Search Results (19)

Kumbapattu is a folk song of the indigenous Kurichiya community sung during Thira, a religious festival celebrated during the month of Kumbham (February). It narrates the mythical life and actions of Malakkari, an embodiment of Lord Shiva and the chief deity of the Kurichiya. A critical study of this 1051-line folk song, its ritual performance, and its ecological fountainheads can contribute to our understanding of the cultural and ritualistic energies and functions of indigenous art forms. This paper examines the role played by religious folk songs in reiterating Kurichiya identity and community integration, and the relevance of such narratives in addressing ecological challenges while sustaining cultural heritage. The method of close textual analysis of Kumbapattu is employed to decode the religious concepts and philosophies of the community, supplemented by observations of ritual performances during fieldwork. This study draws on both primary and secondary materials for the analysis. The study employs Bronisław Malinowski’s myth–ritual theory to examine the relationship between myth and ritual and their role in shaping the Kurichiya identity. Further, William R. Bascom’s four functional categories are applied to identify the ecological functions expressed through the song, since the community is traditionally agrarian and still largely depends on forest and environment for a significant part of their community life. To provide a culturally grounded interpretation that reflects Kurichiya worldviews, the study also incorporates indigenous epistemology to make the analysis more relevant and comprehensive. Full article

Aging and pregnancy are often considered opposites in a woman’s biological timeline. Aging is defined by a gradual decline in the functional capabilities of an organism over its lifetime, while pregnancy is characterized by the presence of the transient placenta, which fosters the cellular fitness necessary to support fetal growth. However, in the context of preeclampsia, pregnancy and aging share common hallmarks, including clinical complications, altered cellular phenotypes, and heightened oxidative stress. Furthermore, women with pregnancies complicated by preeclampsia tend to experience age-related disorders earlier than those with healthy pregnancies. Klotho, a gene discovered fortuitously in 1997 by researchers studying aging mechanisms, is primarily expressed in the kidneys but also to a lesser extent in several other tissues, including the placenta. The Klotho protein is a membrane-bound protein that, upon cleavage by ADAM10/17, is released into the circulation as soluble Klotho (sKlotho) where it plays a role in modulating oxidative stress. This review focuses on the involvement of sKlotho in the development of preeclampsia and age-related disorders, as well as the expression of the recently discovered Mytho gene, which has been associated with skeletal muscle atrophy. Full article

Christian slaveholding should not be forgotten or minimized, nor should its mythologies go unchallenged or uncritiqued. This article surveys some of the leading Southern Baptist women slaveholders and mythologizers before and after the U.S. Civil War. It examines sources of SBC hagiography about the Convention foremothers and their persistent apologia for slaveholding. In particular, it discusses how female mythologizers in the antebellum and postbellum eras linked slaveholding, evangelism, and mission identity. It demonstrates how postbellum Southern Baptist women chose to view women slaveholders as moral exemplars for their current missions. It concludes that understanding the myth-making by and about women slaveholders in Southern Baptist patriarchal society is instructive for understanding this group of American Evangelical Protestants in Christian history. Full article

Thrombopoietin, the primary regulator of blood platelet production, was postulated to exist in 1958, but was only proven to exist when the cDNA for the hormone was cloned in 1994. Since its initial cloning and characterization, the hormone has revealed many surprises. For example, instead of acting as the postulated differentiation factor for platelet precursors, megakaryocytes, it is the most potent stimulator of megakaryocyte progenitor expansion known. Moreover, it also stimulates the survival, and in combination with stem cell factor leads to the expansion of hematopoietic stem cells. All of these growth-promoting activities have resulted in its clinical use in patients with thrombocytopenia and aplastic anemia, although the clinical development of the native molecule illustrated that “it’s not wise to mess with mother nature”, as a highly engineered version of the native hormone led to autoantibody formation and severe thrombocytopenia. Finally, another unexpected finding was the role of the thrombopoietin receptor in stem cell biology, including the development of myeloproliferative neoplasms, an important disorder of hematopoietic stem cells. Overall, the past 30 years of clinical and basic research has yielded many important insights, which are reviewed in this paper. Full article

In 2009, Seth Grahame-Smith published Pride and Prejudice and Zombies, sparking a subgenre that situates itself within multiple genres. I draw from the rebellious nature of nineteenth-century proto-feminists who tried to reclaim the female monster as an initial methodology to analyze Grahame-Smith’s Elizabeth Bennet. I argue that the (white) women in this horror rewriting inadvertently become the oppressors alongside contextualized zombie theory. This article also explores Grahame-Smith’s Charlotte Lucas as a complex female monster, as she is bitten and turned into a zombie, which reflects in part Jane Austen’s Charlotte’s social status and (potential) spinsterdom. It is the mythos of the zombie that makes Grahame-Smith’s Elizabeth Bennet’s feminist subversion less remarkable. And it is Charlotte’s embodiment of both the rhetorical and the religio-mythic monster that merges two narratives: the Americanized appropriated zombie and the oppressed woman. Grahame-Smith’s characters try to embody the resistance of twenty-first feminist sensibilities but fail due to the racial undertones of the zombie tangentially present in Pride and Prejudice and Zombies. Full article

This paper explores archetypes of femininity associated with Fāṭimah al-Zahrāʾ in Twelver Shi‘i hagiography through consideration of a broad range of archetypes found in the study of narrative and mythology. Many archetypes associated with goddesses of antiquity recur in portrayals of Fāṭimah al-Zahrāʾ, suggesting either cultural influence or universal archetypes. For instance, Fāṭimah embodies a youthful, innocent, virginal goddess; Jung’s light and dark mother figure; and the lamenting goddess. Similar archetypes are projected onto other sacred women in Shi‘ism, such as Zaynab bint ʿAlī and Fāṭimah al-Maʿṣūmah. However, other feminine archetypes are absent, some are sublimated onto male figures, and some are banalized through translating the esoteric into the exoteric. This leaves gaps in the narrative models available to faithful women. Furthermore, embodying archetypes like lamenting and suffering may be undesirable. While reformist portrayals of Fāṭimah have attempted to present her as a model for female activism, historical and hagiographical archetypes of Fāṭimah inherently clash and are difficult to disentangle. Nonetheless, considering how hagiography differs from history can help understand how the mythic does not always translate well to the mundane. Full article

Miracle tales are didactic stories related to Buddhist figures, objects, and places that describe supernormal occurrences brought about by acts of great piety and fervent devotion. They present the audience with concrete examples of the workings of karma, while simultaneously setting verifiable historical precedents in a bid to prove the religious efficacy of Buddhism in China. These were also historiographical works, providing a wealth of detail regarding not only religious life and belief in China, but also local lore, politics, architectural trends, and much more. This paper will focus on a text called the Ji shenzhou sanbao gantong lu 集神州三寶感通錄 (T2106), a collection of miracle tales compiled by the seventh-century scholar-monk, Daoxuan 道宣 (596–667 CE). This text is a collection of narratives drawn from literary and epigraphy sources, as well as orally transmitted stories. As a Buddhist figurehead and as the author of many seminal historiographical works, Daoxuan played a central role in the overall localization of this tradition in China. Bearing this in mind, this paper seeks to interpret the “collective images” presented in Daoxuan’s collection of miracle tales, those representations of the miraculous and the supernormal. Full article

The artist Eva Hesse (1936–1970) and her work, ranging from traditional painting and drawing to highly inventive bas-relief and sculptural form, are frequently interpreted through the lenses of biography, psychology, and gender, contributing to a prevailing narrative of a troubled and tragic artist figure. This dominant understanding of Hesse’s oeuvre has largely emerged from the interpretation of the artist’s own words, in the form of diary entries and interviews, and the published interpretations of these texts by scholars, peers, and critics, who frequently dwell on the narrative of Hesse’s short and challenging life. However, a closer look at the documentation of the artist’s own process of making, one that combined a near-daily writing practice, close annotations of choices made and executed in her work, and her emphasis on material experimentation, reveals an alternative reading of her writing and work. This paper will first explore the origins of the existing scholarship dedicated to Hesse’s writing that has contributed to the gendered and tragic mythos surrounding the artist and her work. This paper will then provide a re-reading of Hesse’s practice through the example of the work Repetition Nineteen, demonstrating her textual and material process as a deeply entangled set of relations between artist, process, and material contributing to a still-emerging portrait of the artist and her contributions. Full article

In contrast to those who read Genesis 1 through 11 as myth, the story of Genesis is historical narrative with a theological purpose (theo-history). The Hebrew theo-history of creation was undergirded by a worldview that did not converge with her neighbors but significantly diverged from the surrounding nations. While the literary style of Genesis has elements common to other ancient mythologies, the content itself is quite distinct. Unlike other ancient cosmologies, the Hebrew worldview perceived the people, places, and events of Genesis as historical and not merely religious symbols. The divergence of the Hebrew worldview from all ancient Near East (ANE) cultures is illustrated in three observations: (1) Genesis is monotheism not polytheism/panentheism, (2) Genesis is special revelation not cultic theology, and (3) Genesis is theo-history not myth or mytho-history. These three distinctives of Hebrew cosmology reflect a unique worldview shaped by divine revelation, and because Genesis was written in the genre of theo-history, Hebrew cosmology offers us a dependable foundation for knowing something true about our material origins, shaping ethical priorities, safeguarding the sacredness of human life, directing moral decision making, recognizing the significance of historical progress, and guiding scientific inquiry into the book of nature. Full article

(1) Background: Augmented reality (AR) game-based learning, has received increased attention in recent years. Fantasy is a vital gaming feature that promotes engagement and immersion experience for children. However, situating learning with AR fantasy to engage learners and fit pedagogical contexts needs structured analysis of educational scenarios for different subjects. (2) Methods: We present a combined study using our own built AR games, MathMythosAR2 for mathematics learning, and FancyBookAR for English as second-language learning. For each game, we created a fantasy and a real-life narrative. We investigated player engagement and teachers’ scaffolding through qualitative and quantitative research with 62 participants aged from 7 to 11 years old. (3) Results: We discovered that fantasy narratives engage students in mathematics learning while disengaging them in second-language learning. Participants report a higher imagination with fantasy narratives and a higher analogy with real-life narratives. We found that teachers’ scaffolding for MathMythosAR2 focused on complex interactions, for FancyBookAR, focused on story interpretation and knowledge explanation. (4) Conclusions: It is recommended to mix fantasy and real-life settings, and use simple AR interaction and pedagogical agents that enable teachers’ scaffolding seamlessly. The design of AR fantasy should evaluate whether the story is intrinsically related to the learning subjects, as well as the requirements of explicit explanation. Full article

In the reinscribing of white supremacy in the United States, the contemporary university as a place of exclusion presents a problem of religion. Approaching religion as “the search for depth” and addressing the “techno-myths” of betterment, longevity, and the rituals of enacting these myths that capture today’s social imaginaries, this paper proposes an alternative to religious faith in “rising” and the rhetoric of the contemporary American technocratic-meritrocratic paradigm. Adopting the posthumanist methodologies of reflexivity and diffraction, the author argues for an embodied catholicity of the university as a community, an open system rather than a pre-formed locus to which racially minoritized students are “added” or “included”. In advancing the co-creativity of a Catholic-pluriversal university via an ethic of love and care, the author presents a Christian spirituality that is itself a technology that offers the hope of enacting a more life-giving congruence between the sacred and the secular than the myth of Manifest Destiny and the racialized violence that is the continued manifestation of that mythos. Embodied in the posthuman mystic’s practices of “re-memory,” the author presents Christianity as a performative-pluralistic religion of evolution, one of common action with the potential to draw into something new the energies of creativity in today’s university. Full article

This article approaches the grammars of meaning creation by Scientific Creationism and New Atheism from an anthropological-communicological perspective. By grammars of meaning creation, we understand the different languages that the human being uses to communicate the meaning of their existence to themself and others. Nowadays, Scientific Creationism is disseminated around the world and has transcended evangelical Christianity by permeating non-Christian religions. On the other hand, New Atheism, headed by Richard Dawkins, has also reached non-Western cultures such as Muslim cultures. Starting from Apelian transcendental semiotics, the hermeneutics of Durand’s symbol, and Lluís Duch’s anthropological study on mythos and logos, we reflect on the horizons of understanding of both movements. Our study shows that, contrary to what one might think given the antagonistic metaphysical positions the two movements seem to profess, Scientific Creationists and New Atheists share the same grammar of meaning creation: positivism. What one could interpret as a new epistemological controversy between science and religion can be better understood as a fight based on positivist science to establish the true origin myth. Thus, creationists and atheists implicitly recognize positivism as the contemporary theological discourse, i.e., the self-evident grammar of meaning creation that allows the Truth to be expressed. Full article

Reports from Long-term HIV Survivors: Reclaiming Meaning while Confronting Mortality presents research completed by Kyle Desrosiers in conjunction with the Baylor University Institute for Oral History. Applying lifespan theory to spiritual development, it discusses the narratives of four American long-term HIV survivors from Latter-day Saints, Roman Catholic (2), and Conservative Jewish backgrounds. The fifth profile is from a Protestant pastor with an HIV ministry in a rural area. These profiles are five selected from among 10 interviews with HIV-positive people and caregivers across America now archived by the author at Baylor University. Questions directing this research were: how does HIV status affect participants’ relationship to their religious communities, identities, and spiritualties?; what narratives emerge from lifespan perspectives of HIV-positive and queer participants?; and what spiritual practices, mythos, and beliefs evolve/remain as a product of living at the margins of religion and society, alongside coping with a deadly global epidemic? This project reports narratives of change, continuity, and meaning-making to discuss how several gay/queer men from a range of ethnic and faith backgrounds have used spirituality and worldview to navigate life. Full article

What happens when we imagine the unimaginable? This article compares recent films inspired by H. P. Lovecraft’s Cthulhu Mythos with that author’s original early 20th century pulp horror stories. In Guillermo del Toro’s films Pacific Rim and Hellboy, monsters that would have been obscured to protect Lovecraft’s readers are now fully revealed for Hollywood audiences. Using the period-appropriate theories of Rudolf Otto on the numinous and Sigmund Freud on the uncanny, that share Lovecraft’s troubled history with racist othering, I show how modern adaptations of Lovecraft’s work invert central features of the mythos in order to turn tragedies into triumphs. The genres of Science Fiction and Horror have deep commitments to the theme of otherness, but in Lovecraft’s works otherness is insurmountable. Today, Hollywood borrows the tropes of Lovecraftian horror but relies on bridging the gap between humanity and its monstrous others to reveal a higher humanity forged through difference and diversity. This suggests that otherness in modern science fiction is a means of reconciliation, a way for the monsters to be defeated rather than the source of terror as they were in Lovecraft’s stories. Full article

Religion suffuses H.P. Lovecraft’s (1890–1937) short stories—the most famous of which, “The Call of Cthulhu,” has led to a literary subculture and a shared mythos employed by Lovecraft’s successors. Despite this presence of religion in Lovecraft’s work, scholars of religion have paid relatively little attention to Lovecraft and the Cthulhu mythos, with a few notable exceptions. This article offers a close analysis of millennialism within Lovecraft’s thought, especially as expressed in three of his “Cthulhu mythos” stories: “The Call of Cthulhu,” “The Dunwich Horror,” and “The Shadow over Innsmouth.” This article considers Lovecraft’s formative experiences and non-fiction writings so as to contextualize his approach and millennial outlook. Tied to his nativist views of social decline, I argue that Lovecraft expresses in his fiction a peculiar form of millennialism, “anti-millennialism,” which entails the reversal of traditional millennialism, offering no hope in a collective salvation, but rather expectation that the imminent future would bring only decline. Full article