Search Results (12)

This article examines the contributions of Turkish screenwriter Ayşe Şasa (1941–2014) to Turkish cinema and visual culture through her engagement with Sufism and metaphysical themes. It explores how Şasa draws on esoteric Sufi concepts such as the oneness of being (waḥdat al-wujūd), asceticism (zuhd), and inspiration (ilhām), using cinema as a vehicle for spiritual inquiry and the quest for truth (ḥaqīqa). Her films—including Hear the Reed (Dinle Neyden), The Night That Never Was (Hiçbir Gece), and My Friend the Devil (Arkadaşım Şeytan)—are explored through thematic and interpretive approaches that uncover their Sufi dimensions. The methodological approach combines Gillian Rose’s visual methodology, Klaus Krippendorff’s content analysis, and Arthur Asa Berger’s interpretive model. Rose’s framework facilitates an exploration of symbolic narrative in Şasa’s films and writings, while Krippendorff’s methods identify recurring metaphysical motifs. Berger’s approach uncovers layered meanings in visual and narrative elements. Through narrative structure, symbolic imagery, color, setting, costume, light, and sound, Şasa constructs a spiritually resonant cinematic esthetic that challenges the secular paradigms of modern cinema. Ultimately, this article argues that Şasa develops a distinct cinematic language grounded in Sufi metaphysics, enriching Turkish visual culture with a profound spiritual and moral sensibility. Full article

This article explores the veneration of Hatixhe, an 18th-century Sufi saint from Tirana, Albania, whose legacy continues to resonate across religious and cultural boundaries. Despite limited historical records, Hatixhe’s sainthood is venerated through hagiographic narratives that portray her as a compassionate healer, spiritual protector, and symbol of resilience. This study investigates the visual, ritual, and sensory dimensions of her shrine, which has become one of the focal points for interfaith devotion in post-socialist Albania. Embodied rituals—such as touching her tomb and lighting candles—allow devotees to connect with her shenjtëri (“sainthood”). Through these acts, Hatixhe’s legacy as a grua e shenjt (“holy woman”) or grua e mirë (“good woman”) is anchored in both religious and cultural contexts, as her shenjtëri integrates local and national values, partly transcending Islamic frameworks. Hatixhe’s teqe, preserved through the efforts of her female heirs during the communist era, serves as a unique testament to a female lineage in Albanian Sufism. By examining the spatial, material, and symbolic aspects of her veneration, this study underscores the significance of Hatixhe’s shenjtëri as a site of blessing and communal solidarity for women, enriching the understanding of their roles in Albanian spiritual and social life. Full article

Around the figure of Zöhre Ana, a contemporary female mystic in Ankara, Turkey, considered by her followers a saint and known for her healing powers, has grown a substantial cult followed by hundreds if not thousands of devotees, with its own mythology, cosmology, discursive tradition, and praxis. As with any religiocultural tradition, the cult of Zöhre Ana has developed a unique experiential world at the interface between her and her followers that engages all of the senses of participants. This study explores the visual dimension of this world, consisting specifically of the visions Zöhre Ana has had, the visible setting of the cult in specially arranged physical space, and the iconography of the saint. The visual elements of these dimensions reflect the Alevi cultural–historical milieu she and most of her followers come from, and this shapes the experience that occurs as participants interact with the visual world of Zöhre Ana. Full article

Much scholarly attention has been paid to The Visitation group housed at The Metropolitan Museum of Art. The sculpture, dated between 1310 and 1320 and attributed to Master Heinrich of Constance, comes from the Dominican convent of St. Katherinental, in present-day Switzerland, and is notable for its two rock crystal cabochons embedded in the wombs of the Virgin Mary and Elizabeth. In this paper, I support and substantiate the original inclusion of the two stones in the artwork, arguing that it was conceived in close connection with the mystical doctrine on inner vision and the Eternal Birth of God within the soul, as theorized by the Dominican theologian Meister Eckhart (1260–1328). Considering the role of vision in medieval spirituality, the rock crystals, as symbols of purity and divine illumination, functioned as pivotal tools in the mystical experience of Katherinental nuns, fostering their profound spiritual connection with the divine. This article provides a fresh and in-depth analysis of the iconological essence of The Visitation in the Met, incorporating notions established in the field of sensory studies together with methods developed in visual and material culture studies. Full article

In this article, I bring premodern and contemporary Bektaşi perspectives to the current ethical debate on gender equality in the Bektaşi Sufi order. While there is tremendous potential in the historical legacy of Kadıncık Ana, the spiritual successor of Hacı Bektaş-ı Veli (d. ca. 1271), and her peers who served as female spiritual leaders in the proto-Bektaşiyye, the institutionalization of the Bektaşi order resulted in the marginalization of women and their exclusion from certain opportunities and positions in religious practice and leadership. This article explores the spiritual journey of Güllizar Cengiz (today also known as Neriman Aşki Derviș after becoming a Bektaşi “dervish”), including her foundation of an Alevi-Bektaşi cultural institute in Cologne, Germany, in 1997 and the opening of a Bektaşi Sufi lodge (dergah) in the Westerwald near Bonn in 2006. I explore the impact of Hacı Bektaş’s teaching that both men and women have the same spiritual potential to become the ultimately ungendered insan-ı kamil, or spiritually and ethically completed human being. I also discuss the time-honored Bektaşi principle of “moving with the times and staying one step ahead of the times” and how it can inform contemporary understandings of ethical and spiritual prerogatives within Bektaşism. Full article

This paper highlights Thailand’s distinctive form of Buddhist Modernism through an exploration of religious piety among female sex workers in the city of Chiangmai. The generally accepted key basis of Buddhist Modernism, as depicted by certain Western Buddhist scholars, is interaction and engagement with modernity. More specifically, it is seen as incorporating modern science into the Buddhist worldview, and as regarding meditation as a core practice of ‘true Buddhism’. Crucial components of popular Buddhism, such as magical monks and mystical rituals, are excluded from this depiction of Buddhist Modernism, and even decried as ‘false Buddhism’, despite their canonical basis and long-term acceptance. Using ethnographic methods, this paper argues instead that the result of interactions with modernity by popular Buddhists always includes engagement with and mythologizing of traditional cosmology. That is, rather than solely involving global networks and scientific rationalism, Thai Buddhist Modernism is the product of complex patterns of interaction among local beliefs, mystical practices, and modernity. The purpose of this integration of modern and popular Buddhism in the religious practices of sex workers is to create loving-kindness (metta). Metta, in turn, is held to bring luck and attractiveness to practitioners, allowing them to earn an income to support their impoverished families and live well in modern society, as well as to accumulate good merit (bun) to improve their religious lives. Full article

This paper examines the economics of female piety between the third/ninth and sixth/twelfth centuries. It traces Sufi approaches to poverty and working for a living (kasb) as well as kasb’s intersection with marriage and women. Rereading Sufi and non-Sufi biographies and historiographies reveals that there were wealthy women who initiated marriage with renowned Sufis to gain spiritual blessings, and others who financially supported their husbands. While the piety of male Sufis was usually asserted through material poverty, the piety of female mystics was asserted through wealth and almsgiving. This paper examines this piety through different female kinships—whether mothers, wives or sisters. Similar to the spousal support of wives for their husbands, sisters very often acted as an impressive backup system for their Sufi brothers. Mothers, however, effected a great socio-religious impact through the cherished principles of a mother’s right to control her son and a son’s duty to venerate his mother. This devotion was often constraining financially and Sufis needed to pay attention to the financial implications while still pursuing progress on the Sufi path. Full article

This article is an inquiry into the nature of the female mystic and the divine feminine in Sufi experience. It considers this experience in the general sense with regard to the Sufi tradition, but in its analysis, the article primarily draws on examples from the classical period of Sufi history. Based on an analysis of the thought of key Sufi figures from that period, the assertion is made that the ground of the sacred is female and, as such, the basis of mystical experience is feminine. Full article

This article is a feminist ethnographic exploration of how ‘indigenous’ notions of a ‘sacred feminine’ shape Sufi praxis on the island of Lombok in the eastern part of Indonesia in Southeast Asia. I demonstrate through long-term immersive anthropological fieldwork how in her indigenous form as Dewi Anjani ‘Spirit Queen of Jinn’ and as ‘Holy Saint of Allah’ who rules Lombok from Mount Rinjani, together with a living female saint and Murshida with whom she shares sacred kinship, these feminine beings shape the kind of Sufi praxis that has formed in the largest local Islamic organization in Lombok, Nahdlatul Wathan, and its Sufi order, Hizib Nahdlatul Wathan. Arguments are situated in a Sufi feminist standpoint, revealing how an active integration of indigeneity into understandings of mystical experience gives meaning to the sacred feminine in aspects of Sufi praxis in both complementary and hierarchical ways without challenging Islamic gender constructs that reproduce patriarchal expressions of Sufism and Islam. Full article

All Abrahamic religions have developed hypostatic and semi-divine perceptions of scripture. This article presents an integrated picture of a rich tradition developed in early kabbalah (twelfth–thirteenth century) that viewed the Torah as participating and identifying with the Godhead. Such presentation could serve scholars of religion as a valuable tool for future comparisons between the various perceptions of scripture and divine revelation. The participation of God and Torah can be divided into several axes: the identification of Torah with the Sefirot, the divine gradations or emanations according to kabbalah; Torah as the name of God; Torah as the icon and body of God; and the commandments as the substance of the Godhead. The article concludes by examining the mystical implications of this participation, particularly the notion of interpretation as eros in its broad sense, both as the “penetration” of a female Torah and as taking part in the creation of the world and of God, and the notion of unification with Torah and, through it, with the Godhead. Full article

The 14th century mystic Julian of Norwich’s theology, dissolving gender binaries and incorporating medieval constructs of the female into the Trinity, captivates scholars across rhetorical, literary, and religious studies. A “pioneering feminist”, as Cheryll Glenn dubs her, scholarship attempts to account for the ways in which Julian’s theology circumvented the religious authority of male clerics. Some speculate that Julian’s authority arises from a sophisticated construction of audience (Wright). Others situate Julian in established traditions and structures of the Church, suggesting that she revised a mode of Augustinian mysticism (Chandler), or positing that her intelligence and Biblical knowledge indicate that she received religious training (Colledge and Walsh). Drawing from theories on space and gender performativity, this essay argues that Julian’s gendered body is the generative site of her authority. Bodies are articulated by spatial logics of power (Shome). Material environments discipline bodies and, in a kind of feedback loop, gendered performance (re)produces power in time and space. Spaces, though, are always becoming and never fixed (Chavez). An examination of how Julian reorients hierarchies and relations among power, space, and her body provides a hermeneutic for recognizing how gender is structured by our own material cultures and provides possibilities for developing practices that revise relations and create new agencies. Full article

Camilla Battista da Varano (1458–1524), a mystic and Franciscan nun, spent most of her life in Camerino in east-central Italy. Now a saint—since 17 October 2010—she composed two autobiographical treatises across a ten-year period mid-way through a literary career that spanned the end of the fifteenth and the early part of the sixteenth centuries. In one, La vita spirituale (My spiritual life, 1491), she delivered a complete spiritual life story, tracing her religious devotion from the ages of eight to thirty-three. She described her relationship with a number of men, including her father and several clerics who—to one degree or another—inspired and guided her devotional life. By the time she wrote, she had been a professed Franciscan nun for seven years. She presented herself at that point as one who had undergone visionary, mystical experiences and as a woman who had both benefitted and suffered under the control of men like her father and her spiritual directors. In the other, Istruzioni al discepolo (Instructions to a disciple, 1501), she told the story of her affectionate relationship with a male disciple she was directing spiritually but used a literary conceit to hide her own identity. She wrote about the spiritual director the male disciple loved and admired in the third person, apparently in a self-deprecating manner inspired by humility but thinly veiling her obvious self-confidence. In these texts, and in other of her devotional treatises, she claimed the ability to provide spiritual direction of her own and wrote in bold imagery, creatively manipulating scripture at times. She exercised a do-it-yourself approach to discernment of God’s will and even to the process of confession. She criticized inattentive spiritual directors and asserted that both her visions and the impetus for her devotional writings came directly, unmediated, from God. But Camilla also exhibited deferential attitudes and strong connections to traditional Franciscan theology while including female authors in that tradition she apparently admired, like Caterina da Bologna (1413–1463). She also wrote at times with vivid expressions of obedience to the variety of men who held some authority over her. She was, apparently, not an individual easily understood through the standard images usually associated with late medieval and early modern women. A fuller portrait of Camilla is emerging as scholars today seek to recover her original voice. Full article