Search Results (9)

This article offers the architectural definition and interpretative keys to a unique project. It is a space shared by the three main Abrahamic faiths: the Jewish, Christian and Muslim religions. Although conceptually other religions could be accommodated. Its configuration is very elementary: a cubic volume, massive and almost blind, with a cylindrical space crowned by a simple skylight. Each of the religions is based on a scratching of the interior surfaces of the space, forming the ritual areas of each of them. And towards the center of the space there are other areas of prayer and celebration that could be shared among the believers of the different religions, from the conviction that they are addressed to the same God. In this configuration there is a will of invitation, of offering to all men of good will. The article, written by the architect of this space, mentions some plastic and conceptual references that have served as inspiration for the project and its presentation is intended to fuel the debate on the possibility of this space. Full article

This article examines the artistic contributions of two members of the ‘artes’ group, active in Lviv (Lwów during the interwar period) from 1929 to 1935: Aleksander Krzywobłocki (1901–1979) and Margit Reich-Sielska (1900–1980). Situated within the ‘artes’ milieu, which emerged as the most cohesive community among phenomena with a surrealist profile in the history of Polish art, their creative endeavors have faded from the collective memory of subsequent generations of art historians and critics, both within and beyond Poland. With the aim of elucidating the distinctive characteristics of Krzywobłocki and Sielska’s artistic attitudes, deeply rooted in the cultural landscape of interwar Galicia, this study explores their work as both manifestations of the avant-garde milieu in Lviv and contributions to the transnational surrealist movement. This examination takes a relational approach, considering their artistic output within a framework of trans-local and trans-regional connections. Drawing upon the works of various surrealists active in different European centers, I juxtapose the artistic approaches of Krzywobłocki and Sielska with other practitioners of the movement to highlight both convergences and differences in their expressions. By situating their artistic profiles within the broader modalities of surrealism as a polycentric movement and within the unique cultural context of Lviv—a city marked by its multiethnic, multicultural, and multiconfessional character—I argue that their imaginings should be classified as idiosyncratic idioms of surrealism. This hybrid expression, which developed on the peripheries of European artistic hubs, is primarily distinguished by an ‘archetypal load of tension’—a continual quest for archetypal content that has been lost in the modern world. Full article

From the beginning of European overseas expansion in the fifteenth century, religious missions occupied an important place in the internal organisation of colonial empires. Their contribution to the ideological structuring of imperialism and the interaction with local populations is undeniable. With the emergence of the new imperialism and the scramble for Africa (after the 1870s), the missions, often anticipating the colonial political and administrative presence, enhanced their role as advocates of Europe’s “civilising mission”, above all through the education of the colonised peoples. For Portuguese decision-makers, the religious missions, with a multi-century tradition, had an important role in defending territorial claims overseas and promoting the empire’s nationalisation. However, the lack of national missionaries, Christianity’s inter-confessional competition in the nineteenth century and the emergence of international legal rules protecting missionary activities hindered Portugal’s strategies. Using sources from several archives (in Lisbon, the Vatican, and elsewhere) to emphasise the role of a transnational missionary staff and the international law of missions, this text intersects these aspects, examining their convergence in the controversial case of the exit and replacement of Jesuit missionaries in Mozambique in 1910–1911, to demonstrate the need to look at the missionary issues in the Portuguese overseas domains from perspectives that go beyond nation and empire. Full article

In recent years, numerous changes have emerged in the History of Science of what has traditionally been called the Islamic world. By now, it has become usual to speak of the Islamicate world, albeit more so in Islamic Studies and related historical disciplines. The notion Islamicate wishes to express that the societies rule by Muslim dynasties were multi-cultural, multi-ethnic, multi-confessional and plurilingual. Different Muslim denominations could form majority but also minority groups. The processes of change in the study of the sciences in those societies can be summarized as efforts to pluralize research approaches and to historicize objects, themes, people, institutions and practices. The pluralization of approaches includes the multiplication of (1) modern disciplinary homes for studies of scientific topics dealt with in Islamicate societies, (2) the languages acknowledged as languages of scientific texts such as New Persian, Ottoman Turkish or Urdu worthwhile to analyze, (3) the number of historical disciplines accepted under the umbrella of history of science, (4) the centuries or periods as well as the regions that have been incorporated into the investigation of past scientific knowledge and (5) the recognition that more than a single history can and should be told about the sciences in past Islamicate societies. The process of historicization means, first and foremost, to turn away from macro-units of research (Islam, medieval or Arabic science) to medium- or micro-level units. Historicization indicates, secondly, the turn toward contextualization beyond the analysis of individual texts or instruments. And thirdly, it signifies the integration of features or aspects of scholarly practices that are not limited to the content of a discipline or a text but include layouts, the organization of text production, types of visualizations of knowledge or rhetorical strategies and paratextual elements. My paper reports on trends that I consider relevant for understanding how the field changed over the last decades and how it ticks today. But it does not try to be comprehensive. Full article

This article presents a pilot study investigating the multidimensional diversity of cemeteries as an important element of cultural heritage and green infrastructure within the urban landscape. We studied the state and diversity of nature, perceptions, and activities of visitors. As religion is an important aspect that differentiates cemeteries from each other, we studied a sample of four multi-confessional urban cemeteries in Łódź (Poland) and Leipzig (Germany) by using site observation and a questionnaire survey. We found that cemeteries are far undervalued as public green resources that can perform important functions in sociocultural life and the mental well-being of the general public, as the perceptions of silence- and contemplation-seeking visitors tell us. The perception of cemeteries depends on the level of secularization, varying from a sacrum sphere up to specific recreational and touristic opportunities; findings that should be considered by town planners when optimizing the cultural ecosystem services of green spaces. Full article

The main goal of this article is the research of different genres of spiritual music in the Ukrainian baroque era. This music is decisive for an understanding of Ukrainian culture. In order to achieve this, research following methods was used: comparative-historical, sociocultural, structural, genre-stylistic. Baroque appears as an intermediate between the Renaissance and Age of Enlightenment. Features of the broader character of the Ukrainian civilization explain its cruising between different cultures, correlating between Western culture and Eastern Orthodox culture. The cultural dimension of Ukraine was crossed by different religions: Orthodox, Catholic, Greek-Catholic, and different paths of Protestantism. This fact specified a music of this age. Two basic directions feature specific of spiritual singing of the Ukrainian baroque: partsong (“High baroque”) and spiritual song (“Middle baroque”). Partsong is represented by liturgical and paraliturgical (concerts) genres. This direction was unique because it was a synthesis of Eastern-Christian and Western-Christian tradition (mostly by Catholic musical tradition as multi-chorus composition, musical rhetoric). At the same time, partsong of the orthodox tradition was formed by liturgical tradition. A large influence on the Greek-Catholic church was a catholic music tradition, in which polyphony is not performed “acapella”, but with instrumental accompaniment. Spiritual song was more linked with the catholic tradition and less with the protestant one. It did not have any canonical orthodox genres, but was borrowed by text–music forms formed in Europe in the Age of late Renaissance and early Baroque period. Greek-Catholic tradition was more linked with catholic one. Therefore, this music had a sacred character, becoming a genre of liturgical music. Palimpsest in its confessional dimension became a distinctive feature of the Ukrainian Baroque and created a unique face of the Ukrainian liturgical music. Full article

The holiness of sacred spaces is expressed through the creative synthesis and performance of different symbolic or iconic elements. This article concentrates on the medieval church of Ayios Iakovos in Nicosia, Cyprus. Dedicated to Saint James the Persian, the church became, by the 1600s, a shared shrine for Christians of different denominations (Orthodox, Maronites, and Latins) and Muslims. The aim of this article is to investigate in an interdisciplinary way the formation, adaptation, and negotiation of insular religious identities in relation to Ayios Iakovos’ hierotopy, official and popular religious practices, and the appropriation of Byzantine culture. The components in the creation of this sacred space reflect long-term contact between Cyprus and Greater Syria, constructing an inclusive religious environment with its own insular characteristics. It will be argued that these characteristics were shaped by global, regional, and local developments, including trade, pilgrimage, war, and environmental changes. Being in dialogue with recent scholarship on mixed sacred sites, this case study stresses the importance of interconnectivity and mobility in the creation of shared places of worship. It also shows that phenomena of religious co-existence and syncretism do not always result in homogenisation but maintain distinct group identities. Full article

This paper examines the religious proselytizing agenda of the order of Saint Jerome that ruled the Extremaduran sanctuary of the Virgin of Guadalupe since 1389. To this end, I analyze how the Hieronymite’s used literary motifs such as dreams and light in the codex of the Miracles of the Virgin of Guadalupe to create a multi-confessional audience for their collection of miracles. I contend that these motifs were chosen because they were key elements in the construction of a particular image of the Virgin that could appeal to pilgrims of different faiths. Through them, the Hieronymites evoked in the minds of Muslim pilgrims and Christian captives beyond the sea the imagery and rhetoric of Sufi devotional literature and Islamic hagiography, in order to create a vision of the Virgin that was able to compete with the more important Islamic devotional figures: the Prophet, Sufi masters and charismatic saints. Finally, I explore how the possible influence of North African devotional models, such as the Shadhiliyya order or the hagiography of the Tunisian saint, Aisha al-Manubiyya, suggests that the aims of the monastic authors of this Marian miracles collection went far beyond the conversion of Castilian Muslims, aiming at the transformation of the Extremaduran Marian sanctuary of Guadalupe into a Mediterranean devotional center. Full article

Debates about the teaching of religion date back to the formation of the modern education system, when religion was first compartmentalized as a distinct subject within a broader curriculum. In many places, they continue to rage today. In Turkey, they are inextricably tied to the creation of the country’s system of secular public instruction in the 1920s and the transition to multi-party government in the 1940s. On 30 March 2012, Turkey passed a new law that revamped the country’s public educational system, mandating twelve years of instruction divided into three four-year periods (roughly corresponding to elementary, middle, and high school). This law led to the opening of many new religious schools—known as Imam-Hatip schools (i.e., schools for the training of imams and hatips, or preachers)—across the country, especially at the middle-school level. The number of students studying in these schools rose from 70,000 in 2002 to 1,300,000 after the new law. New elective courses on religion were also added to the curriculum, and curricular and extra-curricular religious-education activities offered by government-sponsored Islamic civil society organizations became more prevalent. All of this has reignited old debates about religious instruction in the country. This article begins with an overview of the history of secularism in Turkey. It then focuses on the history of religious education and the model of religious education in Turkey. It concludes with a discussion of how religious education centering on values education operates within the secular framework of public education in confessional and non-confessional formats. Full article