Search Results (28)

This study aims to investigate asymmetries in muscle activation and co-contraction of main lower limb muscles during flamenco Zap-3 footwork with consideration of the footwork speed and dancer proficiency. Twelve flamenco dancers participated, including six professionals and six amateurs. Each participant performed the Zap-3 sequence under three speed conditions: 160 beats per minute (bpm), 180 bpm and the fastest speed level (F). The normalized surface electromyography was recorded in the gastrocnemius medialis (GM), biceps femoris (BF), tibialis anterior (TA) and rectus femoris (RF) in the dominant (DL) and non-dominant leg (NDL). The co-contraction index was also calculated for selected muscle pairs. The results showed that significant asymmetries occurred only in professional dancers and exclusively at the F speed level. Specifically, the value of the GM in the NDL was higher than that of the DL (p < 0.05, d = 1.97); the value of the BF in the DL was higher than that of the NDL (p < 0.05, d = 1.86) and the co-contraction index of BF/RF in the DL was higher than that of the NDL (p < 0.05, d = 1.87). Understanding these asymmetries may help to inform individualized training strategies aimed at optimizing performance and reducing potential risks. Full article

Injury or fear of injury can cause stress for everyone. This is especially true for dancers, whose careers can be ruined by a serious injury. Stress or various psychological problems can play a role in the development of injury. Our research aims to explore the psychosocial patterns associated with injuries among Hungarian professional folk dancers. A cross-sectional study was carried out with 96 professional dancers (47.9% male, 52.1% female, mean age 29.9 years). Data was collected through an online questionnaire survey. Among psychological factors, perceived stress (using the Perceived Stress Scale), burnout (using the Athletic Burnout Questionnaire), coping skills (using the Athletic Coping Skills Inventory), relationship with the leader (using the Coaching Behaviour Questionnaire) and perceived social support (using the Multidimensional Scale of Perceived Social Support) were examined among injured and non-injured dancers. The two groups were compared along psychological subscales using Multivariate Analysis of Variance (MANOVA) followed by a post hoc ANOVA and Mann–Whitney test regarding social support. Our results showed a significant correlation between psychosocial factors and injuries sustained during the study period. Positive correlation was found between injuries and perceived stress (p < 0.001) and burnout (reduced sense of accomplishment p = 0.021; dance devaluation p < 0.001). Factors reflecting dancer’s behavior and coping skills also correlated with injuries, such as a decrease in coachability (p = 0.007), less concern (p = 0.029), and negative reactions to the leader’s behavior (p = 0.019). In addition, perceived social support from family also negatively correlates with injury (p = 0.019). Our findings suggest a multidirectional relationship between physical injuries and the mental state of dancers. Further investigation of the causal relationships is recommended, with the aim of using psychosocial support tools during the prevention and treatment of injuries by the professionals dealing with dance artists. It is also recommended to investigate whether individual psychological factors are directly related to injuries or interact with each other. It would also be useful to introduce prevention programs that help dancers manage their emotions related to injuries. Full article

Background/Objectives: Older adults with mild cognitive impairment often exhibit reduced postural control and increased fall risk. As fall-related injuries consume substantial healthcare resources, the development of fall-preventive interventions is of public health relevance. This study aims to investigate the effects of a six-month dance intervention on postural control and fall-related measures in older adults with mild cognitive impairment. Methods: In this randomized controlled trial, 55 participants were allocated to either an intervention group or a control group. The intervention group performed two 90-min dance training sessions per week for six months, while the control group maintained their usual activities of daily living. Postural control was operationalized via balance performance, which was measured with the Sensory Organization Test and the Limits of Stability Test. Neuromuscular function of the lower extremities was assessed via muscle contraction velocity using tensiomyography. Fear of falling was quantified with the Falls Efficacy Scale, and participants reported fall history over the past year. It was hypothesized that older adults with mild cognitive impairment participating in the six-month dance training would show significantly greater improvements in postural control and fall-related outcomes than those in the control group. Results: A mixed analysis of variance (time × group) revealed no significant improvements in balance performance or neuromuscular function following the dance intervention (p > 0.05). However, several main effects for time were observed in the Sensory Organization Test, Limits of Stability Test, and muscle contraction velocity. Scores on the Falls Efficacy Scale improved significantly in the intervention group, reflecting reduced fear of falling, although only shown by a paired-samples t-test (t(23)= 2.276, p = 0.032, d = 0.465). Conclusions: This study did not provide evidence that a six-month dance intervention improves postural or neuromuscular functions. However, it cannot be ruled out that such null findings are related to confounding factors, such as insufficient training specificity or duration. Nonetheless, the fear of falling was significantly reduced in the intervention group, suggesting potential benefits for perceived fall risk in older adults with mild cognitive impairment. Full article

Background/Objectives: Parkinson’s disease (PD) is a complex neurodegenerative disorder responsible for both motor and non-motor disturbances impairing motor behavior. This complexity necessitates integrated, multidisciplinary, and comprehensive models of care. A new and interesting complementary approach is represented by “Dance Well”, i.e., an artistic, multisensory dance intervention based on art and music. This pilot study aims to evaluate the efficacy, feasibility, and safety of a 4-week Dance Well (DW) program in PD patients in early–medium disease stages. Methods: Twenty-four PD patients (H&Y ≤ 3; MoCA score ≥ 13.8) were enrolled and randomly allocated into two groups, both with a twice-per-week frequency and lasting 4 weeks: one group underwent the DW program, while the other underwent conventional physiotherapy (CPT). Demographic, biometric, and clinical data were collected. To study the treatment effect, motor (Unified PD Rating Scale-III, Timed Up and Go Test, Berg Balance Scale, 6-Minute Walk Test, and Falls Efficacy Scale), cognitive (Corsi Supra Span Test, Trail Making Test A and B-A), and emotional–motivational (Beck Depression Inventory, State-Trait Anxiety Inventory, Apathy Evaluation Scale) outcome measures were assessed, before and after the rehabilitation program. To study treatment compliance and safety, the number of dropouts and any adverse events (such as injuries and falls) were recorded. Results: All outcome measures improved in both groups. The percentage of improvement in outcome measures assessing attention and motivation was greater in the DW group. No dropouts, falls, or injuries occurred. Conclusions: In the early–medium stages of PD, DW could be considered a feasible and safe complementary treatment, useful in improving motor, cognitive, and emotional–motivational symptoms. Full article

A gait analysis serves as a critical tool for examining the biomechanical differences in movement patterns between trained and untrained individuals. This study investigates the nuanced differences in gait patterns between professional ballet dancers and non-dancers, with a focus on angular velocities and accelerations across key body joints. By analyzing the positions and movements of the head, neck, shoulder, spine, hip, knee, and ankle in both the sagittal (SP) and frontal (FP) planes, the study aims to identify key distinctions in joint dynamics that arise from differing levels of physical training. The study involved ten participants in total, comprising four professional female ballet dancers and six non-dancer students (three males and three females). In the first experiment, participants performed walking trials at five different speeds, while in the second experiment, the ballet dancers performed six distinct dance routines. Data were captured using a Kinetics motion capture camera system, which recorded the maximum and minimum angular velocities and accelerations during both walking and dancing. Key findings reveal significant differences in joint dynamics. For example, non-dancers’ right shoulder exhibited a maximum angular velocity of −0.47 rad/s and a minimum of 0.71 rad/s, while dancers showed a maximum of −0.09 rad/s and a minimum of 0.07 rad/s. The right knee also displayed notable differences, with angular velocities ranging from −3.88 rad/s to 2.61 rad/s for non-dancers, compared to −0.35 rad/s to 0.54 rad/s for dancers. In terms of acceleration, dancers’ left shoulder reached a maximum of 3.952 mm/s², while their right shoulder had a minimum of −0.1 mm/s². For non-dancers, the left elbow showed a maximum acceleration of 2.997 mm/s², while the right elbow had a minimum of 0.05 mm/s². These variations in angular velocity and acceleration underscore the distinct roles and movements of various joints, highlighting differences in muscle coordination and joint control. Understanding these patterns is crucial for assessing joint function, optimizing training, and developing intervention strategies for injury prevention and rehabilitation. The findings hold significant implications for the dance community and other physically active populations, offering valuable insights into performance enhancement and movement health. Full article

This study examines the multifaceted field of injuries and their impacts on performance in the National Basketball Association (NBA), leveraging a blend of Data Science, Data Mining, and Sports Analytics. Our research is driven by three pivotal questions: Firstly, we explore how Association Rule Mining can elucidate the complex interplay between players’ salaries, physical attributes, and health conditions and their influence on team performance, including team losses and recovery times. Secondly, we investigate the relationship between players’ recovery times and their teams’ financial performance, probing interdependencies with players’ salaries and career trajectories. Lastly, we examine how insights gleaned from Data Mining and Sports Analytics on player recovery times and financial influence can inform strategic financial management and salary negotiations in basketball. Harnessing extensive datasets detailing player demographics, injuries, and contracts, we employ advanced analytic techniques to categorize injuries and transform contract data into a format conducive to deep analytical scrutiny. Our anomaly detection methodologies, an ensemble combination of DBSCAN, isolation forest, and Z-score algorithms, spotlight patterns and outliers in recovery times, unveiling the intricate dance between player health, performance, and financial outcomes. This nuanced understanding emphasizes the economic stakes of sports injuries. The findings of this study provide a rich, data-driven foundation for teams and stakeholders, advocating for more effective injury management and strategic planning. By addressing these research questions, our work not only contributes to the academic discourse in Sports Analytics but also offers practical frameworks for enhancing player welfare and team financial health, thereby shaping the future of strategic decisions in professional sports. Full article

Repatterning is a term that can be used in different fields, including genetics, molecular biology, neurology, psychology, or rehabilitation. Our aim is to identify the key concept of neuromuscular repatterning in somatic training programmes for dancers. A systematic search of eight databases was conducted using the PRISMA (Preferred Reporting Items for Systematic Review and Meta-Analysis) guidelines. The Quality Assessment Tool for Quantitative Studies and the Oxford Levels of Evidence scales were used. The search yielded 1218 results, of which 5 met the inclusion criteria. Five studies (n = 5) were related to psychosomatic health (n = 5), two studies highlighted integration and inter-articular connectivity in movement (n = 2), four studies investigated the neurological component of alignment and efficiency in dance practice (n = 4), and two studies investigated self-confidence (n = 2). Five studies (n = 5) used imagery based on the anatomical and physiological experience of body systems as the main analytical method. Four studies (n = 4) used developmental movement through Bartenieff fundamentals as the main technique for this methodology. Developmental movement and imagery are two methodologies strongly connected to the concept of neuromuscular repatterning in somatic training programmes for dancers. The acquisition of further quantitative experimental or quasi-experimental studies is warranted to better define the level of improvement or impact of neuromuscular repatterning in dancers. Full article

Time-motion analysis has been used to quantify the external load of competition and as a strategy to prevent injuries. The objectives of this study were to determine the external load of competition in breaking, using time-motion analysis, and to establish a battle model to help determine training load and prevent injuries. Using observational methodology, we analysed all the battles of 56 b-boys and 56 b-girls who participated in the Red Bull BC One from 2018 to 2021 (n = 112). To obtain the results we used different analysis techniques. The significance level established was ρ ≤ 0.05. The results show that the time and sequence values have increased in recent years. The total battle time reaches 195 s for bboys and 170 s for bgirls. Men show greater strength and explosiveness, with higher values in total time and sequentiality, using more powermove. Women have higher split time values, showing greater endurance in the movements and using more footwork. The first two rounds have the longest duration for both sexes and the most used categories are also the most injurious in this discipline. Women use less powermove than men and have a lower injury rate. With these results, breaking professionals will be able to elaborate adequate training for their athletes. We conclude that there are significant differences between sexes when it comes to dancing, diminishing as the tournament progresses. We propose a model of temporal and sequential structure individualised by sex. The most damaging elements of breaking (powermove and footwork) should be taken into account when analysing the results and preparing the athletes. Full article

Dance is physically demanding, requiring physical fitness (PF) that includes upper body, lower body, core fitness, and balance for successful performance. Whether PF changes as dancers advance from when they enter (freshmen) to when they graduate from their collegiate program (seniors) is unclear. We prospectively compared collegiate dancers’ freshman-to-senior PF. We recorded PF in regard to upper body strength endurance (push-ups), core strength endurance (front, left-side, right-side, and extensor plank hold times), lower body power (single leg hop—SLH—distances % height; Leg Symmetry Index: LSI = higher/lower × 100, %), and balance (anterior reach balance, % leg length, LL; LSI balance = higher/lower × 100, %) in 23 female collegiate dancers (freshman age = 18.2 ± 0.6 years). Repeated measures ANOVAs (p ≤ 0.05) were used to compare measures from freshman to senior years. Across their collegiate programs, dancers’ PF remained unchanged. Specifically, their upper body strength endurance push-up numbers (p = 0.93), their core strength endurance plank times (left: p = 0.44, right: p = 0.67, front: p = 0.60, p = 0.22), their SLH distances (left: p = 0.44, right: p = 0.85), and their symmetry (p = 0.16) stayed similar. Also, dancers’ right leg (p = 0.08) and left leg balance (p = 0.06) remained similar, with better balance symmetry (p < 0.001) in seniors. Overall, dancers’ PF did not change across their collegiate programs. Thus, female dancers’ freshman PF may be an adequate baseline reference measure when devising rehabilitation programs and determining readiness-to-return-to-activity post injury. Full article

Irish dance is growing in popularity, evolving to a more athletic and demanding dance style. The aim of this study is to conduct a systematic review, previously registered with PROSPERO, to identify the prevalence, incidence, and the injury pattern among Irish dancers and analyse the associated risk factors. Six online databases and two dance-specific science publications were searched systematically. Studies were included if the patterns of injuries among Irish dancers were evaluated or the factors associated with injury were analysed, published in English or Portuguese, in peer-reviewed scientific journals. Four reviewers assessed the quality and level of evidence using the Downs and Black criteria and a modified Oxford Centre of Evidence-Based Medicine 2009 model, respectively. Eleven articles were included, eight of Level 3c (cross-sectional) and three of Level 3b (prospective). Mean DB percentage score was 63% ± 7.2%. Prevalence ranged from 72.2% to 92.6%, affecting mostly the foot/ankle complex. Only two articles reported incidence, which ranged from 3.4 to 10.6 injuries/1000 h danced depending on injury definition. Psychological factors, elite level, and insufficient/poor sleep were associated with musculoskeletal injury. Injury prevalence and incidence is high in Irish dancers, with the foot and ankle being more affected. Due to heterogeneity in injury definitions, methods, and populations, along with the need for improvement in studies quality, recommendations were made for future research. Full article

Functionality is a crucial aspect of aging that is vital to one’s health and well-being. Older adults often struggle with mobility issues, which increases their risk of injury from falls and other problems. Dancing has the potential to be a physically stimulating activity that may be tailored to older individuals’ ages, physical conditions, and cultural preferences. The study aimed to determine whether dancing programs can improve older adults’ physical and mental health by using technology. Sixty women were divided into two groups at random: a dance group (N = 33; mean age 62.24) and a dance group using technology (N = 27, mean age 67.37). The intervention lasted six months and was performed twice a week for 75-min sessions. Dances were chosen from all over Greece. Participants’ physical and cognitive status was evaluated before and after the intervention. The results show that the dance group improved balance (p = 0.001), lower body strength (p = 0.006) and aerobic capacity (p = 0.006), while the dance group with the use of technology shower greater improvement in the same tests (p = 0.002, p < 0.0001 and p < 0.0001). Both groups improved on walking balance and danger of falling (p < 0.0001). Depression (p = 0.007) and sociability (p = 0.001) significantly improved in the dance group. Dance, an enjoyable activity, contributes to the well-being of older adults by maintaining their physical status and functional capacity at acceptable levels. Full article

Limited data exist that describe the experiences of pain and injury in dancers. The purpose of the current study was to understand pain perceptions, suffering and pain behaviours associated with pre-professional and professional dancers and to consider the psychosocial factors that influence suffering, behaviour and perceptions of pain. A thematic synthesis review was undertaken in three stages: (1) A systematic search using pre-defined search terms was conducted until 17 November 2022. Qualitative studies were included if they captured dancers’ perceptions, experiences, or the behaviour of dancers towards pain and injury. (2) Quality appraisal and certainty assessments was performed. (3) A five-phase synthesis generated themes that included a certainty assessment score. Twelve studies with 290 dancers met the inclusion criteria. The aggregated mean age was identified as 28.5 years. No studies were excluded following the quality appraisal stage. Nine studies included professional ballet dancers. Three themes were developed: (1) developing positive and adapted perceptions and behaviours towards pain, (2) the impact and danger of embracing pain and the risk of injury and (3) factors that influenced the response to injury and the ability to perform. This review has highlighted the experiences of pre-professional and professional dancers towards pain and injury. Practical implications for healthcare professionals, employers, choreographers and dancers are provided. Further research is required given the limited evidence base. Full article

The prevalence of dance-related injuries is high, yet risk factors remain unclear in modern dance. The COVID-19 pandemic has affected the continuity and nature of dance programs. The objectives were to investigate factors associated with musculoskeletal injuries in pre-professional modern dancers before and after the pandemic and to qualitatively describe the dancers’ experiences during COVID-19. We examined 31 modern dancers (19.42 ± 1.57 years) pre-COVID-19 and re-examined 21 participants after one-year post-COVID-19, using objective physical tests for upper and lower body strength, aerobic fitness, hip ranges, injury history, and training hours’ data. The injury rate remained mostly unaffected (0.87 ± 0.88 pre-, 0.76 ± 0.83 post-COVID-19), but weekly dance hours were reduced (33 pre-, 21.40 post-COVID-19). Dancers significantly improved their push-up score (p = 0.016) and decreased their compensated turnout (p = 0.022). Notably, non-injured dancers scored higher in the pre-COVID-19 Chester Step Test (p = 0.033) and practiced more strength training independently post-COVID-19 (p = 0.024). No significant differences were found between injured and non-injured dancers in the other parameters. Dancers reported negative thoughts and difficulty maintaining their fitness during the pandemic. In conclusion, strength training and aerobic fitness were identified as potentially important factors related to injury risk in modern dance and should be examined further for their injury prevention value. Full article

(1) Background: Studies have yet to identify if there are any differences in musculoskeletal injury patterns between dance and gymnastics. This study aimed to determine if different injury patterns exist in adolescent females participating in those two popular sports. (2) Methods: A cross-sectional study was conducted using data collected from patients presenting to U.S. emergency departments participating in the publicly available, de-identified U.S. Consumer Product Safety Commission’s National Electronic Injury Surveillance System (NEISS) throughout the year 2020. Regression analyses were performed to explore if injury patterns were predictive of gymnastics or dancing participation. (3) Results: 518 adolescent females with dance-related injuries and 597 adolescent females with gymnastics-related injuries in 2020 were examined. Strain/sprains (33.3%) and fractures (37.3%) were the most reported dance- and gymnastics-related diagnoses, respectively. Participants were 74% less likely to have a strain/sprain diagnosis in gymnastics compared to dance (OR = 0.26, 95% CI [0.18, 0.38]) and were 3.84 times more likely to have a fracture diagnosis from gymnastics compared to dance (OR = 3.84, 95% CI [2.67, 5.57]), even after adjusting for body party injured. (4) Conclusions: Dance is associated with more sprains while gymnastics typically resulted in a greater likelihood for fractures. Full article

In pair skating and ice dance, performance seems to have increased at international competitions, which is potentially associated with changes in athlete age. We hypothesized increasing age, numbers of total points and more complex jumps of the best elite couples at international championships in recent years. Corresponding data were assessed via the results databases of the European and World Championships, as well as the Winter Olympics since 2005. Linear regression statistics were conducted, and significance was assessed via one-way ANOVAs. There were no significant changes in age. Increases in total points were found in both disciplines (World and European Championships both p < 0.001 for both disciplines, Olympics pair skating p = 0.003, ice dance n/a). Significant increases were found in the number of double and triple twist jumps at the European Championships (Double p = 0.046, triple p = 0.041), but not at the World Championships or the Olympics. At the World Championships, single solo jumps decreased (p = 0.031) in favor of triple jumps, which increased (p = 0.020), without a similar effect at the European Championships or Olympics. In conclusion, increases in total points and more complex jumps were observed at international championships without associated changes in age. Attention should be given to possible changes in the incidence of acute and overuse injuries following this development. Full article