Search Results (13)

Why have thinkers like Ralph Waldo Emerson and Zhuang Zi, across different cultures, sought something beyond the self? Whether through God, nature, or abstract ideals, the longing for transcendence has been a recurring theme across philosophical and religious traditions. This impulse reflects what Aldous Huxley termed the “perennial philosophy”—the idea that all spiritual traditions share a common metaphysical core. Within this framework, Emerson and Zhuang Zi offer remarkably similar insights into the transformative power of silence and stillness. For Emerson, these quiet states connect the individual with the Over-Soul, a universal spirit that transcends the ego. For Zhuang Zi, they enable alignment with the Dao, the natural flow of the universe. In both philosophies, silence and stillness serve as transformative practices that dissolve the boundaries of the self and open it to a deeper, more unified reality. By comparing Emerson’s Over-Soul and Zhuang Zi’s Dao, this essay shows how both thinkers suggest that true peace arises not from striving but from surrendering to the quiet depths of being. Their shared emphasis on contemplative stillness reveals its enduring value as a spiritual practice across diverse philosophical landscapes. Full article

Both Ralph Waldo Emerson and Zhuangzi lived in eras of profound social transformation. They both reconstruct virtue to respond to the meaning crisis in this social transformation. However, for the reason that their metaphysical foundations of virtue differ, there is a significant difference between them. Emerson’s concept of virtue promotes aesthetic appreciation of nature. Emerson regards nature as the best meaning of life. Meanwhile, Zhuangzi’s concept of virtue promotes the aesthetic appreciation of harmony between humanity and the Dao. He does not have Emerson’s sense of aesthetic appreciation of nature, including wilderness. In this paper, I will conduct a comparative study between Emerson and Zhuangzi based on the core categories in research on meaning in life, which are self-transcendence, value, and power. I aim to reconstruct Zhuangzi’s virtue through intercultural dialogue by absorbing Emerson’s virtue. Through this dialogue, we can deepen our understanding of Emerson and Zhuangzi in their efforts in the reconstruction of the self and value through virtue, which gives them enormous spiritual power to cope with the meaning crisis in their lifetimes. The new virtue is an integrated environmental virtue, which will give us a new understanding of the self, value, and power. The new self is an ecological aesthetic self, which is integrated with value in nature. The new self and value have the potential to shape new practices in the era of new transformation, which is generated by AI. Full article

Japanologists have identified the intellectual movement called Kokugaku (“national learning”) as early modern Japan’s version of nativism, even though it bears no resemblance to the original American version of nativism from the 1840s, namely Know-Nothingism. Instead, Kokugaku had striking intellectual and institutional similarities with pre-Civil War Transcendentalism. Americanists have associated Transcendentalism with the broader ideological phenomenon known as exceptionalism, rather than with nativism. For this reason, this article proposes to reclassify Kokugaku as exceptionalism, instead of nativism, via a comparison between it and Transcendentalism. The intellectual linchpin between Transcendentalism and exceptionalism is Fichte, whose ideas influenced Japan’s literary genre known as Nihonjinron (“theories of Japanese[-ness]”), the modern successor of Kokugaku, a connection that bolsters the intellectual legitimacy of the view that Kokugaku and Transcendentalism are analogous versions of exceptionalism. Full article

When American metaphysical religion appears onstage, it most often manifests in the subject matter and dramaturgies of experimental theater. In the artistic ferment of the 1960s and 1970s counterculture, theater-makers looked both to alternative dramaturgies and alternative religions to create radical works of political, social, and spiritual transformation. While the ritual experiments of European avant-garde artists like Artaud and Grotowski informed their work, American theater-makers also found inspiration in the dramas of Gertrude Stein, and many of these companies (the Living Theatre and the Wooster Group, most notably) either staged her work or claimed a direct influence (like Richard Foreman). Stein herself, though not a practitioner of metaphysical religion, spent formative years in Cambridge, Massachusetts, at Radcliffe under the tutelage of William James. Cambridge, at the turn of the twentieth century, was a hotbed of spiritualism, theosophy, alternative healing modalities, and James, in addition to running the psychology lab in which Stein studied, ran a multitude of investigations on extrasensory and paranormal phenomena. This article traces a web of associations connecting Ralph Waldo Emerson, Transcendentalism, and liberal Protestantism to Gertrude Stein and landscape dramaturgy to the midcentury avant-garde, the countercultural religious seeking of the 1960s and 1970s, and the Off-Off-Broadway movement. Full article

This essay explores a philosophical tradition that Stanley Cavell has traced out and which he emphasizes as being American inasmuch as it is arises out of the thinking of Ralph Waldo Emerson and Henry David Thoreau. It then investigates how the poems of the avant-garde poet Michael Palmer link with, overlap with, this strain of American philosophy in terms of how it enacts an understanding of what we might call “philosophical mood,” on outlook based on the navigation of representation, generative self-consciousness, and doubt that amounts to a form of epistemology. The essay does not trace the influence—direct or otherwise of Cavell and his arguments for philosophy on the poems, despite a biographical connection between Cavell and Palmer, his former student. Instead it brings out the way that one might fruitfully locate Palmer’s work within an American literary/philosophical continuum. The article shows how that context opens up the work to a range of important existential and ethical implications. I endeavor to show that Notes for Echo Lake, Palmer’s most important collection, locates itself, its language, within such a frame so as to provide a place for readerly encounters with the limitations of language. These encounters then are presented as an opportunity for a deeper understanding of subjectivity and for attuning oneself to the role that active reading and interpretation might play in moral perfectionism. Full article

The relation of influence between Ralph Waldo Emerson and John Muir helps to illuminate Muir’s characteristic brand of nature religion, namely his mysticism. This relation is especially clear, I argue, in both Emerson and Muir’s writing on their mystical affinities for plant life. Applying Harold Bloom’s renowned theory of literary influence, I draw lessons from Emerson and Muir’s mystical writings to highlight the ways in which Muir acquired from Emerson the plant-related vocabularies and practices that came to mediate his nature-inspired mysticism and also how Muir can be said to have surpassed Emerson’s own mystical example, thus opening new vistas of consciousness in human–plant relations in the nineteenth-century American religious experience. Full article

In declaring 1836 the “Annus Mirabilis” of Transcendentalism, Perry Miller captured the emerging vitality of a new religious movement, described by Convers Francis as “the spiritual philosophy”. Francis first listed George Ripley’s Discourses on the Philosophy of Religion (1836) as a sign of the new movement. Ripley’s book, strongly influenced by William Ellery Channing’s sermon “Likeness to God” (1828), captured the metamorphosis of Transcendentalism from its Unitarian theological roots, and sheds light on the Transcendentalists’ theory of religious experience. Ripley presented Transcendentalism as the purist form of Christian theology. This new religious awareness enabled a realization of the divine “inner nature”, and described a religious life dedicated to the practice of spiritual self-cultivation. This new awareness brought with it “universal love”, and a vision of what it meant to partake of divinity. Full article

Historians of American religion and Transcendentalism have long known of James Marsh as a catalyst for the Concord Transcendentalist movement. The standard narrative suggests that the Congregationalist Marsh naively imported Samuel Taylor Coleridge's Aids to Reflection (Am. ed. 1829) hoping to revivify orthodoxy in America. By providing a “Preliminary Essay” to explain Coleridge’s abstruse theology, Marsh injected Coleridge’s hijacked Kantian epistemology—with its distinction between Reason and Understanding—into American discourse. This epistemology inspired Transcendentalists such as Ralph Waldo Emerson and Bronson Alcott, and it helped spark the Transcendentalists’ largely post-Christian religious convictions. This article provides a re-evaluation of Marsh’s philosophical theology by attending to the precise historical moment that Marsh chose to publish the Aids to Reflection and his “Preliminary Essay.” By the late 1820s, the philosophical problem of free will lurked in American religious discourse—Unitarian as well as Trinitarian—and Marsh sought to exploit the problem as a way to explain how aspects of Trinitarian Christianity might be rational and yet unexplainable. Attending carefully to the numerous philosophical and religious discourses of the moment—including Unitarianism, Trinitarianism, Kant, Coleridge, and Scottish Common Sense—and providing close readings of the historical philosophers Marsh engaged, this article shows how James Marsh laid the epistemological groundwork for a new romanticized Christianity that was distinct from the Concord Transcendentalists, but nonetheless part of its historical lineage. Full article

William James and Ralph Waldo Emerson are both committed individualists. However, in what do their individualisms consist and to what degree do they resemble each other? This essay demonstrates that James’s individualism is strikingly similar to Emerson’s. By taking James’s own understanding of Emerson’s philosophy as a touchstone, I argue that both see individualism to consist principally in self-reliance, receptivity, and vocation. Putting these two figures’ understandings of individualism in comparison illuminates under-appreciated aspects of each figure, for example, the political implications of their individualism, the way that their religious individuality is politically engaged, and the importance of exemplarity to the politics and ethics of both of them. Full article

Despite the theological gulf that separated the Transcendentalists from their Puritan predecessors, certain leading Transcendentalists—Emerson, Fuller, and Thoreau among them—often punctuated their writings, published and private, with literary representations of dramatic episodes of spiritual awakening whose rhetorical structure sometimes betrays suggestive parallels with traditional, recognizably Christian, forms of conversion rhetoric. While all of these Transcendentalists clearly showcase representations of dramatic religious experience in their work, this reliance on Christian rhetorical patterns is most obvious in the early writings of Emerson and Fuller. Thoreau’s constructions reflect little ostensible Christian influence, yet even here, thematic continuities with earlier forms of religious self-expression are discernible. Full article

Given the exemplary studies of Thomas Carlyle’s influence on the Boston intelligentsia of the 1830s and 1840s, for instance by Robert D. Richardson and Barbara L. Packer, we may wonder if there are other questions to ask on the subject—and then, not so much as a point of disagreement or divergence, but rather in a spirit of seeking what may come to light given that so many elemental aspects have been so well digested by others. Avoiding a rehearsal of expert observations, much less a rote re-treading of key insights, I wish to focalize the present investigation by asking how, in particular, a single book—Sartor Resartus—affected Emerson’s conception of what might be possible for him to think about literary, religious, and philosophical expression in terms of humor, satire, genre, and translation (specifically cultural translation); thus, I am asking about the interaction between form and content, and specifically how the form and content of Sartor Resartus makes itself known and available to Emerson. Borrowing from George Eliot, the foregoing notes resolve themselves into the query that guides the present investigation: how was reading Sartor Resartus an “epoch in the history of” Emerson’s mind? Full article

Scholars of religion have often pointed to the Transcendentalists as progenitors of a distinct tradition of nature religion in the United States. Nevertheless, this work has not fully dealt with the problematic qualities of “nature” in light of growing concerns about the ethical and socio-political implications of human powers in the Anthropocene. This paper presents a brief overview of “nature religion” while focusing on the often uneasy way that Ralph Waldo Emerson is treated in this work. By looking at how Emerson is viewed as a stepping stone to Henry David Thoreau, I argue that it is precisely what the tradition of nature religion finds problematic in Emerson—his strains of recurrent idealism—that allows him to have a more expansive notion of nature as the environments in which we live, while preserving the importance of human moral agency. What follows, then, is a more nuanced position in environmental ethics that is informed by an Emersonian sense of the irreducible tension between being created and being a creator. Full article

This article examines connections between the Protestant Reformation and American literature and argues that Protestantism’s best expression exists in contemporary iterations of self-reliance. The first part focuses on William Ellery Channing’s and Ralph Waldo Emerson’s literary criticism of John Milton, a poet who represents the Protestant ideals these writers combine with American principles to develop the literary tradition. The second part discusses the trajectory of American literature in the nineteenth century and extends this discussion to current assumptions regarding teaching and learning. Full article