Search Results (4)

Disabled people are uniquely positioned in relation to the digital turn. Academic ableism, the inaccessibility of digital space, and gaps in digital literacy present barriers, while, at the same time, disabled, Deaf, and neurodivergent people’s access knowledge is at the forefront of innovations in culture and crip technoscience. This article explores disability, technology, and access through the concept of crip digital intimacy, a term that describes the relational and affective advances that disabled people make within digital space and through digital technology toward accessing the arts. We consider how moments of crip digital intimacy emerged through Accessing the Arts: Centring Disability Perspectives in Access Initiatives—a research project that explored how to make the arts more accessible through engaging disabled artist-participants in virtual storytelling, knowledge sharing, and art-making activities. Our analysis tracks how crip digital intimacies emerged through the ways participants collectively organized and facilitated access for themselves and each other. Guided by affordance theory and in line with the political thrust of crip technoscience, crip legibility, and access intimacy, we argue that crip digital intimacy emphasizes the interdependent and relational nature of access, recognizes the creativity and vitality of nonnormative bodyminds, and understands disability as a political—and frequently transgressive—way of being in the world. Full article

This article discusses applications of technology for sensory-disabled audiences in modern and contemporary art exhibitions. One case study of experimental artistic and curatorial research by The OtherAbilities art collective is discussed: a series of prototype tools for sensory translation from audible sound to vibration were developed to be embeddable in the architecture of spaces where art is presented. In the article, the case study is approached from a curatorial perspective. Based on bibliographical sources, the article starts with a brief historical reference to disability art activism and a presentation of contemporary accessibility solutions for sensory-disabled audiences in museums. The research for the case study was conducted during testing and feedback sessions on the prototypes using open-ended oral interviews, open-ended written comments, and ethnographic observation of visitors’ behavior during exhibitions. The testers were d/Deaf, hard of hearing and hearing. The results focus on the reception of the sensory translation of audible sound to vibration by test users of diverse hearing abilities and on the reception of the prototypes in the context of art and design exhibitions. The article closes with a reflection on how disability scholarship meets art curatorial theory in the example of the article’s case study. Full article

“Dinner table experience” describes the uniquely crip affect evoked by deaf and disabled people’s childhood memories of sitting at the dinner table, witnessing conversations unfolding around them, but without them. Drawing on 11 prairie-based deaf and/or disabled artists’ dinner table experiences, four researcher-artivist authors map a critical bricolage of prairie-based deaf and disabled art from the viewpoint of a metaphorical dinner table set up beneath the wide-skyed “flyover province” of Saskatchewan. Drawing on a non-linear, associative-thinking-based timespan that begins with Tracy Latimer’s murder and includes a contemporary telethon, this article charts the settler colonial logics of normalcy and struggles over keeping up with urban counterparts that make prairie-based deaf and disability arts unique. In upholding an affirmative, becoming-to-know prairie-based crip art and cultural ethos using place-based orientations, the authors point to the political possibilities of artmaking and (re)worlding in the space and place of the overlooked. Full article

Smart cities are especially suited for improving urban inclusion by combining digital transition and social innovation. To be smart, a city has to provide every citizen with urban spaces, public services, and common goods that are effectively affordable, whatever the citizen’s gender, culture, origin, race, or impairment. Based on two design workshops, the “Vibropod” and the “Pointe-aux-Lièvres”, this paper aims at highlighting the contributions of design fiction to the improvement of the spatial capability of hearing impaired people. This research draws its originality from both its conceptual framework, built on an interdisciplinary and intersectoral composition of arts and sciences, and its operational approach, based on the use of the DeafSpace markers and the TRIZ theory (Russian acronym for Inventive Problem Solving Theory) principles. The two design fiction workshops demonstrate that considering the singularity of the human being as an actual acoustic material constitutes an innovative opportunity to improve the role of universal design in a smart city project. By reversing the classic posture, and defining disability by looking at characteristics of the environment rather than as limits of the people themselves (their bodies or their senses), this research proposes an innovative way of addressing smart city inclusivity issues. This paper shows how increasing spatial enablement and having better control of spatial skills can offer deaf people new skills to improve the use of technology in support of urban mobility, as well as give them tools for feeling safer in urban environments. Full article