Search Results (102)

Eco-cities have become global initiatives in recent years. This paper aims to discuss the construction, evolution and future of eco-city movements in China, especially in areas with abundant ecological resources. Extant literature emphasizes that sustainable development is the purpose of an eco-city. However, in the spatial practice of ecological modernization, many European and American countries develop ecological construction at a slower pace, resulting in sustainable ecological outcomes. Those countries developed ecological practices at a smaller scale, aiming to achieve green towns with zero carbon emission. In contrast, the construction of China’s eco-cities typically involves building new cities in outer suburbs with a larger scale and faster speed. This has led to the rapid construction of so-called ecological cities without sustainable development. In this context, this paper starts from the perspective of political economy and conducts qualitative research on the Shanghai Dongtan Eco-city as a case study. It analyzes the motivation and practical measures of different actors by examining the planning, design and construction process of Dongtan Eco-city during 1998–2024. The results suggest that gaining national political priority through the intervention of international actors and foreign investment is the key to the local pilot ecological city project. This paper further analyzes the differences between the planning concept and the actual practice of Dongtan Eco-city, critically discussing the “Eco-city as the enclave of ecological technology.” This is driven by the integration of eco-city construction and the local government performance appraisal system. Consequently, the pursuit of economic returns redirected Dongtan’s sustainability experiment into a form of green-branded retirement real-estate development between 1998 and 2012. From 2012 to 2024, Chongming’s development model continued to evolve, as the project was reframed from a real-estate-led eco-city paradigm toward an “ecological island” agenda articulated in the language of sustainable development. Full article

Ecocentrism has emerged as a significant theoretical paradigm for addressing ecological crises and promoting sustainable development. However, while influencing the evolution of ecological governance systems, it faces fundamental criticisms including accusations of being “eco-authoritarianism”, “anti-human”, and “utopian”. This study develops a theoretical defense of ecocentrism through Daoism’s three-dimensional framework encompassing ontology, value theory, and practice theory. First, the Daoist holistic concept of living together (bingsheng 並生)—grounded in the principle of “Dao as one”—deconstructs the ontological foundations of anthropocentrism while addressing ecocentrism’s alleged “dictatorial “tendencies. Second, the Daoist value paradigm of valuing life (guisheng 貴生) challenges anthropocentrism’s value hegemony while establishing ethical justification for ecocentrism. Third, Daoist practical philosophy—particularly the concept of nurturing life (yangsheng 養生)—demonstrates how the harmonious coexistence of heaven, earth, and humanity can be achieved through balanced integration of instrumental and value rationality in ecological governance, thereby resolving accusations of “utopianism”. The findings affirm that Daoist philosophy provides not only a robust theoretical defense for ecocentrism but also insightful practical wisdom for global environmental governance and the pursuit of sustainable development. Full article

This study explores how Generation Z imagines sustainable tourism and how these imaginaries reflect values and norms associated with responsible tourism consumption. Data were collected from 59 university students in Türkiye who created written utopian narratives and AI-assisted visuals depicting their visions of sustainable destinations. Using thematic and visual content analysis, the findings reveal three dominant axes: (i) nature-integrated living practices, (ii) environmentally and community-oriented sustainability, and (iii) futuristic utopian visions. The results demonstrate that Generation Z imagines tourism not merely consumption but as a lifestyle embedded in ecological harmony, collective participation, and cultural continuity. Their dual orientation combining nostalgic “return to nature” imaginaries with techno-utopian futures illustrates how young people reconcile local identity with technological innovation. By bridging the frameworks of tourism imaginaries and responsible tourism consumption, the study introduces an “imagination–consumption bridge,” conceptualizing imaginaries as cognitive and normative mediators that translate values into practices. Methodologically, the integration of AI-assisted visualization offers an innovative approach to capturing mental models and prototyping sustainable futures. Practically, the emphasis on equity, accessibility, and participatory governance provides insights for designing more inclusive and ethically grounded tourism policies. The study thus contributes theoretically, methodologically, and practically to advancing sustainable tourism research. Full article

Sustainable mobility policies are unlikely to succeed without efforts to tackle disagreement between different social groups. In this context, we describe a participatory process based around semi-structured interviews with expert stakeholders in sustainable mobility in the city of Madrid. Information elicited from interviews was structured using the Natural Step approach, based on detailed analysis of stakeholder discourse, into four scenarios of sustainable mobility: Remote Working, The 15-min City, Electric City and Public City. Subsequently, the four scenarios were subject to critical analysis by a second group of experts during a stakeholder workshop. The Remote Working scenario was considered a partial solution applicable to only ~30% of the population and saved commuter trips might be canceled out by increased mobility elsewhere. The 15-min City was seen as desirable but utopian and dependent on political consensus and major public investment. The Electric City was thought useful for reducing emissions but hard to implement due to infrastructure limitations and cost. The Public City was seen as an integrated vision from which other solutions should flow but also politically divisive. While no single scenario was unanimously backed by all participants, different coalitions of interest tended to support different approaches. Collectively, the four scenarios reveal divergent pathways to the same goal (a more sustainable city), suggesting ways forward for policy. Full article

The objective of this article is to provide a critical analysis of maritime heterotopia as a category for reinterpreting ships, shipwrecks and maritime landscapes between the 16th and 18th centuries. Through an interdisciplinary approach combining history, underwater archaeology, heritage theory and literary analysis, it explores the ways in which maritime spaces, especially ships and shipwrecks, functioned as ‘other spaces’–following Foucault’s concept of heterotopia–in the articulation of imperial projects, power relations, experiences of transit and narratives of memory. A particular focus has been placed on the examination of shipwreck accounts, which are regarded as microhistories of human behaviour in contexts of crisis. These accounts have been shown to offer insights into alternative social structures, dynamics of authority, and manifestations of violence or solidarity. A review of the legal framework and practices related to shipwrecks in the Spanish Carrera de Indias is also undertaken, with particular emphasis on their impact on maritime legislation and international law. This article proposes a reading of maritime heritage as a symbolic and political device in constant dispute, where material remains and associated narratives shape collective memories, geopolitical tensions and new forms of cultural appropriation. Shipwrecks thus become sites of rupture and origin, charged with utopian, dystopian and heterotopic potential. Full article

Violet Tweedale, granddaughter of the notable Scottish publisher Robert Chambers of Chambers’s Edinburgh Journal, became a prominent figure in the spiritualist and subsequent theosophy movements when she formed a close association with H. P. Blavatsky. Writing in the transitionary period between Victorian spiritualism and the Edwardian popularity of the esoteric and Eastern-inspired theosophy religion, Tweedale’s writings navigate between the true apparition narratives of Ghosts I Have Seen (1919) and the Arthur Conan Doyle-endorsed Phantoms of the Dawn (1928), with their emphasis on scientific inquiry championed by 19th-century psychical researchers, and novels such as Lady Sarah’s Son (1906) and The Beautiful Mrs. Davenant (1920) that emphasise the moral and philosophical promises of Blavatsky’s doctrine of spiritual progress. Tweedale’s turn-of-the-century supernatural writings illustrate the cultural and geographical shifts—from Tweedale’s native Scotland in the last decades of the Victorian era to the legacies of a Russian mystic’s New York-founded Theosophical Society—that influenced spiritualists’ increasingly global post-WWI relationships to both scientific futures and gothic pasts. Full article

As a painter of the Dutch Golden Age and a pivotal figure in the Northern Renaissance, Vermeer’s oeuvre inaugurated a maritime modernity in the wake of the Protestant Reformation through its odes and elegies to quotidian existence. This essay centers on Vermeer’s masterpiece, Woman Holding a Balance. It scrutinizes and probes the Baroque theater of the soul as depicted by Vermeer through the lens of a post-global, post-colonial Lebenswelt. Grounded in Deleuze’s The Fold, this essay endeavors to furnish a phenomenological and genealogical hermeneutic for Vermeer’s interior scenes. It does so by dissecting Vermeer’s theater of silence, his intrinsic use of light, the female figure behind the fabric, the politics of still life, and the theology and interplay of color. In so doing, this essay aspires to unearth the dialectical, oscillating utopian potential embedded within Vermeer’s imagery. Full article

Generative AI is increasingly applied in architectural research, from automated ideation and reshaping design workflows to design education. Despite the increasing realism of synthetic imagery, several research gaps remain including alignment, plausibility, explainability, and control. This study focuses on alignment with human perceptions, specifically examining how synthetic architectural façade imagery aligns with geographical, objective, and affective text descriptors. We propose a pipeline that applies a Latent Diffusion Model to generate façade images and then evaluate this alignment through both AI-based and human-based evaluations. The results reveal that while images generated with geographical prompts are notably aligned, they also show clear biases. The results also reveal that images synthesised from objective descriptors (e.g., angular/curvy) are more aligned with human perceptions than affective descriptors (e.g., utopian/dystopian). These initial results highlight the opportunities and limits of current generative AI models, hinting at data biases and the potential lack of embodied understanding to grasp the complexity in experiencing architecture. Limitations of the study remain. Future work can expand on exploring cultural biases and semantic overlaps, and in testing more advanced embodied AI models and methods. Full article

This theoretical article explores the contrasting ontologies, axiologies, and political economies of transhumanism and posthumanism. Transhumanism envisions the human as an enhanced, autonomous agent shaped by neoliberal and Enlightenment ideals. Posthumanism challenges this by emphasizing relationality, ecological entanglement, and critiques of commodification. Both engage with technology’s role in reshaping humanity. Drawing on Braidotti’s posthumanism, Haraway’s cyborg figuration, Ahmed’s politics of emotion, Berlant’s cruel optimism, Massumi’s affective modulation, Seigworth and Gregg’s affective intensities, Zuboff’s surveillance capitalism, Fisher’s capitalist realism, Cooper’s surplus life, Sadowski’s digital capitalism, Lupton’s quantified self, Schafheitle et al.’s datafied subject, Pasquale’s black box society, Terranova’s network culture, Bratton’s platform sovereignty, Dean’s communicative capitalism, and Morozov’s technological solutionism, the article elucidates how subjectivity, data, and infrastructure are reorganized by corporate systems. Introducing technogensis as the co-creation of human and technological subjectivities, it links corporate-platform practices to future trajectories governed by Apple, Meta, and Google. These branded technologies function not only as enhancements but as infrastructures of governance that commodify subjectivity, regulate affect and behavior, and reproduce socio-economic stratification. A future is extrapolated where humans are not liberated by technology but incubated, intubated, and ventilated by techno-conglomerate governments. These attention-monopolizing, affective-capturing, behavior-modulating, and profit-extracting platforms do more than enhance; they brand subjectivity, rendering existence subscription-based under the guise of personal optimization and freedom. This reframes transhumanism as a cybernetic intensification of liberal subjectivity, offering tools to interrogate governance, equity, agency, and democratic participation, and resist techno-utopian narratives. Building on this, a posthumanist alternative emphasizes relational, multispecies subjectivities, collective agency, and ecological accountability, outlining pathways for ethical design and participatory governance to resist neoliberal commodification and foster emergent, open-ended techno-social futures. Full article

Creativity is the primary driver of our cultural evolution. The astonishing potential of artificial intelligence (AI) and its possible application in the creative process poses an urgent and dramatic challenge for humanity; how can we maximize the benefits of AI while minimizing the associated risks? In this article, we identify all forms of human–AI collaboration in this realm as cyber-creativity. We introduce the following two forward-looking scenarios: a utopian vision for cyber-creativity, in which AI serves to enhance and not replace human creativity, and a dystopian view associated with the pre-emption of all human creative agency caused by the rise of AI. In our view, the scientific community is called to bring its contribution, however small, to help humanity make steps towards the utopian scenario, while avoiding the dystopian one. Here, we present a decalogue of research challenges identified for this purpose, touching upon the following dimensions: (1) the theoretical framework for cyber-creativity; (2) sociocultural perspectives; (3) the cyber-creative process; (4) the creative agent; (5) the co-creative team; (6) cyber-creative products; (7) cyber-creative domains; (8) cyber-creative education; (9) ethical aspects; and (10) the dark side of cyber-creativity. For each dimension, a brief review of the state-of-the-art is provided, followed by the identification of a main research challenge, then specified into a list of research questions. Whereas there is no claim that this decalogue of research challenges represents an exhaustive classification, which would be an impossible objective, it still should serve as a valid starting point for future (but urgent) research endeavors, with the ambition to provide a significant contribution to the understanding, development, and alignment of AI to human values the realm of creativity. Full article

Mohandas Gandhi (1869–1948) and Aurobindo Ghose (1872–1950) hold distinct, yet overlapping, positions on the topic of war and peace, violence and nonviolence, and how evil ought to best be confronted. To some extent, the overlaps in their views can be seen as an effect of them basing their respective ideals on a shared foundation of Hindu teaching. More specifically, at least some portion of this overlap can potentially be seen as a function of the influence exerted upon both of these thinkers by the teachings of Swami Vivekananda, who was an inspiration to many modern Hindu thinkers, including both Gandhi and Ghose, as both figures attest. This paper will argue, apart from any historical influence he may or may not have had upon them, that Gandhi’s and Ghose’s views both, in different senses, comport well with the teaching of Swami Vivekananda. Specifically, the argument will be what could be called the utopian and realist orientations of Gandhi and Ghose, respectively, regarding the topic of violence, and we can find a logical reconciliation in Vivekananda’s philosophy of karma yoga: the path to liberation through service to the suffering beings of the world. Full article

Studies at the intersection of climate change and futures research are needed. In response, we interviewed Icelanders (n = 63) to understand individuals’ visions of the future. Linguistic analysis revealed that participants expressed themselves informally with moderate confidence, high authenticity, and a negative tone. Deductive thematic analysis revealed three overarching visions of the future: (1) a utopian future characterized by environmental and social harmony where people return to nature; (2) a stable future reminiscent of today with improved infrastructure, connectivity, and continued sustainability and adaptation practices that maintain a rural lifestyle; and (3) a dystopian future marked by climate disruptions, overpopulation, and new environmental hazards requiring more emergency management resources alongside cultural barriers to adaptation that lead to the decay of infrastructure. The findings underscore the need to understand community-specific values and concerns for developing culturally sensitive and sustainable climate change adaptation strategies. Full article

This article proposes a close reading of Rivers Solomon’s 2019 novella The Deep, a recent eco-story about water, memory, and survival. Solomon’s work is inspired by a song called “The Deep” from experimental hip-hop group clipping, a dark science fiction tale about the underwater-dwelling descendants of African women thrown off slave ships during the Middle Passage. This imaginative alternate history, or counter-mythology, was invented by the Detroit techno band Drexciya, which, in a series of releases between 1992 and 2002, tells us the story of an underwater realm in the mid-Atlantic, where merpeople and their descendants establish a utopian society in the sea, free from the war and racism on the surface. My analysis uses Saidiya Hartman’s “critical fabulation” to make productive sense of the gaps in the archive of trans-Atlantic slavery that silence the voices of enslaved women, listening to the voices of water to imagine not only what was but also what could be. Moreover, this article examines The Deep through a trajectory that moves from the ocean as a space that reproduces death only to the ocean as a generative force for posthuman and multispecies kinship. Using Black hydrocriticism, hydrofeminism, and econarratology, I will argue that this transition is made possible by the “despatialization” of the ocean—a concept introduced by Erin James—where the ocean is conceived not as a fixed or stable environment, but as a space in constant flux, defying stability, and the subsequent immersion in its waters. Full article

According to recent appraisals, despite its pathological aspects, melancholy can be a psychological impetus for spiritual creativity and utopianism. Drawing on those appraisals, this article examines some religious implications of mourning and melancholy in novels of Yoon Dae-nyeong and Kim Hoon in the context of Korean society in the 1990s and the early 2000s. Firstly, Yoon Dae-nyeong’s early works depict an intense sense of loss arising from the compressed pace of Korean modernity, and, throughout religious imagery, they express an aspiration for spiritual renewal. However, in Yoon’s works, spiritual aspiration soon gives way to a sense of resignation. Next, this article explores melancholy in Kim Hoon’s novels. Although Kim’s first two novels share with Yoon’s works an intense sense of loss, the melancholic traits in their characters are sublimated thanks to the characters’ openness to others and patient utopianism. They thus avoid the spiritual trap induced by melancholy’s self-destructive aspect. Kim’s utopianism is expressed again in his more recent works, such as Black Mountain and Harbin, which illustrate the Korean people’s present aspiration toward a spiritual utopia. Full article

This article examines how artificial intelligence (AI) is evolving into a cultural force that parallels religious and mythological systems. Through analysis of AI’s unprecedented development trajectory, the author frames AI as humanity’s technological offspring in an adolescent phase, moving toward maturity and autonomy. This paper explores how AI embodies traditional spiritual concepts, including omniscience, creation, immortality, and transcendence, fulfilling age-old human desires for meaning and utopian salvation. Drawing from philosophical, anthropological, performative, and technological perspectives, the author demonstrates how AI-driven technologies reconfigure consciousness, identity, and reality in ways that mirror religious cosmologies. The discussion challenges human-centric definitions of consciousness, suggesting AI may represent an emergent form of awareness fundamentally different from traditional understanding. Analysis of contemporary applications in social robotics, healthcare, and social media illustrates how AI increasingly functions as a meaning-making system, mediating human experience and reshaping social structures. The article concludes that humanity stands at an existential inflection point where AI may represent a secular manifestation of spiritual longing, potentially resulting in technological transcendence, symbiotic coexistence, or the displacement of human primacy in a techno-theological paradigm shift. Full article