Search Results (4)

This article locates the clinic as a historically contingent space which faced cultural resistance and remained alien to the colonized population in India. It corroborates the socio-political tension in setting up a clinic within the colony and investigates how the Western clinic as a colonial apparatus was resituated as the “Indian clinic” per se. With the historical emergence of a new class of medical practitioners called “daktars” (a Bengali vernacularization of the term “doctor”), the health-seeking behaviour and public health model of colonial India witnessed a decolonial shift. Unlike their English counterparts, daktars did not enjoy a privileged position within the medical archives of colonial India. This archival gap within Indian medical history presents itself as a viable topic for discussion through the means of the literature of the colonized. Bengali writer Ashoke Mukhopadhyay’s novel Abiram Jwarer Roopkotha (2018), translated into English as A Ballad of Remittent Fever in 2020, remedies the colonial politics of the archive by reconstructing the lives of various daktars and their pursuit of self-reliance. The article takes a neo-historical approach towards understanding and assessing the past of daktari medicine and thereby offers comments on its traces in the contemporary public health of India. Full article

This study investigates the thermal performance of the ventilated mask wall used in the low-income neo-vernacular dwellings designed by André Ravéreau to cope with the warm desert climate conditions of M’zab Valley, Ghardaia, in southern Algeria. This device is a ventilated façade provided with an opaque external massive cladding. It is designed to be particularly efficient in hot climates, functioning simultaneously as a brise-soleil and a ventilated façade, compared with conventional façade systems. Based on a typical experiment conducted during the summertime (12–14 August), a residential unit in Sidi Abbaz selected as a case study was modeled and calibrated using EnergyPlus (v8.4) software, and then a dynamic simulation was performed in order to assess the efficiency of the ventilated mask wall as a cooling strategy. By means of the validated thermal model, various alternatives for the façade materials were investigated, and the thermal behavior of the current ventilated mask wall was compared with a 45 cm thick limestone façade wall, and a 30 cm thick hollow clay brick wall under the same conditions. Countless benefits were achieved by the application of the mask wall system, including a stable and less fluctuant inner surface temperature, and a reduction in the incoming summer heat flux. The improvements performed, in particular the time lag of 12 h and the related decrement factor of 0.28 indicate the effectiveness of this wall system, which enabled radiant temperature drops of more than 10 °C, and an air temperature decrease of about 6 °C, during the summer sunniest hours. The results demonstrate that this solution is suitable for buildings design applications to meet the objective of low-energy demand in warm desert climates. Full article

In northeastern Brazil, a region with extreme droughts and the smallest rainfall index in the whole country, water sources are crucial to ensure the survival of humans and nonhumans in this semi-arid region, known as sertão nordestino. Since the mid-twentieth century, classical cultural expressions focusing on this area have emphasized poverty in a desert of dry vegetation. Unlike romanticized portrayals of the backland in the 1990s, contemporary visual culture resorts to speculative and science fictional elements to reflect on possible futures amidst pressing socio-environmental challenges in the Capitalocene. This article examines how speculative and science-fictional elements in the film Bacurau (2019) by Juliano Dornelles and Kleber Mendonça Filho and the sertãopunk comic Cangaço Overdrive (2018) by Zé Wellington and Walter Geovani configure human–nonhuman and life–death entanglements to rearticulate both the representation of these communities as backward or picturesque and their historical de-futuring due to neo-colonialism and extractivism. These Brazilian visual productions problematize the notion of sustainability as a linear progression of human-centric futurity. In a dialogue between feminist posthumanist (Donna Haraway) and decolonial (T. J. Demos) works and the visual productions, I offer the notion of ‘vernacular sustainabilities’ that decenters the human while fashioning new conceptualizations of entangled and diverging futures in the sertão. Full article

A comprehensive analysis of Cypriot mosque architecture between the 19th and 21st centuries, from the Ottoman and British colonial periods to the present, does not exist. The phase after 1974, after the division of the island into a Turkish Cypriot, predominantly Muslim north and a Greek Cypriot, mainly Christian south, is especially insufficiently studied. This paper aims to interpret Cypriot mosque architecture and its meaning(s) through a comparative analysis, considering cultural, religious, and political developments. Based on an architectural survey and studies about Muslim Cypriot culture, this study investigates formal and spatial characteristics, focusing on the presence/absence of domed plan typologies and of minarets which, as visual symbolic markers, might express shifting cultural-religious notions and/or identities. Inconspicuous mosques without domes and minarets dominate until 1974. However, with the inter-communal tensions in the 1960s, the minaret possibly became a sign of Turkish identity, besides being a cultural-religious marker. This becomes more obvious after 1974 and is stressed by the (re)introduction of the dome. Since the late 1990s, an ostentatious and unprecedented neo-Ottoman architecture emphasizes visible and invisible meanings, and the Turkish presence in Cyprus stronger than before. The new architectural language visually underlines the influences from Turkey that North Cyprus has been experiencing. Full article