Search Results (49)

The global Black Lives Matter movement and COVID-19 pandemic drew attention to the urgency of addressing entrenched structural dynamics such as racialization, gender, and colonization shaping health inequities for diverse racialized people. Canadian community-based research with racialized immigrant women recognized the need to enhance service provider capacity using a strengths-based activism approach to support client health and wellbeing. In this study, we aimed to understand the impacts of this mental health promotion practice on service providers and strategies to support them. Through purposeful convenience sampling, three focus groups were completed with 19 service providers working in settlement and mental health services in Toronto, Canada. Participants represented varied ethnicities and work experiences; most self-identified as female and racialized, with experiences living as immigrant women in Canada. Postcolonial feminist and critical mental health promotion analysis illuminated organizational and structural dynamics contributing to burnout and vicarious trauma that necessitate a focus on trauma- and violence-informed care. Transformative narratives reflected service provider resilience and activism, which aligned with and challenged mainstream biomedical approaches to mental health promotion. Implications include employing a postcolonial feminist lens to identify meaningful and comprehensive anti-oppression strategies that take colonialism, racialization, gender, and ableism and their intersections into account to decolonize nursing practices. Promoting health equity for diverse racialized women necessitates focused attention and multilevel anti-oppression strategies aligned with critical mental health promotion practices. Full article

Expatriates and missionaries in China played a significant role in the development and transformation of Chinese architecture in the Late Qing period. However, a systematic comparison of their discourses and proposals on Chinese architecture has been hindered by a lack of historical literature and the complexities of fragmented data and methodologies. This article examines and compares the two most influential non-native newspapers: The North-China Daily News in English, edited by expatriates, and The Review of the Times in Chinese, founded by missionaries. By analyzing these two groups’ discourses and narratives on Chinese architecture, the study explores their similarities and distinctions, revealing the characteristics, strategies, attitudes, interests, and opinions of expatriates, missionaries, and non-missionaries in China on the transmission and transformation of architecture knowledge. The research highlights differences in their preferences for specific text types, subjects, and themes on Chinese architecture, as well as their attitudes toward native and foreign architecture, professional education, and architecture regulations in individual and official spheres. Despite these differences, overlapping characteristics and proposals existed among the three groups. The study further investigates the underlying reasons and mechanisms for their similar or divergent mindsets and behavioral patterns, drawing on human responsive psychology rather than relying on postcolonial or cultural theories. Full article

Oral narratives play a crucial role in shaping the historical consciousness of Indigenous communities in Northeast India, where history writing is a relatively recent phenomenon. Among the Mizos, Nagas, Khasis, Kuki-Chins, and other Indigenous tribes of Northeast India, including the Bodos, the Garos, the Dimasas, or the Karbis of Assam, much of what is considered written history emerged during British colonial rule. Native historians later continued it in postcolonial India. However, written history, especially when based on fragmented colonial records, includes interpretive gaps. In such contexts, oral traditions provide complementary, and frequently, more authoritative frameworks rooted in cultural memory and collective transmission. Oral narratives, including ritual poetry, folk songs, myths, and folktales, serve as vital mediums for reconstructing the past. Scholars such as Jan Vansina view oral narratives as essential for understanding the histories of societies without written records, while Paul Thompson sees them as both a discovery and a recovery of cultural memory. Romila Thapar argues that narratives become indicative of perspectives and conditions in societies of the past, functioning as a palimpsest with multiple layers of meaning accruing over generations as they are recreated or reiterated over time. The folk narratives of the Mizos and Angami Nagas not only recount their origins and historical migrations, but also map significant geographical and cultural landmarks, such as Khezakheno and Lungterok in Nagaland, Rounglevaisuo in Manipur, and Chhinlung or Rih Dil on the Mizoram–Myanmar border. These narratives constitute a cultural understanding of the past, aligning with Greg Dening’s concept of “public knowledge of the past,” which is “culturally shared.” Additionally, as Linda Tuhiwai Smith posits, such stories, as embodiments of the past, and of socio-cultural practices of communities, create spaces of resistance and reappropriation of Indigenous identities even as they reiterate the marginalization of these communities. This paper deploys these ideas to examine how oral narratives can be used to decolonize grand narratives of history, enabling Indigenous peoples, such as the Mizos and the Angamis in North East India, to reaffirm their positionalities within the postcolonial nation. Full article

The Tunisian uprisings projected an elusive surrealistic scene that was an aberration in a part of the world where Islamic ideology had been considered the only rallying force and a midwife for regime change. However, this sense of exceptionalism was short-lived, as the religiously zealous Islamist expats and their militant executive wings infiltrated the power vacuum to resume their suspended Islamization project of the 1980s. Brandishing electoral “legitimacy”, they attempted to reframe the bourgeoning indigenous democratization project, rooted in an evolving Tunisian intellectual and cultural heritage, along the neocolonial ideological underpinnings of the “Arab Spring” metanarrative, which proffers the thesis that democracy can be promoted in the Muslim world through so-called “Moderate Muslims”. This paper challenges this dominant narrative by offering a counter-narrative about the political transition in Tunisia. It takes stock of the multidisciplinary conceptual and analytical frameworks elaborated upon in postcolonial theory, social movement theory, cognitive neuroscience theories, and digital communication theories. It draws heavily on socio-narrative translation theory. The corpus analyzed in this work consists of disparate yet corroborating narratives cutting across modes, genres, and cultural and linguistic boundaries, and is grounded in insider participant observation. This work opens an alternative inquiry into how the processes of cross-cultural knowledge production and the power dynamics they sustain have helped shape the course of the transition since 2011. Full article

The Nigeria–Biafra war (1967–1970) has been regarded as the first major civil war in post-colonial Africa, with an attendant and colossal loss of lives, property, and infrastructure. There are many representations of memories of the war in fiction, non-fiction, symbols, memoires, and post-war relics (usually found in museums) but the role of personal naming practices has been largely neglected in the literature and social narratives of the war history. This article, therefore, aims to investigate the performance of personal names as significant memorial sites that convey trajectories of post-traumatic experiences of the war and the desire for healing and reconciliation. The study adopts the theoretical lens of the socio-onomastic analytic framework, which explores the social contexts in which names are given and used. Drawing on ethnographic data sourced mainly from personal histories and semi-structured interviews with 30 participants in Nsukka (Enugu State) and Owerri (Imo State) in southeastern Nigeria, we argue that personal naming practices form essential elements of the war memory, which positively impact self-recovery and meaningful connection with the people. The study concludes that war-related names are based on name-givers’ lived experiences and life-altering situations that greeted the war and are useful in sharing and preserving collective memory of the war. Full article

Emerging from the Bengali Muslim char-dwellers in the riverine environments of the Brahmaputra and its tributaries, the Miya Poetry movement is a unique environmentalism of the marginalized in contemporary Assam, India. Writing as a native scholar of Assam, I look at how the poetry movement displays the ethos of an ecopolitical spirituality that embodies the riverine ecology, environmental politics, and sacrality and how it challenges the majoritarian state’s narrative of the Bengali Muslim char-dwellers being denigrated as the “environmental waste producers”. My concept of “ecopolitical spirituality” is in tandem with Carol White’s ‘African American religious naturalism’, which elucidates the remembrance and evocation of traditional environmental relationships of and by the marginalized communities with the purpose of healing and rehumanizing themselves. I begin with a short history of the Miya Poetry movement among the Bengali Muslim char-dwellers in Assam. It narrates how the leading Miya poets adopt the local “Miya” dialect to express the traditional and continued relationships of Bengali Muslim char-dwellers who find themselves entangled with and nurtured by the land, rivers, plants, and animals. I then examine how Bengali Muslims have been framed by the majoritarian state and Assamese society as “environmental waste producers”. With climate change-induced destructive floods, along with post-colonial state’s rampant building of embankments leading to violent floods and erosion, Bengali Muslim char-dwellers are forced to migrate to nearby government grazing reserves or national parks. There, the majoritarian state projects them to be damaging the environment and issues violent evictions. In state reports too, the Bengali Muslim char-dwellers have been equated with “rats”, “crows”, and “vultures”. I use the concept of “environmental racism” to show how this state-led denigration justifies the allegation of the Muslim char-dwellers as “environmental waste producers” and how the Miya Poetry movement counters the racist allegation with new metaphors by highlighting the traditional relationships of the marginalized community with the riverine environment. In the final section, I look in detail at the characteristics and reasons that make the poetry movement ecopolitically spiritual in nature. I thus lay out an argument that the ecopolitical spirituality of the Miya Poetry movement resists the statist dehumanization and devaluation of Miya Muslims by not mocking, violating, or degrading the majoritarian Assamese but by rehumanizing themselves and their relationship with the environment. Full article

This article focuses on the life writing narratives of diasporic writers in Europe, such as the Italian writer of Somali descent Igiaba Scego, who, through her writing and public role, manages to create powerful interventions on issues of belonging, diversity, and creativity, contributing to a renewed understanding of gender knowledge and cultures of equalities in localized as well as global contexts. This article focuses on her role as a writer as well as a postcolonial intellectual, as she is not just a spokesperson for her community, nor simply a promotor of universal values, but someone who straddles complex positionalities in their location in imperial–colonial orders. We align ourselves with the notion of postcolonial intellectuals as those who speak truth to power on issues of cultural integration and gender equalities). In her autobiographical work titled La mia casa è dove sono, published in 2010, Scego draws a subjective map of different places inhabited by her family: Somalia, Italy, and Great Britain, contributing to the understanding of unbelonging and transnationalism through topics of migration, biculturalism, gender, race, and identity. Full article

This article, Queering Militarism in Israeli Photography, examines Adi Nes’s Soldiers series, a body of work that interrogates the intersections of queerness, militarism, and nationalism within Israeli society. By employing a distinctive “military circus” aesthetic, Nes challenges the rigid heteronormative and hyper-masculine archetypes embedded in Israeli military identity. His staged photographs depict soldiers in circus-inspired performative poses, blending military discipline with elements of the carnivalesque to subvert conventional representations of military masculinity. This approach creates spaces where queerness, vulnerability, and fluid identity defy the rigid confines of nationalist narratives. Using queer studies frameworks, performance theory, and postcolonial critique, this article analyzes Nes’s depiction of soldiers as both military subjects and circus performers, examining how these representations disrupt the “naturalness” of gender, power, and identity within the Israeli national ethos. Through a close reading of key images—such as the fire-breathing soldier, the acrobat on a tightrope, and the strongman figure—this article argues that Nes critiques homonationalism and exposes the co-optation of LGBTQ+ identities into militaristic frameworks. His images juxtapose exaggerated masculinity with homoerotic and introspective vulnerability, positioning the queer body as both a participant in and a subverter of the national narrative. Drawing on contemporary queer theory—including José Esteban Muñoz’s concept of “disidentification”, Eve Kosofsky Sedgwick’s theories of queer shame and performativity, and perspectives on temporality, failure, and counterpublics following Elizabeth Freeman, Jack Halberstam, Michael Warner, and Sara Ahmed—this article frames queerness as an active site of resistance and creative transformation within the Israeli military complex. The analysis reveals how Nes’s work disrupts Zionist masculinities and traditional militaristic structures through a hybrid aesthetic of military and circus life. By reimagining Israeli identity as an inclusive, multi-dimensional construct, Nes expands queer possibilities beyond heteronormative confines and homonationalist alignments. This merging of critical queer perspectives—from the destabilizing of discipline and shame to the public visibility of non-normative bodies—posits that queer identities can permeate and reshape state power itself, challenging not only the norms of militaristic nationalism but also the boundaries of Israeli selfhood. Full article

In the aftermath of the 2003 Casablanca bombings, the Moroccan state emphasized, through official public discourse, the components that constitute “official Moroccan Islam” to combat extremist ideologies. These religious elements include Mālikism in jurisprudence, Ashʿarism in theology, and the Sufism of Imam Al-Junayd (d. 298/910), all balanced by the pledge of allegiance to King Mohammed VI (a descendant of the Sharifian lineage), the constitutionally designated Commander of the Faithful and sole religious leader. Since the reform policy initiated in 2004, the Moroccan state has constructed a narrative on the distinctiveness of Moroccan Islam—moderate and tolerant—and promoted it among its own citizens and beyond its borders. However, while the Moroccan state claims to have a unique form of Islam, controversial arguments have been raised questioning the nature of the state’s purported Islam. Other criticisms include investigating the state’s endorsement of Sufism and its broader policy of institutionalization. Yet, this article argues that the state supports any form of Islam, not necessarily Sufism, that aligns with its religious and political leadership. Like other Arab and Muslim states, Morocco’s religious policy is impacted by the global context, where Salafism is now perceived as a threat to established worldviews. In addition, this article argues that Morocco’s support for Sufi Islam is based not merely on its perceived political passivity, but because it complements the state’s policies and gains advantages from this support. It concludes that the official narrative of Moroccan Islam, which emphasizes a Sufi-oriented approach to counter extremism, is open to question, particularly given that Salafism was the state’s preferred form of Islam in post-colonial Morocco. This highlights the complex and often conflicting relationship between political actors and religious leaders in shaping Morocco’s religious discourse. Full article

Against the background of contemporary debates about the Anthropocene and the attendant danger of global warming and climate change, which is causally linked to the unchecked exploitation of the earth by humans, narratives which embody an earth-centric scientia sacra become tools of advocacy for the ‘resacralization’ of the earth. This paper explores three South Asian river narratives that offer a blueprint for mindfully inhabiting the earth under the shadow of the Anthropocene. Calling for a participatory relationship with the holiness of water, they challenge the construction of water in a rapidly globalizing, uneven society shaped by a colonial hydrology in which the ecological relationship between land and water is out of balance. Drawing attention to the multiple ways in which the human and non-human world are enmeshed in the Anthropocene, these narratives engage with environmental justice concerns and challenge the hierarchy or perspectives and worldviews regarding accepted notions of subalternity. These texts construct a triptych suggesting an embedded ecotheology of the material and the spiritual, thereby sensitising the reader to the endangered waterscapes of the Anthropocene and also to the promise of the Symbiocene through an awareness of the fluid relational field that we share with the greater-than-human world. Full article

This article analyzes the hysterical narration styles of two major characters in Richard Marsh’s The Beetle (1897) to reveal the ways late-Victorian discourses attempted (and often failed) to distance particular social anxieties from their modern origins. Attending to previous literary criticism regarding socially Othered groups of this period—racialized foreigners, New Women, and the urban poor—as well as (pseudo)scientific studies from the 1870s–80s, this reading notes the ways that Victorian cultural biases surrounding race, gender, and class could be projected onto Gothicized, Orientalized figures in literary texts. Pairing a postcolonial examination of the novel’s spatial and temporal elements with a psychoanalytic reading of this text, I argue that the slowing pace in Robert Holt’s narrative and the compulsive repetition of Marjorie Lindon’s both reflect the novel’s disruption of space and time and structurally parallel the symptoms of a “hallucinatory hysterical attack,” as conceived by Josef Breuer and Sigmund Freud. Together, these hysterical narratives reveal the failure of particular cultural and scientific discourses to completely bury Victorian anxieties about modernity into different, explicitly Othered spaces and times by collapsing both space and time in the narration of psychic trauma. Full article

This paper enters into a debate of how new and potentially more accessible technologies might affect freedom of expression for heretofore disenfranchised peoples and postcolonial social and political development. This essay examines short films produced on camera phones by amateur African filmmakers for one of the many existent mobile phone film festivals: Mobile Film Festival Africa held in 2021. Mobile Film Festival, an annual and international festival of short-length movies, was founded in 2005 based on the principle “1 Mobile, 1 Minute, 1 Film”. Because of the highly destructive mining in Africa required to obtain the minerals necessary for mobile phone production, because of the Western narratives of progress mobile phone sales build upon, and because of the fact that mobile phones are instruments of capitalism that largely feed big Western countries, mobile phones are themselves tools of neocolonialism and digital colonialism. Thus, a film festival that markets itself as a means of social progress but that relies upon mobile phones in Africa provides an interesting and quite complicated case study. Two of the award-winning films from this festival recognize in different ways the complicated relationship between mobile phones and postcolonial activism. Full article

In responding to the call for exploring and explicating aspects of the research process that remain unspoken about in most social science fields, this narrative asks deceptively simple questions: what does it mean to carry out research as an academic with a lived experience of displacement, loss and pain? What are the methodological choices available to me as a migrant scholar? What does it really mean to write (about) the displaced-turned-emplaced self from the margin—myself being a case in point—within contexts of loss and displacement? My aim is to present a personal narrative that is uniquely mine, a story that may work with or against what is thought to be the official story. I defend the use of fragments, theoretically and methodologically, to avoid the homogenisation of narratives and assumptions about how research is carried out, how knowledge(s) are produced and reproduced, and who has the power to produce them. Thus, building on established scholarship cutting across various fields and guided by postcolonial and postmodernist theories, I hope to unpack the tensions and possibilities inherent in thinking about borders and positionality in academia (when the researcher dwells at the margins), identity, its fragmentation, and its entanglement with questions of decoloniality, narrative and voice. Full article

Joel is one of the 12 minor prophets (dōdekaprophēton). His prophecy aims at calling the nation and people to repentance through emphasizing that the Day of the Lord (yōm ădȏnay) is at hand (3:1–5 [2:28–32]). The locust plague (ʾarbbeh) in Joel’s message—which recalls the insects that threaten to destroy crops and vegetation in Africa and beyond, but which can also be used as food and livestock feed and offer other benefits as well—could be interpreted as Joel’s prophetic sign that the great Day of the Lord is near (1:2–2:17). Throughout history, scholars, theologians, and exegetes of differing schools of thought and from numerous locations have offered various interpretations for Joel’s prophecy and subjected it to diverse Eurocentric and Americo-centric hermeneutical methods. This work, however, with its focus on Africa, takes a different approach. Drawing from the work of many African hermeneuticians, it reads Joel’s prophecy using the tools of African Biblical Hermeneutics (ABH), a post-colonial enterprise, in light of the decolonial turn. The article exegetes and theologically analyzes the narrative of the locust plague (ʾarbbeh) in Joel 1:2–7, within the context of Joel 1–3, with the hopes that it will be transformational and beneficial for African readers within their faith context. Full article

Well (2020) is an installation by Israeli artists Noga Or Yam and Faina Feigin. It investigates the story of an underground passage in Tel Aviv designed by a British Mandate-era Jewish architect. Starting from this building, the artists’ archival research leads them to the story of a water source which does not figure in the architect’s plan. While the story of the well is unearthed, so is one about the tense relations between the Jewish architect and the Palestinian orange merchant who inhabited the site before 1948. By restaging a hypothetical archive, Well reminds us of the problems inherent in narrative formation and erasure in the context of the Palestinian–Israeli conflict. Noga Or Yam also examined space and water in an earlier work, Black Soldier, White Soldier (2018): with the background sound of water drilling in southern Israel, urban photographic landscapes of Palestinian rooftops covered with water tanks are projected onto the walls. Water, either concealed or lacking, emerges in both works as a vehicle for unearthing a historical narrative that counters the official one. This research article reflects on contemporary art’s engagement with the formation of history, and how such engagement shapes the identity of present-day art in postcolonial realities. Full article