Search Results (25)

As a core structure within the Qing Changling Mausoleum, a UNESCO World Cultural Heritage site, Long’en Hall preserves a relatively complete set of Qing dynasty imperial lacquered furniture. These furnishings provide critical physical evidence for studying Qing dynasty sacrificial rituals and the craftsmanship of court lacquerware. However, limited research has been conducted on the surface finishing techniques of such furnishings, posing challenges to their conservation and accurate restoration. This study focuses on representative furnishings from Long’en Hall—including an offering table, an incense pavilion, a throne, and a poke lamp—and employed a multi-method analytical approach comprising fluorescence microscopy (FM), scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), X-ray photoelectron spectroscopy (XPS), and Fourier-transform infrared (FTIR) spectroscopy. The analysis was conducted on the following two levels: the lacquer layer structure and material composition. The results show that the furnishings in the Long’en Hall adopt the typical structure of “lacquer ash layer–color lacquer layer”, and the color lacquer layer is composed of raw lacquer, tung oil, animal glue, and other natural organic ingredients as film-forming materials, supplemented with inorganic mineral pigments such as red lead (Pb₃O₄) and Au metal, which constitutes a stable organic–inorganic composite structure with the lacquer ash layer. The multi-analysis results show a good complementary and cross-corroboration relationship, providing the necessary technical support and a theoretical reference for Qing dynasty palace lacquer wood furniture as cultural relics worthy of scientific protection and imitation. Full article

This study explores the application of Eastern philosophy in craft innovation education, identifying opportunities for interdisciplinary learning. Drawing on the I Ching and Laozi’s thought, it examines human needs in craft across three dimensions: Qi-form (material), Xin-form (psychological), and Dao-form (philosophical). Taiji theory’s Yin–Yang balance highlights the importance of interdisciplinary thinking in craft innovation. This study introduces the “Spiral Innovation Theory” as a framework for craft education, implemented in the 2024 Taiwan Craft Academy Summer Program with 43 participants. The curriculum covered lacquer, wood, metal, and ceramics, employing a multi-mentor system. Using the Learning Motivation Strategies Scale, Imaginative Thinking Scale, and interviews, the findings reveal that different crafts foster distinct creative abilities. The ANOVA results show woodworking enhances ideation, metalwork and ceramics improve fluency, ceramics and woodworking strengthen flexibility, while woodworking and lacquer work boost creativity. A significant correlation between learning motivation and imagination was found. These findings offer insights into future craft education, advocating the dual mentorship model as a strategy for interdisciplinary innovation. Full article

This study investigated the bonding strength and chemical composition (as an influencing factor of adhesion) of red eucalyptus (Eucalyptus camaldulensis) (EUW) and grey poplar (Populus canescens) (GPOW) wood surfaces, comparing their suitability for indoor and outdoor wood-building applications. The research focused on adhesion strength using different coatings and adhesives, including lasure and 2K lacquer. The results showed that whilst both wood species had a conveniently high cellulose content, GPOW had a higher cellulose content (48.21%) than EUW (45.18%). However, EUW demonstrated superiority in tensile shear strength tests when using structural adhesives. Additionally, EUW exhibited stronger pull-off adhesion with 2K lacquer (5.25 MPa) compared with GPOW (3.42 MPa), suggesting that whilst both reached the expectations, EUW was more appropriate for high-stress indoor applications like flooring or wall cladding. EUW and GPOW performed well with lasure, achieving comparable adhesion strengths. EUW had a density of 1020 kg/m³ vs. 575 kg/m³ for GPOW and stronger bonding capabilities than GPOW, which suggests that it is equally suitable for wood applications inside and outside buildings. The study concluded that whilst both wood species met expectations and proved to be suitable for doors, windows, and other wood-building product applications, GPOW was suitable for the production of cellulose-based products, while EUW was worth relying on for its excellent adhesion to coatings and adhesives. Full article

The wooden lacquerware unearthed from the Zhou Dynasty (1046–771 BCE) Zeng Cemetery of Guojiamiao in Hubei Province, China, holds significant cultural value. Although the artifacts retain intact lacquer films, the wooden bodies exhibit high moisture content and severe decay, necessitating immediate dehydration and reinforcement. The characterization of the samples was carried out using microscopy, SEM-EDS (Scanning Electron Microscopy—Energy Dispersive Spectrometry), XRD (X-Ray Diffraction), Raman spectroscopy, and THM-Py-GC/MS (Thermally Assisted Hydrolysis–Methylation Pyrolysis–Gas Chromatography/Mass Spectrometry) to analyze their physical and chemical properties, while moisture content was assessed through the loss-on-drying method. Findings reveal that the wooden structures of the dou and bow are made from Catalpa wood and Sawtooth oak, respectively, with a moisture content reaching 274%. The lacquer film comprises three layers: a mortar layer, a lacquer layer, and a cinnabar-containing red pigment layer. The purpose of this study is to investigate the material properties of lacquered wood artifacts, focusing on the application of advanced analytical techniques to assess their condition and composition, offering a foundation for effective conservation strategies for these cultural relics. Full article

Research on the degradation mechanism of coating materials is crucial for the preservation of cultural heritage. The purpose of this study was to evaluate the protective effect of Coromandel coatings on wooden substrates by analyzing their dimensions, weight, adhesion strength, hydrophobicity, and glossiness. The results indicate that after five cycles, the radial moisture expansion rate of the wood specimen is 0.332%, while that of the lacquer specimen is 0.079%, representing 23.8% of the radial moisture expansion rate of untreated wood specimens. This performance is superior to that of the ash and pigment specimens. Across different experimental conditions, the change in the mass of the Coromandel specimens aligns with the trend in their dimensional changes, indicating that moisture absorption and desorption are the primary reasons for dimensional changes. The influence of temperature on mass and dimensional stability is significant only in terms of dry shrinkage rate. After wet and dry cycles at 40 °C, the adhesion strength of the Coromandel specimens decreases the most, with the ash specimens decreasing by 7.2%, the lacquer specimens by 3.2%, and the pigment specimens by 4.5%. Following wet and dry cycles at three different temperatures, the contact angle of the lacquer layers changes by less than 5%, with their contact angle values exceeding 120°. These data indicate that among the Coromandel coatings, the lacquer layer provides the best protection for the wooden substrate, while the ash coating is the most fragile. The degradation rate of the Coromandel specimens increases with rising temperatures. These findings emphasize the critical roles of humidity and temperature in protecting wooden coatings and aim to provide theoretical insights and practical significance for the preservation of wooden artifacts and the assessment of coating performance. Full article

Stabilising the natural colour of wood species exposed to light in indoor conditions is a challenge that could be better addressed based on a deeper understanding of the occurring phenomena and influencing factors. This paper investigates comparatively the light-induced colour changes for three hardwood species, namely, European maple (Acer pseudoplatanus L.), European ash (Fraxinus excelsior L.) and European walnut (Juglans regia L.), as well as the influence of finishing with three types of clear, colourless waterborne lacquers: acrylic-polyurethane (F1), acrylic (F2) and polyurethane (F3) on their colour stability. Colour measurements in the CIELab system in conjunction with an artificial accelerated ageing test under the action of UV-VIS radiation, simulating natural light passing through window glass, and two types of test samples were employed to highlight the influence and contributions of the wood substrate and of the coating films to the global colour modifications. Coating films applied on 1 mm clear glass slides were employed as a sort of “detachable” finish for this purpose. Direct exposure to UV-VIS light caused visible colour changes for both uncoated and coated wood surfaces, the values of the calculated colour differences (ΔE) after a 72 h exposure being dependant on both the wood species and the coating material. Excepting two situations for walnut, statistically significantly higher colour differences were obtained for the uncoated samples: maple (9.36 units), ash (8.39 units), walnut (6.20 units), compared to the coated ones: maple (4.92–5.71 units), ash (2.25–3.94 units), walnut (4.74–7.70 units). The wood substrates underlying the coating films were found to bring the maximum contribution to the overall colour changes in the clear coated surfaces, while the coating films employed in this research demonstrated a fairly good colour stability to UV-VIS light exposure, with maximum colour changes (∆E) up to only 1.30 units. Overall, the wood species and the type of coating were found as influencing factors in interaction with the light-induced colour changes in wood surfaces in indoor conditions. Full article

This study aims to tackle the drawback of non-abrasion-resistance of wood flooring with paint finish. A new method for preparing wood flooring with super-abrasion-resistant coatings by adding nano silicon carbide (SiC) particles to the paint was developed. As indicated by the results, the best mass fraction of nano SiC powder added in ultraviolet (UV) paint is 2.0%, the suspension liquid is stable when the mass concentration of sodium hexametaphosphate added is 2.5%, and it is better for the site humidity to remain below 75% when the nano SiC paint coating is applied. During the preparation of wood flooring with super-abrasion-resistant coating finish, the dosage of finish applied each time should not exceed 30 g/m². During the sanding process, the sanding speed needs to be increased by about 2 m/s compared with that for the ordinary UV nano SiC primer in production. The test results of the performance of finished products indicate that the prepared wood flooring has better film abrasion resistance, adhesion of paint film, and film hardness. Meanwhile, because the paint film is durable and weather resistant, the service life of flooring is effectively extended, avoiding a significant waste of the product’s use value and broadening the product’s application range. Full article

The protection and decorative value of raw wood-based boards with various coatings can be enhanced during the service life of furniture using surface treatment techniques. In this study, selected transparent, pigmented polyurethane email finish and thin foils, commonly used in furniture, were used for surface treatments of medium-density fibreboards with a thickness of 18 mm. Water-borne finish with polyurethane–acrylate resin, solvent-borne finish with polyacrylate resin, and finish based on native oil and waxes, as well as pigmented polyurethane email finish, were used on veneered medium-density fibreboards. The thin foils (polyvinyl chloride, polyethylene terephthalate, and lacquered acryl film) were used for raw medium-density fibreboards. Several resistance surface properties were investigated. It was found that the hardness and resistance to impact were very much related to the interactions between the coating film or thin foil and the substrate. The type of surface finish had a substantial impact on the coating and foil’s resistance qualities, such as resistance to mould and cold liquids. Full article

Waterborne polyurethane (WPU) is a waterborne coating with excellent physicochemical properties. Its deficiencies of water resistance, chemical resistance, staining, and hardness have limited the wide application of polyurethane in the wood lacquer market. In this study, polycarbonate diols (PCDL) were used as soft segments and WPCU was modified by cross-linking using Trimethylolpropane (TMP) to prepare polycarbonate type WPU (WPCU) with cross-linked network structure. The new wood lacquer was prepared by adding various additives and tested by applying it on wood board. The successful synthesis of WPCU was determined by FTIR testing, and the cross-linking degree of WPCU was probed by low-field NMR. The viscosity of the cross-linked WPCU emulsion showed a decreasing trend compared to the uncross-linked WPCU emulsion, and WPCU-2 had the smallest particle size. Compared with the uncrosslinked WPCU film, the crosslinked WPCU film had lower water absorption (2.2%), higher water contact angle (72.7°), excellent tensile strength (44.02 MPa), higher thermomechanical, and better water and alcohol resistance. The effect of crosslinker content on the microphase separation of WPCU chain segments on the surface roughness of the film was investigated by SEM. The wood paint prepared by WPCU emulsion has good dry heat resistance, chemical resistance, and adhesion, and the hardness of the wood paint when the TMP content is 3% reaches H. It also has good resistance to sticky stains, which can be used to develop new wood lacquer. Full article

This work evaluates the effects of accelerated aging on the discolouration of surface-treated spruce wood and oak wood coated with solvent-based polyurethane lacquers, and surface-treated spruce wood coated with water-based transparent coating systems. All concerned coating materials were intended for indoor use. It was also explored how the colour stability of spruce wood and oak wood surfaces treated with solvent-based polyurethane lacquers was affected by wood surface layer modifications with pigment or stain mordants applied before these lacquers. Another issue studied was how the lignin stabilizer admixed into the primer and pigments admixed into the top coating layers affected the stability of water-based coating systems on spruce. The experimental results showed that the accelerated aging process with a simulation of indoor conditions induced significant discolouration of wood surfaces coated with solvent-based polyurethane lacquers and water-based coating systems. There were also confirmed significant impacts of all the studied factors (wood species, lacquer/coating system type, lacquer modification, wood pre-treatment with pigment and stain mordants). The spruce wood surfaces coated with solvent-based polyurethane lacquers were less stable (ΔE = 10–19, dependent on the lacquer type) than the oak surfaces treated in the same ways (ΔE = 4–11). There were also confirmed significant impacts of the particular surface treatment on the colour stability as well as significant impacts of wood surface pre-treatment with pigment and stain mordants (ΔE = 4–17—for spruce wood, and ΔE = 5.5–13—for oak wood). In the case of water-based lacquers, the ΔE values ranged between 3 and 11 (according to the coating system type). The results show that an appropriate UV absorbent combined with an appropriate lignin stabilizer and pigment mordant may enable attaining the required colour stability for a given surface treatment applied on a given wood species. Full article

Because the surface of MDF is not aesthetically pleasing, it usually needs to be veneered and then painted, but such a board releases harmful VOCs, among which Benzene Series is the most harmful. Benzene and its series are a group of carcinogenic compounds. With the diluents of nitrocellulose (NC)-lacquered MDF as the research objects, the release of the Benzene Series was studied to provide a scientific basis for pollution control and a reference for eco-friendly paint production. The attenuant of NC paint, anhydrous ethanol, ethyl acetate and solvents mixed with different alcohol ester ratios were used as diluents in NC lacquer. Two kinds of wood-veneered MDF with different thickness (18 mm and 8 mm) were coated with NC lacquer and analyzed in the experiment. The gas was collected using a small environmental chamber and the Benzene Series was analyzed using GC-MS. The concentration of Benzene Series released by MDF was 316.24 μg·m⁻³, and that of the NC-lacquered MDF with thicknesses of 18 mm and 8 mm were 284.44 μg·m⁻³ and 281.06 μg·m⁻³, respectively. The MDF released 14 kinds of Benzene Series, and the NC-lacquered MDF with two thicknesses released 18 kinds of it. The release concentration order of Benzene Series in NC-lacquered MDF with different diluents of the 18 mm thick panel was NC-M, NC-A, and NC-E from high to low. The lowest concentration of it occurred when the ratio of anhydrous ethanol to ethyl acetate was 1:3, and the lowest amount of components were at the ratio of 1:2. The concentration of Benzene Series released by MDF is higher than that released by the NC-lacquered MDF. Thickness has no effect on the type of release. The thicker MDF was, the higher the concentration was. The alcohol and ester thinner can control the release of Benzene Series from the source, and the optimal mixing ratio was 1:3. Full article

The present paper is part of an ongoing research project carried out to find methods to transpose traditional motifs from Romanian textile heritage to furniture ornamentation, as an additional method of preserving the motifs besides conventional conservation. Modern technology, such as Computer Numerical Control (CNC) routing or laser engraving can revive furniture ornamentation, eliminating manual labor and long execution time. Three methods were applied to transpose a bicolored motif from a traditional Romanian blouse from Transylvania onto the surface of maple wood furniture. The first method utilized was nitrogen laser engraving, in which ten power settings between 10 W and 150 W were applied and color measurements were carried out on the resulting engraved surfaces. Following the International Commission on Illumination (CIELab) system analysis, two laser power settings were selected to engrave the ornament on a maple wood surface for an accurate reproduction. The second method employed a staining solution applied on flat wood surface, followed by routing the model on a CNC machine and further coating with lacquer. The third method consisted of CNC routing the model on the wood surface, then coloring the engraved ornament followed by surface sanding to remove color from the flat wood surface and, finally, lacquering. The ornaments transposed onto maple wood surfaces were aesthetically assessed, the technologies were analyzed, and the details of the processed ornaments were highlighted by Stereo Microscope investigation. The conclusions showed that each method adds value to the wood surface by original ornamentation and can be applied as furniture decoration. Full article

Very volatile organic compounds (VVOCs) are a group of important odor pollutants affecting indoor air quality that have been shown to be harmful to human health. A 15 L environmental chamber, combined with multi-bed tube was used to collect gases. Fifteen very volatile organic compounds (VVOCs), including 12 odor compounds, were identified from veneered medium density fiberboard coated with water-based lacquer (WB-MDF) using gas chromatography–mass spectrometry/olfactometry (GC-MS/O). The total very volatile organic compound (TVVOC) and total odor intensity (TOI) showed a decreasing trend over time, reaching equilibrium on day 28. TVVOC showed an overall slow-fast-slow emission profile, from day 3 to day 7, with a maximum decay rate of 29.7%. TOI showed the greatest rate of decline from day 1 to day 3, at approximately 12%. Alkane and alcohol VVOCs were the more abundant compounds, accounting for at least 60% and even up to 80% of the total. The major odor impression was fruity, with a highest odor rating of 6.6, followed by sweet, with an odor rating of 6.1. Although the odor impression changed from sweet to fruity over time, it seemed pleasant overall. The odor contributors were mainly alkanes, alcohols, esters, and ethers, which had relatively high odor intensities. The main odor-contributing substances were dichloromethane, ethanol, ethyl acetate, 2-methylacrylic acid methyl ester, and tetrahydrofuran. When WB-MDF is used for furniture or other decorative materials, it is strongly recommended that it be stored under ventilation for at least 28 days and the adoption of substitute solvents of lacquers, modified adhesives, and low-odor wood raw materials is recommended. These possible initiatives would contribute to the aim of building an environmentally friendly indoor environment. Full article

Whether modified poplar can obtain a qualified or even excellent finishing effect on European and American furniture is worthy of deep study. To evaluate whether the conventional non-transparent coating process is suitable for modified poplar, a multi-level hybrid orthogonal experiment method was carried out to start research on how factors affect the paint film performance of the non-transparent coating process. The effect of experimental factors and levels on paint film performance is pointed out, and the optimal factors and levels are found. Parameter optimization of the polyurethane non-transparent finishing process based on modified poplar is carried out. An application basis was provided for the extensive use of modified poplar wood as a substrate in the European and American furniture markets. The conclusions are: (1) gloss of paint film can be improved by increasing the number of nitrocellulose (NC) lacquer transparent topcoats, (2) adhesion and thickness of paint film can be improved by polyurethane (PU) sealing primer, (3) the initial paint film’s abrasion is influenced efficiently by the coating process and coating sanding. PU sealing primer has an efficient influence on the later abrasion of paint film. The effect of modified poplar surface pretreatment on the mass loss of paint film tends to be stable. Full article

In this study, a renewable polymeric material, refined oriental lacquer (ROL), used as a wood protective coating, and the Acacia confusa Merr. heartwood extractive, which was added as a natural photostabilizer for improving the lightfastness of ROL, were investigated. The best extract conditions for preparing heartwood extractives and the most suitable amount of addition (0, 1, 3, 5, and 10 phr) were investigated. The lightfastness index including brightness difference (ΔL *), yellowness difference (ΔYI), and color difference (ΔE *), and their applied properties of coating and film were measured. In the manufacture of heartwood extractives, the yield of extractives with acetone solvent was 9.2%, which was higher than that from toluene/ethanol solvent of 2.6%, and also had the most abundant total phenolic contents (535.2 mgGAE/g) and total flavonoid contents (252.3 μgRE/g). According to the SEM inspection and FTIR analysis, the plant gums migration to the surface of films and cracks occurred after UV exposure. The phenomena for photodegradation of ROL films were reduced after the addition of heartwood extractives. Among the different amounts of the heartwood extractives, the 10 phr addition was the best choice; however, the 1 phr heartwood extractive addition already showed noticeable lightfastness improvement. The drying times of ROL were extended and film performances worse with higher additions of heartwood extractives. Among the ROL films with different heartwood extractive additions, the ROL film with 1 phr addition had superior films properties, regarding adhesion and thermal stability, compared with the films of raw oriental lacquer. Full article