoustics. Acoustic panels are sound-absorbing panels which, when correctly positioned within a room, control and reduce ambient noise and reverberation. The possibility of adjusting the shape of the unit cells allows us to modulate the type of sound absorption on specific frequency bands. In this way, it is possible to design the acoustic panel according to the specific needs of the user.